Globe Education London Shakespeare Centre

Local/Global Shakespeares The Fourth British Shakespeare Association Conference 11–13 September 2009 King’s College London and Shakespeare’s Globe For more information visit www.kcl.ac.uk Local/Global Shakespeares Welcome to the 2009 British Shakespeare Association Conference at King’s College London & Shakespeare’s Globe

BSA 2009 has attracted a large Sonia Massai number of scholars, teachers, theatre Main organiser of BSA 2009, practitioners and members of the general King’s College London public from 28 countries worldwide. We are delighted to welcome you Farah Karim-Cooper all and look forward to the next three Co-organiser of BSA 2009, days. The programme offers a wide Shakespeare’s Globe range of paper sessions, seminars, workshops, panels and other activities. Other organisers: Complementing the official programme Claire Bridge, Madeline Knights, is an opportunity to watch a professional Gordon McMullan, Patrick company from Taiwan perform scenes Spottiswoode and Ann Thompson. from their current production of The Merchant of Venice in the style of bangzi, Special thanks to Enrica Corzani, a regional genre of Chinese opera. Sarah Dustagheer, Sarah Lewis, We hope that this conference will Thomas Manss, Helen Wisbey, Jennifer generate stimulating discussions about Young, and all the other graduate two main areas of interest, which students and staff at King’s and the are normally regarded as two separate Globe, who have generously supported entities, namely the impact of us over the last few months. globalization and multiculturalism on the ways in which Shakespeare is currently The British Shakespeare Association studied, taught and performed, and is dedicated to supporting people the effect of local, national and global who teach, research and perform contexts on Shakespeare’s own dramatic Shakespeare’s works. Accordingly, imagination and the production and this international conference offers reception of his works from early modern a wide range of lectures, seminars, London to the present. Quite a task! workshops and panel discussions run Please note that the conference will be by and aimed at scholars, students, split site on Saturday, 12 September, and We hope you enjoy the conference. artists and teachers. Sunday, 13 September; delegates will have to make their own way to both venues (Strand Campus, King’s College London and Shakespeare’s Globe, Bankside). Please note that all information is correct at time of print, and subject to change. FRIDAY 11 SEPTEMBER FRIDAY 11 SEPTEMBER Schedule – Morning Schedule – Afternoon King’s College London King’s College London

9.30 – 11.00 14.00 – 15.30 Shylock in the 20C and 21C: Teams Researching Shakespeare in Registration, Publisher Hall open Parallel Seminar and Panel Sessions A Global Perspective Higher Education Great Hall Seminar Leader: Sabine Schuelting Panel Leader: Christie Carson (Royal Locating Early Modern Repertories (Freie Universitaet Berlin) Holloway, University of London) 10.00 – 11.00 Seminar Leader: Tom Rutter GFSB5 Panelists: Susan Brock (University BSA AGM (Sheffield Hallam University) of Warwick), Emily Burden (The Council Room GFSB1 Filming & Performing Shakespeare Institute), Peter Kirwan Renaissance History (University of Warwick) 10.00 – 11.00 Shakespeare in Wartime: The 20C Seminar Leader: Mark Thornton Burnett Music Seminar Room Coffee served in book exhibition area Seminar Leaders: Ton Hoenselaars (Queen’s University, Belfast) Great Hall (Utrecht University) & Clara Calvo K0.19 15.30 – 16.00 (University of Murcia) Coffee Break 11.00 GFSB2 Shakespeare’s Next Editors: Great Hall Opening Address at King’s Mapping the Field Edmond J. Safra Lecture Theatre Asian Shakespeares in Europe Seminar Leader: Matteo Pangello 16.00 – 17.00 Seminar Leader: Alex Huang (University of Massachusetts) Plenary 2: Going Global 11.00 – 12.30 (Pennsylvania State University) 20CB/K2.41 Edmond J. Safra Lecture Theatre Plenary 1: Defining Local K0.20 and Global Shakespeares ‘Shakespeares’ and ‘Africa’ Ed Hall (Propeller) Edmond J. Safra Lecture Theatre Shakespeare’s Europe Early Seminar Leaders: Natasha Distiller The Evolution of an All-Male Company Modern Contexts (University of Cape Town) & Sandra Ann Thompson (King’s College Seminar Leaders: Keir Elam Young (University of Cape Town) Michael Dobson (Birkbeck College, London) (Università di Bologna) & Blackwell University of London) Hamlet: The Universal Mirror? Michele Marrapodi (University Shakespeare in Exile: of Palermo) Shakespeare in Performance Anglophone Expatriate Performance Gordon McMullan (King’s College Old Committee Room Workshop Leader: Bridget Escolme and Its Discontents London) (Queen Mary, University of London) ‘I met a hand…and by and by a single leg Localizing Shakespeare in Asia K0.18 17.15 – 18.15 running after it’: performing Indonesia, Seminar Leader: Beatrice Lei Plenary 3: 1609 – 2009: Shakespeare’s 1621–2/2001–2 (National Taiwan University) Practical Approaches to Teaching Sonnets Music Lecture Room Shakespeare with the RSC Edmond J. Safra Lecture Theatre Sonia Massai (King’s College London) Workshop Leader: Virginia Grainger Raiding the Borders: Radical Global/Local Pedagogies (Royal Shakespeare Company) Stanley Wells (The Shakespeare Experiments with Shakespeare Seminar Leaders: Kate Flaherty K0.16 Birthplace Trust) & Paul Edmondson in Performance (University of Sydney) & (The Shakespeare Birthplace Trust) G.B. Skip Shand (Glendon College, The Plurality of Shakespeare’s Sonnets 12.30 – 14.00 York University) Lunch Break GFSB3 SATURDAY 12 SEPTEMBER Schedule – Morning King’s College London

