DOCSLIB.ORG

Boston Symphony Orchestra Concert Programs, Season 80, 1960-1961, Subscription

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Boston Symphony Orchestra Concert Programs, Season 80, 1960-1961, Subscription '''.. FOUNDED IN 1881 BY y?,-> HENRY LEE HIGGINSON 24 ^^ ysngg!^ ^ m ^ ~y BAYARD TUCKERMAN, JR. ARTHUR J. ANDERSON ROBERT T. FORREST JULIUS F. HALLER ARTHUR J. ANDERSON, JR. HERBERT S. TUCKERMAN J. DEANE SOMERVILLE We blueprint the basic structure for the insurance of our clients and build their protection on a sound foundation. Only by a complete survey of needs, followed by intelligent counsel, can a proper insur- ance program be constructed. Without obligation on your part, we would be happy to act as your insurance architects. Please call us at any time. CHARLES H. WATKINS & CO. RICHARD P. NYQUIST in association with OBRION, RUSSELL & CO. When You Think of Insurance . Think of us! 141 Milk Street Boston 6, Massachusetts HU bbard 2-6200 EIGHTIETH SEASON, 1960-1961 Boston Symphony Orchestra CHARLES MUNCH, Music Director Richard Burgin, Associate Conductor CONCERT BULLETIN with historical and descriptive notes by John N. Burk Copyright, 1961, by Boston Symphony Orchestra, Inc. The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot • Presi den t Talcott M. Banks Vice-President Richard C. Paine • Treasurer Theodore P. Ferris [ohn T. Noonan Francis W. Hatch Palfrey Perkins Harold D. Hodgkinson Sidney R. Rabb C. D. Jackson Charles H. Stockton E. Morton Jennings, Jr. John L. Thorndike Henry A. Laughlin Raymond S. Wilkins Oliver Wolcott TRUSTEES EMERITUS * Philip R. Allen Lewis Perry Edward A. Taft Thomas D. Perry, Jr., Manager S. Norman Shirk James J. Brosnahan Assistant Manager Business Administrator Lfonard. BlRKAT Rosario Mazzeo Music Administrator Personnel Manager SYMPHONY HALL BOSTON i 5 [1475] I What everyone likes about Boston's Pops are known throughout the world as a yardstick for excellence . fine music performed by a team of superb musicians. What yov will like about Shawmut's trust department In Shawmut's Trust Department you find men who combine financial acumen and experience with a warm human understanding of the many difficult personal problems involved in trust work. They are able to call upon Shawmut's complete Investment Research Depart- ment as well as upon individual experts in every area of property management. We would welcome an opportunity to sit down with you and your attorney for an informal discussion of how Shawmut might be of service to you. The Rational Shawmut Bank *•&*• Complete Banking- and Trust Services Member Federal Deposit Insurance Corporation [1476] : CONTENTS Program 1481 §fT(a&annaixK. Notes cFta 3fQ*is$tau3ijou$t of33©jI$* Mozart (Adagio and Fugue for Strings) 1484 Mozart (Sinfonia Concertante) 1496 Entr'acte Homer Sometimes Nods (Desmond Shawe-Taylor) . 1510 Notes Ravel (Suite for Orchestra) . 1518 Debussy (The Sea) 1522 AWARD FOR POULENC'S "GLORIA" The Music Critics Circle Award for the best new choral work to be heard in New York since the beginning of 1960 was announced last week for the Gloria by Francis Poulenc. The Gloria, which had its first performance in Boston by our Orchestra on January 21, was like- wise introduced to New York by Dr. Munch on April 8. The other prizes were to Lukas Foss for his orchestral work "Time Cycle" and to Elliott Carter for his Second String Quartet. EXHIBITIONS The exhibitions shown in the Gallery through the past season were loaned by the following artists and associations Photographs of the Far Eastern Tour, by George Humphrey (October 7- 15) . Photographs of the Far Eastern Tour by Jun Miki and Members of the Boston Symphony Orchestra (Octo- A Breath of Spring! ber 20-November 8) With its nosegays of violets — our Paintings by the Copley Society