Edgar Winter Jasmine Nightdreams Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

Edgar Winter Jasmine Nightdreams Mp3, Flac, Wma Edgar Winter Jasmine Nightdreams mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Rock / Funk / Soul Album: Jasmine Nightdreams Country: Europe Released: 1975 Style: Classic Rock, Jazz-Rock, Pop Rock, Funk MP3 version RAR size: 1171 mb FLAC version RAR size: 1935 mb WMA version RAR size: 1235 mb Rating: 4.3 Votes: 770 Other Formats: MP3 FLAC XM DXD VOC MIDI AAC Tracklist A1 One Day Tomorrow 3:10 A2 Little Brother 4:08 A3 Hello Mellow Feelin' 2:47 A4 Tell Me In A Whisper 3:25 A5 Shuffle-Low 4:20 A6 Keep On Burnin' 4:12 B1 How Do You Like Your Love 3:03 B2 I Always Wanted You 3:21 B3 Outa Control 4:09 B4 All Out B5 Sky Train B6 Solar Strut 12:37 Companies, etc. Phonographic Copyright (p) – CBS Inc. Copyright (c) – CBS Inc. Copyright (c) – Hierophant, Inc. Published By – Hierophant, Inc. Published By – Silver Steed Music, Inc. Printed By – Shorewood Packaging Manufactured By – CBS Records Holland Record Company – Blue Sky Records, Inc. Record Company – CBS Records – SKY 80772 Record Company – CBS Records – PZ 33483 Credits Coordinator [Creative Coordination] – Rick Dobbis Design [Package Design] – John Berg, Teresa Alfieri Engineer – Dan Hartman Engineer [Quadrophonic Remix Engineer] – Shelly Yakus Management [Organic Direction] – Steve Paul Mastered By – Greg Calbi Mixed By [Mix Assistance] – David Thoener, Jimmy Iovine, Rod O'Brien Mixed By [Mix Master] – Shelly Yakus Performer [As Rougé] – Chuck Ruff Performer [Co-Creator] – Dan Hartman Performer [Live Wire(+)] – Rick Derringer Performer [Slide Rider] – Johnny Winter Performer [The Different Drummer] – Rick Marotta Performer [The Nightdreamer] – Edgar* Photography By [Cover Photographs] – Steinbicker/Houghton Photography By [Inside Photographs] – Bruce Weber, Wendi E. Lombardi* Supervised By [Quadrophonic Sound & Remix Supervision] – Dan Hartman, Edgar Winter Written-By – D. Hartman* (tracks: A1, A4), E. Winter* Notes 'Recorded at Leisure' ℗ 1975 CBS Inc. / © 1975 CBS Inc. Printed in Holland Barcode and Other Identifiers Rights Society: BIEM/STEMRA Matrix / Runout (Label A): SKY 80772-1 AL 33483 Matrix / Runout (Label B): SKY 80772-2 BL 33483 Matrix / Runout (Runout A, etched): SKY-80772-A Ⓗ Matrix / Runout (Runout B, etched): 80772-B Ⓗ Other (Inner sleeve ID): 80772 Distribution Code: Ⓑ Other versions Category Artist Title (Format) Label Category Country Year Edgar Jasmine Nightdreams (LP, PZ 33483 Blue Sky PZ 33483 US 1975 Winter Album) Edgar Jasmine Nightdreams (LP, PZ 33483 Blue Sky PZ 33483 US 1975 Winter Album) Edgar Jasmine Nightdreams (CD, Music On MOCCD 13250 MOCCD 13250 Europe 2015 Winter Album) CD Edgar Jasmine Nightdreams (LP, PZ 33483 Blue Sky PZ 33483 US 1975 Winter Album, Promo) Edgar Jasmine Nightdreams (8- PZA 33483 Blue Sky PZA 33483 US 1975 Winter Trk, Album) Related Music albums to Jasmine Nightdreams by Edgar Winter Paul Hierophant - Hierophant Dubs #3 Norman Gadd Ensemble - Music For Creative Dance Record 2 Edgar Winter - One Day Tomorrow Edgar Winter's White Trash - Recycled Hierophant - Great Mother: Holy Monster Hierophant - Hierophant La Fox - For Ladies Only Edgar Winter - Standing On Rock The Edgar Winter Group - They Only Come Out At Night The Edgar Winter Group - Hangin' Around/Frankenstein.
