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FRIDAY 17Th NOVEMBER 2017 4:00 - 5:00 Pm Exhibition Inauguration and Opening Ceremony (Gallery) 5:30 - 6:00 Pm Guests to Be Seated (Hall 2)
FAIZ INTERNATIONAL FESTIVAL 17th – 19th November 2017 Alhamra Halls, Mall Road Lahore All events are free and open for all. (Except Tina Sani performance) FRIDAY 17th NOVEMBER 2017 4:00 - 5:00 pm Exhibition Inauguration and Opening Ceremony (Gallery) 5:30 - 6:00 pm Guests to be seated (Hall 2) لو پھر بسنت آئی pm 7:20 – 6:00 Play by Ajoka Theatre (Hall 2) SATURDAY 18th NOVEMBER 2017 Time Hall 1 Hall 2 Hall 3 Adbi Baithak Gallery Exhibition Area حلقہء زن ج یر م یں ز باں م ت پھر کوئی آ با سر ق ل 11:00 am Urdu language and information technology Discussion on Qawwali Faiz ki shairi main umeed-o-yass 12:00 pm Dr Sarmad Hussain, Dr Agha Ali Raza, Zehra Nigah, Dr Arfa Syeda Dr. Amir Jafri Musharaf Ali Farooqi, Aamir Wali Children Activity (Qasim Jafri) (Sumera Khalil) ب ول (Dr Umar Saif) Children’s Debate competition Literature Schools Festival ی ڑھنے والوں کے بام طلسمات کے در بات کہاں پھہری ہے 12: 15 pm My journey theatre, TV, film The City - A site for history and identity Book launch: A Sentimental Journey ت pm Irfan Khoosat, Navid Shehzad, Samina Shatha Safi, Kamran Lashari Haroon Khalid, Anum Zakaria, Dr. Tahir 1:15 - کوئی صوی ر گائی رہی Peerzada, Samiya Mumtaz Dr Asma Ibrahim Kamran in conversation with Pran رات پھر Sarmad Khoosat) (Attiq Ahmed) Nevile) Photographic ص بح آزادی ق ق ہم تے سب شعر م یں سنوارے پھے کب کب ساق تا ! ر ص کوئی ر ص ص تا کی صورت years of Partition exhibition of Faiz 70 ھی ھی باد م یں ا پھرتے ہ یں - pm 1:30 Dance Performance Faiz ki shairi meiN naghmagii 2:30 pm Remembering Riaz Shahid Dr. -
Volume-13-Skipper-1568-Songs.Pdf
HINDI 1568 Song No. Song Name Singer Album Song In 14131 Aa Aa Bhi Ja Lata Mangeshkar Tesri Kasam Volume-6 14039 Aa Dance Karen Thora Romance AshaKare Bhonsle Mohammed Rafi Khandan Volume-5 14208 Aa Ha Haa Naino Ke Kishore Kumar Hamaare Tumhare Volume-3 14040 Aa Hosh Mein Sun Suresh Wadkar Vidhaata Volume-9 14041 Aa Ja Meri Jaan Kishore Kumar Asha Bhonsle Jawab Volume-3 14042 Aa Ja Re Aa Ja Kishore Kumar Asha Bhonsle Ankh Micholi Volume-3 13615 Aa Mere Humjoli Aa Lata Mangeshkar Mohammed RafJeene Ki Raah Volume-6 13616 Aa Meri Jaan Lata Mangeshkar Chandni Volume-6 12605 Aa Mohabbat Ki Basti BasayengeKishore Kumar Lata MangeshkarFareb Volume-3 13617 Aadmi Zindagi Mohd Aziz Vishwatma Volume-9 14209 Aage Se Dekho Peechhe Se Kishore Kumar Amit Kumar Ghazab Volume-3 14344 Aah Ko Chahiye Ghulam Ali Rooh E Ghazal Ghulam AliVolume-12 14132 Aah Ko Chajiye Jagjit Singh Mirza Ghalib Volume-9 13618 Aai Baharon Ki Sham Mohammed Rafi Wapas Volume-4 14133 Aai Karke Singaar Lata Mangeshkar Do Anjaane Volume-6 13619 Aaina Hai Mera Chehra Lata Mangeshkar Asha Bhonsle SuAaina Volume-6 13620 Aaina Mujhse Meri Talat Aziz Suraj Sanim Daddy Volume-9 14506 Aaiye Barishon Ka Mausam Pankaj Udhas Chandi Jaisa Rang Hai TeraVolume-12 14043 Aaiye Huzoor Aaiye Na Asha Bhonsle Karmayogi Volume-5 14345 Aaj Ek Ajnabi Se Ashok Khosla Mulaqat Ashok Khosla Volume-12 14346 Aaj Hum Bichade Hai Jagjit Singh Love Is Blind Volume-12 12404 Aaj Is Darja Pila Do Ki Mohammed Rafi Vaasana Volume-4 14436 Aaj Kal Shauqe Deedar Hai Asha Bhosle Mohammed Rafi Leader Volume-5 14044 Aaj -
New Sufi Sounds of Pakistan: Arif Lohar with Arooj Aftab
