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As the Pages Turn by Stormyskize
As the Pages Turn by StormySkize AdultFanFiction.net Ashwinder http://ashwinder.sycophanthex.com/viewstory.php?sid=13233 Author’s Archive Digital Quill FanFiction.net FictionAlley LJ Author’s site LJ Community Mugglenet Obscurus Books OWL The Petulant Poetess The Restricted Section The Snape Hermione Gift Exchange The WIKTT Archives 1 A/N: This story is a combination of many genres. It is part parody, part romance, part general drama, and completely A/U. I have followed canon very loosely, drawing some inspiration from the films as well as the books. I have completely ignored the ending of HBP. For the purposes of this story, I needed Dumbledore alive, and so alive he is – at least here! The events of the books are meant to serve only as a framework on which to hang my plot. Events that, in the books, may have taken place over several days or even weeks are compressed into one day, or completely ignored. This is deliberate and I intend no disrespect to the story that JKR is telling. Almost all encounters between Hermione Granger and Severus Snape are the product of my own imagination. I wrote this story in response to a challenge posed on the WIKTT forum by Ladyofthemasque. The Challenge goes like this: Lost in a Book Challenge Offered by Ladyofthemasque Based upon the story “Lost in a (Not So) Good Book” by Bubblebunny (http://ashwinder.sycophanthex.com/viewstory.php?sid=12466) Here’s the Lost in A Book Challenge: 1. Hermione Granger and Severus Snape encounter a wizarding romance novel 2. They get sucked literally into the storyline, taking on the roles of the hero and heroine 3. -
Black Girl Magic: the (Re)Imagining of Hermione Granger: an Analysis and Autoethnography
DePaul University Via Sapientiae College of Liberal Arts & Social Sciences Theses and Dissertations College of Liberal Arts and Social Sciences 6-2021 Black girl magic: the (re)imagining of Hermione Granger: an analysis and autoethnography Kandice Rose DePaul University, [email protected] Follow this and additional works at: https://via.library.depaul.edu/etd Recommended Citation Rose, Kandice, "Black girl magic: the (re)imagining of Hermione Granger: an analysis and autoethnography" (2021). College of Liberal Arts & Social Sciences Theses and Dissertations. 306. https://via.library.depaul.edu/etd/306 This Thesis is brought to you for free and open access by the College of Liberal Arts and Social Sciences at Via Sapientiae. It has been accepted for inclusion in College of Liberal Arts & Social Sciences Theses and Dissertations by an authorized administrator of Via Sapientiae. For more information, please contact [email protected]. DePaul University Black Girl Magic: The (re)Imagining of Hermione Granger An Analysis and Autoethnography Kandice Rose Critical Ethnic Studies Graduate Candidate June 2021 1 INTRODUCTION I'd very much like to say that I've always loved to read, but that would be patently false. At the age of 6, when I was in the first grade, the grade where Americans generally learn to read, I absolutely hated it. My teacher, Mrs. Johnson, would call on students to stand up and read passages to the class. I would stare in awe as other kids would read their sentences flawlessly, even as butterflies rattled in my stomach, as I waited in dread for her to call on either myself or my twin sister. -
"All Because of Hermione Granger" "Angst - Destruction"
"All Because of Hermione Granger" "Angst - Destruction" Life was absolute shit, Harry decided. He’d lost the last link to his parents, his godfather, and Remus had treated him like he’d just dropped out of Moony’s butt during a full moon. The last day of term. Tomorrow, Harry would be setting off to the Dursleys, for another summer of chaos and misery. It had been exactly eight days since the damned fight at the Ministry of Magic. Eight days since Sirius had been knocked through the Veil of Death in the Department of Mysteries by his own cousin. Eight days since Dumbledore had told him that the fate of the world, literally, rested on his shoulders. His friends had been a little distant, probably on Dumbledore’s orders. Let him rest. Let him grieve in peace. It is what he needs right now. He could almost picture the meeting. Brave Ron, nodding in agreement because it was Dumbledore who told them. Beautiful Hermione, wanting the best for Harry. If Dumbledore, the greatest wizard in the world, didn’t know what was best for Harry, at least in her eyes, who would? Since then, he’d been moping around the castle. He’d turned up for lessons, let them go over his head so high they hadn’t even ruffled his hair. It didn’t matter. None of it really mattered. Hermione. She was part of the reason he was in such pain. When Dolohov’s curse had hit her, Harry’s brain locked. A single thought ran through it, Don’t be dead! Don’t be dead! When Neville had checked her, and found a pulse, Harry could have cried. -
Elizabeth Gagne' Mentor