18.30 9.30 12.00 – 13.30 Intercultural Shakespeare & Opening Reception Publisher Hall opens Parallel Seminar and Panel Sessions the Modern Great Hall Great Hall Stage Director: Session Organiser, Coming of Age in Shakespeare Reiko Oya (Keio University, Tokyo) 20.00 9.30 – 10.00 [A-levels to University] Speakers: Reiko Oyan, John Stokes Optional evening activity Coffee served in book exhibition area Panel Chair: Sean McEvoy (Vardean (King’s College London), Cary DiPietro Chinese-Opera style production Great Hall College, Brighton) (University of Toronto Mississauga) of The Merchant of Venice, Panelists: Carol Atherton, Ewan K0.16 Taiwan Bangzi Theatre Company 10.00 – 10.30 Fernie (Royal Holloway University Greenwood Theatre Taiwan Bang Zi Company, London), Andrew Hadfield European Shakespeares: Tickets are free of charge, but you The Merchant of Venice (University of Sussex), Martin Nicholls, Transformations & Innovation must pre register to reserve a seat Platform: director, playwright, Michelle O’Callaghan, Luke Walters Session Organiser: Boika Sokolova for the performance. translator and leading singer GFSB5 (University of Norte Dame, London) take questions following the Speakers: Boika Sokolova, Peter Greenwood production Global & Local Emotion Davidhazi, Madalina Nicolaescu Edmond J. Safra Lecture Theatre Session Organiser: Lars Engle (University (University of Bucharest) of Tulsa) GFSB2 10.30 – 11.30 Speakers: Lars Engle, David Plenary 4: Shakespeare and Hillman (University of Cambridge), Postgraduate Research at/on Intercultural Performance John Roe (University of York) London Theatres Edmond J. Safra Lecture Theatre Council Room Panel Leader: Sarah Dustagheer (King’s College London/Shakespeare’s Globe) Rustom Bharucha (Critic and Director) Locale Shakespeares Panelists: Sarah Dustagheer, Memory and Misunderstanding: Session Chair: Catherine Silverstone Penelope Woods (QueenMary, Learning through Intercultural Stories (Queen Mary, University of London) University of London/Shakespeare’s around Shakespeare Speakers: Mark Houlahan (University Globe), Sophie Leighton-Kelly of Waikato), David Carnegie (Victoria (Queen Mary, University of London/ Q/A with Alan Read University of Wellington), Rose Gaby The Barbican) (King’s College London) (University of Tasmania) GFSB1 GFSB3 11.30 – 12.00 Ceremony, Performance and Practice Coffee Break Shakespeare on Film & Television in Shakespearean Drama Great Hall Session Organiser: Russell Jackson Workshop Leaders: Alison Findlay (The Shakespeare Institute) (Lancaster University) and Elizabeth Speakers: Russell Jackson, Sarah Oakley-Brown (Lancaster University) Hatchuel (Université du Havre) K0.18 K0.20 SATURDAY 12 SEPTEMBER SUNDAY 13 SEPTEMBER Schedule – Afternoon Schedule – Morning Shakespeare’s Globe King’s College London

Shakespeare in Schools: 15.00 – 16.30 Shakespeare: Teaching, Performance, 9.30 UK and Beyond Parallel Seminar and Panel Sessions and Race Publisher Hall opens Panel Leader: Perry Mills (King Edward Session Organiser: Ayanna Thompson Great Hall VI School, Stratford-upon-Avon) Semi Plenary: Localizing the Early (Arizona State University) Panelists: Fiona Lesley, James Stredder Modern Stage: Robert Weimann’s Speakers: Ayanna Thompson, Antonio 9.30 – 10.00 (Gunma University) Life Work Ocampo-Guzman, and Amy Scott- Coffee served in book exhibition area 20CB/K2.41 Session Organiser: John Gillies Douglass (University of Maryland) Great Hall (University of Essex) & Robert Weimann Inigo Jones Studio 2 13.30 – 15.00 Panelists: John Gillies, David Schalkwyk, 10.00 – 11.30 Lunch Break Nora Johnson (Swarthmore College), 16.30 – 17.00 Parallel Seminar and Panel Sessions Jeanne McCarthy (Oglethorpe Coffee Break University), William West (North UnderGlobe Theatre for Young People Western University) Chair: Georghia Ellinais (National Nancy W. Knowles Lecture Theatre 17.00 – 18.00 Strategies) Plenary 5: Representing Shakespeare Round-table Speakers: Christopher Stafford Shakespeare & Global Publishing to Modern Students (Shakespeare’s Globe), Julia Potts (New Panel Leaders: Margaret Bartley (Arden) UnderGlobe Ambassadors Group), and Geoff Colman & Sarah Stanton (Cambridge University (Central School of Speech and Drama) Press) Margaret Jane Kidnie (The University Council Room Panelists: Margaret Bartley & Sarah of Western Ontario) Stanton, Emma Bennett (Wiley- Reading the Book – Staging the Class Local Contexts: the Playhouse, Blackwell), Kate Haines (Palgrave) the Court, and beyond Watkins 1 Jonothan Neelands (Institute of Chair: Tom Rutter (Sheffield Hallam Education, University of Warwick) University) Practical Approaches to Key Stages Shakespeare, Multi-Ethnicity and the Speakers: Helen Hackett (University 2 & 3: workshop with Fiona Banks Reflective Practitioner College London), Tiffany Stern (University (Shakespeare’s Globe) with Globe College, Oxford), Chris Laoutaris Education Practitioners Helen Nicholson (Royal Holloway, (University College London) Inigo Jones Studio 1 University of London) K0.16 ‘This Island’s Mine’: Citizenship, Digital Shakespeare Britishness and Theatre Education. Shakespeare & Directors’ Theatre Panel Leader: Christie Carson (Royal in Western Europe Holloway, University of London) Chair: Catherine Silverstone (Queen Mary, Panelists: Sylvia Morris, Alexander University of London) Huang (Pennsylvania State University), Speakers: Helena Buffery (University of Olwen Terris (British Universities Birmingham), Nicole Fayard (University Film & Video Council), Lucy Munro of Leicester), Peter Boenisch (University (Keele University) of Kent) Watkins Studio 2 K0.18 SUNDAY 13 SEPTEMBER Schedule – Afternoon Shakespeare’s Globe