of hostess gown of printed cotton, im- Boston (November 11-26) ported from France and drip-dry! White with Lavendar or Pink print. Paintings by the Boston Society of Sizes 10 - 18. $39.95 Water Color Painters (December 8- 31) 416 Boylston St. 54 Central St. Paintings by the Subscribers, Friends, Boston 16 Wellesley 5-3430 and Members of Boston Symphony KEnmore 6-6238 CEdar Orchestra (January 11-24) ['477] . Portraits, assembled by the Vose Gal- lery (January 27-February 11) $£&& Wood carvings by Vernon B. Smith and Paintings from the Institute of Contemporary Art, Boston (Febru- ary 23-March 4) Etchings by Arthur W. Heintzelman (March 17-April 1) Paintings from the Gallery of Tyring- ham, Massachusetts (April 14-22) July fashion news is in the making LIST OF ARTICLES at Hurwitch's. For versa- our most PAGE tile designers have been hard at Friends Meeting 5 work on our summer collections. Music Since Last April 5 69 And the results are in! New Members Musical Plans 70 A breezy group of the new summer For the Younger Generation 70 play dresses with coolest possible New Trustees 133 coverage (already receiving en- Richter in America 133 thusiastic plaudits from summer- Music in Prospect 184 Talcott M. Banks 197 attuned customers) . artful swim New Honors for Joseph Silverstein 197 suits that do wonderful things for Dimitri Mitropoulos 261 your sun absorption (and your fig- What the Left Hand Can Do ... 262 ure), many of them with beach A Transatlantic Broadcast 326 Paderewski Award 340 coats . match-mated shirts and New York Anniversary 389 skirts in wonderful, vibrant-colored Radio Broadcasts 390 denims and cottons . sweater Reports from the Overseas dresses, of course, because they're Broadcast 454 fashion staples for seashore, town Mark Anthony DeWolfe Howe . 517 Award 518 and country living. Concerts on the Symphony Hall You know how New England's Organ 645 The New Organ Series 709 fickle spring suddenly turns to sum- Pablo Casals on Station mer ... so don't wait another day WGBH-TV 837 . come see our summer collec- Master Classes by Lotte Lehmann 1030 tions right away! The Choral Pioneer. 1029 Liszt Anniversary 1158 Sir Thomas Beecham 1157 Liszt in Our Pianistic Past 1222 Doc Davison's Chorus 1285 CLhlViVJ> The New Monday Series 1286 BROS. The Berkshire Festival 1349 Award for Poulenc's "Gloria" .... 1477 +wen+y new bur / [1478] wmmR G=^ -^ !Xv^V><V_/JLjvJ! Probably the happy result of one of those grandiose expansions of single instruments into large "families", the piccolo is a miniature Mute. The name itself means "small", and the arrangement of keys is very similar to that of an ordinary flute. But the piccolo is an octave higher than a flute in C and reaches almost to the upper limit of recognizable pitch, though the highest notes (4th octave above middle C) are too piercing to be often used. While the piccolo first became popular in the military bands of the late 18th century, it was quickly accepted in the symphony. Gluck and Beethoven used its hard, bright tone to accentuate "storm" music; Wagner and a great many modern composers have also put its birdlike brilliance to good use. ERSONAL BANKER ls the man you talk to at the New England Merchants National Bank. Our bank is small enough to know you as a friend, large enough to offer a full range of personal and commercial services. The officer who serves you understands your needs — and he's experienced and ready to help you on the spot. NEW ENGLAND MERCHANTS NATIONAL BANK 28 State Street, Boston acute* p.d.i.c. [*479] the patron o arts who can see beauty in well-managed money Making money make money is an art. Constant changes in company managements, business conditions and govern- ment laws quickly separate the amateurs from the ex- perienced professionals. Old Colony's skilled investment