Top R &B /Hip -Hop Catalog Albums
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Death Row Records
The New Kings of Hip-Hop Death Row Records “You are now about to witness the strength of street knowledge.” —N.W.A. Contents Letter from the Director ................................................................................................... 4 Mandate .......................................................................................................................... 5 Background ...................................................................................................................... 7 Topics for Discussion ..................................................................................................... 10 East Coast vs. West Coast .................................................................................... 10 Internal Struggles................................................................................................. 11 Turmoil in Los Angeles ........................................................................................ 12 Positions ........................................................................................................................ 14 Letter from the Director Dear Delegates, Welcome to WUMUNS XII! I am a part of the class of 2022 here at Washington University in St. Louis, and I’ll be serving as your director. Though I haven’t officially declared a major yet, I’m planning on double majoring in political science and finance. I’ve been involved with Model UN since my freshman year of high school, and I have been an active participant ever since. I am also involved -
A Hip -Hop History Lesson
THE LATEST NEWS FROM HIP -HOP BY BRIAN GARRITY »INTERNET RADIO PLANS A Hip -Hop History Lesson DAY OF SILENCE Internet radio With Rap Under Fire Again, Will Industry Fallout Repeat Itself? supporters are planning a "day of silence" in Maybe this sounds familiar: Hip -hop, coming off a Delores Tucker, chairman of the Na- protest over the new year of declining sales and bemoaning a lack of new tional Political Congress of Black royalty rate structure superstar talent, sees its problems further mount as Women, helped ante pressure on Time recently upheld by the a firestorm of media controversy swirls around its Warner and WMG by attending a Copyright Royalty lyrical content and video imagery. shareholders meeting and denounc- Board. On May 8, all Major label groups are accused of profiteering ing the company's support of hip -hop. participating web - from racial, sexual and socio- economic exploitation. The current flap over hip -hop casters will not air any With a variety of watchdog organizations on the at- comes at a sensitive time for publicly content for the day. The tack and fears of legislative intervention looming, traded companies like WMG, which initiative is being organized by the Radio the recording industry attempts to police hip -hop has made building its urban music ef- and Internet Newsletter. content in an effort to find the "delicate balance be- forts a priority under the leadership Internet radio operators tween artists' rights to express themselves and the le- of CEO Edgar Bronfman Jr. and U.S. and supporters contend gitimate concerns of parents and corporate respon- recorded music CEO Lyor Cohen, and that the higher royalty sibility." Complaints by artists of the potential for a is attempting to pursue a merger with rates will cause most chilling effect on creativity follow. -
Top R &B /Hip -Hop Catalog Albums
OCTOBER. E Compiled by SoundScan from a national subset 2001 Billboard I Top R. H Ho Albu panel of core R &B /Hip -Hop stores. Y O C 2 W Q O z 3 G O 3 n o ARTIST TITLE á Ñ I- ARTIST TITLE ¿ (7 -' 3 M P R I N T & NUMBER /DISTRIBUTING LABEL á ° g S IMPRINT & NUMBER /DISTRIBUTING LABEL á rs° _-t NUMBER 1 % := 2 WAIMhadia1 50 37 23 JANET v:rum 10144.11298/18981 All For You 1 1 59 3 JAY -Z RorA- Fella /Del Joel 586396' /IGJMG112.98/1998: The Blueprint 1 47 42 12 LIL' ROMEO Saulja501981/F1mM,(1198/1798) LB. Romeo 5 #' HOT SHOT DEBUT # 45 35 8 GANGSTA BOO Hypnotize Minds/Loud 19z5/CRG112.93E0/17981 Both Worlds, *69 8 1 GERALD LEVERT