A Farewell to the Merkavah Tradition Introduction
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Yahoel As Sar Torah 105 Emblematic Representations of the Divine Mysteries
Orlov: Aural Apocalypticism / 4. Korrektur / Mohr Siebeck 08.06.2017 / Seite III Andrei A. Orlov Yahoel and Metatron Aural Apocalypticism and the Origins of Early Jewish Mysticism Mohr Siebeck Orlov: Aural Apocalypticism / 4. Korrektur / Mohr Siebeck 08.06.2017 / Seite 105 Yahoel as Sar Torah 105 emblematic representations of the divine mysteries. If it is indeed so, Yahoel’s role in controlling these entities puts him in a very special position as the dis- tinguished experts in secrets, who not only reveals the knowledge of esoteric realities but literally controls them by taming the Hayyot and the Leviathans through his power as the personification of the divine Name. Yahoel as Sar Torah In Jewish tradition, the Torah has often been viewed as the ultimate com- pendium of esoteric data, knowledge which is deeply concealed from the eyes of the uninitiated. In light of this, we should now draw our attention to another office of Yahoel which is closely related to his role as the revealer of ultimate secrets – his possible role as the Prince of the Torah or Sar Torah. The process of clarifying this obscure mission of Yahoel has special sig- nificance for the main task of this book, which attempts to demonstrate the formative influences of the aural ideology found in the Apocalypse of Abraham on the theophanic molds of certain early Jewish mystical accounts. In the past, scholars who wanted to demonstrate the conceptual gap between apocalyptic and early Jewish mystical accounts have often used Sar Torah sym- bolism to illustrate such discontinuity between the two religious phenomena. -
Introduction
Introduction Early Jewish Mysticism Although this investigation will focus mainly on the roots of the Metatron lore, this Jewish tradition cannot be fully understood without addressing its broader theological and historical context, which includes a religious movement known as early Jewish mysticism. Research must therefore begin with clarifying some notions and positions pertaining to the investigation of this broader religious phenomenon. The roots of the current scholarly discussion on the origin, aim, and content of early Jewish mysticism can be traced to the writings of Gershom Scholem. His studies marked in many ways a profound breach with the previous paradigm of 19th and early 20th century scholarship solidified in the Wissenschaft des Judentums movement which viewed Jewish mystical developments as based on ideas late and external to Judaism.1 In his seminal research, Major Trends in Jewish Mysticism, as well as other publications,2 Scholem saw his main task as clarifying the origins of early Jewish mysticism on the basis of new methodological premises, which, in contrast to the scholars of the Wissenschaft des Judentums, approached early Jewish mysticism as a genuine Jewish movement with roots in biblical and pseudepigraphic traditions. Scholem’s project was not an easy one, and in ————— 1 One of the representatives of this movement, Heinrich Graetz, considered the Hekhalot writings as late compositions dated to the end of the Geonic period. He viewed the Hekhalot literature as “a compound of misunderstood Agadas, and of Jewish, Christian, and Mahometan fantastic notions, clothed in mystical obscurity, and pretended to be a revelation.” H. Graetz, History of the Jews (6 vols.; Philadelphia: The Jewish Publication Society of America, 1894) 3.153. -
A Novel Look at Moshe Idel's East-West Problem