specialists are old masters at this art of money management. Put your port- folio in their hands and it becomes a thing of beauty, flowering as it grows to bring you greater security . without effort or worry on your part. Stop in soon and discuss your investment goals with an Old Colony officer. Meanwhile, let us send you a little booklet called "Managing Your Money." It outlines some of the many ways Old Colony can serve you. Listen to The CBS World News Roundup on WEEl each morning at 8 o'clock Worthy Old Colony of your Trust Company Trust One Federal St., Boston 6, Mass. Allied with The First National Bank of Boston [1480] EIGHTIETH SEASON NINETEEN HUNDRED SIXTY-SIXTY-ONE Twenty-fourth Program FRIDAY AFTERNOON, April 28, at 2:15 o'clock SATURDAY EVENING, April 29, at 8:30 o'clock Mozart Adagio and Fugue for Strings, in C minor, K. 546 Mozart Sinfonia Concertante, in E-flat, K. 297b I. Allegro II. Adagio III. Andantino con variazioni Oboe: RALPH GOMBERG Bassoon: SHERMAN WALT Clarinet: GINO CIOFFI Horn: JAMES STAGLIANO INTERMISSION Ravel "Le Tombeau de Couperin," Suite I. Prelude II. Forlane III. Menuet IV. Rigaudon Debussy *La Mer (The Sea), Three Symphonic Sketches I. De l'aube a raidi sur la mer (From Dawn to Noon on the Sea) II. Jeux de vagues (The Play of the Waves) III. Dialogue du vent et de la mer (Dialogue of the Wind and the Sea) These concerts will end at about 4: 10 o'clock on Friday Afternoon; 10:25 o'clock on Saturday Evening. BALDWIN PIANO *RCA VICTOR RECORDS [ 1481 ] >.""A p/.'.v^y HEAD TURNING HATS FROM [•*8«] h t*< The announcement was made last Friday by the Trustees of this Orchestra that Charles Munch has decided to resign as Music Director at the end of the 1961-62 season. It was an- nounced at the same time that his successor in the autumn of 1962 will be Erich Leinsdorf. Dr. Munch, who on his resignation will be seventy, will have completed his thirteenth season as this Orchesrta's conductor. Under his leadership the Boston Symphony Orchestra has greatly expanded its activities at home and abroad.
Load more

Recommended publications
  • Boston Symphony Orchestra Concert Programs, Season 88
    BOSTON SYMPHONY v^Xvv^JTa Jlj l3 X JlVjl FOUNDED IN 1881 BY HENRY LEE HIGGINSON THURSDAY A SERIES EIGHTY-EIGHTH SEASON 1968-1969 Exquisite Sound From the palaces of ancient Egypt to the concert halls of our modern cities, the wondrous music of the harp has compelled attention from all peoples and all countries. Through this passage of time many changes have been made in the original design. The early instruments shown in drawings on the tomb of Rameses II (1292-1225 B.C.) were richly decorated but lacked the fore-pillar. Later the "Kinner" developed by the Hebrews took the form as we know it today. The pedal harp was invented about 1720 by a Bavarian named Hochbrucker and through this ingenious device it be- came possible to play in eight major and five minor scales complete. Today the harp is an important and familiar instrument providing the "Exquisite Sound" and special effects so important to modern orchestration and arrange- ment. The certainty of change makes necessary a continuous review of your insurance protection. We welcome the opportunity of providing this service for your business or personal needs. We respectfully invite your inquiry CHARLES H. WATKINS & CO. Richard P. Nyquist — Charles G. Carleton 147 Milk Street Boston, Massachusetts Telephone 542-1250 PAIGE OBRION RUSSELL Insurance Since 1876 BOSTON SYMPHONY ORCHESTRA ERICH LEINSDORF Music Director CHARLES WILSON Assistant Conductor EIGHTY-EIGHTH SEASON 1968-1969 THE TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA INC. TALCOTT M. BANKS President HAROLD D. HODGKINSON PHILIP K. ALLEN Vice-President E. MORTON JENNINGS JR ROBERT H.GARDINER Vice-President EDWARD M.
