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Psychological Scene Gist and the Perception of Sustainable Business Models Via Digital Media Audit
University of Arkansas, Fayetteville ScholarWorks@UARK Marketing Undergraduate Honors Theses Marketing 5-2021 Psychological Scene Gist and the Perception of Sustainable Business Models via Digital Media Audit Shelby Hansen Follow this and additional works at: https://scholarworks.uark.edu/mktguht Part of the Advertising and Promotion Management Commons, Business Administration, Management, and Operations Commons, Communication Technology and New Media Commons, Fashion Business Commons, Health Communication Commons, and the Social Media Commons Citation Hansen, S. (2021). Psychological Scene Gist and the Perception of Sustainable Business Models via Digital Media Audit. Marketing Undergraduate Honors Theses Retrieved from https://scholarworks.uark.edu/mktguht/44 This Thesis is brought to you for free and open access by the Marketing at ScholarWorks@UARK. It has been accepted for inclusion in Marketing Undergraduate Honors Theses by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected]. Psychological Scene Gist and the Perception of Sustainable Business Models via Digital Media Audit by Shelby R. Hansen Advisor: Dr. Molly Rapert An Honors Thesis in partial fulfillment of the requirements for the degree Bachelor of Science in Business Administration in Finance and Marketing. This research was supported through funding provided by the University of Arkansas Honors College. Sam M. Walton College of Business University of Arkansas Fayetteville, Arkansas May 8, 2021 1 INTRODUCTION The technology space is giving rise to new business models that impact how we interact with companies, the causes we are interested in, and even our perception of how we process information. Within those contexts, I will be using the psychological concept of scene gist to explore the sustainable business model of clean beauty and investigate the technological ways that these companies interact with Gen Z consumers via social media. -
Legal Protection for Fashion Design Emily S
NORTH CAROLINA LAW REVIEW Volume 86 | Number 1 Article 5 12-1-2007 Double-Edged Scissor': Legal Protection for Fashion Design Emily S. Day Follow this and additional works at: http://scholarship.law.unc.edu/nclr Part of the Law Commons Recommended Citation Emily S. Day, Double-Edged Scissor': Legal Protection for Fashion Design, 86 N.C. L. Rev. 237 (2007). Available at: http://scholarship.law.unc.edu/nclr/vol86/iss1/5 This Comments is brought to you for free and open access by Carolina Law Scholarship Repository. It has been accepted for inclusion in North Carolina Law Review by an authorized administrator of Carolina Law Scholarship Repository. For more information, please contact [email protected]. Double-Edged Scissor': Legal Protection for Fashion Design* INTRO DUCTION .......................................................................................... 237 1. CURRENT PROTECTION FOR FASHION DESIGN ............................... 245 A. Copyright of Decorative Elements Separablefrom Their Useful Function ....................................................................... 245 B. Elements of Designs: Fabric Patternsand Dress Designs..... 247 C. Trademark ............................................................................... 248 D . Trade Dress ............................................................................. 249 E . Design Patents......................................................................... 250 II. DESERT-BASED THEORY ................................................................ 252 III. -
Brea (Los Angeles), California Oil, Oranges & Opportunities
