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Pr-Dvd-Holdings-As-Of-September-18
CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
MARCUS ALEXANDER Stereographer/Stereo Producer/Stereo Supervisor
MARCUS ALEXANDER Stereographer/Stereo Producer/Stereo Supervisor PROJECTS DIRECTOR STUDIO & PRODUCERS “WARCRAFT” DUNCAN JONES ATLAS ENTERTAINMENT Stereo Consultant LEGENDARY PICTURES Alex Gartner, Jon Jashni, Charles Roven, Thomas Tull “GODZILLA” GARETH EDWARDS WARNER BROS. PICTURES Stereo Consultant LEGENDARY PICTURES Jon Jashni, Mary Parent, Brian Rogers, Thomas Tull LEGENDARY PICTURES LOGO EMILY CASTEL LEGENDARY PICTURES Stereo Consultant TRAILER PARK Jake Rice “THE SEVENTH SON” SERGEI BODROV LEGENDARY PICTURES Stereographic Supervisor Basil Iwanyk, Thomas Tull, Lionel Wigram “WRATH OF THE TITANS” JONATHAN LIEBESMAN WARNER BROS. PICTURES Post Stereographer/Stereo Producer Basil Iwanyk, Polly Johnsen Film nominated for I3DS Callum McDougall (Best Post Supervision 2D to 3D) “STAR WARS: EPISODE I – GEORGE LUCAS TWENTIETH CENTURY FOX THE PHANTOM MENACE 3D” LUCASFILM Stereo Producer (Prime Focus) Rick McCallum + Stereography Support - UC “THE CHRONICLES OF NARNIA:THE MICHAEL APTED TWENTIETH CENTURY FOX VOYAGE OF THE DAWN TREADER” WALDEN MEDIA Stereoscopic Support Andrew Adamson, Mark Johnson, (Prime Focus) Philip Steuer “DEAD CRAZY” FRANK SCANTORI THE FILM THEATRE COMPANY Cinematographer “YELLING TO THE SKY” VICTORIA MAHONEY ELEPHANT EYE FILMS Digital Intermediate Producer (Deluxe NYC) “LAST NIGHT” MASSY TADJEDIN GAUMONT/NICK WECHSLER PRODS. D. I. Manager (Deluxe New York) "SHANGHAI" MIKAEL HAFSTROM PHOENIX PICTURES Digital Intermediate Manager (Deluxe NYC) “LETTERS TO JULIETTE” GARY WINICK SUMMIT ENTERTAINMENT Digital Intermediate Manager (Deluxe NYC) "THE BOUNTY HUNTER" ANDY TENNANT COLUMBIA PICTURES D. I. Manager (UC) (Deluxe New York) Marcus Alexander -Continued- "REMEMBER ME" ALLEN COULTER SUMMIT ENTERTAINMENT D. I. Manager (Deluxe New York) "GREENBERG" NOAH BAUMBACH FOCUS FEATURES Digital Intermediate Producer (EFILM) "THE LAST SURVIVOR" (Documentary) MICHAEL KLEIMAN RIGHTEOUS PICTURES D.I. -
Xerox University Microfilms 300 North Zeeb Road Ann Arbor, Michigan 48106 75-6523 HEMBREE, Charles William, 1939- NARRATIVE TECHNIQUE in the FICTION of EUDORA WELIY
INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1.The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again - beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation. -
Jigsaw: Torture Porn Rebooted? Steve Jones After a Seven-Year Hiatus
Originally published in: Bacon, S. (ed.) Horror: A Companion. Oxford: Peter Lang, 2019. This version © Steve Jones 2018 Jigsaw: Torture Porn Rebooted? Steve Jones After a seven-year hiatus, ‘just when you thought it was safe to go back to the cinema for Halloween’ (Croot 2017), the Saw franchise returned. Critics overwhelming disapproved of franchise’s reinvigoration, and much of that dissention centred around a label that is synonymous with Saw: ‘torture porn’. Numerous critics pegged the original Saw (2004) as torture porn’s prototype (see Lidz 2009, Canberra Times 2008). Accordingly, critics such as Lee (2017) characterised Jigsaw’s release as heralding an unwelcome ‘torture porn comeback’. This chapter will investigate the legitimacy of this concern in order to determine what ‘torture porn’ is and means in the Jigsaw era. ‘Torture porn’ originates in press discourse. The term was coined by David Edelstein (2006), but its implied meanings were entrenched by its proliferation within journalistic film criticism (for a detailed discussion of the label’s development and its implied meanings, see Jones 2013). On