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KATHRINE GORDON Hair Stylist IATSE 798 and 706
KATHRINE GORDON Hair Stylist IATSE 798 and 706 FILM DOLLFACE Department Head Hair/ Hulu Personal Hair Stylist To Kat Dennings THE HUSTLE Personal Hair Stylist and Hair Designer To Anne Hathaway Camp Sugar Director: Chris Addison SERENITY Personal Hair Stylist and Hair Designer To Anne Hathaway Global Road Entertainment Director: Steven Knight ALPHA Department Head Studio 8 Director: Albert Hughes Cast: Kodi Smit-McPhee, Jóhannes Haukur Jóhannesson, Jens Hultén THE CIRCLE Department Head 1978 Films Director: James Ponsoldt Cast: Emma Watson, Tom Hanks LOVE THE COOPERS Hair Designer To Marisa Tomei CBS Films Director: Jessie Nelson CONCUSSION Department Head LStar Capital Director: Peter Landesman Cast: Gugu Mbatha-Raw, David Morse, Alec Baldwin, Luke Wilson, Paul Reiser, Arliss Howard BLACKHAT Department Head Forward Pass Director: Michael Mann Cast: Viola Davis, Wei Tang, Leehom Wang, John Ortiz, Ritchie Coster FOXCATCHER Department Head Annapurna Pictures Director: Bennett Miller Cast: Steve Carell, Channing Tatum, Mark Ruffalo, Siena Miller, Vanessa Redgrave Winner: Variety Artisan Award for Outstanding Work in Hair and Make-Up THE MILTON AGENCY Kathrine Gordon 6715 Hollywood Blvd #206, Los Angeles, CA 90028 Hair Stylist Telephone: 323.466.4441 Facsimile: 323.460.4442 IATSE 706 and 798 [email protected] www.miltonagency.com Page 1 of 6 AMERICAN HUSTLE Personal Hair Stylist to Christian Bale, Amy Adams/ Columbia Pictures Corporation Hair/Wig Designer for Jennifer Lawrence/ Hair Designer for Jeremy Renner Director: David O. Russell -
Film Soleil 28/9/05 3:35 Pm Page 2 Film Soleil 28/9/05 3:35 Pm Page 3
Film Soleil 28/9/05 3:35 pm Page 2 Film Soleil 28/9/05 3:35 pm Page 3 Film Soleil D.K. Holm www.pocketessentials.com This edition published in Great Britain 2005 by Pocket Essentials P.O.Box 394, Harpenden, Herts, AL5 1XJ, UK Distributed in the USA by Trafalgar Square Publishing P.O.Box 257, Howe Hill Road, North Pomfret, Vermont 05053 © D.K.Holm 2005 The right of D.K.Holm to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of the publisher. Any person who does any unauthorised act in relation to this publication may beliable to criminal prosecution and civil claims for damages. The book is sold subject tothe condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated, without the publisher’s prior consent, in anyform, binding or cover other than in which it is published, and without similar condi-tions, including this condition being imposed on the subsequent publication. A CIP catalogue record for this book is available from the British Library. ISBN 1–904048–50–1 2 4 6 8 10 9 7 5 3 1 Book typeset by Avocet Typeset, Chilton, Aylesbury, Bucks Printed and bound by Cox & Wyman, Reading, Berkshire Film Soleil 28/9/05 3:35 pm Page 5 Acknowledgements There is nothing -
HBO: Brand Management and Subscriber Aggregation: 1972-2007
1 HBO: Brand Management and Subscriber Aggregation: 1972-2007 Submitted by Gareth Andrew James to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English, January 2011. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. ........................................ 2 Abstract The thesis offers a revised institutional history of US cable network Home Box Office that expands on its under-examined identity as a monthly subscriber service from 1972 to 1994. This is used to better explain extensive discussions of HBO‟s rebranding from 1995 to 2007 around high-quality original content and experimentation with new media platforms. The first half of the thesis particularly expands on HBO‟s origins and early identity as part of publisher Time Inc. from 1972 to 1988, before examining how this affected the network‟s programming strategies as part of global conglomerate Time Warner from 1989 to 1994. Within this, evidence of ongoing processes for aggregating subscribers, or packaging multiple entertainment attractions around stable production cycles, are identified as defining HBO‟s promotion of general monthly value over rivals. Arguing that these specific exhibition and production strategies are glossed over in existing HBO scholarship as a result of an over-valuing of post-1995 examples of „quality‟ television, their ongoing importance to the network‟s contemporary management of its brand across media platforms is mapped over distinctions from rivals to 2007. -
