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The Rules of #Metoo
University of Chicago Legal Forum Volume 2019 Article 3 2019 The Rules of #MeToo Jessica A. Clarke Follow this and additional works at: https://chicagounbound.uchicago.edu/uclf Part of the Law Commons Recommended Citation Clarke, Jessica A. (2019) "The Rules of #MeToo," University of Chicago Legal Forum: Vol. 2019 , Article 3. Available at: https://chicagounbound.uchicago.edu/uclf/vol2019/iss1/3 This Article is brought to you for free and open access by Chicago Unbound. It has been accepted for inclusion in University of Chicago Legal Forum by an authorized editor of Chicago Unbound. For more information, please contact [email protected]. The Rules of #MeToo Jessica A. Clarke† ABSTRACT Two revelations are central to the meaning of the #MeToo movement. First, sexual harassment and assault are ubiquitous. And second, traditional legal procedures have failed to redress these problems. In the absence of effective formal legal pro- cedures, a set of ad hoc processes have emerged for managing claims of sexual har- assment and assault against persons in high-level positions in business, media, and government. This Article sketches out the features of this informal process, in which journalists expose misconduct and employers, voters, audiences, consumers, or professional organizations are called upon to remove the accused from a position of power. Although this process exists largely in the shadow of the law, it has at- tracted criticisms in a legal register. President Trump tapped into a vein of popular backlash against the #MeToo movement in arguing that it is “a very scary time for young men in America” because “somebody could accuse you of something and you’re automatically guilty.” Yet this is not an apt characterization of #MeToo’s paradigm cases. -
We Have a Movie for Everyone
FALL / WINTER 2015 NEW RELEASES The Martian 2015 • 122 min. • Colour • 20th Century Fox We have a Director: Ridley Scott Cast: Matt Damon, Jessica Chastain, Kristen Wiig, Kate Mara, Sebastian Stan, Michael Peña Movie for During a manned mission to Mars, Astronaut Mark Watney is presumed dead after a fierce storm Everyone and left behind by his crew. But Watney has survived and finds himself stranded and alone on the hostile planet. With only meager supplies, he must draw upon his ingenu- ity, wit and spirit to subsist and find a way to signal to Earth that he is alive. Pan 2015 • Colour • Warner Brothers Director: Joe Wright Cast: Hugh Jackman, Rooney Mara, Cara Delevingne, Amanda Seyfried Garrett Hedlund The story of an orphan who is spirited away to the magical Neverland. There, he finds both fun and dangers, and ultimately dis- covers his destiny -- to become the hero who will be forever known as Peter Pan. Shaun the Sheep Movie 2015 • 85 min. • Colour • Elevation Pictures Director: Mark Burton, Richard Starzak Cast: Justin Fletcher, John Sparkes, Omid Djalili, Kate Harbour, Richard Webber When Shaun decides to take the day off and have some fun, he gets a little more action than he bargained for. A mix up with the Farmer, a caravan and a very steep hill lead them all to the Big City and it’s up to Shaun and the flock to return everyone safely to the green grass of home. Kung Fu Panda 3 2015 • Colour • 20th Century Fox Director: Alessandro Carloni, Jennifer Yuh Cast: Jack Black, Angelina Jolie, Dustin Hoffman, Jackie Chan Seth Rogen, Lucy Liu Continuing his “legendary adventures of awesomeness”, Po must face two hugely epic, but different threats: one super- natural and the other a little closer to his home. -
'The Mystery Cruise' Cast Bios Gail O'grady
‘THE MYSTERY CRUISE’ CAST BIOS GAIL O’GRADY (Alvirah Meehan) – Multiple Emmy® nominee Gail O'Grady has starred in every genre of entertainment, including feature films, television movies, miniseries and series television. Her most recent television credits include the CW series “Hellcats” as well as "Desperate Housewives" as a married woman having an affair with the teenaged son of Felicity Huffman's character. On "Boston Legal," her multi-episode arc as the sexy and beautiful Judge Gloria Weldon, James Spader's love interest and sometime nemesis, garnered much praise. Starring series roles include the Kevin Williamson/CW drama series "Hidden Palms," which starred O'Grady as Karen Miller, a woman tormented by guilt over her first husband's suicide and her son's subsequent turn to alcohol. Prior to that, she starred as Helen Pryor in the critically acclaimed NBC series "American Dreams." But O'Grady will always be remembered as the warm-hearted secretary Donna Abandando on