Asia Society and CaravanSerai Present New Sufi Sounds of Pakistan: Arif Lohar with Arooj Aftab Saturday, April 28, 2012, 8:00 P.M. Asia Society 725 Park Avenue at 70th Street New York City This program is 2 hours with no intermission New Sufi Sounds of Pakistan Performers Arooj Afab lead vocals Bhrigu Sahni acoustic guitar Jorn Bielfeldt percussion Arif Lohar lead vocals/chimta Qamar Abbas dholak Waqas Ali guitar Allah Ditta alghoza Shehzad Azim Ul Hassan dhol Shahid Kamal keyboard Nadeem Ul Hassan percussion/vocals Fozia vocals AROOJ AFTAB Arooj Aftab is a rising Pakistani-American vocalist who interprets mystcal Sufi poems and contemporizes the semi-classical musical traditions of Pakistan and India. Her music is reflective of thumri, a secular South Asian musical style colored by intricate ornamentation and romantic lyrics of love, loss, and longing. Arooj Aftab restyles the traditional music of her heritage for a sound that is minimalistic, contemplative, and delicate—a sound that she calls ―indigenous soul.‖ Accompanying her on guitar is Boston-based Bhrigu Sahni, a frequent collaborator, originally from India, and Jorn Bielfeldt on percussion. Arooj Aftab: vocals Bhrigu Sahni: guitar Jorn Bielfeldt: percussion Semi Classical Music This genre, classified in Pakistan and North India as light classical vocal music. Thumri and ghazal forms are at the core of the genre. Its primary theme is romantic — persuasive wooing, painful jealousy aroused by a philandering lover, pangs of separation, the ache of remembered pleasures, sweet anticipation of reunion, joyful union. Rooted in a sophisticated civilization that drew no line between eroticism and spirituality, this genre asserts a strong feminine identity in folk poetry laden with unabashed sensuality. -
IFFI 2007–Non-Feature Films
IFFI 2007–Non-Feature Films Abhijit Ghosh-Dastidar The International Film Festival at Goa (November 07) offered beautiful, humane portraits in the non-features section of Indian Panorama. Buddhadeb Das Gupta's ''Naushad Ali—The Melody Continues" (Hindi, colour, 39 mins) is a tribute to Naushad Ali, the legendary music composer from Bombay's film world, and the film landscape of the times. The film commences with Dilip Kumar, the actor, visiting Naushad Ali, admitted in Bombay hospital. Naushad passed away in May 06. An 'alap' song, composed by Naushad and sung by Bade Ghulam Ali, from ''Moghal-e-Azam'', is at the debut of the sound track. The voice over states that Naushad was closely linked to Lucknow, where he was born in December 1919. The camera travels along the lanes and streets of Lucknow, with Moghal monuments in the background. Naushad's father was a munshi in court. Naushad had spent his childhood at his grandmother's house. His uncle, Allam, had a harmonium shop, and soon Naushad found a job in a musical instruments shop. He started watching films from the age of eight at the Royal Cinema hall. He was fascinated by the off screen musicians of silent films. Clips from musical silent films roll by. Babbar Khan coached Naushed on the harmonium. Naushad shifted to Bombay in 1937. He spent nights below a staircase. He joined DN Madhok's film production company, and made music for films like ''Mala'' and ''Prem Nagar'', for which he was paid Rs 300 only for each film. He composed classical music to fit the songs of Shamshad Begum in "Baiju Bawra''. -
India's First Interview Based Magazine