examining the films brought together within the press discourse, it becomes apparent that ‘torture porn’ is applied to narratives made after 2003 that centralise abduction, imprisonment, and torture. These films focus on protagonists’ fear and/or pain, encoding the latter in a manner that seeks to ‘inspire trepidation, tension, or revulsion for the audience’ (Jones 2013, 8). The press discourse was not principally designed to delineate a subgenre however. Rather, it allowed critics to disparage popular horror movies. Torture porn films – according to their detractors – are comprised of violence without sufficient narrative or character development (see McCartney 2007, Slotek 2009). -
Master Class with Douglas Trumbull: Selected Filmography 1 the Higher Learning Staff Curate Digital Resource Packages to Complem
Master Class with Douglas Trumbull: Selected Filmography The Higher Learning staff curate digital resource packages to complement and offer further context to the topics and themes discussed during the various Higher Learning events held at TIFF Bell Lightbox. These filmographies, bibliographies, and additional resources include works directly related to guest speakers’ work and careers, and provide additional inspirations and topics to consider; these materials are meant to serve as a jumping-off point for further research. Please refer to the event video to see how topics and themes relate to the Higher Learning event. * mentioned or discussed during the master class ^ special effects by Douglas Trumbull Early Special Effects Films (Pre-1968) The Execution of Mary, Queen of Scots. Dir. Alfred Clark, 1895, U.S.A. 1 min. Production Co.: Edison Manufacturing Company. The Vanishing Lady (Escamotage d’une dame au théâtre Robert Houdin). Dir. Georges Méliès, 1896, France. 1 min. Production Co.: Théâtre Robert-Houdin. A Railway Collision. Dir. Walter R. Booth, 1900, U.K. 1 mins. Production Co.: Robert W. Paul. A Trip to the Moon (Le voyage dans la lune). Dir. Georges Méliès, 1902, France. 14 mins. Production Co.: Star-Film. A Trip to Mars. Dir. Ashley Miller, 1910, U.S.A. 5 mins. Production Co.: Edison Manufacturing Company. The Conquest of the Pole (À la conquête de pôle). Dir. Georges Méliès, 1912, France. 33 mins. Production Co.: Star-Film. *Intolerance: Love’s Struggle Throughout the Ages. Dir. D.W. Griffith, 1916, U.S.A. 197 mins. Production Co.: Triangle Film Corporation / Wark Producing. The Ten Commandments. -
View Peter's Resume
Peter Lawson Jones SAG-AFTRA · AEA Height: 6’0” 216.408.7878 Weight: 175 lbs. [email protected] Eyes: brown www.peterlawsonjones.com Hair: shaved or black/gray FILM/TELEVISION/VIDEO/COMMERCIALS Chicago Fire, Episode 904, Funny What Things Guest Star NBCUniversal Remind Us (2021) Judas and the Black Messiah (2021) Principal Warner Brothers White Boy Rick (2018) Principal LBI Productions/Protozoa Pictures/Studio 8 Alex Cross (2012) Principal Lionsgate/Summit Entertainment Detroit 1-8-7, Episode 113, Road to Nowhere (2011) Co-Star ABC Studios/FTP Productions, LLC Life Milestones, Marathon Petroleum Corporation Principal Performer Farm League Commercial (2020) Rain, Kia Motors of North America LeBron James Principal Performer Reset Commercial (2017) Starve (2014) Supporting P2 Films The Assassin’s Code (2018) Principal Serious Stooges Films, LLC The Umbrella Man (2014) Principal GSquared Pictures/Point Park University/ Mindset Productions Crshd (2019) Principal ESC Productions LLC 25 Hill (2011) Principal teamcherokee productions Gearheads (2016) Principal Uncork’d Entertainment Heartland (2020) Principal Heartland, LLC Robbie 3.0 (2011) Lead (voice-over) University of Southern California School of Cinematic Arts If the River Was Whiskey (2012) Principal The Scripps College of Communications at Ohio University How to Change the World (2016)* Supporting Blurry Dude Media Group All Eyes on Emma (2017) Lead Alchemy Point Stokes: An American Dream (2009) Narrator PBS/WVIZ * 2016 Indie -