Elektra62855/EEGnz9aId98, Gerald's World 2 © 52 41 65 NELLYA' Fo Reel 157743 /Universa1It2.9w1a98) Country Grammar 1 2 2 FABOLOUS Duo, Storm/110ton132b79' /LLG11298119981 Ghetto Fabolous 2 53 43 27 112 P,nr Boy 53039 /Arslau298/IB991 Part Ill 1 34 2 KILLARMY Wu- Tang /Loud19Z7/CRG(ts- SOE0/17.98) Fear Love & War 34 4 3 6 MAXWELL A Columbia 67136/CRG11298ED/18981 Now 1 - Roc- ell 3 1 4 MARY J. BLIGE MCA 112616.11298/1898) No More Drama 1 51 46 13 BEANIE SIGEL AF a /0et.1 ant 549538 /IDJMG11298/18NI The Reason 2 7 4 4 BRIAN MCKNIGHT Motowo014743+Universal(12.98 /18.981 Superhero 4 55 44 7 SOUUA SLIM No Linda South 2001p198/1798I The Streets Made Me 42 5 2 1C AALIYAH A En:c+.g,ound10082'11298/1899I Aaliyah 2 58 52 50 JA RULE A M, u der Inc /Dot Jam 542934./IDJMG1129w18.98) Rule 3:36 1 Anna751083/Arrem1,11298,19981 5 9 5 12 ALICIA KEYS A' J2000211198/1798) Songs In A Minor 1 60 50 10 KURUPT Space Boogie: Smoke Oddessey 3 1 0298EOi18981 t PACESETTER 4 g 0} Lit MACY GRAY Emc85200' The ID 9 cia 96 - 2 DENNIS DA MENACE 1ssAvenu woos 9scRI, The Wonderful World Of Dennis 60 12 10 7 USHER Arista 14715'112.98/18981 8701 3 40 56 38 6 VARIOUS ARTISTS Del Jam 586239/IDJMGlt98n891D The Source Hip -Hop Music Awards 2001 34 64 66 8 MR. -
UNDERSTANDING PORTRAYALS of LAW ENFORCEMENT OFFICERS in HIP-HOP LYRICS SINCE 2009 By
ON THE BEAT: UNDERSTANDING PORTRAYALS OF LAW ENFORCEMENT OFFICERS IN HIP-HOP LYRICS SINCE 2009 by Francesca A. Keesee A Thesis Submitted to the Graduate Faculty of George Mason University in Partial Fulfillment of The Requirements for the Degrees of Master of Science Conflict Analysis and Resolution Master of Arts Conflict Resolution and Mediterranean Security Committee: ___________________________________________ Chair of Committee ___________________________________________ ___________________________________________ ___________________________________________ Graduate Program Director ___________________________________________ Dean, School for Conflict Analysis and Resolution Date: _____________________________________ Fall Semester 2017 George Mason University Fairfax, VA University of Malta Valletta, Malta On the Beat: Understanding Portrayals of Law Enforcement Officers in Hip-hop Lyrics Since 2009 A Thesis submitted in partial fulfillment of the requirements for the degrees of Master of Science at George Mason University and Master of Arts at the University of Malta by Francesca A. Keesee Bachelor of Arts University of Virginia, 2015 Director: Juliette Shedd, Professor School for Conflict Analysis and Resolution Fall Semester 2017 George Mason University Fairfax, Virginia University of Malta Valletta, Malta Copyright 2016 Francesca A. Keesee All Rights Reserved ii DEDICATION This is dedicated to all victims of police brutality. iii ACKNOWLEDGEMENTS I am forever grateful to my best friend, partner in crime, and husband, Patrick. -
Creep Dogg Biography
Creep Dogg Biography: Creep Dogg was born on October, 12th 1983 in Long Beach, California. Creep Dogg grew up Ina poor lifestyle much of his life; he kept busy as a youth reading and writing poetry. During his high school years CreepDogg stayed active while writing music. As Creep fell on hard times living from house to house, he started selling drugs on the streets, and that’s where his love and passion for music began to grow. He then became one of the original members of the Hip Hop group called“Lifestyles”; the group consisted of Creep Dogg, Snoop Dogg’s brother Pretty Tony, and DJ Quiks cousin Hitman. Then as the group “Lifestyles” began to get a heavy buzz throughout California, they later signed a $75,000 dollar record deal with an independent label “OG’s To WallStreet”. The group worked with and recorded songs for A&R’s like Steve Rifkens at Loud Records. Though the album was dismantled due to theC.E.O of OG’s To Wall Street (Steve Brooks) being incarcerated due to Federal Drug charges, the group split up and went their separate ways. Afterwards Creep had a small cameo appearance in the HBO movie “Butter” in 1998, and later landed a feature on a song with Snoop Dogg for the movie soundtrack “Fakin Da Funk” in1999. Creep Dogg found that he had a calling in the music industry. When Creep realized his true potential to become a successful Hip Hop Artist, he began to pursue his journey toward his debut, known as “CREEPSHOW”. -