Arab Shakespeares 13.45 – 15.00 Our Theatre, from Page to Stage 17.00 Session Organiser: Graham Holderness Champagne/High Tea Conference Engaging Our Community Closing Address at Shakespeare’s Globe (University of Hertfordshire) Reception (50 places) Session Organiser: Johanna Elworthy UnderGlobe Speakers: Sameh Hanna (University Balcony Room (Shakespeare’s Globe) of Salford), Bryan Loughrey (University A separate ticket (£30) is required for this Roundtable Speakers: Johanna Elworthy 17.00 – 18.00 of Hertfordshire) event as a pre-purchase or by contacting and Senior Practitioner, Globe Education Plenary 7: Interventions: Shakespeare’s GFSB2 an organiser. Inigo Jones Studio 2 Globe, the Local & the Global UnderGlobe Shakespeare in Another Country 15.00 – 16.30 Teaching Shakespeare in Session Organiser: Tom Healy Parallel Seminar and Panel Sessions a Multicultural Classroom Q/A chaired by Farah Karim-Cooper (University of Sussex) Panel Leader: Anton Franks (Institute Speakers: Tom Healy, Margaret Healy Semi-Plenary: British Shakespeares of Education) Dominic Dromgoole (University of Sussex), Danielle Clarke Panel Leaders: Abigail Rokison Panelists: Kate Ford (Haggerston Girls (Shakespeare’s Globe) (University College Dublin), Mike (Cambridge University) & Gordon School), Sarah Nunn (Globe Education), New Writing & Shakespeare’s Globe Schoenfeldt (University of Michigan) McMullan (King’s College London) and Jonothan Neelands (Institute of K0.20 Panelists: Greg Doran (Royal Education, University of Warwick) Patrick Spottiswoode Shakespeare Company), Michael Inigo Jones Studio 1 (Shakespeare’s Globe) Hybrid Shakespeare &/in Europe Attenborough (Almeida Theatre), Globe Education – Local, National, Session Organisers: Pascale Drouet Jonathan Munby Shakespeare’s Strangers: Nationhood International Audiences (University of Poitiers) and Nathalie Nancy W. Knowles Lecture Theatre and Ethnicity Rivère de Carles (University of Toulouse) Session Organiser: Randall Martin Conference ends Speakers: Jean-Jacques Chardin Dramatising the Early Modern (University of New Brunswick) (University of Strasbourg), Agnes Local & Global: the Archive and Speakers: Jerry Sokol (Goldsmith’s Lafont (Université Paul Valery – IRCL), the Travel Play College, University of London), Florence March (University of Avignon) Session Organiser: Clare McManus Randall Martin and Warren Chernaik GFSB1 (Roehampton University) (King’s College London) Speakers: Matthew Dimmock, Watkins Studio 1 11.30 – 12.00 Lucy Munro (Keele University), Coffee Break Melissa Walter (University of the 16.30 – 17.00 Great Hall Fraser Valley) Coffee Break Watkins Studio 2 UnderGlobe 12.00 – 13.00 Plenary 6: Theatrical Cultures in Early Modern London Edmond J. Safra Lecture Theatre

Andrew Gurr (University of Reading) Re-Locating Early Modern Theatres: The Globe & the Rose Plenary Biographies Friday 11th September and edited Henry VIII for the Arden 16.00 – 17.00 Shakespeare series (2000); he has also Plenary 2: Going Global King’s College London edited 1 Henry IV for Norton Critical 11.00 – 12.30 Editions and four collections of essays, Ed Hall (Propeller), Plenary 1: Defining Local the most recent of which is Reading The Evolution of an All-Male Company and Global Shakespeares the Medieval in Early Modern England, Edward Hall (born 1967) is an English co-edited with David Matthews theatre director and an associate director Ann Thompson, (Cambridge, 2007). He is a general at The National Theatre. He also runs an Hamlet: The Universal Mirror? editor of Arden Early Modern Drama all-male Shakespeare company, Propeller. Ann Thompson is Professor of English at and a member of the editorial board of He began his professional career as King’s College London. She has previously the Internet Shakespeare Editions. a director at the Watermill Theatre taught at the University of Liverpool and in the early 1990s. At the Watermill at Roehampton University; she has also Sonia Massai, Hall directed a number of Shakespeare held visiting positions at the University Raiding the Borders: Radical plays, including Henry V and The of Hawaii and the University of Cincinnati, Experiments with Shakespeare Comedy of Errors. In 1996 he directed Ohio. She is a General Editor of the in Performance Sir Donald Sinden, Patrick Ryecart Arden Shakespeare for which, in 2006, Dr Sonia Massai is Reader in English and Nigel Davenport in N.J. Crisps’ she co-edited with Neil Taylor all three at King’s College London. Her research drama That Good Night for a major texts of Hamlet. She has also edited and teaching focus on Shakespeare, UK tour, produced by Marc Sinden The Taming of the Shrew for Cambridge. early modern drama and culture, textual Production. In 2002, Hall directed Rose Other publications include Shakespeare’s transmission, editing and criticism, Rage at the Haymarket Theatre. This Chaucer, Shakespeare, Meaning and and adaptations and intercultural was an ambitious adaptation of all three Metaphor (co-authored with John O. appropriations of Shakespeare. She is of Shakespeare’s Henry VI plays. It Thompson), Women Reading Shakespeare, the convener of the King’s new MA in was described by The Guardian as ‘an 1660 – 1900 (co-edited with Sasha Early Modern English Literature: Text exhilaratingly surreal and bloody take on Roberts) and In Arden: Editing Shakespeare and Transmission taught in partnership Shakespeare’. Although he has for the (co-edited with Gordon McMullan). with the British Library. She is the author most part worked in the theatre, Hall of Shakespeare and the Rise of the Editor has also done some directing for radio Gordon McMullan, (CUP, 2007) and the editor of a collection and television including Into Exile for ‘I met a hand…and by and by a single leg of essays on World-Wide Shakespeares BBC Radio 4 and episodes of Trial and running after it’: performing Indonesia, (Routledge, 2005). She has also edited Retribution and Marple. 