INDIA’S FIRST INTERVIEW BASED MAGAZINE `30 RNI No. ODIBIL/2012/50568 RNI No. INSIDE EXCLUSIVE A PROMINENT JOURNALIST WHO QUITS HER INTERVIEW 1 JOB TO COMMUNE AMONG ADIVASIS 2 WE HAVE MOVED ON, SHOW MUST GO ON…. he Coronavirus pandemic has reset been exemplary and inspiring, as always. We our lives. And, our lifestyles too. have spared no eff ort to connect better with our Th ere are guesstimates as to when this readers even during this unforeseen crisis. Our virus will lose strength. As of now, forte has been positive journalism. To showcase T there are no defi nitive answers. But the strengths of our state machinery and fl ag one thing has emerged strikingly over the past the achievements of unsung heroes across all few months. Covid will not melt away anytime walks of life. We have resisted every temptation soon. We are talking about a vaccine. But we are to partake in the TRP game. Our ethics has unsure when the vaccine will be available for stoutly countered this “Me Too’’ syndrome mass application. It’s a mystery to be unravelled. in the media. As you can recall, every year on October 2, coinciding with the birth anniversary Normally, any vaccine to tame a deadly contagion of the revered ‘Mahatma’, we felicitate the takes two to three years aft er grueling research iconic personalities. Carrying on this endeavor, goes into its development. As human species, we present to you the same “Top 20 Most we are trying against all odds to vanquish this Inspirational Personalities of Odisha 2020”. -
Making the Right MOV ES
www.reportjunction.com www.sansco.net Making the right MOV ES Annual Report 2008-09 www.reportjunction.com www.reportjunction.com www.sansco.net Forward looking statements In this Annual Report, we have disclosed forward-looking information to enable investors to comprehend our prospects and take investment decisions. This report and other statements - written and oral - that we periodically make, contain forward-looking statements that set out anticipated results based on the management’s plans and assumptions. We have tried wherever possible to identify such statements by using words such as ‘anticipate’, ‘estimate’, ‘expects’, ‘projects’, ‘intends’, ‘plans’, ‘believes’, and words of similar substance in connection with any discussion of future performance. We cannot guarantee that these forward-looking statements will be realized, although we believe we have been prudent in assumptions. The achievements of results are subject to risks, uncertainties, and even inaccurate assumptions. Should known or unknown risks or uncertainties materialize, or should underlying assumptions prove inaccurate, actual results could vary materially from those anticipated, estimated, or projected. Readers should keep this in mind. We undertake no obligation to publicly update any forward-looking statements, whether as a result of new information, future events or otherwise. n 7 atio 7 Co form nso e In lid rat ate o d rp Fin Co a nc 6 ia 9 l S ta te m e n 8-09 10 Ma t 200 king s in Th hy e R ap ig gr h o t M lm o Fi v ie 0 s 2 2 s t 8 n e m T e h a t r e a t e 2 S S Theatrical t m l a a A a r i b C C c o n a e u a s h t t T n Trailer i T F d 3 h n e e i n 0 M h o e l a B a M k e d a r m n n s o a r t a F S g e 3 w m T ie 3 e h V n e 5 t C 8 D e nt el is ra u c l P eq u lo Pr ss t he io 4 T n The 6 High Points an d A na ly sis e nc 38 rna D ove irec e G tors orat ’ Rep Corp ort 42 Report on www.reportjunction.com www.reportjunction.com www.sansco.net The business of cinema is as much about making a right movie as it is about making the right move. -