Filed 8/19/03 Brumflield V. Death Row Records CA2/2 NOT to BE PUBLISHED in the OFFICIAL REPORTS
Filed 8/19/03 Brumflield v. Death Row Records CA2/2 NOT TO BE PUBLISHED IN THE OFFICIAL REPORTS California Rules of Court, rule 977(a), prohibits courts and parties from citing or relying on opinions not certified for publication or ordered published, except as specified by rule 977(b). This opinion has not been certified for publication or ordered published for purposes of rule 977. IN THE COURT OF APPEAL OF THE STATE OF CALIFORNIA SECOND APPELLATE DISTRICT DIVISION TWO LAMONT BRUMFIELD et al., B149561 Plaintiffs and Appellants, (Los Angeles County Super. Ct. No. BC135461) v. DEATH ROW RECORDS, INC., et al., Defendants and Appellants. APPEAL from the judgment and order of the Superior Court of Los Angeles County. Emilie H. Elias, Judge. Affirmed. Christensen, Miller, Fink, Jacobs, Glaser, Weil & Shapiro, Sean Riley and Steven L. Weinberg for Defendants and Appellants. Esner & Chang, Stuart B. Esner and Andrew N. Chang for Plaintiffs and Appellants. * * * * * * Death Row Records, Inc. (hereafter Death Row Records), and its owner Marion Knight (hereafter Knight; sometimes collectively referred to as Death Row) appeal from a judgment entered after a jury found Death Row liable for: (1) interference with contract; (2) interference with prospective economic advantage; and (3) false promise. The jury awarded plaintiffs Lamont and Kenneth Brumfield (individually, Lamont and Kenneth, collectively the Brumfields) $14,344,000. The trial court reduced the damage award to $5,519,000, finding that the damages were duplicative and in excess of the -
Application for Considration of Magazine Store Placement
OneWest Brand This is a summary of the OneWest brand. Enclosed is a description of the Radio, Apparel and Magazine. Included is a strategic plan of marketing and overview of all three business components that create the OneWest synergy. OneWestMagazine L o s A n g e l e s , California In addition, there is a Biography of the OneWest founder and CEO. 7 / 2 0 / 2 0 1 7 OneWest Magazine covers have featured some of today’s most popular hip-hop artists. The Magazine had hit the ground running. As these covers exemplify, OneWest Magazine allows readers to get an inside glimpse into the lives of their favorite artists. The magazine covers capture your attention. OneWest goes further; the content is exceptional, providing compelling stories about legends in the industry and interviews with cultural icons. The realistic perspective, exclusive never seen or heard before accounts of events draws the reader in. These events candidly shared, expressed and even illustrated in detail. OneWest Magazine is the Real Deal! Proudly unique since its inception, OneWest Magazine is constantly thriving to grow by maintaining superior integrity. 2 3 4 Overview OneWest is comprised of three (3) divisions: 1. ONEWEST MAGAZINE 2. ONEWEST RADIO 3. ONEWEST APPAREL The synergy among these three core business divisions gives Onewest the ability to increase exposure exponentially. The company is proud to have the ability to reach new markets by segment, while creating demand and complimenting the others efforts. We feel supremely confident in our ability to stand alone as a unique and desirable media and entertainment driven enterprise. -
Liste Collection En Vente CD Vinyl Hip Hop Funk Soul Crunk Gfunk Jazz Rnb HIP HOP MUSIC MUSEUM PRIX Négociable En Lot