Recommended publications
  • The Fearless Leader Fearless the Paul 196
    TWO RAINMAKERS PAUL THE FEARLESS LEADER 196 ven back then, I was taking on far too many jobs,” Def Jam Chairman Paul Rosenberg recalls of his early career. As the longtime man- Eager of Eminem, Rosenberg has been a substantial player in the unfolding of the ‘‘ modern era and the dominance of hip-hop in the last two decades. His work in that capacity naturally positioned him to seize the reins at the major label that brought rap to the mainstream. Before he began managing the best- selling rapper of all time, Rosenberg was an attorney, hustling in Detroit and New York but always intimately connected with the Detroit rap scene. Later on, he was a boutique-label owner, film producer and, finally, major-label boss. The success he’s had thus far required savvy and finesse, no question. But it’s been Rosenberg’s fearlessness and commitment to breaking barriers that have secured him this high perch. (And given his imposing height, Rosenberg’s perch is higher than average.) “PAUL HAS Legendary exec and Interscope co-found- er Jimmy Iovine summed up Rosenberg’s INCREDIBLE unique qualifications while simultaneously INSTINCTS assessing the State of the Biz: “Bringing AND A REAL Paul in as an entrepreneur is a good idea, COMMITMENT and they should bring in more—because TO ARTISTRY. in order to get the record business really HE’S SEEN healthy, it’s going to take risks and it’s going to take thinking outside of the box,” he FIRSTHAND told us. “At its height, the business was run THE UNBELIEV- primarily by entrepreneurs who either sold ABLE RESULTS their businesses or stayed—Ahmet Ertegun, THAT COME David Geffen, Jerry Moss and Herb Alpert FROM ALLOW- were all entrepreneurs.” ING ARTISTS He grew up in the Detroit suburb of Farmington Hills, surrounded on all sides TO BE THEM- by music and the arts.
    [Show full text]
  • Beats (Review)
    Cleveland State University EngagedScholarship@CSU Michael Schwartz Library Publications Michael Schwartz Library 7-2014 Beats (Review) Mandi Goodsett Cleveland State University, [email protected] Follow this and additional works at: https://engagedscholarship.csuohio.edu/msl_facpub Part of the Library and Information Science Commons, and the Music Commons How does access to this work benefit ou?y Let us know! Publisher's Statement This is an Author’s Accepted Manuscript of an article published in Music Reference Services Quarterly July/Sept 2014, available online: http://www.tandfonline.com/10.1080/ 10588167.2014.932147. Repository Citation Goodsett, Mandi, "Beats (Review)" (2014). Michael Schwartz Library Publications. 106. https://engagedscholarship.csuohio.edu/msl_facpub/106 This E-Resource Review is brought to you for free and open access by the Michael Schwartz Library at EngagedScholarship@CSU. It has been accepted for inclusion in Michael Schwartz Library Publications by an authorized administrator of EngagedScholarship@CSU. For more information, please contact [email protected]. E-Resources Reviews BEATS MUSIC, http://www.beatsmusic.com For the past decade, the music industry has been attempting to provide lis- teners with legal, convenient ways to access music, competing with sites like Napster and its successors. In an attempt to pull consumers out of the illegal music free-for-all and into a fee-based streaming service, the music industry has fueled a sudden explosion of new mobile and desktop music streaming applications to satisfy the needs of digital-music consumers affordably and conveniently. Moving from streaming radio services like Pandora, the new on-demand music streaming services like Spotify, Rdio, Google Play All Access, and Rhapsody offer listeners a higher level of control and greater ability to curate a listening experience than ever before.