Filmografia Hiv-Aids
FILMOGRAFIA HIV-AIDS ANNO 2013 Dallas Buyers Club - diretto da Jean-Marc Vallée ANNO 2011 Together di Zhao Liang, Cina documentario Amore carne , di Pippo Delbono, Italia biografico We Were Here di David Weissman, USA documentario ANNO 2010 + o - il sesso confuso – di Giulio Maria Corbelli e Andrea Adriatico Life, Above All - di Oliver Schmitz, Sudafrica . ANNO 2009 Pedro – di Nick Oceano Positivo scomodo – cortometraggio – di Alessio Lavacchi ANNO 2008 The Orphanage - di Juan Antonio Bayona Greater sconfiggere l’AIDS – di Emmanuel Exitu Sa raison d'être - di Renaud Bertrand, Francia. ANNO 2007 Baby - spettacolo teatrale - compagnia degli equilibristi ANNO 2006 Una voce nella notte/The Night Listener , di Patrick Stettner, USA. This is My Sister - di Giovanni Piperno Les témoins- I testimoni – di André Techiné. Tied Hands - di Dan Wolman, Israele. ANNO 2005 3 Needles , di Thomas Fitzgerald, Canada The Dying Gaul , di Craig Lucas, USA. Un ano sin amor – di Anahi Berneri My brother Nikhil - di Onir Transit - MTV Europe and Tigerlily Films A Love Story: Lesley and Anne – di Sarda Ganga Il suo nome è Tsotsi – di Gavin Hood All the Invisible Children – di Ridley Scott, Spike Lee, John Woo e Kusturica Gaspar Noe's HIV/SIDA - cortometraggio 1 ANNO 2004 Una casa alla fine del mondo A home at the end of the world, di M. Mayer, Usa. Hilde’s Journey , di Christof Vorster, Svizzera. We'll Meet Again – di Phir Milenge Big Brother Aids - Film documentario di Giulio Cederna e Paolo Novelli- prodotto da AMREF Le ragazze escluse - di Pham Hoang Nam The 24th Day - Il ventiquattresimo giorno – di Tony Piccirillo *Yesterday* - di Darrel James Roodt Eyes wide open - di Elisa Mergheretti film documentario Scenarios from Africa - Films Collections cortometraggi 1997-2004 Quando sarò una star - di Patrick Mimouni, Francia ANNO 2003 Angels in America - di Mike Nichols Pandemic: Facing AIDS - (Cortometraggi)- di Rory Kennedy Carandiru – di Hector Babenco In America: il sogno che non c’era – di Jim Sheridan Due vite spezzate /Behind the Red Door - di Matia Karrell, USA. -
Donovan's Reef (1963) John Ford La Tabernera, El Capón Y La Trompeta
Tabarka - Tabarka (1996) Domingo Rodes La taberna del irlandés - Donovan's Reef (1963) John Ford La tabernera, el capón y la trompeta - Frau Wirtin bläst auch gern Trompete (1978) Franz Antel Tacones lejanos - Tacones lejanos (1991) Pedro Almodóvar Tahiti's Girl - Tahiti's Girl (1990) Mariano Ozores El tahur - El tahur (1975) Rogelio A. González Tai-Pan - Tai-Pan (1986) Daryl Duke Tal para cual - Two of a Kind (1983) John Herzfeld Tamaño natural - Grandeur nature (1973) Luis García Berlanga También los ángeles comen judías - Anche gli angeli mangiano fagioli (1973) Enzo Barboni El tambor de hojalata - Die Blechtrommel (1979) Volker Schlöndorff Tambores de venganza - Il giorno del giudizio (1971) Mario Gariazzo, Robert Paget Tánger - Tánger (2004) Juan Madrid Tango - Tango (1998) Carlos Saura El tango de los colchones - Matratzen-Tango (1973) Eberhard Schröder Tango y Cash - Tango & Cash (1989) Andrei Konchalovsky El tanque - Tank (1984) Marvin J. Chomsky La tapadera - The Firm (1993) Sydney Pollack Tapas - Tapas (2005) José Corbacho, Juan Cruz Taps, más allá del honor - Taps (1981) Harold Becker Tarántula - Kingdom of the Spiders (1977) John 'Bud' Cardos La tarántula del vientre negro - La Tarantola dal ventro nero (1971) Paolo Cavara Target: Agente doble en Berlín - Target (1985) Arthur Penn Tarots - Tarots (detrás de las cartas el diablo) (1973) José María Forqué Tarzán, el hombre mono - Tarzan, the Ape Man (1981) John Derek Tarzán en la gruta del oro - Zan re della giungla (1969) Manuel Caño Tarzán, la vergüenza de la jungla - Tarzoon, -