Gagne’ 1 Elizabeth Gagne’ Mentor: Dr. Laura Hakala Grad Research Symposium Malfoy, Draco Malfoy: Exploring Toxic Masculinity in Harry Potter When people think about Harry Potter and the Sorcerer’s Stone, or any book in the series by J. K. Rowling, they typically think of Harry Potter and his friends, Hermione Granger and Ronald Weasley. Rarely do they think about Draco Malfoy. Considering the #MeToo movement and the exposure of toxic masculinity, characters like Malfoy become pivotal in understanding how we identify masculinity in adolescents. Especially since most of the conversations taking place about Harry Potter, mainly focuses on Harry himself and those he is in close connection with. This encompasses scholarship as well, where the primary focus is on Harry. Draco Malfoy plays a prominent role in some of the keys points and scenes within multiple Harry Potter books, and therefore his character and actions are important. Annette Wannamaker believes that “in more than a few contemporary texts written for boys, masculinity is—not always but quite often—portrayed in complicated, contradictory, often paradoxical ways that highlight the difficult negotiations that boys are making as they develop gendered identities within, against, or on the margins of current cultural constructions of masculinity” (Boys in Children’s Lit 10). Draco Malfoy is a character that develops his masculinity through the influence of what it means to be a pureblood wizard, which stems from the teaching and impact his parents and society have on him. There is also influence from his peers and what it means to be a Slytherin, a Hogwarts house that is known for unsavory characters. -
Racism in the Harry Potter Series
Racism in the Harry Potter Series Kaitlin Ollivier-Gooch The cultural phenomenon of the Harry Pot- ries; however, the most prominent example by ter series is one that affected the lives of an far is the Muggles. Any wizard in the novel who entire generation. Countless young adults today is not Muggle-born or raised by Muggle parents were raised alongside Harry Potter, Hermione expresses racist tendencies towards Muggles. De- Granger, and Ron Weasley, learning as they spite the fact that the intentions of their actions learned. J.K. Rowling accomplished something are spawned from different mentalities, both the with her novels that most authors cannot: she `good' and the `bad' wizards in the novels are created characters that truly grew with the read- racist, whether expressed through the colonial ers. The characters came up against problems of concept of Orientalism or the negative feelings friendship and romance, and wrestled with the of xenophobia. The books show that the lines concept of death throughout the novels; and, as that delimit racist thought and action are not they dealt with these problems, the readers did clear, and that being racist is not something for too. only the `bad guys'. It also shows readers that One of the prevailing issues dealt with in racism, while obviously worse when it stems the Harry Potter novels is racism. There is a from hatred, is not something that is exclusive very clear othering of many groups in this se- to villains in books or in real life, it can affect 75 stereotypically good characters as well. -
Hermione Granger As Young Girl Sleuth in the Harry Potter Series
Roger Williams University DOCS@RWU Arts & Sciences Faculty Publications Arts and Sciences 2008 Hermione Granger as Young Girl Sleuth in the Harry Potter Series Glenna M. Andrade Roger Williams University, [email protected] Follow this and additional works at: https://docs.rwu.edu/fcas_fp Part of the English Language and Literature Commons Recommended Citation Andrade, Glenna M. 2008. "Hermione Granger as Young Girl Sleuth in the Harry Potter Series." In Critical Readings of Nancy Drew and Other Girl Sleuths, edited by Michael Cornelius. McFarland. ISBN 978-0-7864-3995-9. This Article is brought to you for free and open access by the Arts and Sciences at DOCS@RWU. It has been accepted for inclusion in Arts & Sciences Faculty Publications by an authorized administrator of DOCS@RWU. For more information, please contact [email protected]. Abstract: Hermione Granger as Girl Sleuth in the Harry Potter Series Reappearing in the long tradition of girl sleuths such as Carolyn Keene’s Nancy Drew, Hermione Granger interrupts the centrality of the male-fantasy-adventure in the Harry Potter series. Throughout the novels, Hermione asserts her own subjecthood and participates in a shared agency to change from a scared girl into a woman battling for justice. Clearly, the Harry Potter series can affect readers differently. Some may perceive the comparisons to the Nancy Drew role of Era Three when Hermione uses her wits to detect clues, solve mysteries, and uncover suspects and their motives. Although others may stereotype Hermione as the conventional female helpmate, still others may find that her take-charge personality affirms that her role is equal to Harry’s. -
J. K. Rowling's Harry Potter: 14 Ways of Looking at Genius