BUSINESS CARD DIE AREA 225 West Washington Street Indianapolis, IN 46204 (317) 636-1600 simon.com Information as of 5/1/16 Simon is a global leader in retail real estate ownership, management and development and an S&P 100 company (Simon Property Group, NYSE:SPG). BREA (LOS ANGELES), CALIFORNIA OIL, ORANGES & OPPORTUNITIES Brea Mall® is located in the heart of North Orange County, California, a few miles from California State University, Fullerton and their approximately 40,000 students and staff. — Brea and its surrounding communities are home to major corporations including American Suzuki Motor Corporation, Raytheon, Avery Dennison, Beckman Coulter and St. Jude Hospital. — The city’s Art in Public Places has integrated public art with private development. This nationally recognized collection features over 140 sculptures throughout the city including in Brea Mall. — The new master-planned communities of La Floresta and Blackstone, both in the city of Brea and less than four miles from Brea Mall, have added over 2,100 new luxury housing units to the area. — Brea City Hall and Chamber of Commerce offices are adjacent to the mall, located across the parking lot from Nordstrom and JCPenney. — One of the earliest communities in Orange County, Brea was incorporated in 1917 as the city of oil, oranges and opportunity. SOCAL STYLE Brea Mall has long served as a strategic fashion- focused shopping destination for the communities of North Orange County. The center continues in this tradition with a newly renovated property encompassing world-class shopping and dining. BY THE NUMBERS Anchored by Five Department Stores Nordstrom, Macy’s Women’s, Macy’s Men’s & Furniture Gallery, JCPenney Square Footage Brea Mall spans 1,319,000 square feet and attracts millions of visitors annually. -
The Beauty Industry's Influence on Women in Society
University of New Hampshire University of New Hampshire Scholars' Repository Honors Theses and Capstones Student Scholarship Fall 2012 The Beauty Industry's Influence on omenW in Society Ann Marie Britton University of New Hampshire - Main Campus Follow this and additional works at: https://scholars.unh.edu/honors Part of the Fashion Business Commons, and the Personality and Social Contexts Commons Recommended Citation Britton, Ann Marie, "The Beauty Industry's Influence on omenW in Society" (2012). Honors Theses and Capstones. 86. https://scholars.unh.edu/honors/86 This Senior Honors Thesis is brought to you for free and open access by the Student Scholarship at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Honors Theses and Capstones by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. RUNNING HEAD: THE BEAUTY INDUSTRY’S INFLUENCE ON WOMEN 1 HONORS THESIS The Beauty Industry’s Influence on Women in Society By Ann Marie Britton Fall Semester, 2012 Faculty Sponsor: Bruce E. Pfeiffer, Ph.D. THE BEAUTY INDUSTRY’S INFLUENCE ON WOMEN 2 Abstract There has been a significant amount of research done on the effect that advertising in the fashion and beauty industry has on women. By creating advertisements with unrealistic images of beauty, it has resulted in anxiety, low self-esteem, and low self-confidence in many women. Most of these negative emotions stems from unhappiness among body and appearance. Less research has been performed relating to cosmetics and how this can have an influence on women, and how women can use cosmetics to manipulate their appearance. -
Annual Report 2018 Contents 1St 86,000 Cosmetics Group Employees Prospects Worldwide(1) 02 Prospects by Jean-Paul Agon, Chairman & CEO
Annual Report 2018 Contents 1st 86,000 cosmetics group employees Prospects worldwide(1) 02 Prospects by Jean-Paul Agon, Chairman & CEO Strategy 36 150 brands countries 06 Governance · The Board of Directors · The Executive Committee 10 Quality 12 Ethics 26.9 505 14 Responsibility · “Sharing Beauty With All” billion euros patents registered · Citizen Day of sales(2) in 2018 · The L’Oréal Corporate Foundation 18 Human Relations Performance Commitments for 2 4.92 1 Cosmetics Market 24 L’Oréal in figures billion euros in 2020 28 Worldwide advances operating profit “Sharing Beauty With All” 31 Strategic themes Brands 33 Brands overview (1) Source: WWD, Beauty Top 100,May 2018. (2) At 31 December 2018. 34 Consumer Products 38 L’Oréal Luxe 42 Professional Products More exclusive content 46 Active Cosmetics on the digital version Expertise lorealannualreport2018.com 52 Research & Innovation 54 Operations Discover and filter 56 Digital the Annual Report content 58 Administration and Finance Discover the strategic themes of the Annual Report. Use them to filter content and personalise your navigation to find content that matches your interests. The digital version also features more exclusive content, articles, infographics and many videos. Our mission Beauty for All Offering all women and men worldwide the best of cosmetics in terms of quality, efficacy and safety to satisfy all their beauty needs and desires, in their infinite diversity. Our strategy Universalisation L’Oréal has chosen a unique strategy: Universalisation. It means globalisation that captures, understands and respects differences. Differences in desires, needs and traditions. To offer tailor-made beauty, and meet the aspirations of consumers in every part of the world. -