Postclassical Hollywood/Postmodern Subjectivity Representation In
Postclassical Hollywood/Postmodern Subjectivity Representation in Some ‘Indie/Alternative’ Indiewood Films Jessica Murrell Thesis submitted for the Degree of Doctor of Philosophy Discipline of English Faculty of Humanities and Social Sciences University of Adelaide August 2010 Contents Abstract .................................................................................................................. iii Declaration ............................................................................................................. iv Acknowledgements.................................................................................................. v Introduction ........................................................................................................... 1 Chapter 1. Critical Concepts/Critical Contexts: Postmodernism, Hollywood, Indiewood, Subjectivity ........................................................................................12 Defining the Postmodern.....................................................................................13 Postmodernism, Cinema, Hollywood. .................................................................22 Defining Indiewood. ...........................................................................................44 Subjectivity and the Classical Hollywood Cinema...............................................52 Chapter 2. Depthlessness in American Psycho and Being John Malkovich.........61 Depthlessness, Hermeneutics, Subjectivity..........................................................63 -
CHARLES DURNING (Charles Edward Durning) Filmografia Essenziale Dal 1962 Al 1986
CHARLES DURNING (Charles Edward Durning) Filmografia essenziale dal 1962 al 1986 ANNO TITOLO TITOLO ORIGINALE REGIA VOTO 1962 PAROLA D' ORDINE: CORAGGIO THE PASSWORD IS COURAGE ANDREW L. STONE 7 1969 UN ASSASSINO PER UN TESTIMONE STILETTO BERNARD L. KOWALSKI 6 1970 HI, MOM ! IDEM BRIAN DE PALMA 7,5 1970 UN UOMO SENZA SCAMPO I WALK THE LINE JOHN FRANKENHEIMER 8 1971 USANZE DI ALLORA THE PURSUIT OF HAPPINESS ROBERT MULLIGAN 6,5 1972 LE DUE SORELLE SISTERS BRIAN DE PALMA 7,5 1973 L' INTERMEDIARIO THE CONNECTION TOM GRIES 6,5 1973 LA STANGATA THE STING GEORGE R. HILL 8 1974 PRIMA PAGINA THE FRONT PAGE BILLY WILDER 8,5 1975 HINDENBURG THE HINDENBURG ROBERT WISE 7 1975 IO NON CREDO A NESSUNO BREAKHEART PASS TOM GRIES 7 1975 QUEL POMERIGGIO DI UN GIORNO DA CANI DOG DAY AFTERNOON SIDNEY LUMET 8,5 1975 REGINA DEL "POLVERE DI STELLE" QUEEN OF THE STARDUST BALLROOM SAM O'STEEN 7,5 1976 BALORDI & CO. - SOCIETA` PER LOSCHE AZIONI... HARRY AND WALTER GO TO NEW YORK MARK RYDELL 7 1977 I RAGAZZI DEL CORO THE CHOIRBOYS ROBERT ALDRICH 8 1977 ULTIMI BAGLIORI DI UN CREPUSCOLO TWILIGHT'S LAST GLEAMING ROBERT ALDRICH 7,5 1978 FURY THE FURY BRIAN DE PALMA 8 1978 IL MAGNATE GRECO THE GREEK TYCOON J. LEE THOMPSON 7 1978 UN NEMICO DEL POPOLO AN ENEMY OF THE PEOPLE GEORGE SCHAEFER 7 1979 E ORA, PUNTO E A CAPO STARTING OVER ALAN J. PAKULA 7,5 1979 ECCO IL FILM DEI MUPPET THE MUPPET MOVIE JAMES FRAWLEY 7 1979 I MASTINI DEL DALLAS NORTH DALLAS FORTY TED KOTCHEFF 7,5 1979 QUANDO CHIAMA UNO SCONOSCIUTO WHEN A STRANGER CALLS FRED WALTON 7 1980 ATTICA IDEM MARVIN J. -
Anjelica Huston
