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FINDING EVELYN by Sheryl Louise Rivett a Thesis Submitted to The
FINDING EVELYN by Sheryl Louise Rivett A Thesis Submitted to the Graduate Faculty of George Mason University in Partial Fulfillment of The Requirements for the Degree of Master of Fine Arts Creative Writing Committee: ___________________________________________ Director ___________________________________________ ___________________________________________ ___________________________________________ Department Chairperson ___________________________________________ Dean, College of Humanities and Social Sciences Date: _____________________________________ Fall Semester 2015 George Mason University Fairfax, VA Finding Evelyn A Thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts at George Mason University by Sheryl Louise Rivett Master of Arts Johns Hopkins University, 2012 Bachelor of Individualized Studies George Mason University, 2004 Director: Helon Habila Ngalabak, Associate Professor Department of English Fall Semester 2015 George Mason University Fairfax, VA Copyright 2015 Sheryl Louise Rivett All Rights Reserved ii DEDICATION This is dedicated to my daughters. iii ACKNOWLEDGEMENTS I would like to thank my thesis director, Helon Habila Ngalabak, for his continued support and sage advice; my writing group for their generous critiques; the Vermont Studio Center Writing Residencies, for providing a creative haven in northern Vermont; Trudy Hale, for providing a quiet and nurturing space at The Porches; and my family for their willingness to let me disappear into Evelyn’s world. iv TABLE -
Rabbit, Run by John Updike
Rabbit, Run By John Updike The motions of Grace, the hardness of the heart; external circumstances. -Pascal, Pensée 507 Boys are playing basketball around a telephone pole with a backboard bolted to it. Legs, shouts. The scrape and snap of Keds on loose alley pebbles seems to catapult their voices high into the moist March air blue above the wires. Rabbit Angstrom, coming up the alley in a business suit, stops and watches, though he's twenty-six and six three. So tall, he seems an unlikely rabbit, but the breadth of white face, the pallor of his blue irises, and a nervous flutter under his brief nose as he stabs a cigarette into his mouth partially explain the nickname, which was given to him when he too was a boy. He stands there thinking, the kids keep coming, they keep crowding you up. His standing there makes the real boys feel strange. Eyeballs slide. They're doing this for themselves, not as a show for some adult walking around town in a double-breasted cocoa suit. It seems funny to them, an adult walking up the alley at all. Where's his car? The cigarette makes it more sinister still. Is this one of those going to offer them cigarettes or money to go out in back of the ice plant with him? They've heard of such things but are not too frightened; there are six of them and one of him. The ball, rocketing off the crotch of the rim, leaps over the heads of the six and lands at the feet of the one. -
An Investigation of Jandek's
THEMATIC INTERCONNECTIVITY AS AN INNATE MUSICAL QUALITY: AN INVESTIGATION OF JANDEK’S “EUROPEAN JEWEL” GUITAR RIFFS NICOLE A MARCHESSEAU A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN MUSIC YORK UNIVERSITY TORONTO, ONTARIO MAY 2014 © NICOLE A MARCHESSEAU, 2014 Abstract This dissertation is divided into two main areas. The first of these explores Jandek-related discourse and contextualizes the project. Also discussed is the interconnectivity that runs through the project through the self-citation of various lyrical, visual, and musical themes. The second main component of this dissertation explores one of these musical themes in detail: the guitar riffs heard in the “European Jewel” song-set and the transmigration/migration of the riff material used in the song to other non-“European Jewel” tracks. Jandek is often described in related discourse as an “outsider musician.” A significant point of discussion in the first area of this dissertation is the outsider music genre as it relates to Jandek. In part, this dissertation responds to an article by Martin James and Mitzi Waltz which was printed in the periodical Popular Music where it was suggested that the marketing of a musician as an outsider risks diminishing the “innate qualities” of the so-called outsider musicians’ works.1 While the outsider label is in itself problematic—this is discussed at length in Chapter Two—the analysis which comprises the second half of this dissertation delves into self- citation and thematic interconnection as innate qualities within the project. -
Social Media Poems 2018 Simeon Berry
Social Media Poems 2018 Simeon Berry Contents Confessional (Paisley Rekdal) ...................................................................................................................... 1 The Afterlife Is a Room Full of Windows You Are Trying to Avoid (Joanna C. Valente) ......................... 2 Barbie Chang’s Mother Calls (Victoria Chang) ........................................................................................... 5 I Am the Whole Defense (Mai Der Vang) .................................................................................................... 7 I Meant Eyes But Wrote Yes (Amy Dryansky) ............................................................................................. 8 Caught In A Trap: The Dead Redux (Tanya Olson) ..................................................................................... 9 Suburban Pastoral (Adam Sol) .................................................................................................................... 10 Night Falls like a Button (Chen Chen) ........................................................................................................ 11 I Remember, I Remember (Mary Ruefle) ................................................................................................... 12 Not a Warning, Not a Challenge, Not an Instruction Manual (Eugenia Leigh) .......................................... 20 Dear Reader (James Tate) .......................................................................................................................... -
Songs in the Key of Z
covers complete.qxd 7/15/08 9:02 AM Page 1 MUSIC The first book ever about a mutant strain ofZ Songs in theKey of twisted pop that’s so wrong, it’s right! “Iconoclast/upstart Irwin Chusid has written a meticulously researched and passionate cry shedding long-overdue light upon some of the guiltiest musical innocents of the twentieth century. An indispensable classic that defines the indefinable.” –John Zorn “Chusid takes us through the musical looking glass to the other side of the bizarro universe, where pop spelled back- wards is . pop? A fascinating collection of wilder cards and beyond-avant talents.” –Lenny Kaye Irwin Chusid “This book is filled with memorable characters and their preposterous-but-true stories. As a musicologist, essayist, and humorist, Irwin Chusid gives good value for your enter- tainment dollar.” –Marshall Crenshaw Outsider musicians can be the product of damaged DNA, alien abduction, drug fry, demonic possession, or simply sheer obliviousness. But, believe it or not, they’re worth listening to, often outmatching all contenders for inventiveness and originality. This book profiles dozens of outsider musicians, both prominent and obscure, and presents their strange life stories along with photographs, interviews, cartoons, and discographies. Irwin Chusid is a record producer, radio personality, journalist, and music historian. He hosts the Incorrect Music Hour on WFMU; he has produced dozens of records and concerts; and he has written for The New York Times, Pulse, New York Press, and many other publications. $18.95 (CAN $20.95) ISBN 978-1-55652-372-4 51895 9 781556 523724 SONGS IN THE KEY OF Z Songs in the Key of Z THE CURIOUS UNIVERSE OF O U T S I D E R MUSIC ¥ Irwin Chusid Library of Congress Cataloging-in-Publication Data Chusid, Irwin.