1621 – 2/2001 – 2 Titus Andronicus for Penguin (2001) and Gordon McMullan is Professor of Thomas Heywood’s The Wise Woman Michael Dobson, English at King’s College London. He of Hoxton for the Globe Quartos series Shakespeare in Exile: Anglophone established and convenes the university’s (2002) and is currently completing Expatriate Performance and Its MA in Shakespearean Studies: Text a new edition of John Ford’s ’Tis Pity Discontents and Playhouse run in conjunction with She’s a Whore for the Arden Early Modern Michael Dobson is Professor of Globe Education. His book, Shakespeare Drama series and co-editing The Paratext Shakespeare Studies at Birkbeck and the Idea of Late Writing: Authorship in English Printed Drama to the Restoration College, University of London, where in the Proximity of Death, was published for Cambridge University Press. he is chair of the new MA programme by Cambridge at the end of 2007. Prior in Shakespeare and Contemporary to that, he has written The Politics of Performance, run in conjunction with Unease in the Plays of John Fletcher (1994) Globe Education. His publications include The Oxford Companion to Paul Edmondson, is Head of Learning Saturday 12th September Fang CHEN, who received her Ph.D. Shakespeare (with Stanley Wells, 2001, at The Shakespeare Birthplace Trust, an in Chinese literature, now teaches at most recently revised 2009), The Making Honorary Fellow of The Shakespeare King’s College London National Taiwan Normal University of the National Poet (1992), Performing Institute, a Trustee of the Rose Theatre 10.00 – 10.30 as professor of Chinese Theater. A Shakespeare’s Tragedies Today (2006), Trust and an Honorary Fellow of The renowned scholar particularly in the field and England’s Elizabeth (with Nicola Society for Teachers of Speech and Taiwan Bang Zi Company, of classical drama, she has authored a Watson, 2002). He has contributed Drama. His publications include: The Merchant of Venice number of influential books and is widely programme notes for the Globe, the Twelfth Night: A Guide to the Text and Its Hai-ling WANG began her career published in learned journals, both in RSC, Peter Stein, & other companies, Theatrical Life (2005), and (co-authored in traditional Chinese theatre at the Taiwan and in China. The book she reviews regularly for the BBC and the with Stanley Wells), Shakespeare’s tender age of 8, and became a lead at compiled on Bangzi Opera is one of the London Review of Books, and is a frequent Sonnets (2004) and Coffee with 14. Fifty years of hard work have won most useful references to date on this contributor to Around the Globe. Shakespeare (2008). He is co-supervisory her numerous awards and the title of exquisite genre. Professor Chen is the editor of the Penguin Shakespeare, and ‘The Queen of Bangzi Opera.’ In 2000, incumbent president of Chinese-Taipei 17.15 – 18.15 his new introduction to Richard II the diva won the National Award for Theatre Association (CTA) (www.chta. Plenary 3: 1609 – 2009: Shakespeare’s appeared in August 2008. He has just Literature and the Arts, the highest honor org.tw). Bond is her first attempt at Sonnets completed an article on ‘The Poetry for the artist in Taiwan. adapting Shakespeare into Chinese opera. of Marlowe and Shakespeare’ for the A versatile and talented actor, Wang is Stanley Wells and Paul Edmondson, forthcoming Cambridge History of Poetry. equally skilled in various traditional role Ching-Hsi PERNG is Distinguished The Plurality of Shakespeare’s Sonnets He is a regular contributor to Around the types, instilling the old dramatic form with Professor of Drama and English at Stanley Wells is Chairman of the Trustees Globe and has reviewed many books and new energy. In 1992, Wang showcased National Taiwan University, where he of Shakespeare’s Birthplace, Emeritus theatre productions. her skills in the presence of Mrs. has taught for over thirty years. Among Professor of Shakespeare Studies of the Thatcher, during the United Kingdom some thirty books to his credit are University of Birmingham, and Honorary former prime minister’s visit to Taiwan. three studies on Shakespeare and the Emeritus Governor of the Royal Chinese translations of Hamlet and Shakespeare Theatre. His books include Po Shen LU, who received his M.A. The Merchant of Venice. To promote Literature and Drama; Royal Shakespeare: from London University Holloway, Shakespeare studies, he has founded Studies of Four Major Productions at the now teaches directing at National NTU’s Shakespeare Forum Royal Shakespeare Theatre; Modernizing Taiwan University. He is concurrently (www.shakespeare.tw) and Taiwan Shakespeare’s Spelling; Re-editing Artistic Director of Tainaner Ensemble, ShakeScene (www.shakescene.tw), Shakespeare for the Modern Reader; and for which he has staged