the series "NYPD Blue," for which she received three Emmy Award nominations for Best Supporting Actress in a Dramatic Series. O'Grady has made guest appearances on some of television's most acclaimed series, including "Cheers," "Designing Women," "Ally McBeal" and "China Beach." She has also appeared in numerous television movies and miniseries including Hallmark Channel's "All I Want for Christmas" and “After the Fall” and Lifetime's "While Children Sleep" and "Sex and the Single Mom," which was so highly rated that it spawned a sequel in which she also starred. Other television credits include “Major Crimes,” “Castle,” “Hawaii Five-0,” “Necessary Roughness,” “Drop Dead Diva,” “Ghost Whisperer,” “Law & Order: SVU,” “CSI: Miami,” "The Mentalist," "Vegas," "CSI," "Two and a Half Men," "Monk," "Two of Hearts," "Nothing Lasts Forever" and "Billionaire Boys Club." In the feature film arena, O'Grady has worked with some of the industry's most respected directors, including John Landis, John Hughes and Carl Reiner and has starred with several acting legends. -
Kay Mellor's Brand New Itv Drama 'Girlfriends'
KAY MELLOR’S BRAND NEW ITV DRAMA ‘GIRLFRIENDS’ WILL AIR IN THE NEW YEAR Rollem Productions brand new ITV drama Girlfriends - from the pen of BAFTA award- winning screenwriter Kay Mellor – will air in early 2018. The series stars Phyllis Logan (The Good Karma Hospital, Downton Abbey), Miranda Richardson (Mapp & Lucia, And Then There Were None, Churchill, iBoy) and Zoë Wanamaker (Mr Selfridge, Agatha Christie’s Poirot, My Family, Gormenghast, Harry Potter and the Philosopher's Stone) in the three lead roles and showcases a stellar supporting cast including: Daisy Head (Guilt, The Syndicate 3), Chris Fountain (Coronation Street, Hollyoaks), Philip Cumbus (The Resistable Rise of Arturo Ui, Comus), Matthew Lewis (Harry Potter, Ripper Street), Val Lilley (Cuffs, Mr Sloane, Shameless), Anthony Head (A Street Cat Named Bob, You, Me & Them), Adrian Rawlins (Hard Sun, Maigret in Montmartre), Wendy Craig (The Worst Witch, Unforgotten), Dave Hill (Porridge, Vera), Steve Evets (This Is Us, Looking For Eric, Rev), Paula Wilcox (Upstart Crow, Mount Pleasant, Boomers), Chloe Hart (Kinky Boots, Hairspray), Elena Saurel (Midsomer Murders, Silent Witness), Thailia Zucchi (The Windsors, New Tricks), Emmett J Scanlan (The Fall, In The Flesh), Rochenda Sandall (Love, Lies & Records, Broken) and Matthew Marsh (Love, Lies & Records, Riviera). For life-long friends Linda, Sue and Gail, the years have flown by, yet their lives seem more complicated than ever. When Linda’s husband Micky vanishes from a cruise ship on their wedding anniversary Linda suddenly finds herself on her own for the first time in nearly 30 years. Widowed and out of her depth she turns to her old friends Gail and Sue for support, who each have their own problems to face… Glamorous and successful Sue is shocked when she finds herself facing age discrimination in her job as the editor of a popular bridal magazine. -
An Interview with Andrew Davies
EnterText 1.2 PETER SMITH “The Script is Looking Good”: an interview with Andrew Davies PS Before coming to talk to you, I asked my colleagues what they would most like to ask you, and more than one wanted to know how tight a brief a writer tends to be given when adapting for TV or cinema. AD Right – well, usually when I start something, it’s – first of all, it’s either going to be a one-off or it’s going to be an episode. If it’s for television and it’s going to be in episodes, usually I’m given, or we work out by mutual agreement, the number of episodes that would be best to do this kind of thing in – and when I say “we”, usually I’m working with the producer or it’s someone higher up like an executive producer. Smith: Interview with Andrew Davies 157 EnterText 1.2 For instance, I do a lot of work with the woman who’s Head of Drama at the BBC. This is one of the good things about having been around for a long time; I knew her when she was a script editor. She was a very good script editor, and I suppose what I’m working round to is there’s not usually a lot of disagreement about it. If she says “I think it would make three” or “I think it would make four” or whatever it is, I usually think she’s right. Occasionally, you find that there’s a difference, but generally people will go with what I say these days. -
George Eliot on Stage and Screen