2020 Presentation 0316
20202020 CATALOG BY Alles Brands Inc. [email protected] DP-7456 / 12pcs FOREVER YOURS / INSPIRED BY CALVIN KLEIN ETERNITY NOW MS-7910 LOVE ANGELS / INSPIRED BY VICTORIA’S SECRET LOVE PINK MS-7967 DIVA SCENT SUGAR / INSPIRED BY JUICY COUTUREVIVA LA JUICY GLACE MS-7968 SWEET DIVINE / INSPIRED BY ARIAHA GRANDE SWEET LIKE CANDY MS-7916 01 DP-7458 / 12pcs STEEL / INSPIRED BY ABERCROMBIE AND FITCH FIERCE MS-7932 SPORT RED EXTREME / INSPIRED BY RALPH LAUREN POLO SPORTS MS-7933 BROSS PRIVATE / INSPIRED BY HUGO BOSS THE SCENT MS-7934 DARK NOIR RED / INSPIRED BY DRAKKAR NOIR RED MS-7935 02 DP-7457 / 12pcs PINK DIAMOND / INSPIRED BY ELIZABETH TAYLOR WHITE DIAMOND MS-7983 DIVA SCENT SUGAR / INSPIRED BY JUICY COUTUREVIVA LA JUICY GLACE MS-7988 LOVING U / INSPIRED BY VICTORIA’S SECRET LOVE ME MORE MS-7987 ENHANCE / INSPIRED BY RALPH LAUREN ROMANCE MS-7984 03 DP7459 GB-4031 GB-4030 GB-4032 MAGIC PARADISE CHARMING EQUISITE INSPIRED BY INSPIRED BY INSPIRED BY BATH&BODY WORKS VICTORIA’S SECRET BATH&BODY WORKS DP7460 GB-4042 GB-4041 GB-4040 EXTREME INTENSE COLLECTION BLUE OCEAN INSPIRED BY INSPIRED BY INSPIRED BY GIORGIO ARMANI ACQUA DI GIO RALPH LAUREN DAVIDOFF COOL WATER 04 GB-2083 GB-2082 GB-2080 GO FOR IT KISS CRUSH LOVING U FOREVER GB-2079 INSPIRED BY INSPIRED BY INSPIRED BY RIHANNA RIRI VICTORIA’S SECRET BODY BY VICTORIA VICTORIA’S SECRET LOVE ME MORE MAGIC LOVE SEXY NIGHT INSPIRED BY MICHAEL KORS MIDNIGHT GB-2186 GB-2185 GB-2180 GB-2181 BLACK INTENSE SAY YES GREAT MAN EXTREME INSPIRED BY INSPIRED BY INSPIRED BY INSPIRED BY RALPH LAUREN POLO YSL -
Annual Report 2002
ANNUAL REPORT 2002 Founded nearly a century ago by the chemist Eugène Schueller, L’Oréal has consistently applied its policy of investing in research, ensuring that its products meet the highest possible standards of quality, safety and innovation. Today, the group contributes to the beauty of women and men all over the world, providing everyday solutions that enhance their sense of well-being. CONTENTS 01 Board of Directors 02 Chairman’s message 06 Management Committee 08 Financial highlights L’Oréal over ten years 12 Brands 14 Research and Development 18 Production and Technology 20 Human Resources 22 Sustainable Development 24 COSMETICS 26 Professional Products 32 Consumer Products 40 Luxury Products 48 Active Cosmetics 52 DERMATOLOGY AND NUTRICOSMETICS 54 PHARMACEUTICALS The L’Oréal Annual Report comprises three separate 56 CORPORATE GOVERNANCE documents: 1 a general brochure; 2 the consolidated financial statements 58 Stock exchange and shareholders available on Thursday 3rd April 2003; 3 the Management Report of the Board of Directors, the L’Oréal parent company financial statements plus additional information for the Reference Document as required by law, available two weeks prior to the Annual General Meeting convened for Thursday 22nd May 2003. L’Oréal Annual Report 2002 BOARD OF DIRECTORS BOARD OF DIRECTORS Lindsay Owen-Jones CBE Chairman and Chief Executive Officer Jean-Pierre Meyers Rainer E. Gut Vice-Chairman Xavier Fontanet Liliane Bettencourt Director since 29th May 2002 Françoise Bettencourt Meyers Marc Ladreit de Lacharrière Peter Brabeck–Letmathe Olivier Lecerf Franck Riboud Francisco Castañer Basco Director since 29th May 2002 François Dalle Edouard de Royère Jean-Louis Dumas Michel Somnolet Director since 29th May 2002 Director up to 31st December 2002 Auditors The presentation of the directors is on page 57. -
Norsk Varemerketidende Nr 42