1 Liste collection en vente CD Vinyl Hip Hop Funk Soul crunk GFunk Jazz Rnb HIP HOP MUSIC MUSEUM PRIX négociable en lot Type Prix Nom de l’artiste Nom de l’album de Genre Année Etat Qté média + de hits disco funk 2CD Funk 2001 1 12 2pac How do u want it CD Single Hip Hop 1996 1 5,50 2pac Ru still down 2CD Hip Hop 1997 1 14 2pac Until the end of time CD Single Hip Hop 2001 1 1,30 2pac Until the end of time CD Hip Hop 2001 0 5,99 2 pac Loyal to the game CD Hip Hop 2004 1 4,99 2 Pac Part 1 THUG CD Digi Hip Hop 2007 1 12 50 Cent Get Rich or Die Trying CD Hip Hop 2003 1 2,90 50 CENT The new breed CD DVD Hip Hop 2003 1 6 50 Cent The Massacre CD Hip Hop 2005 1 1,90 50 Cent The Massacre CD dvd Hip Hop 2005 0 7,99 50 Cent Curtis CD Hip Hop 2007 0 3,50 50 Cent After Curtis CD Diggi Hip Hop 2007 1 4 50 Cent Self District CD Hip Hop 2009 0 3,50 100% Ragga Dj Ewone CD 2005 1 7 Reggaetton 504 BOYZ BALLERS CD Hip Hop 2002 US 1 6 Aaliyah One In A Million CD Hip Hop 1996 1 14,99 Aaliyah I refuse & more than a CD single RNB 2001 1 8 woman Aaliyah feat Timbaland We need a resolution CD Single RNB 2001 1 5,60 2 Aaliyah More than a woman Vinyl Hip HOP 2001 1 5 Aaliyah CD Hip Hop 2001 2 4,99 Aaliyah Don’t know what to tell ya CD Single RNB 2002 1 4,30 Aaliyah I care for you 2CD RNB 2002 1 11 AG The dirty version CD Hip Hop 1999 Neuf 1 4 A motown special VINYL Funk 1977 1 3,50 disco album Akon Konvikt mixtape vol 2 CD Digi Hip Hop 1 4 Akon trouble CD Hip hop 2004 1 4,20 Akon Konvicted CD Hip Hop 2006 1 1,99 Akon Freedom CD Hip Hop 2008 1 2 Al green I cant stop CD Jazz 2003 1 1,90 Alicia Keys Songs in a minor (coffret CD Single Hip Hop 2001 1 25 Taiwan) album TAIWAN Maxi Alici Keys The Diary of CD Hip Hop 2004 1 4,95 Allstars deejay’s Mix dj crazy b dee nasty 2CD MIX 2002 1 3,90 eanov pone lbr Alyson Williams CD RNB 1992 1 3,99 Archie Bell Tightening it up CD Funk 1994 Us 10 6,50 Artmature Hip Hop VOL 2 CD Hip Hop 2015 1 19 Art Porter Pocket city CD Funk 1992 1 7 Ashanti CD RNB 2002 1 6 Asher Roth I love college VINYL Hip Hop 2009 1 8,99 A.S.M. -
"Now I Ain't Sayin' She's a Gold Digger": African American Femininities in Rap Music Lyrics Jennifer M
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2008 "Now I Ain't Sayin' She's a Gold Digger": African American Femininities in Rap Music Lyrics Jennifer M. Pemberton Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF SOCIAL SCIENCES “NOW I AIN’T SAYIN’ SHE’S A GOLD DIGGER”: AFRICAN AMERICAN FEMININITIES IN RAP MUSIC LYRICS By Jennifer M. Pemberton A Dissertation submitted to the Department of Sociology in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Spring Semester, 2008 The members of the Committee approve the dissertation of Jennifer M. Pemberton defended on March 18, 2008. ______________________________ Patricia Yancey Martin Professor Directing Dissertation ______________________________ Dennis Moore Outside Committee Member ______________________________ Jill Quadagno Committee Member ______________________________ Irene Padavic Committee Member Approved: ___________________________________ Irene Padavic, Chair, Department of Sociology ___________________________________ David Rasmussen, Dean, College of Social Sciences The Office of Graduate Studies has verified and approved the above named committee members. ii For my mother, Debra Gore, whose tireless and often thankless dedication to the primary education of children who many in our society have already written off inspires me in ways that she will never know. Thank you for teaching me the importance of education, dedication, and compassion. For my father, Jeffrey Pemberton, whose long and difficult struggle with an unforgiving and cruel disease has helped me to overcome fear of uncertainty and pain. Thank you for instilling in me strength, courage, resilience, and fortitude. -
![3. SMACK THAT – EMINEM (Feat. Eminem) [Akon:] Shady Convict](https://docslib.b-cdn.net/cover/1496/3-smack-that-eminem-feat-eminem-akon-shady-convict-2571496.webp)
3. SMACK THAT – EMINEM (Feat. Eminem) [Akon:] Shady Convict
3. SMACK THAT – EMINEM thing on Get a little drink on (feat. Eminem) They gonna flip for this Akon shit You can bank on it! [Akon:] Pedicure, manicure kitty-cat claws Shady The way she climbs up and down them poles Convict Looking like one of them putty-cat dolls Upfront Trying to hold my woodie back through my Akon draws Slim Shady Steps upstage didn't think I saw Creeps up behind me and she's like "You're!" I see the one, because she be that lady! Hey! I'm like ya I know lets cut to the chase I feel you creeping, I can see it from my No time to waste back to my place shadow Plus from the club to the crib it's like a mile Why don't you pop in my