fresh, exciting trying to bring together the island’s Shakespeare: the Poet and his Plays. His interpretations of Western classic theater artists and academicians of most recent books are Shakespeare in the works by Sophocles, Aristophanes, kindred spirit. Perng has also lectured Theatre: An Anthology of Criticism; Shakespeare, and Beckett. The widely in both Taiwan and China. He The Oxford Dictionary of Shakespeare; unconventional and innovative is concurrently president of Taipei PEN. The Oxford Companion to Shakespeare approaches he took in these productions (edited with Michael Dobson); have made him a controversial director Shakespeare: For All Time; Looking for equally praised and criticized, but never Sex in Shakespeare; Shakespeare’s Sonnets slighted. His recent directing works and Coffee with Shakespeare, both include Endgame, Romeo and Juliet co-authored with Paul Edmondson; , Hamlet, Footfalls, Come and Go, Shakespeare and Co., and Is It True What Lysistrata, Macbeth, Castrated Chicken they Say About Shakespeare? Shakespeare, and Mulan. He has also directed Auntie Sex – and Love will appear next year. Liu for Taiwan BanZi Company. 10.30 – 11.30 Shakespeare’s Globe and performance in teaching and promenade performance in the Cape Plenary 4: Shakespeare and 17.00 – 18.00 learning, a joint initiative between the Flat townships, South Africa, and a Intercultural Performance Plenary 5: Representing Shakespeare University of Warwick and the Royal Shakespeare project with British Asian to Modern Students Shakespeare Company. He is closely young people in West London. Her most Q/A chaired by Alan Read involved in the RSC’s Stand Up For recent book, Theatre & Education, was Alan Read is Professor of Theatre at Margaret Jane Kidnie, Shakespeare campaign to improve the published by Palgrave in 2009. King’s College London. His research Reading the Book – Staging the Class quality of Shakespeare teaching at all interests lie in negotiating engagements Margaret Jane Kidnie is Associate ages and stages through an ensemble between intellectual enterprise, innovative Professor of English at the University and rehearsal room pedagogic approach. artistic practices and local neighbourhood of Western Ontario. She has edited Professor Neelands is Research contexts. Most recently this work has Ben Jonson: ‘The Devil is an Ass’ and Consultant for the National Council of been conducted through a five year Other Plays (Oxford University Press, Drama Training and a member of the programme of research and public 2000), and an old-spelling edition of RSC Education Advisory Group. He networking between artists, academics Philip Stubbes, the Anatomie of Abuses has authored several texts for teachers and architects in a project called for the Renaissance English Text and students, which have influenced Performance Architecture Location. Alan Society (Arizona State University the development of drama in recent Read’s publications include Theatre and Press, 2002). She has published articles years including Structuring Drama Everyday Life: An Ethics of Performance on bibliography, textual theory, Work, Beginning Drama 11 – 14, Key (Routledge,1993,1995) and The Last and performance. Shakespeare 1 and 2 and Advanced Human Venue: Nature, Theatre & Politics Drama and Theatre Studies. His latest (Routledge, 2007). He is the founding Jonothan Neelands, publication is Improving Your Primary consultant editor of the Routledge journal Shakespeare, Multi-Ethnicity and School Through Drama. Performance Research and guest editor the Reflective Practitioner of two issues: On Animals, Vol V, no. 2, Professor Jonothan Neelands is a Helen Nicholson, 2000 and On Civility Vol IX, no. 4, 2004. National Teaching Fellow, Chair of ‘This Island’s Mine’: Citizenship, Drama and Theatre Education and Britishness and Theatre Education. Rustom Bharucha Director of Teaching and Learning in Dr Helen Nicholson is Reader in Rustom Bharucha is an independent the Institute of Education, University Drama and Theatre at Royal Holloway, writer, director and cultural critic based of Warwick. He is an experienced trainer University of London where she in Kolkata, India. He is the author and workshop leader with a national specialises in applied drama and of several books including Theatre and and international reputation for contemporary theatre. She is co-editor the World, The Question of Faith, In delivering high quality professional of RiDE: The Journal of Applied the Name of the Secular, The Politics of training and development opportunities. Theatre and Performance, published Cultural Practice, and Rajasthan: An Oral Research interests include: participatory by Routledge. Helen’s practice as History. His current project is an inter- theatre and democracy; cultural and research project, Performing Citizenship, Asian study of Rabindranath Tagore creative learning; the politics of cultural Investigating Place, investigates ideas and Okakura Tenshin, within the larger and education policy-making; teaching of citizenship and belonging with contexts of nationalism, pan-Asianism, in urban settings; the sociology of participants whose lives have been and cosmopolitanism. educational disadvantage and the affected by major international events. articulation of a pro-social pedagogy As part of this work she has led an of arts education. He is an associate intergenerational reminiscence theatre of the CAPITAL Centre for creativity project near Hiroshima, a community Sunday 13th September Shakespeare’s Globe Romeo and Juliet and The Winter’s Tale to and Venice at the University of Padua. 