www.hamiltonhodell.co.uk Anjelica Huston Talent Representation Telephone Christian Hodell +44 (0) 20 7636 1221 [email protected], Address [email protected], Hamilton Hodell, [email protected] 20 Golden Square London, W1F 9JL, United Kingdom Film Title Role Director Production Company WAITING FOR ANYA Horcada Ben Cookson Goldfinch/Fourth Culture Films Assemblage Entertainment/AMBI ARCTIC DOGS Magda (Voice) Aaron Woodley Group JOHN WICK: CHAPTER 3 - PARABELLUM The Director Chad Stahelski Lionsgate/Summit Entertainment Indian Paintbrush/Twentieth ISLE OF DOGS Mute Poodle (Voice) Wes Anderson Century Fox TROUBLE Maggie Theresa Rebeck Washington Square Films THIRST SECRET Narrator (Voice) Nathan Silver Yellow Bear Films Bron Studios/XYZ Films/Gilbert THE CLEANSE Lily Bobby Miller Films TINKER BELL AND THE LEGEND OF THE NEVERBEAST Queen Clarion (Voice) Steve Loter Disneytoon Studios JAMES MCNEILL WHISTLER AND THE CASE FOR BEAUTY Narrator (Voice) Norman Stone 1A Productions/Film Odyssey THE PIRATE FAIRY Queen Clarion (Voice) Peggy Holmes Disneytoon Studios Roberts Gannaway/Peggy Walt Disney Pictures/Disneytoon SECRET OF THE WINGS Queen Clarion (Voice) Holmes Studios HORRID HENRY: THE MOVIE Miss Battle-Axe Nick Moore Vertigo Films THE BIG YEAR Annie Auklet David Frankel Fox 2000 Mandate Pictures/Summit 50/50 Diane Jonathan Levine Entertainment Jean-Loup Felicioli/Alain A CAT IN PARIS Claudine (Voice) France 3 Cinéma/Lumière Gagnol WHEN IN ROME Celeste Mark Steven Johnson Touchstone Pictures TINKER BELL AND THE -
Library List.Xlsx
8/24/2021 Zion Mennonite Church Library List 1 158 Pe Peck, M. Scott The road less traveled 1978 170 Ca Cantrell, Wes High-performance ethics : 10 timeless principles for next-generation leadership 2007 200 Je Jerusalem & the Holy Land : eyewitness travel 2007 200 Wo Wolff, Richard The popular encyclopedia of world religions 2007 215 Co Collins, Francis S. The language of God : a scientist presents evidence for belief 2006 220 Bi The Bible promise book : King James Version 1990 220 Fe Fee, Gordon D. How to read the Bible for all its worth 2014 220 Fl Florer-Bixler, Melissa Fire by night : finding God in the pages of the Old Testament 2019 220 Ha Halley, Henry H. Halley's Bible handbook 1972 220 Jo Josephus Thrones of blood : a history of the times of Jesus 37 B.C. to A.D. 70 1988 220 Ke Keller, Phillip The inspirational writings : four works in one volume 1993 220 Lu Lucado, Max Facing your giants 2006 220 Ma MacArthur, John Twelve ordinary men : how the master shaped his disciples for greatness, and what he 2002 wants to do with you 220 Mc McCalip, Steven Melvin Where'd that come from? : everyday expressions found in the Bible 2002 220 Se c.1 Serendipity Bible for groups 1998 220 Se c.2 Serendipity Bible for groups 1998 220 St The student Bible dictionary 2000 220 We Webb, William J. Slaves, women & homosexuals : exploring the hermeneutics of cultural analysis 2001 220 Wi Wight, Fred H. Manners & customs of Bible lands 1994 220.2 St Strong, James The new Strong's exhaustive concordance of the Bible 1990 220.7 Be Gardner, Richard B. -
The Campus Ministry Of- Oct
Allegheny College Thursday Vol. 120, No. 5 October 3, 1996 The am us Meadville, Pa. Downsizing concerns faculty Rake it in By HEATHER MITCHELTREE Although this situation is un- Assistant News Editor usual, faculty in other departments are worried about vacant positions Last Thursday, students in a that may not be filled, in cases such lower level calculus course were sur- as those who resigned or did not re- prised to discover that their professor ceive tenure. was to be replaced by another teacher Professors who did not get tenure in the mathematics department. or other renewal contracts last year Math 156 students found out that are from departments that include: Assistant Professor of Mathematics mathematics, Associate Professor Tamara Hummel was leaving their Randall Dahlberg; economics, As- class to cover Associate Professor of sistant Professor John Golden; biol- Mathematics Randall Dahlberg's ogy, Assistant Professor Thomas courses. Goliber; philosophy, Assistant Pro- Dahlberg was not awarded tenure fessor Elizabeth Grimbergen; chem- last year and had to take a govern- istry, Assistant Professor Brian ment job. Students in the profes- Reid; English, Assistant Professor sors' classes, however, did not know