MUKTA ARTS LTD. MUKTA ARTS LTD ENTERTAINMENT INDUSTRY 1 BSE Scrip Code: 532357 CMP Rs
CARE IndependentEQUITY Equity Research RESEARCH MUKTA ARTS LTD. MUKTA ARTS LTD ENTERTAINMENT INDUSTRY 1 BSE Scrip Code: 532357 CMP Rs. 31.9 March 1, 2012 Strong brand value in movie production Mukta Arts Ltd (MAL) primarily produces movies; it has a 17- film library of which 12 are blockbusters. The company has produced such popular Hindi films as Karz, Hero, Karma, Ram- Lakhan, Saaudagar, Khalnayak, Pardes, Taal and Yaadein. MAL has also produced movies with outside directors including Jogger‟s Park, Aitraaz, Iqbal, 36 Chinatown, Paying Guest, Right Yaaa Wrong, Hello Darling, Paschim Express, the Bengali movie Nauka Dubi and the Marathi movie Sanai Choughade, etc. MAL to enter film exhibition business MAL has entered into the film exhibition business to tap revenue across multiple streams. The company is looking at starting a chain of multiplexes under the brand name „Mukta Cinemas‟ in various cities across the country. By entering in exhibition, MAL will extend and complete its presence in all major streams of the film business. The locations tied up so far include smaller centres such as Vadodara, Ahmedabad and Bhopal. Expansion into Mumbai and other metros will depend on the response to the initial launch. Key concerns Slowdown in economic growth Piracy has an adverse impact on revenues Intensely competitive environment and success at box office. Technological obsolescence Valuations MAL is currently trading at trailing EV/EBITDA multiple of 75.9x. 1 www.careratings.com CARE EQUITY MUKTA ARTS LTD. RESEARCH HISTORY AND BACKGROUND Background MAL is an India-based holding company, incorporated in 1982 and converted into a public company in September 2000. -
Women Performing Artists in Colonial India There Were Few Women Painters in Colonial India
I. (A) Personal Details Role Name Affiliation Principal Investigator Prof. Sumita University of Allhabad Parmar Paper Coordinator Prof Rekha Pande University of Hyderabad Author Dr. Archana Verma Independent Scholar Content Reviewer (CR) Prof Rekha Pande University of Hyderabad Language Editor (LE) Prof. Sumita University of Allhabad Parmar (B) Description of Module Items Description of Module Subject Name Women’s Studies Paper Name Women and History Module Name/ Title, Women performers in colonial India description Module ID Paper- 3, Module-30 Pre-requisites None Objectives To explore the achievements of women performers in colonial period Keywords Indian art, women in performance, cinema and women, India cinema, Hindi cinema Women Performing Artists in Colonial India There were few women painters in Colonial India. But in the performing arts, especially acting, women artists were found in large numbers in this period. At first they acted on the stage in theatre groups. Later, with the coming of cinema, they began to act for the screen. Cinema gave them a channel for expressing their acting talent as no other medium had before. Apart from acting, some of them even began to direct films at this early stage in the history of Indian cinema. Thus, acting and film direction was not an exclusive arena of men where women were mostly subjects. It was an arena where women became the creators of this art form and they commanded a lot of fame, glory and money in this field. In this module, we will study about some of these women. Nati Binodini (1862-1941) Fig. 1 – Nati Binodini (get copyright for use – (https://commons.wikimedia.org/wiki/File:Binodini_dasi.jpg) Nati Binodini was a Calcutta based renowned actress, who began to act at the age of 12. -