Access Provided by UCLA Library at 05/07/12 5:15PM GMT T HE J EWISH Q UARTERLY R EVIEW, Vol. 102, No. 2 (Spring 2012) 289–296 ANovelLookatMoshe Idel’s East-West Problem DAVID N. MYERS UCLA MOSHE IDEL. Old Worlds, New Mirrors: On Jewish Mysticism and Twentieth- Century Thought. Jewish Culture and Contexts. Philadelphia: University of Pennsylvania Press, 2009. Pp. 336. FOR MANY OF US in the field of Jewish studies, but not in the field of Kabbalah studies, our first encounter with Moshe Idel came in 1988 with the publication of his major work in English, Kabbalah: New Perspectives. Although he had been working in the field for more than a decade, from the time of his 1976 dissertation at the Hebrew University on Avraham REVIEW FORUM Abulafia, it was Kabbalah: New Perspectives that brought Idel to wide public attention, announcing his own substantial methodological and substantive disagreements with the towering figure of modern Kabbalah studies, Ger- shom Scholem. Since then, Idel has gone on to attain a position of international distinc- tion, publishing at a staggering rate in Kabbalah studies, and many fields beyond. In the process, he—like Scholem before and Wolfson and others after him—has used the study of Kabbalah as a gateway of inquiry into important methodological, theoretical, hermeneutical, philosophical, and historical questions. This leads us to the book at hand, Old Worlds, New Mirrors: On Jewish Mysticism and Twentieth-Century Thought, which is indeed an inquiry into important methodological, theoretical, philosophical, and historical ques- tions. It reflects Idel’s brilliant, capacious, probing, and wildly imagina- tive mind, as it ranges over terrain somewhat less familiar to him and his usual readers, but of critical significance to his overarching intellectual and cultural Weltanschauung. -
University of Southampton Research Repository Eprints Soton
University of Southampton Research Repository ePrints Soton Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", University of Southampton, name of the University School or Department, PhD Thesis, pagination http://eprints.soton.ac.uk UNIVERSITY OF SOUTHAMPTON FACULTY OF HUMANITIES English Department Hasidic Judaism in American Literature by Eva van Loenen Thesis for the degree of Doctor of Philosophy December 2015 UNIVERSITY OF SOUTHAMPTON ABSTRACT FACULTY OF YOUR HUMANITIES English Department Thesis for the degree of Doctor of Philosophy HASIDIC JUDAISM IN AMERICAN LITERATURE Eva Maria van Loenen This thesis brings together literary texts that portray Hasidic Judaism in Jewish-American literature, predominantly of the 20th and 21st centuries. Although other scholars may have studied Rabbi Nachman, I.B. Singer, Chaim Potok and Pearl Abraham individually, no one has combined their works and examined the depiction of Hasidism through the codes and conventions of different literary genres. Additionally, my research on Judy Brown and Frieda Vizel raises urgent questions about the gendered foundations of Hasidism that are largely elided in the earlier texts. -
Scanning of Gershom Scholem's Milon Hazohar Card Index Yehuda Liebes the Zohar Is Among the Preeminent Spiritual Works of All Time
1 Scanning of Gershom Scholem's Milon HaZohar Card Index Yehuda Liebes The Zohar is among the preeminent spiritual works of all time. Its history attests to its importance: within three hundred years of its creation (at the end of the 13th century) it had become the central text Kabbalistic text. The Kabbalists regarded it as an authoritative source, a model to be emulated, and an interpretive subject. One might venture to say that the most important Kabbalistic traditions, such as those of Moses ben Jacob Cordovero (the Ramak), Rabbi Isaac Luria (the Ari) and the Vilna Gaon, were nothing if not interpretations of the Zohar, from whence they derived their vitality. Gershom Scholem (1897-1982), the father of Kabbala scholarship, followed suit and made the Zohar the focus of his endeavors, both because of its critical importance in the history of Kabbala, and in deference to its essential attributes. This much is evident from Scholem's seminal work, his treatise in English on the major trends in Jewish mysticism.1 In this book Scholem describes seven major streams of Jewish mysticism, among them the Zohar. However, while the other six streams of mysticism each have a chapter devoted to them, the Zohar has two. The first of these deals with the Zohar and its authorship, the second with its theosophy. The titles of these chapters also indicate Scholem's primary interests as a researcher. On the one hand there is the book's theosophy, which he saw as the most important feature of the Zohar and of Kabbalistic doctrine in general.2 On the other -