17.00 – 18.00 parks, National Trust properties, castles He has commissioned translations King’s College London Plenary 7: Interventions: Shakespeare’s and other places of outstanding natural of plays from the Italian, German 12.00 – 13.00 Globe, the Local & the Global beauty and architecture across Britain and Spanish repertory and in 2001 Plenary 6: Theatrical Cultures in Early and Europe. He has also advocated and commissioned 37 poets to revisit the Modern London Q/A chaired by Farah Karim-Cooper supported new writing at the Globe sonnet Composed upon Westminster Dr Farah Karim-Cooper is Head producing six new plays at the Globe Bridge to mark the 200th anniversary Andrew Gurr, of Courses and Research in Globe since 2006; Under the Black Flag, In of Wordsworth’s poem. He initiated Re-locating Early Modern Theatres: Education. In addition to being Extremis, We the People, Holding Fire, Read Not Dead in 1995 to record staged The Globe and the Rose the course director for the Globe The Frontline and Liberty which was readings of plays by Shakespeare’s Andrew Gurr is Professor Emeritus at component of the Globe/King’s MA a co-production with Lifeblood Theatre contemporaries. The readings have led the University of Reading, and until in Shakespearean Studies, she is also Company. From 1990 to 1996, to the publication of Globe Quartos and recently Director of Globe Research the Chair of the Globe Architecture Dominic was Artistic Director of the Globe Folios. at the Shakespeare Globe Centre, Research Group. She extended the work Bush Theatre in West London, at the London. A leading theatre historian of of Globe Education to the Doctoral vanguard of new British playwriting. the Shakespeare period, while at the level by setting up two AHRC funded As a producer, he put together sixty-five Globe he spent twenty years chairing the Collaborative Doctoral Awards with world or British premieres, winning committee that identified the Globe’s partners, King’s College London twenty seven major theatre awards. most likely shape and structure. His and Queen Mary London. Her two Dominic’s publications include The Full books include The Shakespearean Stage books are Cosmetics in Shakespearean Room, an overview of contemporary 1574 – 1642 (now in its fourth edition) and Renaissance Drama (2006) and playwriting (2001) and a book about Playgoing in Shakespeare’s London (third Shakespeare’s Globe: A Theatrical Shakespeare entitled Will & Me (2006). edition), The Shakespearian Playing Experiment, co-edited with Christie Companies and The Shakespeare Company Carson (2008). She is currently Patrick Spottiswoode, 1594 – 1642. His latest publication is researching her next book entitled, Globe Education – Local, National, Shakespeare’s Opposites: The Admiral’s Shakespeare and the Hand. International Audiences Men 1594 – 1625, an account of the Patrick Spottiswoode joined company that performed at the Rose Dominic Dromgoole, Shakespeare’s Globe in 1984 and and the Fortune. He has edited several New Writing and Shakespeare’s Globe became the founding Director, Globe plays, including Richard II, Henry V, and Dominic Dromgoole was appointed Education in 1989. Globe Education’s the Quarto Henry V for the Cambridge Artistic Director of Shakespeare’s Globe 23 full-time staff and 60 freelance Shakespeare editions. For the last twelve in 2006. He directed Coriolanus and practitioners provide workshops, courses, years he has served as a trustee on the Antony and Cleopatra in 2006, Love’s projects and productions for over Rose Theatre Trust. Labour’s Lost in 2007 and King Lear 100,000 people every year. Patrick has in 2008. For the Young Hearts Season been a visiting professor at Washington 2009 he directed Romeo and Juliet University, St Louis and has been and A New World by Trevor Griffiths. director of numerous undergraduate Dominic is remounting Love’s Labour’s courses at Shakespeare’s Globe. He Lost at the Globe later this month and the helped establish the Globe’s two MAs production will then tour the USA. Since with King’s College and Birkbeck his arrival at the Globe he has launched and has been co-convenor of several the initiative, Shakespeare’s Globe on Tour, conferences including Shakespeare and which has seen three companies tour Martyrdom at the Globe and Shakespeare The Fourth British Shakespeare Association Conference Delegates and Speakers

Ruth Abraham Queen’s University, Belfast Dominique de Ruijter Claire GriffithsLiverpool University Agnes Lafont Université Paul Valery (Montpellier) – IRCL Zeno Ackermann Freie Universitaet Berlin Danique de Vos Stephen Gross Chris Laoutaris University College London Julie Ackroyd Birkbeck College/Open University Marianne Delgado Andrew Gurr University of Reading Eko Laukaban Royal Holloway, University of London Pascale Aebischer University of Exeter (SALL) Carla Della Gratta Helen Hackett University College London John Lavagnino King’s College London Megan Ammirati College of William and Mary Majella Devlin Queen’s University, Belfast Andrew HadfieldUniversity of Sussex Sandra Lawson University College London Robert Appelbaum Matthew Dimmock Alan Haigh Adele Lee Queen’s University, Belfast Alan Armstrong Southern Oregon University Cary DiPietro University of Toronto Mississauga Ros Haigh Hyon-u Lee Soonchunhyang University Yasmin Arshad University College London Natasha Distiller University of Cape Town Ed Hall Propeller Hilary