    [Show full text]
  • A Chronology of All Artists' Appearances with the Chamber
    75 Years of Chamber Music Excellence: A Chronology of all artists’ appearances with the Chamber Music Society of Louisville st 1 ​ Season, 1938 – 1939 ​ Kathleen Parlow, violin and Gunnar Johansen, piano The Gordon String Quartet The Coolidge Quartet The Heermann Trio nd 2 ​ Season, 1939 – 1940 ​ The Budapest String Quartet The Stradivarius Quartet Marcel Hubert, cello and Harold Dart, piano rd 3 ​ Season, 1940 – 1941 ​ Ralph Kirkpatrick, harpsichord and Lois Wann, oboe Belgian Piano­String Quartet The Coolidge Quartet th 4 ​ Season, 1941 – 1942 ​ The Trio of New York The Musical Art Quartet The Pro Arte Quartet th 5 ​ Season, 1942 – 1943 ​ The Budapest String Quartet The Coolidge Quartet The Stradivarius Quartet th 6 ​ Season, 1943 – 1944 ​ The Budapest String Quartet Gunnar Johansen, piano and Antonio Brosa, violin The Musical Art Quartet th 7 ​ Season, 1944 – 1945 ​ The Budapest String Quartet The Pro Arte Quartet Alexander Schneider, violin and Ralph Kirkpatrick, harpsichord th 8 ​ Season, 1945 – 1946 ​ The Musical Art Quartet Nikolai Graudan, cello and Joanna Graudan, piano Philip Manuel, harpsichord and Gavin Williamson, harpsichord The Budpest String Quartet th 9 ​ Season, 1946 – 1947 ​ The Louisville Philharmonic String Quartet with Doris Davis, piano The Albeneri Trio The Budapest String Quartet th 10 ​ Season, 1947 – 1948 ​ Alexander Schneider, violin and Ralph Kirkpatrick, harpsichord The Budapest String Quartet The London String Quartet The Walden String Quartet The Albeneri Trio th 11 ​ Season, 1948 – 1949 ​ The Alma Trio
    [Show full text]
  • Le Saxophone: La Voix De La Musique Moderne an Honors
    Le Saxophone: La Voix de La Musique Moderne An Honors Thesis by Nathan Bancroft Bogert Dr. George Wolfe Ball State University Muncie, Indiana April 2008 May 3, 2008 Co Abstract This project was designed to display the versatility of the concert saxophone. In order to accomplish this lofty goal, a very diverse selection of repertoire was chosen to reflect the capability of the saxophone to adapt to music of all different styles and time periods. The compositions ranged from the Baroque period to even a new composition written specifically for this occasion (written by BSU School of Music professor Jody Nagel). The recital was given on February 21, 2008 in Sursa Hall on the Ball State University campus. This project includes a recording of the performance; both original and compiled program notes, and an in-depth look into the preparation that went into this project from start to finish. Acknowledgements, I would like to thank Dr. George Wolfe for his continued support of my studies and his expert guidance. Dr. Wolfe has been an incredible mentor and has continued his legacy as a teacher of the highest caliber. I owe a great deal of my success to Dr. Wolfe as he has truly made countless indelible impressions on my individual artistry. I would like to thank Dr. James Ruebel of the Ball State Honors College for his dedication to Ball State University. His knowledge and teaching are invaluable, and his dedication to his students are tings that make him the outstanding educator that he is. I would like to thank the Ball State School of Music faculty for providing me with so many musical opportunities during my time at Ball State University.
    [Show full text]
  • Manuel De Falla's Homenajes for Orchestra Ken Murray
    Manuel de Falla's Homenajes for orchestra Ken Murray Manuel de Falla's Homenajes suite for or- accepted the offer hoping that conditions in Ar- chestra was written in Granada in 1938 and given gentina would be more conducive to work than in its first performance in Buenos Aires in 1939 war-tom Spain. So that he could present a new conducted by the composer. It was Falla's first work at these concerts, Falla worked steadily on major work since the Soneto a Co'rdoba for voice the Homenajes suite before leaving for Argentina. and harp (1927) and his first for full orchestra On the arrival of Falla and his sister Maria del since El sombrero de tres picos, first performed in Carmen in Buenos Aires on 18 October 1939 the 1919. In the intervening years Falla worked on suite was still not ~omplete.~After a period of Atldntida (1926-46), the unfinished work which revision and rehearsal, the suite was premiered on he called a scenic cantata. Falla died in 1946 and 18 ~ovember1939 at the Teatro Col6n in Buenos the Homenajes suite remains his last major original Aires. Falla and Maria del Carmen subsequently work. The suite consists of four previously remained in Argentina where Falla died on 14 composed pieces: Fanfare sobre el nombre de November 1946. Arbds (1933); orchestrations of the Homenaje 'Le Three factors may have motivated Falla to tombeau de Claude Debussy' (1920) for solo combine these four Homenajes into an orchestral guitar; Le tombeau de Paul Dukas (1935) for pi- suite. He may have assembled the suite in order to ano; and Pedrelliana (1938) which-wasconceived give a premiere performance in Argentina.