Steven Price
STEVEN PRICE COMPOSER Steven Price is an Academy Award winning film composer. His unique, story-driven approach to the craft of film scoring has seen him work on some of the most innovative productions of recent years. From Alfonso Cuaron’s Gravity to Edgar Wright’s Baby Driver, Steven’s individualistic scores seek to enhance the ideas and images of great filmmakers in truly bespoke ways. Steven’s diverse music reflects the wide range of movie and television projects he has been involved with. Beginning his career in the late 1990s, he contributed to productions such as The Lord of the Rings trilogy and Batman Begins, before making his scoring debut in 2011 with Joe Cornish’s inner-city horror comedy, Attack the Block. Recent years have seen him compose distinctive scores for Claire McCarthy’s reimagining of Hamlet, Ophelia, David Ayer’s Suicide Squad, and the Paramount Animation Wonder Park. From his incorporation of original WW2 tanks in the percussion of the Brad Pitt starring Fury to the wind instrument driven score created for Tom Harper’s The Aeronauts, the music created for each production seeks to give each story its unique voice, the result of an experimental and collaborative process. His work in the Natural History realm, working alongside Sir David Attenborough on The Hunt, (for which Steven won a Bafta), and the Netflix Original Our Planet, (nominated for two score Emmys), will continue in 2020 with a new live arena spectacular, Our Planet Live in Concert, the premiere for which will be held at London’s O2 Arena in October 2020. -
CHAPTER 3 the Classical School of Criminological Thought
The Classical CHAPTER 3 School of Criminological Thought Wally Skalij/Los Angeles Times/Getty Images distribute or post, copy, not Do Copyright ©2018 by SAGE Publications, Inc. This work may not be reproduced or distributed in any form or by any means without express written permission of the publisher. Introduction LEARNING A 2009 report from the Death Penalty Information Center, citing a study OBJECTIVES based on FBI data and other national reports, showed that states with the death penalty have consistently higher murder rates than states without the death penalty.4 The report highlighted the fact that if the death penalty were As you read this chapter, acting as a deterrent, the gap between these two groups of states would be consider the following topics: expected to converge, or at least lessen over time. But that has not been the case. In fact, this disparity in murder rates has actually grown over the past • Identify the primitive two decades, with states allowing the death penalty having a 42% higher types of “theories” murder rate (as of 2007) compared with states that do not—up from only explaining why 4% in 1990. individuals committed violent and other Thus, it appears that in terms of deterrence theory, at least when it comes deviant acts for most to the death penalty, such potential punishment is not an effective deterrent. of human civilization. This chapter deals with the various issues and factors that go into offend- • Describe how the ers’ decision-making about committing crime. While many would likely Age of Enlightenment anticipate that potential murderers in states with the death penalty would be drastically altered the deterred from committing such offenses, this is clearly not the case, given theories for how and the findings of the study discussed above. -