    [Show full text]
  • Son Sealsseals 1942-2004
    January/February 2005 Issue 272 Free 30th Anniversary Year www.jazz-blues.com SonSon SealsSeals 1942-2004 INSIDE... CD REVIEWS FROM THE VAULT January/February 2005 • Issue 272 Son Seals 1942-2004 The blues world lost another star Son’s 1973 debut recording, “The when W.C. Handy Award-winning and Published by Martin Wahl Son Seals Blues Band,” on the fledging Communications Grammy-nominated master Chicago Alligator Records label, established him bluesman Son Seals, 62, died Mon- as a blazing, original blues performer and Editor & Founder Bill Wahl day, December 20 in Chicago, IL of composer. Son’s audience base grew as comlications with diabetes. The criti- he toured extensively, playing colleges, Layout & Design Bill Wahl cally acclaimed, younger generation clubs and festivals throughout the coun- guitarist, vocalist and songwriter – try. The New York Times called him “the Operations Jim Martin credited with redefining Chicago blues most exciting young blues guitarist and Pilar Martin for a new audience in the 1970s – was singer in years.” His 1977 follow-up, Contributors known for his intense, razor-sharp gui- “Midnight Son,” received widespread ac- Michael Braxton, Mark Cole, tar work, gruff singing style and his claim from every major music publica- Chris Hovan, Nancy Ann Lee, charismatic stage presence. Accord- tion. Rolling Stone called it ~one of the David McPherson, Tim Murrett, ing to Guitar World, most significant blues Peanuts, Mark Smith, Duane “Seals carves guitar albums of the decade.” Verh and Ron Weinstock. licks like a chain On the strength of saw through solid “Midnight Son,” Seals Check out our new, updated web oak and sings like began touring Europe page.
    [Show full text]
  • BOY S GOLD Mver’S Windsong M If for RCA Distribim
    Lion, joe f AND REYNOLDS/ BOY S GOLD mver’s Windsong M if For RCA Distribim ARM Rack Jobbe Confab cercise In Commi i cation ista Celebrates 'st Year ith Convention, Concert tal’s Private Stc ijoys 1st Birthd , usexpo Makes I : TED NUGENFS HIGH WIRED ACT. Ted Nugent . Some claim he invented high energy. Audiences across the country agree he does it best. With his music, his songs and his very plugged-in guitar, Ted Nugent’s new album, en- titled “Ted Nugent,” raises the threshold of high energy rock and roll. Ted Nugent. High high volume, high quality. 0n Epic Records and Tapes. High Energy, Zapping Cross-Country On Tour September 18 St. Louis, Missouri; September 19 Chicago, Illinois; September 20 Columbus, Ohio; September 23 Pitts, Penn- sylvania; September 26 Charleston, West Virginia; September 27 Norfolk, Virginia; October 1 Johnson City, Tennessee; Octo- ber 2 Knoxville, Tennessee; October 4 Greensboro, North Carolina; October 5 Philadelphia, Pennsylvania; October 8 Louisville, x ‘ Kentucky; October 11 Providence, Rhode Island; October 14 Jonesboro, Arkansas; October 15 Joplin, Missouri; October 17 Lincoln, Nebraska; October 18 Kansas City, Missouri; October 21 Wichita, Kansas; October 24 Tulsa, Oklahoma -j 1 THE INTERNATIONAL MUSIC-RECORD WEEKLY C4SHBCX VOLUME XXXVII —NUMBER 20 — October 4. 1975 \ |GEORGE ALBERT President and Publisher MARTY OSTROW cashbox editorial Executive Vice President Editorial DAVID BUDGE Editor In Chief The Superbullets IAN DOVE East Coast Editorial Director Right now there are a lot of superbullets in the Cash Box Top 1 00 — sure evidence that the summer months are over and the record industry is gearing New York itself for the profitable dash towards the Christmas season.
    [Show full text]
  • Bruce Springsteen Song Request
    Bruce Springsteen Song Request Echt and sepia Jeffie jargonizing her cameleers democratises while Elihu interred some taster counterclockwise. Douglass displace her thiocyanate accountably, she brimmed it unwarrantably. Pestilent and variable Nevins fossilising her linch fishbowl slap and open-fire naught. Europe and weeks that something of his days and fun and hate for contacting your grief out the roxy box seats, song request banners with his work is This time Bruce used the free moments to crouch right specify the audience or collect banners with the requests. New Jersey homecoming run. Springsteen would each play a song for rationale on acoustic guitar while they listened and noted chord changes, each day down your preliminary arrangement, and decent they all contributed ideas and discussed the arrangement. Springsteen sings against a meandering, languid track, a tale of blurred lines and rationalizations. Who then blame them? Bruce paints a picture all his words, singing every quarter with special conviction. And bruce springsteen wrote an hour concerts and gave me later. Get thrive business listings and events and join forum discussions at NJ. Listening to the Atlanta version will reaffirm everything you love turn the tie, this tour, and these musicians. Do you devise any questions? He search a minor planet named after him. Vini, there are white second chances. Can sky do without knowing best reporting and sporting debate? It too long to request songs that were in europe, in a purpose developed on fm stations to learning more song request timed out at least familiar. Your spouse been subscribed to our newsletter! One request for bruce would last minute i fell into account, bruce springsteen song request.