Conrad Olson; education, Associate this. Professor Karen Skuldt. "Professor Hummel just walked Furthermore, Allegheny's admin- in and told us she wouldn't be teach- istration has decided to downsize the ing our class, because she had to faculty number from 139 to 138. cover Professor Dahlberg's courses. "Last spring, the administration I guess he just up and resigned," decided that it was necessary to make sophomore Shannon Seymour said. cuts to the budget by $550,000 to As a result, faculty in the math de- compensate for expenses," said Pro- partment have been scrambling to (continued on page 4) cover courses. -
Relación De Las Películas Que Componen La Videoteca
Alejandro Amenábar, director 40-Patrimonio Nacional [1981] 15- Tesis [1996] 41-Nacional-III [1982] 16- Abre los ojos [1997] 42-La vaquilla [1985] 17- Los otros [2001] 18- Mar adentro [2004] Carlos Saura, director 43-La caza [1965] Pedro Almodóvar, director 44-Cría cuervos... [1976] 19-Pepi, Luci, Bom y otras chicas del montón 45-Deprisa, deprisa [1981] [1980] 46-El 7º día [2004] 20 -¡Qué he hecho yo para merecer esto! [1984] 21-Mujeres al borde de un ataque de nervios Actors : Javier Bardem VIDEOTECA ANTONIO ISASI. 1988] 47-Antes que anochezca [Julian Schnabel, dir. 2000] BIBLIOTECA PÚBLICA VICENT SERRA ORVAY. 22-La flor de mi secreto [1995] Carne trémula [Pedro Almodóvar, dir. 1997] SANT JORDI. 23-Carne trémula [1997] 48-El detective y la muerte [Gonzalo Suárez, dir. 1997] 24-Todo sobre mi madre [1999] 49-Días contados [Imanol Uribe, dir. 1994] 25-Hable con ella [2002] 50-Las edades de Lulú [Bigas Luna, dir. 1990] CINEMA ESPANYOL 26-La mala educación [2004] 51-Entre las piernas [Manuel Gómez Pereira, dir. 1999] 27-Volver [2006] 52-Éxtasis [Mariano Barroso, dir. 1996] Cinema d’autor 53-Los fantasmas de Goya [Milos Forman, dir. 2006] Antonio Isasi-Isasmendi (dir.) Icíar Bollaín, directora 54-Huevos de oro [Bigas Luna, dir. 1993] 1-La mentira tiene cabellos rojos (1960) 28-Hola, ¿estás sola? [1995] 55-Huidos [Félix Sancho Gracia, dir. 1992] 2-Tierra de todos (1961) 29-Te doy mis ojos [2003] 56-Jamón Jamón [Bigas Luna, dir. 1992] 3-Vamos a contar mentiras (1961) 57-Los lobos de Washington [Mariano Barroso, 4-La máscara de Scaramouche (1963) Luis Buñuel, director dir.1999] 5-Estambul (1965) 30-Los olvidados [1950] 58-Los lunes al sol [Fernando León de Aranoa, dir. -
Thesis NAS Anne Zwetsloot S1129562
FROM MORAL MENACE TO TREATABLE CONDITION: THE POLITICAL AND CINEMATIC REPRESENTATION OF THE AIDS EPIDEMIC Master’s Thesis North American Studies University of Leiden Anne Zwetsloot S1129562 January 27, 2020 Supervisor: Dr. S.A. Polak Second reader: Dr. J.C. Kardux Zwetsloot 1 TABLE OF CONTENTS INTRODUCTION ................................................................................................................... 2 CHAPTER 1: STIGMATIZATION, OTHERNESS, AND THE ORIGINS OF THE AIDS FILM ............................................................................................................................ 10 1.1 President Ronald Reagan .................................................................................... 11 1.2 President George H. W. BusH ............................................................................. 16 1.3 President Bill Clinton .......................................................................................... 21 1.4 Conclusion ............................................................................................................ 26 CHAPTER 2: THE “UNMIXED MESSAGE THAT THERE ARE RIGHT […] AND WRONG CHOICES IN LIFE”: GEORGE W. BUSH’S CONSERVATIVE POLITICS, CHANGING STEREOTYPES, AND CRIMINALIZATION .......................................... 28 2.1 Conservative Religious Ideals ............................................................................. 29 2.2 Racial Minorities .................................................................................................. 36 2.3 Intravenous