Lee-Corbin University of Winchester Carol Atherton Michael Dobson Birkbeck College, Emi Hamana Tsukuba University Bi-qi Beatrice Lei National Taiwan University Michael Attenborough Almeida Theatre University of London Stuart Hampton-Reeves University of Central Lancashire Sophie Leighton-Kelly Queen Mary, University of London/ Bruce Avery Gregory Doran Royal Shakespeare Company Sameh Hanna University of Salford The Barbican Fiona Banks Shakespeare’s Globe Lue Morgan Douthit Oregon Shakespeare Festival Peter Harding Saskia Leise Evelin Barnard Tartu University John Drakakis University of Stirling Elizabeth Hartney Fionnuala Lenaghan Queen’s University, Belfast Megan Barrett University of Kent Dominic Dromgoole Shakespeare’s Globe Sarah Hatchuel Université du Havre Fiona Lesley Margaret Bartley Arden Pascale Drouet University of Poitiers Terence Hawkes Cardiff University Sarah Lewis King’s College London Ofelia Bartolucci Università di Urbino Sarah Dustagheer King’s College London/ Margaret Healy University of Sussex Lia Wen-Ching Liang Royal Holloway Stefanie Bauerochse Bavarian State Theatre, Munich Shakespeare’s Globe Thomas Healy University of Sussex Maureen Linney Fiona Bennett The MAP Consortium Ananya Dutta Gupta Visva-Bharati, Santiniketan, Jean Hegland Santa Rosa Junior College Ballet Liu Xiamen Institute of Technology Emma Bennett Wiley-Blackwell West Bengal, India Jonathan Heron University of Warwick Anastasia Logotheti Deree College – American College András Bernáth University of Szeged Péter Davidhazi Institute of Literary Studies, Kumiko Hilberdink-Sakamoto University of Oxford of Greece Rustom Bharucha Critic and Director Hungarian Academy of Sciences David Hillman University of Cambridge Stephen LongstaffeUniversity of Cumbria Peter M. Boenisch University of Kent Annie Eddington Brett Hirsch University of Victoria Tess Loughrey University of Cambridge Anston Bosman University of Cape Town Gabriel Egan Loughborough University Andrew Hiscock Bangor University Bryan Loughrey University of Hertfordshire Jocelyn Boxall Royal Holloway Mika Eglinton University Tokyo, London Christine Hoenigs Heinrich-Heine-University Düsseldorf, Susan Macmillan Shakespeare Institute Birmingham Susan Brock University of Warwick Keir Elam Università di Bologna Germany Ashley Mansour University College London Marianne Brown King’s College London Georghia Ellinais National Stratergies Ton Hoenselaars Utrecht University Florence March University of Avignon James Patrick Charles Brown Middlesex University Johanna Elworthy Shakespeare’s Globe Sarah Holden-Boyd King’s College London Michele Marrapodi University of Palermo Emily Brown Lars Engle University of Tulsa Graham Holderness University of Hertfordshire Randall Martin University of New Brunswick Helena BufferyUniversity of Birmingham Bridget Escolme Queen Mary, University of London Lisa Hopkins Sheffield Hallam University Sonia Massai King’s College London Emily Burden The Shakespeare Institute Simon Everett University of Kent Robert Hornback Oglethorpe University Jemima Matthews King’s College London Chris Burdett University of Northampton Sharon Eyton University of Westminster Mark Houlahan University of Waikato Gemma Mayes Woodbridge School Clara Calvo University of Murcia Nicole Fayard University of Leicester Alexander Huang Pennsylvania State University Jeanne McCarthy Oglethorpe University Julia Cameron King’s College London/Shakespeare’s Globe Ewan Fernie Royal Holloway University of London Rosalind Hudson Anglia Ruskin University Sarah McCourt University of Exeter Christie Carson Royal Holloway, University of London Alison Findlay Lancaster University Melissa Huggins King’s College London/ Sean McEvoy Vardean College, Brighton Deborah Cartmell De Montfort University Douglas Fisher Santa Rosa Junior College Shakespeare’s Globe Kate McLuskie Shakespeare Institute Charles Cathcart Open University Kate Flaherty University of Sydney Geoffrey HylandUniversity of Cape Town Clare McManus Roehampton University Jean-Jaques Chardin University of Strasbourg Kate Ford Haggerston Girls School Judy Celine Ick University of the Philippines Gordon McMullan King’s College London Liang-tsu Chen King’s College London Elizabeth Ford Cardiff University Yeeyon Im Yeungnam University Richard Meek De Montfort University Fang Chen National Taiwan Normal University Antonia Forster University of Akron Kirsten Inglis University of Calgary Katherine Meyer Borst Concordia University Irvine Warren Chernaik King’s College London Anton Franks Institute of Education Anne Isherwood King’s College London Perry Mills King Edward VI School, Stratford-upon-Avon Denton Chikura Two Gents Productions Hiroyasu Fujisawa Cecilia Istria Shakespeare’s Globe Ryuta Minami Aichi University of Education Sehoon Choi King’s College London Rose Gaby University of Tasmania Russell Jackson The Shakespeare Institute Mirjam Mladinovic University of Liverpool Shu-Hua Chou National Taiwan University Rosa Garcia-Periago University of Murcia Toria Johnson St Andrews University Eliza Montironi University of Urbino Tzuchun Chou King’s College London Susanna Gebhardt University of Geneva Nora Johnson Swarthmore College Sylvia Morris Hsiang-chun Chu National Changhua University of Education Elizabeth GiffordBritish Shakespeare Association Anne Kaegi University of Hull Jonathan Munby Danielle Clarke University College Dublin Robert Gifford British Shakespeare Association Farah Karim-Cooper Shakespeare’s Globe Marie-Christine Munoz Université Montpellier III