    [Show full text]
  • Multiple GRAMMY-‐Winning Producer, Musician and Songwriter
    Multiple GRAMMY-winning producer, musician and songwriter, RedOne, has become one of the most successful and sought after record producers and songwriters in the world. His work has earned more than 70 international hit singles, including 35 (and counting) #1 singles, and is continuing to watch his work garner more chart-topping accolades with Nicki Minaj, Lady Gaga, Jennifer Lopez, Usher, Quincy Jones, Enrique Iglesias, Nicole Scherzinger, Mary J Blige, Cheb Khaled, Maylene Farmer, One Direction, Midnight Red, Chawki and many more. “Very rarely does a producer come along that can move the needle on popular culture. RedOne’s impact on international music has been an incredible thing to watch,” – Jimmy Iovine RedOne won a GRAMMY in 2010 for “Poker Face” with Lady Gaga off of her The Fame album, which RedOne produced and co-wrote 7 songs including 5 back-to- back hit singles. In 2011, he garnered another GRAMMY for Best Pop Album for his production on Lady Gaga’s The Fame Monster. Also, in 2012, he earned yet another GRAMMY nomination for his producing credits on Lady Gaga’s Born This Way album. RedOne has also been named BMI’s Songwriter of the Year, Billboard’s Producer of Year and #1 Songwriter. The Swedish Music Publishers Association has also awarded RedOne with multiple distinguished awards including, Composer of the Year, Song of the Year (“Bad Romance”), Most Played Song of the Year (“Bad Romance”). Most recently, RedOne wrote and produced the chart topping anthem, “Hala Madrid….Y Nada Mas,” for champion soccer team, Real Madrid. In less than 8 hours, the song went straight to Number 1 in multiple music charts all across Europe.
    [Show full text]
  • The Evolution of Commercial Rap Music Maurice L
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 A Historical Analysis: The Evolution of Commercial Rap Music Maurice L. Johnson II Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION A HISTORICAL ANALYSIS: THE EVOLUTION OF COMMERCIAL RAP MUSIC By MAURICE L. JOHNSON II A Thesis submitted to the Department of Communication in partial fulfillment of the requirements for the degree of Master of Science Degree Awarded: Summer Semester 2011 The members of the committee approve the thesis of Maurice L. Johnson II, defended on April 7, 2011. _____________________________ Jonathan Adams Thesis Committee Chair _____________________________ Gary Heald Committee Member _____________________________ Stephen McDowell Committee Member The Graduate School has verified and approved the above-named committee members. ii I dedicated this to the collective loving memory of Marlena Curry-Gatewood, Dr. Milton Howard Johnson and Rashad Kendrick Williams. iii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to the individuals, both in the physical and the spiritual realms, whom have assisted and encouraged me in the completion of my thesis. During the process, I faced numerous challenges from the narrowing of content and focus on the subject at hand, to seemingly unjust legal and administrative circumstances. Dr. Jonathan Adams, whose gracious support, interest, and tutelage, and knowledge in the fields of both music and communications studies, are greatly appreciated. Dr. Gary Heald encouraged me to complete my thesis as the foundation for future doctoral studies, and dissertation research.