Interpreting Diagrams from the Sefer Yetsirah and Its Commentaries 1
NOTES 1 Word and Image in Medieval Kabbalah: Interpreting Diagrams from the Sefer Yetsirah and Its Commentaries 1. The most notorious example of these practices is the popularizing work of Aryeh Kaplan. His critical editions of the SY and the Sefer ha Bahir are some of the most widely read in the field because they provide the texts in Hebrew and English with comprehensive and useful appendices. However, these works are deeply problematic because they dehistoricize the tradi- tion by adding later diagrams to earlier works. For example, in his edition of the SY he appends eighteenth-century diagrams to later versions of this tenth-century text. Popularizers of kabbalah such as Michael Berg of the Kabbalah Centre treat the Zohar as a second-century rabbinic tract without acknowledging textual evidence to the contrary. See his introduction to the Centre’s translation of the Zohar: P. S. Berg. The Essential Zohar. New York: Random House, 2002. 2. For a variety of reasons, kabbalistic works were transmitted in manuscript form long after other works, such as the Hebrew Bible, the Talmud, and their commentaries were widely available in print. This is true in large part because kabbalistic treatises were “private” works, transmitted from teacher to student. Kabbalistic manuscripts were also traditionally transmitted in manuscript form because of their provenance. The Maghreb and other parts of North Africa were important centers of later mystical activity, and print technology came quite late to these regions, with manuscript culture persisting well into the nineteenth, and even into the mid- twentieth century in some regions. -
The Archetype of the Tzaddiq in Hasidic Tradition
THE ARCHETYPE OF THE TZADDIQ IN HASIDIC TRADITION A THESIS SUBMITTED TO THE DEPARTMENT OF RELIGION AT THE UNIVERSITY OF MANITOBA IN CONJUNCTION wlTH THE DEPARTMENT OF RELIGIOUS STUDIES AT THE UNIVERSITY OF WINNIPEG IN CANDIDACY FOR THE DEGREE OF MASTER OF ARTS BY YA'QUB IBN YUSUF August4, 1992 National Library B¡bliothèque nat¡onale E*E du Canada Acquisitions and D¡rection des acquisilions et B¡bliographic Services Branch des services bibliograPhiques 395 Wellinolon Slreêl 395, rue Wellington Oflawa. Oñlario Ottawa (Ontario) KlA ON4 K1A ON4 foùt t¡te vat¡e ¡élëte^ce Ou l¡te Nate élëtenæ The author has granted an L'auteur a accordé une licence irrevocable non-exclusive licence irrévocable et non exclusive allowing the National Library of permettant à la Bibliothèque Canada to reproduce, loan, nationale du Canada de distribute or sell cop¡es of reproduire, prêter, distribuer ou his/her thesis by any means and vendre des copies de sa thèse in any form or format, making de quelque manière et sous this thesis available to interested quelque forme que ce soit pour persons. mettre des exemplaires de cette thèse à la disposition des personnes intéressées. The author retains ownership of L'auteur conserve la propriété du the copyright in his/her thesis. droit d'auteur qui protège sa Neither the thesis nor substantial thèse. Ni la thèse ni des extraits extracts from it may be printed or substantiels de celle-ci ne otherwise reproduced without doivent être imprimés ou his/her permission. autrement reproduits sans son autorisation, ïsBN ø-315-7796Ø-S -
Kabbalah and the Subversion of Traditional Jewish Society in Early Modern Europe
Kabbalah and the Subversion of Traditional Jewish Society in Early Modern Europe David B. Ruderman Most discussions about notions of authority and dissent in early mod- em Europe usually imply those embedded in Christian traditions, whether Protestant or Catholic. To address these same issues from the perspective of Jewish culture in early modem Europe is to consider the subject from a relatively different vantage point. The small Jewish com- munities of the fifteenth through seventeenth centuries were shaped in manifold ways by the norms and values of the Christian and Moslem host civilizations to which they belonged. Yet, they were also heirs to powerful rabbinic religious