J. K. Rowling: 14 Ways of Looking at Genius Item Type Book Authors Widdicombe, Toby Download date 30/09/2021 22:47:19 Link to Item http://hdl.handle.net/11122/12186 J. K. Rowling’s Harry Potter: 14 Ways of Looking at Genius Ed. Toby Widdicombe § Tobold Press § This is the book J. K. Rowling: 14 Ways of Looking at Genius. It was compiled and edited by Toby Widdicombe, Ph.D., Department of English, University of Alaska Anchorage in June and July 2021. This book is licensed under a Creative Commons by-nc-nd 4.0 license. See https://creativecommons.org/licenses/by-nc-nd/4.0/ for more and detailed information. The guidelines for this book are these: ✓ You may share the material in any medium or format as long as you give appropriate credit. ✓ You may not use the material for commercial purposes. ✓ If you remix or transform the material, you may not distribute the modified material. 2 Abbreviations CS Harry Potter and the Chamber of Secrets DH Harry Potter and the Deathly Hallows GF Harry Potter and the Goblet of Fire HBP Harry Potter and the Half-Blood Prince OP Harry Potter and the Order of the Phoenix PA Harry Potter and the Prisoner of Azkaban SS Harry Potter and the Sorcerer’s Stone 3 Contents Elsa Snodderly, “What Muggles and Magic Can Teach Us about Tolerance” 7 Roslyn White, “An Examination of Abuse in the Harry Potter Septet” 17 Jack Butto, “What Makes Harry Potter a Memorable Character?” 53 Mackenzie Lindeman, “The Production of a Functioning Society” 61 Charlene Ducut, “Sex, Sexuality, and Love in J. -
Wands & Witches
Wands & Witches Version 0.42 by @Great_Chicken_Studio Guide by @Manfegor Wands & Witches v0.42 guide @Manfegor Guide Introduction ................................................................................................................................................................. 4 Prologue .................................................................................................................................................................................. 4 Interface ................................................................................................................................................................................... 5 Courses .................................................................................................................................................................................... 7 - Defend Against the Dark Arts lesson ............................................................................................................................... 8 - Potions lesson ..................................................................................................................................................................... 8 - Transfiguration lesson ........................................................................................................................................................ 8 - Charms lesson .................................................................................................................................................................... -
Running with Ball
10 Week Curriculum Planner NASC, Inc. ©2002. All Rights Reserved. No part of this publication SoccerMadeSimple.com SoccerMadeSimple.com may be reproduced, copied or transmitted in any form SoccerMadeSimple.com SoccerMadeSimple.com SoccerMadeSimple.com SoccerMadeSimple.com SoccerMadeSimple.com SoccerMadeSimple.com SoccerMadeSimple.com SoccerMadeSimple.com SoccerMadeSimple.com SoccerMadeSimple.com SoccerMadeSimple.com SoccerMadeSimple.com SoccerMadeSimple.com SoccerMadeSimple.com SoccerMadeSimple.com SoccerMadeSimple.com SoccerMadeSimple.com SoccerMadeSimple.com SoccerMadeSimple.com without the prior written consent of NASC, Inc. THE OFFICIAL CAMP OF MAJOR LEAGUE SOCCER www.MLScamps.com Week 9 INCREDIBALL – Movement Adventure On The Open Seas 40 30 A A Assumption: 12 players in group A Purpose To develop movement skills. Organization Set out a 20 x 20 yard area. Select three adults as catchers. Randomly space all remaining players within the area. Each catcher has a soccer ball. Game Objective The object of the game is for players to remain standing and moving around the area for as along as possible. The catchers must roll or pass their ball along the playing surface to attempt to hit players on or below the knee. A player must sit down when hit. A seated player is returned to the game when tagged by another seated player. Play for a specified time period and then rotate. Progressions 1. Introduce a safe area where players cannot be hit with a ball. 2. Introduce a ball to each player. Catchers must now attempt to roll or pass their ball to strike the ball of the active player. Story Mike (one parent) is a sophisticated girl from New York who leaves her home in the big city as an exchange student looking for adventure on the open seas. -
Harry Potter and the Philosopher's Stone Discussion Guide