Pop Compact Disc Releases - Updated 08/29/21
2011 UNIVERSITY AVENUE BERKELEY, CA 94704, USA TEL: 510.548.6220 www.shrimatis.com FAX: 510.548.1838 PRICES & TERMS SUBJECT TO CHANGE WITHOUT NOTICE INTERNATIONAL ORDERS ARE NOW ACCEPTED INTERNATIONAL ORDERS ARE GENERALLY SHIPPED THRU THE U.S. POSTAL SERVICE. CHARGES VARY BY COUNTRY. WE WILL ALWAYS COMPARE VARIOUS METHODS OF SHIPMENT TO KEEP THE SHIPPING COST AS LOW AS POSSIBLE PAYMENT FOR ORDERS MUST BE MADE BY CREDIT CARD PLEASE NOTE - ALL ITEMS ARE LIMITED TO STOCK ON HAND POP COMPACT DISC RELEASES - UPDATED 08/29/21 Pop LABEL: AAROHI PRODUCTIONS $7.66 APCD 001 Rawals (Hitesh, Paras & Rupesh) "Pehli Nazar" / Pehli Nazar, Meri Nigahon Me, Aaja Aaja, Me Dil Hu, Tujhko Banaya, Tujhko Banaya (Sad), Humne Tumko, Oh Hasina, Me Tera Hu Diwana (ADD) LABEL: AUDIOREC $6.99 ARCD 2017 Shreeti "Mere Sapano Mein" (Music: Rajesh Tailor) Mere Sapano Mein, Jatey Jatey, Ek Khat, Teri Dosti, Jaan E Jaan, Tumhara Dil - 2 Versions, Shehenayi Ke Soor, Chalte Chalte, Instrumental (ADD) $6.99 ARCD 2082 Bali Brahmbhatt "Sparks of Love" / Karle Tu Reggae Reggae, O Sanam, Just Between You N Me, Mere Humdum, Jaana O Meri Jaana, Disco Ho Ya Reggae, Jhoom Jhoom Chak Chak, Pyar Ke Rang, Aag Ke Bina Dhuan Nahin, Ja Rahe Ho / Introducing Jayshree Gohil (ADD) LABEL: AVS MUSIC $3.99 AVS 001 Anamika "Kamaal Ho Gaya" / Kamaal Ho Gaya, Nach Lain De, Dhola Dhol, Badhai Ho Badhai, Beetiyan Kahaniyan, Aa Bhi Ja, Kahaan Le Gayee, You & Me LABEL: BMG CRESCENDO (BUDGET) $6.99 CD 40139 Keh Diya Pyar Se / Lucky Ali - O Sanam / Vikas Bhalla - Dhuan, Keh Diya Pyar Se / Anaida - -
Indian Languages Move Up
September 1-15, 2019 Volume 8, Issue 5 `100 INDIAN LANGUAGES MOVE UP 20 The Quint, BBC News Hindi and ALTBalaji were big winners in a year which saw a sharp rise in Indian languages entries. Gold Partners Technology Partner Silver Partner Bronze Partners Chamber Partner Streaming Partner EDITORIAL This fortnight... Volume 8, Issue 5 y favourite professor back at university, used to love saying – to understand EDITOR Sreekant Khandekar M something well, either do it 100 times in a row or do it annually, thrice. PUBLISHER September 1-15, 2019 Volume 8, Issue 5 `100 Of course, the choice depends on the object of interest; if it’s about mastering a Sreekant Khandekar INDIAN LANGUAGES mathematics formula then the former, if it’s about analysing monsoon clouds, the EXECUTIVE EDITOR MOVE UP latter. I thought of her now because as we concluded the third edition of Digipub Ashwini Gangal World recently, our annual convention on the business of online publishing, PRODUCTION EXECUTIVE Andrias Kisku I finally felt like I was starting to understand this complex world – cohabited ADVERTISING ENQUIRIES by publishers, advertisers, agencies, tech platforms, ad exchanges, ad networks, Shubham Garg fraudsters, and consumers – a touch better. 81301 66777 (M) Noida 20 Apoorv Kulshrestha Directional trends are beginning to stand out and recurring themes of discussion 9873824700 (M) The Quint, BBC News Hindi and ALTBalaji were big winners in a year which saw a sharp rise in Indian languages entries. are very telling. For instance, this year, for a third consecutive time, we analysed the Noida problems facing Indian language publishers; though the demand for local language Nikhil Jhunjhunwala 9833371393 (M) Gold Partners Technology Partner Silver Partner Bronze Partners Chamber Partner Streaming Partner content is soaring, monetisation remains a challenge. -