and political traditions that structured their social relationships and shaped their attitudes towards divine law, human responsibility, communal discipline, and authority. To examine their uni- verse of discourse in its proper context is to view it both in its own cul- tural terms and in its dialogue and negotiation with the non-Jewish world. No period in Jewish cultural history has undergone more radical refor- mulation and revision by recent scholarship than the early modem; though to what extent conventional schemes of periodization like "early modern," "Renaissance," or "baroque" can be meaningfully applied to the Jewish cultural experience is a question which still engenders much discussion and debate.' Equally problematic is a proper evaluation of the kabbalah, the traditions of Jewish mystical and esoteric experience, 1. For recent discussions of the meaning of the Renaissance and baroque when applied to Jewish culture, see D. B. Ruderman, "The Italian Renaissance and Jewish Thought," in Renaissance Humanism: Foundations and Forms, 3 vols., ed. -
Gilgul and Reincarnation in Zohar
HAMAKOM YINACHEM ETCHEM CHORUS: HaMakom yinachem etchem HaMakom yinachen etchen HaMakom yinachem etchem B’toch sha’ar avlei tzion v’yerushalayim. In times when we are troubled By losses we must face The soul will bleed As we grieve Sorrow cuts its own pace.!! ! ! !!!!!!!!!!CHORUS: We’ll miss their smiles, touch, and smell The hands we once held Love lives on With memories strong Spirit dances beyond the veil.!! ! ! !!!!!!!!!!CHORUS: May you be comforted on your journey May you feel what you need to feel Let seeds be planted Of hope and consolation May you find the time to heal.!! ! ! !!!!!!!!!!CHORUS: This song by Geela Rayzel Raphael is based upon the traditional greetings to mourners following a funeral and at a shiva house. For music see Geela Rayzel Raphael, May the Angels Carry You - Jewish Songs of Comfort for Death, Dying and Mourning, www.Shechinah.com 17 GILGUL AND REINCARNATION IN ZOHAR AND LURIANIC KABBALAH HEINRICH GRAETZ ON KABBALAH & JEWISH MYSTICISM: JEWISH MYSTICAL IDEAS -> “a corruptive force throughout Jewish history” “malignant growth in the body of Judaism” KABBALAH -> “empty kabbalah could not fail to arouse enthusiasm in empty heads.” ZOHAR -> “occasionally offering a faint suggestion of an idea, which in a trice evaporates in a feverish fancies or childish silliness” HASIDISM -> “a new sect, a daughter of darkness, born in gloom, which even today proceeds stealthily on its mysterious way … [plunging east European Jewry] into a primitive state of barbarism.” (esp. Vol. IV of History of the Jews) GILGUL IN THE EVENING -
Descent' to the Chariot Towards a Description of the Terminology, Place, Function and Nature of the Yeridah in Hekhalot Literature
Texte und Studien zum Antiken Judentum herausgegeben von Martin Hengel und Peter Schäfer 45 The 'Descent' to the Chariot Towards a Description of the Terminology, Place, Function and Nature of the Yeridah in Hekhalot Literature by Annelies Kuyt ART I BUS J.C.B. Mohr (Paul Siebeck) Tubingen Die Deutsche Bibliothek - CIP-Einheitsaufnahme Kuyt, Annelies: The 'descent' to the chariot: towards a description of the terminology, place, function, and nature of the yeridah in Hekhalot literature / by Annelies Kuyt. - Tübingen: Mohr, 1995 (Texte und Studien zum antiken Judentum ; 45) ISBN 3-16-146284-X NE: GT © 1995 J.C.B. Mohr (Paul Siebeck), P.O. Box 2040, D-72010 Tübingen. This book may not be reproduced, in whole or in part, in any form (beyond that permitted by copyright law) without the publisher's written permission. This applies particularly to reproduc- tions, translations, microfilms and storage and processing in electronic systems. The book was typeset by Computersatz Staiger in Pfäffingen using Times typeface, printed by Guide-Druck in Tübingen on non-aging paper from Papierfabrik Buhl in Ettlingen and bound by Heinr. Koch in Tübingen. ISSN 0721-8753 Preface This study is a revised version of my doctoral dissertation "Heavenly Journeys in Hekhalot Literature. The Yeridah: Towards a Description of Its Terminology, Place, Function and Nature", defended at the University of Amsterdam in De- cember 1991. The main difference with the dissertation is a reduction of interest in semantics which allowed for an increase in the discussion of the context of the heavenly journeys in Hekhalot literature. My interest in Hekhalot literature has its roots in a course of lectures, given by Professor Niek van Uchelen, at the University of Amsterdam some ten years ago. -