George Eliot on Stage and Screen MARGARET HARRIS* Certain Victorian novelists have a significant 'afterlife' in stage and screen adaptations of their work: the Brontes in numerous film versions of Charlotte's Jane Eyre and of Emily's Wuthering Heights, Dickens in Lionel Bart's musical Oliver!, or the Royal Shakespeare Company's Nicholas Nickleby-and so on.l Let me give a more detailed example. My interest in adaptations of Victorian novels dates from seeing Roman Polanski's film Tess of 1979. I learned in the course of work for a piece on this adaptation of Thomas Hardy's novel Tess of the D'Urbervilles of 1891 that there had been a number of stage adaptations, including one by Hardy himself which had a successful professional production in London in 1925, as well as amateur 'out of town' productions. In Hardy's lifetime (he died in 1928), there was an opera, produced at Covent Garden in 1909; and two film versions, in 1913 and 1924; together with others since.2 Here is an index to or benchmark of the variety and frequency of adaptations of another Victorian novelist than George Eliot. It is striking that George Eliot hardly has an 'afterlife' in such mediations. The question, 'why is this so?', is perplexing to say the least, and one for which I have no satisfactory answer. The classic problem for film adaptations of novels is how to deal with narrative standpoint, focalisation, and authorial commentary, and a reflex answer might hypothesise that George Eliot's narrators pose too great a challenge. -
Entourage Returns to HBO
Entourage returns to HBO <p>Miami, July 20, 2011- HBO Latin America announced the July 31st premiere of the eighth and final season of hit comedy series Entourage. With the enticingly fast-paced world of Hollywood as its signature backdrop, the Emmy® Award-winning production spotlights the ups and downs of hot young star Vince Chase (Adrian Grenier), and his hometown entourage: manager Eric (Kevin Connolly), half-brother Drama (Kevin Dillon), and close friend Turtle (Jerry Ferrara). &nbsp;</p><p>When we last left them, Vince had gone off the deep end after the boys’ failed attempt to stage an intervention for his excessive boozing and not-so-recreational drug use.&nbsp;Now, Vince is back from a stint in rehab and ready for a new pet project, while each of his crew deal with their own personal and professional challenges. &nbsp;</p><p>As Season 8 begins, super-agent Ari Gold (Golden Globe and 3-time Emmy®-winner Jeremy Piven) and Mrs. Ari (Perrey Reeves) have recently separated; Eric has broken up with Sloan (Emmanuelle Chriqui) after a prenup debacle, and is running his own management company with Scott Lavin (Scott Caan); Drama is shooting his animated series, Johnny’s Bananas, with Andrew Dice Clay; and Turtle is invested in the Avion tequila line and starting a new business venture.&nbsp;</p><p>This season, the stakes are higher, and the money and temptations greater than ever. -
Ruth Prawer Jhabvala's Adapted Screenplays
Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone. -
GAVIN FINNEY, BSC Director of Photography
(2/25/21) GAVIN FINNEY, BSC Director of Photography www.gavinfinney.com FILM & TELEVISION DIRECTOR COMPANIES PRODUCERS “SUSPICION” Chris Long Apple TV+ Howard Burch (Series) Keshet Prods. Chris Long Rob Williams “BARKSKINS” Darren Grant Fox 21 Television Eli Bush (Series) David Slade National Geographic Scott Rudin “FOUR WEDDINGS AND A Tristram Shapeero MGM Television Jonathan Prince FUNERAL” Universal Television Matt Warburton (Series) Mindy Kaling “GOOD OMENS” Douglas Mackinnon Amazon Studios Neil Gaiman (Mini-Series) BBC Studios Paul Frift Nomination: BSC Award for Best Cinematography in a TV Drama “UNFORGOTTEN” Andy Wilson Mainstreet Pictures Tim Bradley (TV Series) Chris Lang “THE MINIATURIST” Guillem Morales Masterpiece Theatre Rebecca Eaton (TV Series) BBC Elizabeth Kilgarriff The Forge Entertainment Brett Wilson “THE STATE” Peter Kosminsky Lionsgate Steve Clark-Hall (Mini-Series) Mandeville Films Liza Marshall Nomination: RTS Craft & Design Award for Best Photography in a Drama Nomination: BSC Award for Best Photography in a TV Drama “THE SECRET AGENT” Charles McDougall BBC Television Pricilla Parish Simon (Mini-Series) Heath “BLACK WORK” Michael Samuels Mammoth Screen Matt Charman (Mini-Series) Lipsync Productions Damien Timmer “WOLF HALL” Peter Kosminsky Company Pictures Mark Pybus (Mini-Series) Playground Ent. Rebecca Eaton Winner: Televisual Bulldog Award for Best Cinematography Hindsight Media Sonia Friedman Winner: BSC Award for Best Photography in a TV Drama Nomination: BAFTA Television Craft Award for Photography & Lighting -
Adaptations, Heritage Film & Costume Dramas