DISCUSSION GUIDE and the Philosopher’s Stone DISCUSSION GUIDE ABOUT THE HARRY POTTER BOOKS AND THIS GUIDE J.K. Rowling’s Harry Potter books are among the most popular and acclaimed of all time. Published in the UK between 1997 and 2007 and beginning with Harry Potter and the Philosopher’s Stone, the seven books are epic stories of Harry Potter and his friends as they attend Hogwarts School of Witchcraft and Wizardry. Crossing genres including fantasy, thriller and mystery, and at turns exhilarating, humorous and sad, the stories explore universal human values, longings and choices. The Harry Potter books are compelling reading for children and adults alike; they have met phenomenal success around the world and have been translated into 77 languages. A whole generation of children grew up awaiting the publication of each book in the series with eager anticipation, and they still remain enormously popular. The Harry Potter books make excellent starting points for discussion. These guides outline a host of ideas for discussions and other activities that can be used in the classroom, in a reading group or at home. They cover some of the main themes of the series, many of which, while set in an imaginary world, deal with universal issues of growing up that are familiar to all children. You will also find references to key moments on pottermore.com, where you can discover more about the world of Harry Potter. These guides are aimed at stimulating lively discussion and encouraging close engagement with books and reading. We hope you will use the ideas in this guide as a basis for educational and enjoyable work – and we think your group will be glad you did! Visit harrypotterforteachers.com for more Harry Potter discussion guides and reward certificates 2 and the Philosopher’s Stone DISCUSSION GUIDE INTRODUCTION TO HARRY POTTER AND THE PHILOSOPHER’S STONE Harry Potter has been raised by his horrible relatives, Uncle Vernon and Aunt Petunia, who treat him with disdain while lavishing attention on their spoiled son, Dudley. -
FIC -Reconstructing the Ministry of Magic After the Battle of Hogwarts
2021 I Fictional Committee I Agenda 1 Research Report Fictional Committee 1 I Reconstructing the ministry of magic after the Battle of Hogwarts MIS MUN 2021 Drafted by Savera Shah 1 2021 I Fictional Committee I Agenda 1 Table of Contents Table of Contents 2 Introduction 3 Definition of Key Terms 4 Current State of Affairs 6 Stances of Characters 7 Possible Solutions 8 Questions to Consider 9 Bibliography 10 2 2021 I Fictional Committee I Agenda 1 Introduction The Ministry of Magic or M.o.M. was the primary governing body representative of the magical community in Harry Potter. Their main goal was the preservation of law regarding magic. Furthermore, the Ministry of Magic keeps Muggles from finding out about the culture of magical folk. Essentially, the Ministry is a complicated and highly inefficient bureaucracy. Their headquarters are in London and are made up of various Departments. Boards, Committees, and Offices, all of whom enforce the regulations and rules of laws. The Ministry tackles different aspects such as commerce, transportation, magical creatures, sport, and international relations. Within the ministry, there are numerous law enforcement agencies. Their roles are to maintain order, impose laws and rules, manage security breaches, and operate Azkaban (prison for magical criminals). Besides this, the Ministry also maintains groups of Hit-police who protect the wizarding world and deal with criminals. The Wizengamot, High Wizard Court, is a governing body that serves as the ultimate judge of justice for the wizarding world. The ministry unites the British government to the world of witchcraft. Every prime minister of Britain is visited by the Minister for Magic. -
Harry Potter Chamber of Secrets
HARRY POTTER AND THE CHAMBER OF SECRETS screenplay by STEVEN KLOVES based on the novel by J.K. ROWLING FADE IN: 1 EXT. PRIVET DRIVE - DAY 1 WIDE HELICOPTER SHOT. Privet Drive. CAMERA CRANES DOWN, DOWN, OVER the rooftops, FINDS the SECOND FLOOR WINDOW of NUMBER 4. HARRY POTTER sits in the window. 2 OMITTED 2 3 INT. HARRY'S BEDROOM - DAY 3 Harry pages through a SCRAPBOOK, stops on a MOVING PHOTO of Ron and Hermione. SQUAWK! Harry jumps. HEDWIG pecks at the LOCK slung through her cage door, then glowers at Harry. HARRY I can't, Hedwig. I'm not allowed to use magic outside of school. Besides, if Uncle Vernon -- At the sound of the name, HEDWIG SQUAWKS again, LOUDER. UNCLE VERNON (O.S.) Har-ry Pot-ter! HARRY Now you've done it. 4 INT. KITCHEN - DAY 4 While AUNT PETUNIA puts the finishing touches to a PUDDING of WHIPPED CREAM and SUGARED VIOLETS, UNCLE VERNON struggles with DUDLEY'S BOW TIE, all the while glowering at Harry. UNCLE VERNON I warned you. If you can't control that bloody bird, it'll have to go. HARRY She's bored. If I could just let her out for an hour or two -- UNCLE VERNON And have you sending secret messages to your freaky little friends? No, sir. (CONTINUED) THE CHAMBER OF SECRETS - Rev. 1/28/02 2. 4 CONTINUED: 4 HARRY But I haven't gotten any messages. From any of my friends. Not one. All summer. DUDLEY Who'd want to be friends with you? UNCLE VERNON I should think you'd be more grateful.