Apocalyptic Literature and the Study of Early Jewish Mysticism
CHAPTER 6 APOCALYPTIC LITERATURE AND THE STUDY OF EARLY JEWISH MYSTICISM RA‘ANAN BOUSTAN AND PATRICK G. MCCULLOUGH U n d e r the influence of Gershom Scholem in the mid-twentieth century (Scholem 1954, 1965), work in the field of early Jewish mysticism has been informed by the hypothesis that there existed within ancient Judaism a continuous tradition of ecstatic mysticism. Scholem traced a direct historical trajectory from the Second Temple apocalypses to the early rabbinic teachings in the Mishnah, Tosefta, and Palestinian Talmud about the divine chariot-throne (merkavah) and, finally, to Hekhalot literature of late antiquity. Yet, over the past three decades, this powerful paradigm has gradually come unraveled, due in no small part to contemporane ous developments in the study of the apocalyptic texts from the Hellenistic and early Roman periods. Rather than approaching these various textual corpora as evidence for a single, unbroken tradition of Jewish mysticism, many scholars now emphasize the significant linguistic, formal, and conceptual differences among them (e.g., Halperin 1980; Schäfer 1984b, 2009; Himmelfarb 1988, 1993, 2006; Boustan 2007, 2011; Mizrahi 2009). This fundamental reassessment of the dynamics of continuity and innovation in the exegetical, speculative, and ritual traditions surrounding Ezekiels vision of the merkavah has gone hand-in-hand with a decidedly historicist, discursive, and 8 6 r a ‘a n a n b o u s t a n a n d Pa t r ic k g . m c c u l l o u g h materialist “turn” within the study of religion more generally. In the wake of criti cal inquiry into the popular and scholarly genealogy of the concept “mysticism” (de Certeau 1984; Katz 1978; Proudfoot 1985; Sharf 1998), specialists in the field of Jewish mysticism have increasingly questioned the assumption that the literatures they study are best interpreted as a Jewish variant of a universal “mystical” experience or state of consciousness. -
Michael T. Miller Chaos and Identity: Onomatology in the Hekhalot Literature
Michael T. Miller Chaos and Identity: Onomatology in the Hekhalot Literature This paper will investigate the Hekhalot literature’s use of names. I hope to establish that the multiple angelic stratifications which some scholars have seen as representing a severely compromised monotheism, may also be read as a sophisticated onomatology. Doing this will provide some fascinating insights into the relationship between naming and identity. The majority of the Hekhalot literature dates from between the second and fourth centuries CE1 and comprises several major texts as well as some other tertiary pieces. The main texts are Hekhalot Zutarti (“The Lesser Palaces”), Hekhalot Rabbati (“The Greater Palaces”), Ma’aseh Merkavah (“The Work of the Chariot”), Merkavah Rabbah (“The Great Chariot”) and 3 Enoch (also known as Sefer Hekhalot). Of these texts, it is generally held that Hekhalot Zutarti contains the oldest material, followed by Hekhalot Rabbati.2 However, we are wise to take note of the caveats regarding the rigid stratification of material into individual units,3 and of the acknowledged diversity of provenance and theology. Joseph Dan has concluded that the literature “should not be viewed as a product of one school of mystics moved by a common theology”.4 Bearing this in mind, I will endeavour to treat the Hekhalot literature as a body of textual tradi- tion, in order to find the conclusions that exist within it. The basic themes of the texts are the methodical ascent of either Akiva or Ishmael, their procession through the various heavens, past the angelic guardians, and finally their joining in the angelic liturgy in praise of God.