    [Show full text]
  • Elliott Carter Works List
    W O R K S Triple Duo (1982–83) Elliott Carter Collection, Paul Sacher Foundation Basel ORCHESTRA Adagio tenebroso (1994) ............................................................ 20’ (H) 3(II, III=picc).2.corA.2(II=Ebcl).bcl.2.dbn-4.3.3.1-timp.perc(4):BD/ 4bongos/glsp/4tpl.bl/cowbells/vib/2susp.cym/2tom-t/2wdbl/SD/xyl/ tam-t/marimba/wood drum/2metal block-pft-strings (also see Symphonia: sum fluxae pretium spei) Allegro scorrevole (1996) ........................................................... 11’ (H) 2.picc.2.corA.2(II=Ebcl).bcl.2.dbn-4.3.3.1-perc(4):timp/glsp/xyl/vib/ 4bongos/SD/2tom-t/wdbl/3susp.cym/2cowbells/guiro/2metal blocks/ 4tpl.bl/BD/marimba-harp-pft-strings (also see Symphonia: sum fluxae pretium spei) Anniversary (1989) ....................................................................... 6’ (H) 3(III=picc).2.corA.2.bcl.2.dbn-4.3.3.1-timp.perc(2):vib/marimba/xyl/ 3susp.cym-pft(=cel)-strings(16.14.12.10.8) (also see Three Occasions for Orchestra) Boston Concerto (2002) .............................................................. 19’ (H) 3(II,III=picc).2.corA.3(III=bcl).3(III=dbn)-4.3.3.1-perc(3):I=xyl/vib/log dr/4bongos/high SD/susp.cym/wood chime; II=marimba/log dr/ 4tpl.bl/2cowbells/susp.cym; III=BD/tom-t/4wdbls/guiro/susp.cym/ maracas/med SD-harp-pft-strings A Celebration of Some 100 x 150 Notes (1986) ....................... 3’ (H) 2.picc.2.corA.2.bcl.2.dbn-4.3.3.1-timp.perc(1):glsp/vib-pft(=cel)- strings(16.14.12.10.8) (also see Three Occasions for Orchestra) Concerto for Orchestra (1969) ..................................................
    [Show full text]
  • Ruth Hodgkins Is Queen 57 Granted Degrees Biff West and Jackie in Second Winter Percival Q Ueers Aides Commencement Feb.7 Skiing, Basketball Game, President Harold W
    V O L . N o. 34 Issue 14 Z413 UNIVERSITY OF NEW HAMPSHIRE, DURHAM, NEW HAMPSHIRE, FEBRUARY IS, 1945 PRICE THREE CENTS Ruth Hodgkins Is Queen 57 Granted Degrees Biff West and Jackie In Second Winter Percival Q ueers Aides Commencement Feb.7 Skiing, Basketball Game, President Harold W. Stoke 17 Vets Among 43 Snow Sculpture and Dance Speaks on “Reflections on Promise Gala Weekend Individualism” in NH Hall New UNH Students Miss Ruth Hodgkins, ’46, of Needham, Forty-seven women and ten men re­ Seventeen veterans of World War II Mass. and formerly o f Etna, N. H., has ceived degrees from the University of were among the 43 new students enter­ been chosen to reign as Queen of the New Hampshire at Commencement ex­ ing the University of New Hampshire annual U N H Winter Carnival and gala ercises held on Wednesday afternoon, with the opening of the second semester Ball. Miss Hodgkins is a member of February 7, in New Hampshire Hall. today, it was announced by Dr. Everett Alpha Xi Delta and an English major. Four degrees were granted in absentia Country Gentlemen” New B. Sackett, registrar and director of ad­ Aides to the Queen will be Miss Eliza­ to men in the armed forces who have Name for UNH Dance Band Noted Pianist Gives missions. The ex-servicemen range in beth “ Biff” West, ’48, of Woburn, M ass.; completed requirements for a degree age from 19 to 39, with the average age and Miss Jacqueline Percival, ’45, of Hampton Beach, N. H. while in the service through courses The “Country Gentlement” is the new Concert Here Mar.