source guides adaptations, heritage film & costume dramas National Library adaptations, heritage film and costume drama 16 + Source Guide contents THE CONTENTS OF THIS PDF CAN BE VIEWED QUICKLY BY USING THE BOOKMARKS FACILITY INFORMATION GUIDE STATEMENT . .i BFI NATIONAL LIBRARY . .ii ACCESSING RESEARCH MATERIALS . .iii APPROACHES TO RESEARCH, by Samantha Bakhurst . .iv Introduction...........................................................................................................................................................1 E.M. FORSTER: MERCHANT IVORY ADAPTATIONS.........................................................................................2 A Room With a View.............................................................................................................................................3 Maurice...................................................................................................................................................................5 Howards End..........................................................................................................................................................8 JANE AUSTEN Pride and Prejudice.............................................................................................................................................12 Sense and Sensibility .........................................................................................................................................13 Emma....................................................................................................................................................................14 -
The Discourses of Vincent Chase
The Review: A Journal of Undergraduate Student Research Volume 13 Article 8 2012 The Discourses of Vincent Chase Eric Wolf St. John Fisher College, [email protected] Follow this and additional works at: https://fisherpub.sjfc.edu/ur Part of the Film and Media Studies Commons How has open access to Fisher Digital Publications benefited ou?y Recommended Citation Wolf, Eric. "The Discourses of Vincent Chase." The Review: A Journal of Undergraduate Student Research 13 (2012): 35-38. Web. [date of access]. <https://fisherpub.sjfc.edu/ur/vol13/iss1/8>. This document is posted at https://fisherpub.sjfc.edu/ur/vol13/iss1/8 and is brought to you for free and open access by Fisher Digital Publications at St. John Fisher College. For more information, please contact [email protected]. The Discourses of Vincent Chase Abstract In lieu of an abstract, below is the first paragraph of the paper. There is a common notion that those who make it big, whether it be as a professional athlete, a Grammy award-winning artist, or as an A-list actor, forget where they came from. Fame and fortune go to their heads and they become completely different people than they once were prior to their fame. Though fictional, one could make the argument that Vincent Chase, the protagonist of H.B.O.'s critically acclaimed series Entourage, underwent this drastic shift as the show progressed. One way of analyzing this possible alteration is through the Discourses that Vince was exposed to as a youth growing up in New York and as an A-list actor in Hollywood. -
Completeandleft
MEN WOMEN 1. JA Jason Aldean=American singer=188,534=33 Julia Alexandratou=Model, singer and actress=129,945=69 Jin Akanishi=Singer-songwriter, actor, voice actor, Julie Anne+San+Jose=Filipino actress and radio host=31,926=197 singer=67,087=129 John Abraham=Film actor=118,346=54 Julie Andrews=Actress, singer, author=55,954=162 Jensen Ackles=American actor=453,578=10 Julie Adams=American actress=54,598=166 Jonas Armstrong=Irish, Actor=20,732=288 Jenny Agutter=British film and television actress=72,810=122 COMPLETEandLEFT Jessica Alba=actress=893,599=3 JA,Jack Anderson Jaimie Alexander=Actress=59,371=151 JA,James Agee June Allyson=Actress=28,006=290 JA,James Arness Jennifer Aniston=American actress=1,005,243=2 JA,Jane Austen Julia Ann=American pornographic actress=47,874=184 JA,Jean Arthur Judy Ann+Santos=Filipino, Actress=39,619=212 JA,Jennifer Aniston Jean Arthur=Actress=45,356=192 JA,Jessica Alba JA,Joan Van Ark Jane Asher=Actress, author=53,663=168 …….. JA,Joan of Arc José González JA,John Adams Janelle Monáe JA,John Amos Joseph Arthur JA,John Astin James Arthur JA,John James Audubon Jann Arden JA,John Quincy Adams Jessica Andrews JA,Jon Anderson John Anderson JA,Julie Andrews Jefferson Airplane JA,June Allyson Jane's Addiction Jacob ,Abbott ,Author ,Franconia Stories Jim ,Abbott ,Baseball ,One-handed MLB pitcher John ,Abbott ,Actor ,The Woman in White John ,Abbott ,Head of State ,Prime Minister of Canada, 1891-93 James ,Abdnor ,Politician ,US Senator from South Dakota, 1981-87 John ,Abizaid ,Military ,C-in-C, US Central Command, 2003-