Geoff ColmanCentral School of Speech and Drama Anne Gill King’s College London Margaret Jane Kidnie The University of Western Ontario Lucy Munro Keele University Eleanor Collins John Gillies University of Essex Kang Kim Honam University, South Korea Tonderai Munyevu Two Gents Productions Rob Conkie La Trobe University Kim Goodacre University of Kent Arthur Kincaid Formerly of University of Tallinn Miki Nakamura Osaka University Annaliese Connolly Sheffield Hallam University Chaya Gordon-Bland Michigan State University, Peter Kirwan University of Warwick Ben Naylor Central School of Speech and Drama Lilla Maria Crisafulli Università di Bologna Department of Theatre Kareen Klein University of Geneva Jonothan Neelands Institute of Education, Kate Crowcroft Suzanne Gossett Loyola University Katie Knowles University of Liverpool University of Warwick Hannah Crowforth King’s College London Sally Gower University of Kent Yu Jin Ko Wellesley College Martin Nicholls Agata Katarzyna Dabrowska Lodz University Nuala Gracey Kaori Kobayashi Doho University Helen Nicholson Royal Holloway, University of London Peter Davidhazi Virginia Granger Royal Shakespeare Company Julia Kovnat University of Kent Madalina Nicolaescu University of Bucharest There are several options for travel between King’s College King’s College London London and Shakespeare’s Globe. It is a short walk along Strand Campus Site map the river between the two sites or there are a number of bus options to choose from: • RV1 towards Tower Gateway, alight at Southwark Street • 23/11/15/26 along the Strand, alight at Mansion House Sarah Nunn Shakespeare’s Globe Tiffany SternUniversity College, Oxford and cross the Millennium Bridge Elizabeth Oakley-Brown Lancaster University Joe Sterrett Cardiff University • 388 towards Hackney, alight at Millennium Bridge Michelle O’Callaghan John Stokes King’s College London Underground: District or Circle line eastbound from Temple Antonio Ocampo-Guzman James Stredder Gunma University station, alight at Mansion House and cross either Millennium Lara O’Connor Cardiff University Michiko Suematsu Gunma University Bridge or Southwark Bridge. Ayami Oki Anna Swardh Uppsala Sarah Olive The Shakespeare Institute Reiko Takasugi Daito Bunka University Reiko Oya Keio University, Tokyo Pat Tatspaugh Matteo Pangello University of Massachusetts Hilarly Taylor Roehampton University Anthony Patricia University of Nevada Olwen Terris British Universities Film & Video Council Alec Patton University of Sheffield Maria Thomas Open University Ching-Hsi Perng National Taiwan University Ayanna Thompson Arizona State University Arne Pohlmeier Two Gents Productions Ann Thompson King’s College London Jessica Pols University of Kent Mark Thornton Burnett Queen’s University, Belfast Julia Potts New Ambassadors Group Soko Tomita Takushoku University Chloe Preedy University of York Jesus Tronch Perez University of Valencia Laurence Publicover University of Bristol Helen True Royal Holloway University London Stephen Purcell Southampton Solent University Arthur van de Veen Karen Quigley King’s College London Bart Van Es Oxford University Paul Quinn University of Chichester Carol van Wijnen Julie Raby York St John University Dan Venning CUNY Graduate Center Alan Read King’s College London Cheang Wai Fong Chang Gung University Michael J. Redmond University of Palermo Birgit Walkenhorst Nathalie Rivere de Carles University of Toulouse Saffron WalklingYork St John University Kenneth Robertson Arts University College at Bournemouth Melissa Walter University of the Fraser Valley Edward Rocklin California State Polytechnic University, Luke Walters Pomona Shuhua Wang National Ilan University John Roe University of York Hui-hua Wang National Taiwan Normal University Abigail Rokison Cambridge University Claire Ruth Waters Susan Ronald British Shakespeare Association Philip Weller Eastern Washington University Tom Rutter Sheffield Hallam University Stanley Wells The Shakespeare Birthplace Trust Susan Sachon Royal Holloway, University of London William West North Western University Jenny Sager Jesus College, Oxford Martin White University of Bristol Duncan Salkeld University of Chichester Petronilla WhitfieldArts University College at Bournemouth David Schalkwyk Jo Wildash King’s College London Johanna Schmitz Southern Illinois University Kate Wilkinson Sheffield Hallam University Ludwig Schnauder Universitaet Wien William Proctor Williams University of Akron Micahel Schoenfeldt University of Michigan Susan Wiseman Birkbeck Sabine Schuelting Freie Universitaet Berlin Barbara Wooding Birkbeck College University of London Charlotte Scott Goldsmith’s College Penelope Woods Queen Mary, University of London/ Amy Scott-Douglass University of Maryland Shakespeare’s Globe Elizabeth Shafer Ramona Wray Queen’s University, Belfast GB Skip Shand Glendon College, York University Jennifer Young King’s College London Ron Silver Sandra Young University of Cape Town Catherines Silverstone Queen Mary, University of London Zhiyan Zhang University of Exeter Monika Smialkowska Northumbria University Adam Smith The University of Sheffield Design Thomas Manss & Company Clare Smout Magdelen College, University of Oxford Conor Smyth Queen’s University, Belfast B J Sokol Goldsmith’s College, University of London Boika Sokolova University of Notre Dame, London Patrick Spottiswoode Shakespeare’s Globe Christopher StaffordShakespeare’s Globe Sarah Stanton Cambridge University Press Dan Starza-Smith University College London