    [Show full text]
  • Takács Quartet Beethoven String Quartet Cycle
    Takács Quartet Beethoven String Quartet Cycle Concerts V and VI March 25–26, 2017 Rackham Auditorium Ann Arbor CONTENT Concert V Saturday, March 25, 8:00 pm 3 Beethoven’s Impact: Steven Mackey 7 Beethoven’s Impact: Adam Sliwinski 13 Concert VI Sunday, March 26, 4:00 pm 15 Beethoven’s Impact: Lowell Liebermann 18 Beethoven’s Impact: Augusta Read Thomas 21 Artists 25 Takács Quartet Concert V Edward Dusinberre / Violin Károly Schranz / Violin Geraldine Walther / Viola András Fejér / Cello Saturday Evening, March 25, 2017 at 8:00 Rackham Auditorium Ann Arbor 51st Performance of the 138th Annual Season 54th Annual Chamber Arts Series This evening’s presenting sponsor is the William R. Kinney Endowment. Media partnership provided by WGTE 91.3 FM and WRCJ 90.9 FM. Special thanks to Steven Whiting for his participation in events surrounding this weekend’s performances. The Takács Quartet records for Hyperion and Decca/London Records. The Takács Quartet is Quartet-in-Residence at the University of Colorado in Boulder and are Associate Artists at Wigmore Hall, London. The Takács Quartet appears by arrangement with Seldy Cramer Artists. In consideration of the artists and the audience, please refrain from the use of electronic devices during the performance. The photography, sound recording, or videotaping of this performance is prohibited. PROGRAM Beethoven String Quartets Concert V String Quartet in B-flat Major, Op. 18, No. 6 Allegro con brio Adagio ma non troppo Scherzo: Allegro La malinconia: Adagio — Allegretto quasi Allegro String Quartet in F Major, Op. 135 Allegretto Vivace Lento assai e cantante tranquillo Grave — Allegro — Grave, ma non troppo tratto — Allegro Intermission String Quartet in C Major, Op.
    [Show full text]
  • Classical Music Manuscripts Collection Finding Aid (PDF)
    University of Missouri-Kansas City Dr. Kenneth J. LaBudde Department of Special Collections NOT TO BE USED FOR PUBLICATION TABLE OF CONTENTS Biographical Sketches …………………………………………………………………... 2 Scope and Content …………………………………………………………………………... 13 Series Notes …………………………………………………………………………………... 13 Container List …………………………………………………………………………………... 15 Robert Ambrose …………………………………………………………………... 15 Florence Aylward …………………………………………………………………... 15 J.W.B. …………………………………………………………………………………... 15 Jean-Guillain Cardon …………………………………………………………………... 15 Evaristo Felice Dall’Abaco …………………………………………………………... 15 Alphons Darr …………………………………………………………………………... 15 P.F. Fierlein …………………………………………………………………………... 15 Franz Jakob Freystadtler …………………………………………………………... 16 Georg Golterman …………………………………………………………………... 16 Gottlieb Graupner …………………………………………………………………... 16 W. Moralt …………………………………………………………………………... 16 Pietro Nardini …………………………………………………………………………... 17 Camillo de Nardis …………………………………………………………………... 17 Alessandro Rolla …………………………………………………………………... 17 Paul Alfred Rubens …………………………………………………………………... 17 Camillo Ruspoli di Candriano …………………………………………………... 17 Domenico Scarlatti …………………………………………………………………... 17 Friederich Schneider …………………………………………………………………... 17 Ignaz Umlauf …………………………………………………………………………... 17 Miscellaneous Collections …………………………………………………………... 17 Unknown …………………………………………………………………………... 18 MS226-Classical Music Manuscripts Collection 1 University of Missouri-Kansas City Dr. Kenneth J. LaBudde Department of Special Collections NOT TO BE USED FOR PUBLICATION