Lamborghini away Gallardo Or more like a palace, shall I say Maybe go to my place and just kick it like Plus I got pal if your gal is game TaeBo In fact he's the one singing the song that's And possibly bend you over look back and playing watch me "Akon!" [Chorus (2X):] [Akon:] Smack that all on the floor I feel you creeping, I can see it from my Smack that give me some more shadow Smack that 'till you get sore Why don't you pop in my Lamborghini Smack that oh-oh! Gallardo Maybe go to my place and just kick it like Upfront style ready to attack now TaeBo Pull in the parking lot slow with the lac down And possibly bend you over look back and Convicts got the whole thing packed now watch me Step in the club now and wardrobe intact now! I feel it down and cracked now (ooh) [Chorus] I see it dull and backed now I'm gonna call her, than I pull the mack down Eminem is rollin', d and em rollin' bo Money -
Tha Dogg Pound Hittin' Donutz in Tha Streetz
Hittin' Donutz in tha Streetz Tha Dogg Pound My nigga Daz (My nigga Kurupt, what's up, mayne?) Man, DPG, Dogg Pound in the buliding, yeah You know it's about time that we came and hit y'all with some of that origin al G shit Sup Snoop? I love you, cause (Dogg Pound) I'm so happy to see, the DPG, back in stride again We finna ride again, dippin' and slidin' in Chocolate Thai and Henn, Daz and Kurupt finna fly again Monster mash, smashin' squads and packs Straps and 'Lacs, half ounce and quarter pound sacks Stacks and stacks, multitudes of nickels and Macs Gangstas and macks, hoods Bloods and Crips, Mexican Mafia, Latin Kings, Vice Lords, Disciples Dogg Pound rock the gangsta revival Ride with us, last night I was tweakin' I was lit, trippin', mind on chip On my right side, I had my 9 on chip I was barely speaking and I saw this fly Puerto Rican So pretty, so high saditty Made a nigga smile and I ain't smiled in a while I wasn't even thinking about time I wasn't even thinking 'bout my 9 All I wanna do is DPG And keep it like that and hit donuts in the streets I wasn't even thinking about time I wasn't even thinking 'bout my 9 All I wanna do is DPG And keep it like that and hit donuts in the streets I'm in the '66 Impala, keep a pistol, don't bother Keep a page full of dollars, all my niggas gotta holla Pressure busts pipes, now the time is right See, we might get gangsta by the end of the night A pearly blue Chevy chromed out, sitting on dubs I'm a Dogg Pound Gangsta so show me some love Bitch, you might catch a slug, get slumped and dumped -
Death Row Records, El Diablo!, Publica En El Estado Español El Grueso De Su Catá- Clogo, Con Referencias Históricas Del Género Y Nuevos Hitos Posibles
Informe DEADEATHTH ROWROW RECORDSRECORDS NegroNegro porpor fuera,fuera, lujolujo porpor dentrodentro uando se cumplen 10 años de la existencia del prestigioso sello de Hip-HHop, Death Row Records, El Diablo!, publica en el estado español el grueso de su catá- Clogo, con referencias históricas del género y nuevos hitos posibles. Ante ustedes el West Coast Gangsta Rap. EL NACIMIENTO DE UN IMPERIO palabra). Eso es lo que vamos a analizar un Con este trabajo, obtuvo dos merecidos Corría 1992 cuando dos nombres bási- poco por encima en este artículo. Grammy y tuvo su continuación en el 96 cos en toda esta historia, decidieron crear DIAMANTES EN BRUTO con "Dr. Dre Presents The Aftermath" y en el 99 con el irregular "2001". un sello discográfico, donde dar rienda DR. DRE: "EL ARTISTA":Ya hemos dicho suelta a su manera de entender el hip-hop que Andre Young no salía de la nada. Venía También en Death Row, tenemos "THE y (por qué no) a su manera de entender los de una banda como N.W.A., donde junto a CHRONICLE - THE BEST OF" (2.001), un negocios. personajes como Ice Cube, había creado recopilatorio que como su nombre indica, Andre "DR. DRE" Young venía del grupo discos y temas de gran peso en toda esta se centra básicamente en su aún insupera- N.W.A. (Niggers With Attitude), probable- historia. do, "The Chronic". En él todos sus aventaja- dos pupilos le rinden pleitesía, devoción y mente lo más grande que ha dado este Evidentemente también, si te tienes que admiración. Interesante en todo caso.