PRODUKTIONSBOLAG Sverige
Uppdaterad 2012-10-23 (Svenska produktionsbolag och organisationer) B R A N S C H K O N T A K T E N SVERIGE__________________________ Tegelviksgatan 77 116 47 Stockholm PRODUKTIONSBOLAG Sverige Tel 070-7177670 Producent: Anne Ingvar Bolag som sysslar med långfilmsproduktion för bio E-post: [email protected] och/eller TV-produktion. Det bästa sättet att skapa Mobil 070-7177670 kontakt är att ringa först och höra om de tar emot manus. I Sverige och övriga Skandinavien behövs ATMO MEDIA NETWORK inte representation i form av agent eller manager. Götgatan 9 Men å andra sidan krävs att du är lite driven för att 116 46 Stockholm få ditt manus läst. Med andra ord: sälj dig själv. Ge Tel +46 (0)8 462 26 90 inte upp. Ligg på konstant. Producent: Kristina Åberg Producent: Kristina Åberg ACNE FILM [email protected] Lilla Nygatan 23 Telefon +46 (0)8 4622690 111 28 Stockholm Mobil +46 (0)70 768 31 33 Tel: 08-555 799 00 Filmer: Metropia, Gitmo, E-post: [email protected] Webbsida: http://www.acne.se/film AUTO IMAGES [email protected] Jakob Nilsgatan 19 Producent: Richard Björlin 211 21 Malmö [email protected] Tel: 040–661 01 60 Mobil 0736-999906 [email protected] Filmer: Bitchkram (2012), Känn ingen sorg (2013) www.autoimages.se Producent: Kristina Åberg ACTION FILM [email protected] Kungsholmsgatan 9 Telefon +46 (0)8 4622690 112 27 STOCKHOLM Mobil +46 (0)70 768 31 33 Tel: 08-673 28 38 E-post: [email protected] BOB FILM SWEDEN Webb: http://www.actionfilm.se/ Hökens gata 10 Anders Jacobsson Mobil 0708-15 33 25 11646 STOCKHOLM Hendrik Wadling Mobil 0705-33 80 16 Tel: 08-556 930 90 Ove Valeskog Mobil 0707-31 47 73 Webb: www.bobfilm.se Producenter: Jan Blomgren ANAGRAM FILMPRODUKTION [email protected] Lilla Fiskaregatan 5 Anna Croneman 222 22 Lund [email protected] Tel 046-159750 Mobil 070-5928168 Producent: Martin Persson Malin Nevander, utvecklingsansvarig [email protected] Karolina Heimburg, produktionschef Mobil 070-7710291 Filmer: Flimmer, Bröderna Hårdrock, Bröllopsfotografen, I skuggan av värmen, Ping- ANNE INGVAR FILM pongkingen, Lilla spöket Laban. -
Productionweekly Issue Seven Hundred Fifty-Eight Thursday, April Seven, Mmxi
#758 04/07 productionweekly issue seven hundred fifty-eight thursday, april seven, mmxi “THE DARK KNIGHT RISES” (aka “MAGNUS REX” & “FOX HILLS GREEN”) Feature Film 03-31-11 ・ SUBCONSCIOUS PRODUCTION 1201 W. 5th St. Ste. F330, Los Angeles, CA 90017 110 Leroy Street, 6th Fl, New York, NY 10014 [email protected] PHONE: 213-534-3020 - 646-230-0466 FAX: 213-534-3013 - 212-230-0466 STATUS: Mid-June 2011 LOCATION: New York - London - Pittsburgh PRODUCER: Emma Thomas - Chuck Roven WRITER: Jonathan Nolan - David Goyer PRODUCER/DIRECTOR: Christopher Nolan LP: Kevin De La Noy PM: Susan Towner - Jan Foster CAST: Christian Bale - Michael Caine - Gary Oldman - Morgan Freeman - Tom Hardy - Anne Hathaway - Joseph Gordon-Levitt - Marion Cotillard - Liam Neeson - Juno Temple SYNCOPY, INC. 4000 Warner Blvd., Bldg. 81, Room 203, Burbank, CA 91522 818-954-3007 Fax: 818-954-3057 ATLAS ENTERTAINMENT 9200 W. Sunset Blvd., 10th Fl. West Hollywood, CA 90069 310-786-8900 Fax 310-777-2185 BATFILM PRODUCTIONS 333 Crestmont Rd. Cedar Grove, NJ 07009 973-857-6172 Fax 973-857-6174 LEGENDARY PICTURES 4000 Warner Blvd., Bldg. 66, Burbank 91522 818-954-3888 Fax 818-954-3884 WARNER BROS. PICTURES 4000 Warner Blvd. Burbank, CA 91522-0001 818-954-6000 (July 20, 2012 Release date.) “THE PERKS OF BEING A WALLFLOWER” Feature Film 03-24-11 ・ WALLFLOWER, LLC 44 Mayview Road, Lawrence, PA 15055 [email protected] PHONE: 724-873-5050 FAX: 724-873-5825 STATUS: May 10 LOCATION: Pittsburgh PRODUCER: John Malkovich - Lianne Halfon - Russell Smith WRITER/DIRECTOR: Stephen Chbosky LP: Jim Powers CAST: Emma Watson - Logan Lerman - Mae Whitman MR. -