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer, 2009
    SUMMER 2009 • . BOSTON SYMPHONY ORCHESTRA JAMES LEVINE MUSIC DIRECTOR DALECHIHULY HOLSTEN GALLERIES CONTEMPORARY GLASS SCULPTURE 3 Elm Street, Stockbridge 413 -298-3044 www.holstengaIleries.com Olive Brown and Coral Pink Persian Set * for a Changing World They're Preparing to Change the 'I'Mi P i MISS HALL'S SCHOOL what girls have in mind 492 Holmes Road, Pittsfield, Massachusetts 01201 (413)499-1300 www.misshalls.org • e-mail: [email protected] m Final Weeks! TITIAN, TINTORETTO, VERONESE RIVALS IN RENAISSANCE VENICE " "Hot is the WOrdfor this show. —The New York Times Museum of Fine Arts, Boston March 15-August 16, 2009 Tickets: 800-440-6975 or www.mfa.ore BOSTON The exhibition is organized the Museum by The exhibition is PIONEER of Fine Arts, Boston and the Musee du sponsored £UniCredit Group by Investments* Louvre, and is supported by an indemnity from the Federal Council on the Arts and Titian, Venus with a Mirror (detail), about 1555. Oil on canvas. National Gallery of Art, Washington, Andrew the Humanities. W. Mellon Collection 1 937.1 .34. Image courtesy of the Board of Trustees, National Gallery of Art, Washington. James Levine, Music Director Bernard Haitink, Conductor Emeritus Seiji Ozawa, Music Director Laureate 128th season, 2008-2009 Trustees of the Boston Symphony Orchestra, Inc. Edward H. Linde, Chairman • Diddy Cullinane, Vice-Chairman • Robert P. O'Block, Vice-Chairman Stephen Kay, Vice-Chairman • Roger T. Servison, Vice-Chairman • Edmund Kelly, Vice-Chairman • Vincent M. O'Reilly, Treasurer • George D. Behrakis • Mark G. Borden • Alan Bressler • Jan Brett • Samuel B. Bruskin • Paul Buttenwieser • Eric D.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 64,1944-1945, Trip
    [Harvard University] as s* ^ ^ BOSTON ^mm SYMPHONY ORCHESTRA FOUNDED IN 1881 BY HENRY L. HIGGINSON SIXTY-FOURTH SEASON ^ 1944-1945 141 Wednesday Evening, January 24 at 8 o'clock Boston Symphony Orchestra [Sixty-fourth Season, 1944-1945] SERGE KOUSSEVITZKY, Conductor Personnel Violins BURGIN, R. ELCUS, G. LAUGA, N. KRIPS, A. RESNIKOFF, v. N. Concert-master tapley, r. KASSMAN, CHERKASSKY, , P. LEIBOVICI, J. THEODOROWICZ, J. HANSEN, E. DICKSON, H. FEDOROVSKY, P. ZAZOFSKY, G. EISLER, D. PINFIELD, C. BEALE, M. DUBBS, H. KNUDSON, C. ZUNG, M. MANUSEVITCH, V. GORODETZKY, L. MAYER, P. DIAMOND, S. HILLYER, R. DEL SORDO, R. BRYANT, M. STONESTREET, L. MESSINA, S. SAUVLET, H. MURRAY, J. ERKELENS, H. NAGY, L. Violas LEFRANC, J. FOUREL, G. VAN WYNBERGEN, C. GROVER, H. CAUHAPE, J. ARTIERES, L. BERNARD, A. WERNER, H. LEHNER, E. KORNSAND, E. GERHARDT, S. humphrey , G. Violoncellos BEDETTI, J. LANGENDOEN, J. DROEGHMANS, H. ZIMBLER, J. FABRIZIO, E. ZIGHERA, A. NIELAND, M. ZEISE, K. MARJOLLET, L. Basses MOLEUX, G. JUHT, L. GREENBERG, H. GIRARD, H. BARWICKI, J. DUFRESNE, G. FRANKEL, I. PORTNOI, H. PROSE, P. Flutes Oboes Clarinets Bassoons LAURENT, G. GILLET, F. polatschek, v. ALLARD, R. PAPPOUTSAKIS, J. DEVERGIE, J. VALERIO, M. PANENKA, E. KAPLAN, P. LUKATSKY, J. CARDILLO, p. LAUS, A. Piccolo English Horn Bass Clarinet Contra-Bassoon MADSEN, G. SPEYER, L. MAZZEO, R. PILLER, B. Horns Trumpets Trombones Timpani VALRENIER, W. mager, g. raichman, j. szulc, r. MACDONALD, w LAFOSSE, M. HANSOTTE, L. POLSTER, M. MEEK, H. VOISIN, R. COFFEY, J. GEBHARDT, W. OROSZ, J. MCCONATHY, O. Harps Percussion ZIGHERA, B. STERNBURG, S. TUBA - CAUGHEY, E. SMITH, c.