Kishore Booklet Copy
08. Tum Aa Gaye Ho Noor Aa Gaya with Lata Mangeshkar Film: Aandhi 01. The Evergreen Kishore Kumar 09. Asha Bhosle reminisces 02. Yeh Sham Mastani Kishore Kumar Film: Kati Patang 10. Piya Piya Piya Mora Jiya 03. Roop Tera Mastana with Asha Bhosle Film: Aradhana Film: Baap Re Baap 04. Yeh Jo Mohabbat Hai 11. Main Hoon Jhoom Jhoom Film: Kati Patang Film: Jhumroo 05. Aanewala Pal Janewala Hai 12. Dekha Ek Khwab Film: Golmaal with Lata Mangeshkar Film: Silsila 06. Oh Hansini Film: Zehreela Insaan 13. Meri Bheegi Bheegi Si Film: Anamika 07. Hamen Tumse Pyar Kitna Film: Kudrat 14. Kehna Hai Kehna Hai Film: Padosan 2 3 15. Raat Kali Ek Khwab Mein 23. Mere Sapnon Ki Rani Film: Buddha Mil Gaya Film: Aradhana 16. Aate Jate Khoobsurat Awara 24. Dil Hai Mera Dil Film: Anurodh Film: Paraya Dhan 17. Khwab Ho Tum Ya Koi 25. Mere Dil Mein Aaj Kya Hai Film: Teen Devian Film: Daag 18. Aasman Ke Neeche 26. Ghum Hai Kisi Ke Pyar Mein with Lata Mangeshkar with Lata Mangeshkar Film: Jewel Thief Film: Raampur Ka Lakshman 19. Mere Mehboob Qayamat Hogi 27. Aap Ki Ankhon Mein Kuch Film: Mr. X In Bombay with Lata Mangeshkar Film: Ghar 20. Teri Duniya Se Hoke Film: Pavitra Papi 28. Sama Hai Suhana Suhana Film: Ghar Ghar Ki Kahani 21. Kuchh To Log Kahenge Film: Amar Prem 29. O Mere Dil Ke Chain Film: Mere Jeevan Saathi 22. Rajesh Khanna talks about Kishore Kumar 4 5 30. Musafir Hoon Yaron 38. Gaata Rahe Mera Dil Film: Parichay with Lata Mangeshkar Film: Guide 31. -
Cam for PDF 2016.Pmd
campus diary November - December 2016 campus diary November - December 2016 http://www.iitb.ac.in/en/activities/campus-diary I N D I A N I N S T I T U T E O F T E C H N O L O G Y B O M B A Y IIT Bombay Celebrates Annual Alumni Day * Six Alumni members were presented with Distinguished Service Awards * The Silver Jubilee batch of 1991 pledged Rs. 8 crores towards the Legacy project Silver Jubilee Batch (class of 1991) pledged for a fund towards Legacy Project The Indian Institute of Technology Bombay celebrated its annual Alumni Day on December 25, 2016. The day started with a warm welcome by Prof. Ravi Sinha, Dean (Alumni & Corporate Relations). Prof. Devang Khakhar, Director of IIT Bombay gave the visiting alumni an overview of the Institute and its growth over the years. In his address, Prof. Khakhar informed how the Institute is growing in stature. “Today, IIT Bombay is the leading academic Institution in the field of research and development. IIT Bombay alumni have made significant contributions towards the growth of the Institute. Our aspiration is to see IIT Bombay among the top ranks of technical universities in the world. We need continued support from our alumni to realize this dream,” he said. 1 campus diary November - December 2016 Mr. Pramod Chaudhari, Executive Chairman, Global Process Solutions Company Praj Industries donated Rs. 2.5 crore to the Institute for setting up of a Centre for Learning and Teaching As a part of the function, under-graduate and post-graduate The batch of 1991 has raised a Distinguished Service Awards were courses, as well as students of the record amount of pledge for the bestowed on six alumni members Institute.