▲▲ nr 42 2002.10.14 NO ▲ årgang 92 ISSN 1503-4925 ▲ norskvaremerke tidende ▲ www.patentstyret.no ▲ Besøksadresse Københavngaten 10 Kontortid kl. 08.00 - 15.45 vinter kl. 08.00 - 15.00 sommer. På lørdag, søndag, helge- og høytidsdager, jul- og nyttårs- aften holder vi lukket. Infosenterets åpningstider kl. 09.00 - 15.45 vinter kl. 09.00 - 15.00 sommer. Telefon (+47) 22 38 73 33 Telefax (+47) 22 38 73 31 E-post [email protected] ▲ Postboks 8160 Dep. 0033 OSLO I kunngjøringene er de enkelte data forsynt med Telefon (+47) 22 38 73 00 koder overenstemmende med INID-kodesystemet Telefax (+47) 22 38 73 01 (INID= Internationally agreed Numbers for the Identification of Data). E-post [email protected] www.patentstyret.no (111) Registreringsnummer (151) Registreringsdato Bankgiro 8276.01.00192 (210) Søknadsnummer (220) Inngivelsesdato (300) Prioritetsopplysninger (450) Kunngjort registrert dato (511) Vare-/tjenesteklasse (540) Gjengivelse av varemerket (551) Fellesmerkebestemmelser (554) Tredimensjonalt merke (vareutstyr) (526) Unntaksanmerkning (591) Merket er i farger (730) Søker/innehaver (740) Fullmektig (750) Adresse for korrespondanse NORSK VAREMERKETIDENDE Varemerkeloven § 26 2002.10.14 - nr 42 ETTERLYSNING På bakgrunn av begjæring om slettelse fra Bryns Zacco AS, etter varemerkeloven § 26, bes innehaver av registrering nummer 99524, Tekuno Esu KK (also trading as Technol Ace Corporation), Iwakura-Shi, Aichi-Ken, JP, om å melde seg innen 3 måneder. På bakgrunn av begjæring om slettelse fra Onsagers AS, etter varemerkeloven § 26, bes innehaver av registrering nummer 129444, Sverre Evensen AS, Oslo, NO, om å melde seg innen 3 måneder. 3 NORSK VAREMERKETIDENDE Registrerte varemerker 2002.10.14 - nr 42 REGISTRERTE VAREMERKER Registrerte varemerker jf varemerkeloven § 20 I løpet av 2 måneder fra i dag kan det fremsettes innsigelse mot registreringen av varemerket, jf varemerkeloven § 21, varemerkeforskriften kapittel 6 og varemerkebestemmelsene kapittel 5. -
Monthly Disclosure of Trading in Own Shares Carried out in March 2016
Monthly disclosure of trading in own shares carried out in March 2016 Pursuant to Article 4 paragraph 4 of European Regulation n° 2273/2003 of December 22, 2003 implementing Directive 2003/6/EC of January 28, 2003, and in compliance with Article 241-4 of the AMF's General Regulations, L’Oreal declares below the transactions made on its own shares for the 14/03/2016 to the 18/03/2016 period: Weighted average Session of Number of shares Amount in € price in € 14/03/2016 Purchase 120 000 157,9826 18 957 912,00 15/03/2016 Purchase 65 000 157,4023 10 231 149,50 16/03/2016 Purchase 120 000 156,3470 18 761 640,00 17/03/2016 Purchase 175 000 154,3358 27 008 765,00 18/03/2016 Purchase 123 358 157,6754 19 450 521,99 TOTAL 603 358 94 409 988.49 Since its creation by a chemist, a century ago, L’Oréal is concentrated on one unique area of expertise, cosmetics. With a turnover of euros 25.26 billion in 2015, the group focuses its activities on 32 global and culturally diverse brands distributed in every distribution channel : -L’Oréal Professionnel, Matrix, Kérastase, Redken, Decléor, Carita in hair dressing salons. -L’Oréal Paris, Maybelline, Garnier, SoftSheen·Carson, Essie, MG, NYX Professional Makeup in mass market. -Vichy, La Roche Posay, Roger&Gallet, and Skinceuticals in pharmacies and drugstores. -Lancôme, Helena Rubinstein, Biotherm, Shu Uemura, Kiehl’s, Giorgio Armani, Cacharel, Ralph Lauren, Diesel, Viktor&Rolf, Clarisonic, Urban Decay, Yue-Sai and YSL in perfumeries and department stores, -The Body Shop in its own stores. -
Chief Executive Agendas
the insider’s beauty bible A FAIRCHILD PUBLICATION Leaders Outline Plans for Changing Times Shiseido’s Shinzo Maeda Victoria’s Secret’s Christine Beauchamp N.V. Perricone’s Shashi Batra Jurlique’s Eli Halliwell Frédéric Fekkai’s Melisse Shaban PLUS Fall Fragrances CHIEF Edible Beauty Second Life EXECUTIVE AGENDAS L’Oréal’s Jean-Paul Agon Plots a New Course for Growth Contents DEPARTMENTS 16 People, Places & Lipsticks Inside-out beauty, the lighting guru and an unsual take on the manicure. 20 What’s In Store Beach-ready essentials, artistic cosmetics and relief for stressed-out strands. 26 A Closer Look: Fragrance The comeback of classic flowers, not to mention the return of more celebrity scents. 52 The It List: Beauty Still Life Photographers When these artists get behind the camera, the results are more than just a pretty picture. They’re money-making masterpieces. 