    [Show full text]
  • The Marriage of Figaro
    UNIVERSITY MUSICAL SOCIETY Charles A. Sink, President Lester McCoy, Conductor Gail W. Rector, Executive Director First Concert 1957-1958 Complete Series 3216 Twelfth Annual Extra Concert Series THE NBC OPERA COMPANY m THE MARRIAGE OF FIGARO MOZART SUNDAY EVENING, OCTOBER 6, 1957, AT 8:30 HILL AUDITORIUM, ANN ARBOR, MICHIGAN THE CAST Count Almaviva WALTER CASSEL Countess Almaviva MARGUERITE WILLAUER Susanna, the Countess' maid JUDITH RASKIN Figaro, the Count's valet . MAC MORGAN Cherubino, the Count's page REGINA SARFATY Marcellina, an aged dame . RUTH KOBART Basilio, a music master LUIGI VELUCCI Don Curzio, a judge FRED CUSHMAN Bartolo, a doctor . EMILE RENAN Antonio, a gardener-Susanna's uncle EUGENE GREEN Barbarina, his daughter . BERTE GOAPERE Crier . RICHARD KRAUSE Country men and women, court attendants, hunters, and servants. (Cast subject to change) Conductor and Stage Director: PETER HERMAN ADLER Baldwin piano courtesy 0/ Maddy Music Company, Ann Arbor. A R S LON G A V I T A BREVIS THE MARRIAGE OF FIGARO By WOLFGANG AMADEUS MOZART Libretto by DAPONTE Based on a comedy by BEAUMARCHAIS English version: EDWARD EAGER Producer: SAMUEL CHOTZINOFF Music and Artistic Director: PETER HERMAN ADLER General Manager: CHANDLER COWLES Costumes: ALVIN COLT The action takes place in the castle and grounds of the Count and Countess Almaviva, near Seville. ACT I Count Almaviva, grown faithless to his Rosina after some years of marriage, has cast a roving eye upon her maid, Susanna, the bride-to-be of his valet, Figaro; while the Count's page, young Cherubino, has fallen in love, if you please, with the Countess herself.
    [Show full text]
  • Repertoire List
    APPROVED REPERTOIRE FOR 2022 COMPETITION: Please choose your repertoire from the approved selections below. Repertoire substitution requests will be considered by the Charlotte Symphony on an individual case-by-case basis. The deadline for all repertoire approvals is September 15, 2021. Please email [email protected] with any questions. VIOLIN VIOLINCELLO J.S. BACH Violin Concerto No. 1 in A Minor BOCCHERINI All cello concerti Violin Concerto No. 2 in E Major DVORAK Cello Concerto in B Minor BEETHOVEN Romance No. 1 in G Major Romance No. 2 in F Major HAYDN Cello Concerto No. 1 in C Major Cello Concerto No. 2 in D Major BRUCH Violin Concerto No. 1 in G Minor LALO Cello Concerto in D Minor HAYDN Violin Concerto in C Major Violin Concerto in G Major SAINT-SAENS Cello Concerto No. 1 in A Minor Cello Concerto No. 2 in D Minor LALO Symphonie Espagnole for Violin SCHUMANN Cello Concerto in A Minor MENDELSSOHN Violin Concerto in E Minor DOUBLE BASS MONTI Czárdás BOTTESINI Double Bass Concerto No. 2in B Minor MOZART Violin Concerti Nos. 1 – 5 DITTERSDORF Double Bass Concerto in E Major PROKOFIEV Violin Concerto No. 2 in G Minor DRAGONETTI All double bass concerti SAINT-SAENS Introduction & Rondo Capriccioso KOUSSEVITSKY Double Bass Concerto in F# Minor Violin Concerto No. 3 in B Minor HARP SCHUBERT Rondo in A Major for Violin and Strings DEBUSSY Danses Sacrée et Profane (in entirety) SIBELIUS Violin Concerto in D Minor DITTERSDORF Harp Concerto in A Major VIVALDI The Four Seasons HANDEL Harp Concerto in Bb Major, Op.
    [Show full text]