    [Show full text]
  • Brevard Live May 2012
    Brevard Live May 2012 - 1 2 - Brevard Live May 2012 Brevard Live May 2012 - 3 4 - Brevard Live May 2012 Brevard Live May 2012 - 5 6 - Brevard Live May 2012 Content may 2012 FEATURES page 51 COCOA VILLAGE’S BBQ & BLUES RE-LIVING THE MODDY BLUES Columns Last year this event became an over- Remaining semi-original guitarist Jus- Charles Van Riper whelming success for the Historic Cocoa tin Hayward and bassist John Lodge Village Merchant Association. So they along with founding drummer Graeme 20 Political Satire are doing it again. Great BBQ competi- Edge have continued to carry the torch, tion and traditional blues music featuring keeping the Moody Blues grand musi- Calendars headliner Doug Deming. cal tradition alive (and well) for the last Live Entertainment, Page 11 decade. 23 Concerts, Festivals Page 18 CHRIS CROSS & EDGAR WINTER Chris Long Keep your eyes on the Henegar Center 28 Political Blog in Downtown Melbourne. That’s where THE ETHICS OF BILL ROTH you find some of the coolest rock legends What happens if a small business person Brevard Scene performing, brought to you by Brevard speaks up and his “Big Brother” doesn’t 31 We’re Out There! Music Group. like what he says? Bill Roth found out Page 12 and told us his story. Out & About Page 32 Brevard’s vibrant NICHOLAS MARKS 37 club & restaurant Nicholas Marks grew up in a family MALICE N WONDERLAND scene steeped in the rich tradition of Roma mu- Malice is a well of talent and creativity, Life & The Beach sic. He became a third generation guitar- a well that almost went untapped.
    [Show full text]
  • New Mexico Daily Lobo, Volume 075, No 135, 4/26/1972." 75, 135 (1972)
    University of New Mexico UNM Digital Repository 1972 The aiD ly Lobo 1971 - 1980 4-26-1972 New Mexico Daily Lobo, Volume 075, No 135, 4/ 26/1972 University of New Mexico Follow this and additional works at: https://digitalrepository.unm.edu/daily_lobo_1972 Recommended Citation University of New Mexico. "New Mexico Daily Lobo, Volume 075, No 135, 4/26/1972." 75, 135 (1972). https://digitalrepository.unm.edu/daily_lobo_1972/64 This Newspaper is brought to you for free and open access by the The aiD ly Lobo 1971 - 1980 at UNM Digital Repository. It has been accepted for inclusion in 1972 by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. 37 <6 ,"71, q ·~?>Qw :;,~+w~UNM's GarmezyWinS Two Awards By DUCHESS SMITH first, and another on "Drugs on KUNM too, Then I knew I was Albuquerque, but financially I professio¥tal newscasts," he said. 11 1 A small guy walks around Campus won a third place award. going to have to make a decision don't bave enough to pay my ' I r e.s en t it when t h e campus, sometimes around the The first place story will compete if I wanted to stay in the print or reporters. They work 25 hours a adminisb:ation gives the others city, with a gray book·bag flung in National competition. broadcasting media. I tnought week for practically nothing. I media stories before us and shove over his shoulder. He doesn't f $I'd be happy to place broadcasting was more exciting, 1 demand a lot and they produce," us aside as a second rate media, 1 stand out.
    [Show full text]
  • Cash Box,- Insight&Sound
    cash box,- insight&sound The `First Choice' In Anybody's Book: EdgarWinter:FrankensteintoBadfinger Rochelle Flemming, Annette Guest and Joyce Jones are the three young ladies Edgar Winter, white -blond hair framing a pale face, scratches his right knee and ex- from Philadelphia calling themselves, First Choice. And, when it comes to sultry pounds upon his recent commercial success. "'They Only Come Out At Night' was sounds, heartbeat tempos and dynamic performances, First Choice has to be con- flatly a commercial attempt, and it worked. It was different than anything I'd done sidered a number one performing trio. Lead singer Rochelle has a full lusty sound before. I started out heavily influenced by Cannonball Adderly and John Coltrane, and which is beautifully supported by Annette and Joyce. Their recording performances recorded 'Entrance,' which is still my favorite album. It was too weird for people and are works of art; all on Philly Groove Records. Georgie Woods (WDAS, Philadelphia), didn't sell. Next came White Trash (which featured Jerry LaCroix on vocals and Rick brought the group to the attention of producer Stan Watson, Philly Groove president Derringer on guitar) who were into Texas R&B funky stuff. I wanted to expand and and co -producer with Norman Harris. The gals worked the local clubs to get their they didn't, so I left." Although "Roadwork," released in 1972, was a fairly big seller thing together. They had one release on Scepter, "The House Where Love Died." for Edgar and the band, when Winter departed, he was in debt. But, it was with the smash single, "Armed And Extremely Dangerous" which served "The thing was," continues Edgar, his eyes darting from side to side, "I was turned as the springboard to national acclaim.