Ohio River -1783 to October 1790: A) Indians Have: I
1790-1795 . (5 Years) ( The Northwestern Indian War· . Situation & Events Leading Up To 1. Along the Ohio River -1783 to October 1790: A) Indians have: I. Killed, wounded, or taken prisoner: (1)1,500 men, women, or children. II. Stolen over 2,000 horses. III. Stolen property valued at over $50 thousand. 2. Presi.dent Washington - Orders - Governor of . .. Northwest Territory, Maj. Gen. Arthur St. Clair: A) Punish the Indians! ( 3. 1,450 Volunteers assemble at Cincinnati, Ohio: A) Commanded by Brig. G·eneral Josiah Harmer. 1790 - September 1. September 30, 1790 - Harmer's force starts out: A) Follow a trail of burnt Indian villages. 2. Indians are leading them deeper and deeper into Indian country. 3. Indians are led by Chief Little Turtle. ( 1"790 - October 1. October 19, 1790 - Col . .John Hardin is leading 21 Oof Harmer's Scouts: A) Ambushed! B) Cut to pieces! C) Route! 2. October 21, 1790 - Harmer's force: "A) Ambushed! B) Harmer retreats: I. Loses 180 killed & 33 wounded. C) November 4, 1790 - Survivors make it back to Cincinnati: - " -- ".. • •• "' : •••••• " ,or"""' .~..' •• , .~ I. Year later... Harmer resigns . ... -.: .~- ,: .... ~ 1791 1. Major General Arthur St. Clair - Takes command: . A) Old. B) Fat •.. C) No wilderness experience. D) NO idea .of how many Indians oppose him. E) NO idea of where the Indians are. F) Will not listen to advice. G) Will not take advice. H) Plans: I. Establish a string of Forts for 135 miles northwest of Cincinnati. 1791 - October 1. October 3, 1791 - .St. Clair's . force leaves Cincinnati: A) 2,000 men. B) Slow march. -
Venezia-74A.Pdf
74. Mostra Internazionale d’Arte Cinematografica Repertorio dei produttori, distributori e addetti stampa List of Producers, Distributors and Press Attaches Venezia 74 AMMORE E MALAVITA by Manetti Bros PRODUZIONE 1/PRODUCTION 1: MADELEINE SRL Via Monte Santo 25 00195 Roma – Italy Tel. +39 0695223150 [email protected] PRODUZIONE 2/PRODUCTION 2: MANETTI BROS. FILM SRL Via Monte Santo, 25 00195 Roma – Italy Tel. +39 0695223150 Cel. +39 3939110083 [email protected] PRODUZIONE 3/PRODUCTION 3: RAI CINEMA SPA Piazza Adriana, 12 00193 Roma – Italy Tel. +39 06 33179601 [email protected] www.raicinema.rai.it ALTRE COPRODUZIONI/OTHER COPRODUCTIONS: MOMPRACEM SRL, TAM TAM FOTOGRAFIE SRL DISTRIBUZIONE INTERNAZIONALE /WORLD SALES: RAI COM Via Umberto Novaro, 18 00195 Roma – Italy Tel. +06 33179601 [email protected] www.raicom.rai.it DISTRIBUZIONE ITALIANA/ITALIAN DISTRIBUTION: 01 DISTRIBUTION Piazza Adriana, 12 00193 Roma – Italy Tel. +39 06 3317 9601 carlo.rodomonti@raicinema www.01distribution.it UFFICIO STAMPA INTERNAZIONALE/INTERNATIONAL PRESS OFFICE: Claudia Tomassini Saarbrücker Str 24 10405 Berlin – Germany Cell. + 49 173 2055794 // + 39 334 3075056 [email protected] www.claudiatomassini.com UFFICIO STAMPA ITALIA/ITALIAN PRESS OFFICE: Romina Such, Chiara Bolognesi – The Rumors Via Yser, 15 00198 Roma – Italy Tel. +39 339.8578872 + 39 39 3393689010 [email protected] DOWNSIZING by Alexander Payne PRODUZIONE/PRODUZIONE: Paramount Pictures 5555 Melrose Ave 90039 Los AnGeles – United States Tel. +1 323-956-8434 [email protected] DISTRIBUZIONE INTERNAZIONALE/WORLD SALES: Paramount Pictures 5555 Melrose Ave 90039 Los AnGeles – United States Tel. +1 323-956-8434 [email protected] www.paramount.com DISTRIBUZIONE ITALIA/ITALIAN DISTRIBUTION: Twentieth Century Fox Italy Via Salaria 1021 00138 Roma – Italy Tel.