58 Last Call: Second (Life) Coming In our tech-savvy times, more beauty brands are embracing the undeniable tug of marketing products in a virtual world. FEATURES 30 Agon In Command L’Oréal’s ceo sets the stage for a new era at the French beauty company. And the analysts weigh in. 38 Beauty CEO Pop Quiz What’s on William Lauder’s reading list? And how does Maureen Chiquet keep her cool? Beauty’s top brass reveal all. 40 Young & Royally Talented Say hello to four emerging beauty bosses who are taking the industry into new territory. Shiseido’s Heidi Manheimer and Carsten Fischer flank ceo Shinzo Maeda, whose sweeping changes will soon be felt 44 Quiet Giant beyond Japan’s borders. -
Pharmaceutical Sciences Cosmetics HAIR REMOVAL PRODUCTS
Development Team Principal Investigator Prof. Farhan J Ahmad Jamia Hamdard, New Delhi Dr. Vijaya Khader Former Dean, Acharya N G Ranga Agricultural University Dr. Javed Ali Paper Coordinator Jamia Hamdard, New Delhi Content Writer Mohammad Kashif Iqubal Jamia Hamdard, New Delhi Content Reviewer Dr. Mohd. Aqil Jamia Hamdard, New Delhi Pharmaceutical Cosmetics Sciences HAIR REMOVAL PRODUCTS 0 HAIR REMOVAL PRODUCTS 2017 CONTENTS Introduction Methods for removing hair Required qualities and characteristics of hair styling products Types of hair removal products with typical ingredients Formulations Effects of hair removal products on the skin and hair After depilation/ epilation preparations Packaging of hair removal products Evaluation of hair removal products Marketed hair removal products Pharmaceutical Cosmetics Sciences HAIR REMOVAL PRODUCTS 0 HAIR REMOVAL PRODUCTS 2017 HAIR REMOVAL PRODUCTS 1. INTRODUCTION Hair removal is an increasingly important sector of the cosmetic and personal care industry. Both men and women are becoming more concerned about the aesthetic aspect of their appearance. Human beings choose to remove unwanted body hair for acosmetic, social, cultural, or medical reason.A number of hair removal techniques have been developed over the years, including methods for temporary and permanent hair removal. The availability of the current methods and products may be different; most of them can be used at home; however, there are some that can be used only in professional salons and dermatological offices. 2. METHODS FOR REMOVING HAIR Now a day, there are a number of hair removal techniques and products available. Temporary methods provide hairless skin for a shorter (1–3 days) or a longer time (1–3 weeks), depending on the technique and the individual’s physiological characteristics. -
2020 Annual Results L'oréal Accelerates Growth in the Fourth
Clichy, 11 February 2021 at 6.00 p.m. 2020 ANNUAL RESULTS L’ORÉAL ACCELERATES GROWTH IN THE FOURTH QUARTER, REINFORCES ITS MARKET SHARES, AND PRESERVES ITS PROFITABILITY AT 18.6% ➢ Sales: 27.99 billion euros o -4.1% like-for-like 1 o -3.6% at constant exchange rates o -6.3% based on reported figures ➢ Operating profit: 5.20 billion euros, representing 18.6% of sales ➢ Earnings per share 2: 7.30 euros ➢ Net cash flow 3: 5.48 billion euros, an increase of +8.9% ➢ Dividend 4: 4.00 euros, an increase of +3.9% The Board of Directors of L’Oréal met on 11 February 2021, under the chairmanship of Jean-Paul Agon and in the presence of the Statutory Auditors. The Board closed the consolidated financial statements and the financial statements for 2020. Commenting on the annual results, Jean-Paul Agon, Chairman and CEO of L’Oréal, said: “In 2020, the Covid-19 pandemic, which spread across the world, triggered a crisis of supply due to the widespread closure of points of sale which led to an unprecedented, if temporary, decline of the beauty market. Throughout the year, L’Oréal made the protection of all its employees as well as its customers and suppliers an absolute priority and mobilised to produce millions of units of hand sanitiser and hand cream for donation to healthcare and other frontline workers. Thanks to the outstanding commitment of its employees, L’Oréal has traversed this crisis in the best possible condition and has even grown stronger. As anticipated and announced, the Group returned to growth in the second half, with a fourth quarter in acceleration at +4.8% 1, and won significant market shares.