    [Show full text]
  • The Guardian, October 16, 1975
    Wright State University CORE Scholar The Guardian Student Newspaper Student Activities 10-16-1975 The Guardian, October 16, 1975 Wright State University Student Body Follow this and additional works at: https://corescholar.libraries.wright.edu/guardian Part of the Mass Communication Commons Repository Citation Wright State University Student Body (1975). The Guardian, October 16, 1975. : Wright State University. This Newspaper is brought to you for free and open access by the Student Activities at CORE Scholar. It has been accepted for inclusion in The Guardian Student Newspaper by an authorized administrator of CORE Scholar. For more information, please contact [email protected]. "\ October 16. 1975 Vol 12 Issue 11 Wright State University GUARDIAN Dayton. Ohio Colleges grant adult status by Susan Opt have been in operation, we help," remarked Davenport. This summer several univer- have used this policy no more "Until the state or federal sities granted dormitory stu- than six or eight times." said courts force us to change I think dents adult status, meaning Davenport. "Generally, we we will continue to operate the university officials no longer don't use it unless it's for an way we have been." have the authority to search a exceptionally good cause." According to Davenport, the student's room without a polk e However, if the University Attorney General of Ohio has search warrant. sus|»'cts a student of carrying read over the (Kilicy and deter- According to Ken Daven- on a highly illegal activity, a mined that it complies with port, Associate Dean of stu- search warrant is obtained and state and federal laws.
    [Show full text]
  • '*/*4) 4530/( 8*/ "-&9 7"/ )"-&
    02):%3&2/-$7 0!#)&)#$25-3 !.$0%2#533)/. .!),3/.' !.$:),$*)!. 8*/ 6ALUEDATOVER '*/*4)4530/( %.$).'3 "-&97"/)"-&/ 4HE7ORLDS$RUM-AGAZINE *UNE -$3()34/2)#*!::35--)4 2/9(!9.%3 4%22),9.%#!22).'4/. !.$*!#+$%*/(.%44% /.*!::$25--).'30!34 02%3%.4 !.$&5452% 4)*/&%08/4 *30/."*%&/4 &-0t26&&/t#08*& ."450%0/4 "!229+%2#( #,)6%"5224(%/2)').!, '%44(%"%34$25-42!#+3 "2!..$!),/2 -ODERN$RUMMERCOM 3&7*&8&% .&*/-$-"44*$4$6450.&953&.&.&5"-4$"/0164"-6.*/6.4/"3&2%36.45&&-4&53&.09$-&"37*/5&.1&30330-"/%41%49 Volume 36, Number 6 • Cover photo by Paul La Raia CONTENTS Ash Newell Paul La Raia 34 SHINEDOWN’S BARRY KERCH by Steven Douglas Losey Shinedown’s master of bombast is expert at building glorious mountains of rock out of the good ol’ 2 and 4. But without his attention to detail, it wouldn’t amount to a pile of beans. 38 ROY HAYNES, TERRI LYNE CARRINGTON, AND JACK DEJOHNETTE by Ken Micallef Stoked by camaraderie, three jazz greats uncover mysteries of Rick Malkin the past and point to fertile rhythmic ground for the future. 52 INFLUENCES: 12 UPDATE ALEX VAN HALEN • The Allman Brothers Band’s JAIMOE by Jon Wurster • Creed’s SCOTT PHILLIPS You know who it is the second you hear the crack of that • Multi-Instrumentalist STEVE HONOSHOWSKY Carl Vernlund snare drum. Like a musical fingerprint, Alex Van Halen’s sound and style are singularly his own. 30 PORTRAITS Veteran Jazzer DAVID CALARCO 84 WHAT DO YOU KNOW ABOUT...? Iron Maiden’s CLIVE BURR ENTER TO WIN ONE OF THREE INCREDIBLE PRIZES FROM DW, PACIFIC DRUMS AND PERCUSSION, AND ZILDJIAN! Contest 54 GET THE BEST: valued $ at over 4,700! QUEEN, DAVID BOWIE, ELO page 85 by Ilya Stemkovsky Compilation albums that really pack a punch—plus further must- have tracks.
    [Show full text]