Celebrating the Year of La Chicana
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Toxic Trespass
w omeN 2010 make New Releases movies WMM www.wmm.com Women Make Movies Staff Jen Ahlstrom Finance Coordinator Liza Brice Online Marketing ABOUT & Outreach Coordinator Jessica Drammeh IT/Facilities Coordinator WOMEN MAKE MOVIES Kristen Fitzpatrick A NON-PROFIT INDEPENDENT MEDIA DISTRIBUTOR Distribution Manager Tracie Holder Production Assistance From cutting-edge documentaries that give depth to today’s headlines to smart, Program Consultant stunning fi lms that push artistic and intellectual boundaries in all genres, Stephanie Houghton Educational Sales Women Make Movies (WMM), a non-profi t media organization, is the world’s & Marketing Coordinator leading distributor of independent fi lms by and about women. WMM’s Maya Jakubowicz Finance & Administrative Manager commitment to groundbreaking fi lms continues in 2010 with 24 new, astonishing Cristela Melendez and inspiring works that tackle, with passion and intelligence, everything Administrative Aide from portraits of courageous and inspiring women affecting social change in Amy O’Hara PATSY MINK: AHEAD OF THE MAJORITY, A CRUSHING LOVE, and AFRICA RISING, Offi ce Manager to three new fi lms on issues facing young women today: COVER GIRL CULTURE, Merrill Sterritt Production Assistance ARRESTING ANA, and WIRED FOR SEX, LIES AND POWER TRIPS. Other highlights Program Coordinator include THE HERETICS, a look at the Second Wave of feminism, and two new Julie Whang fi lms in our growing green collection, MY TOXIC BABY and TOXIC TRESPASS. Sales & Marketing Manager Debra Zimmerman Executive Director The WMM collection is used by thousands of educational, cultural, and community organizations across North America. In the last fi ve years dozens Board of Directors of WMM fi lms have been broadcast on PBS, HBO, and the Sundance Channel Claire Aguilar among others, and have garnered top awards from Sundance to Cannes, as Vanessa Arteaga well as Academy Awards®, Emmy Awards®, and Peabody Awards. -
Film Rating Release Year a League of Their Own
Film Rating Release Year A League Of Their Own PG 1992 Abominable PG 2019 Anchorman PG-13 2004 Apollo 11 G 2019 Apollo 13 PG 1995 Bee Movie PG 2007 Bernie The Dolphin G 2018 Bill And Ted's Excellent Adventure PG 1989 Bumblebee PG-13 2018 Casper PG 1995 Despicable Me PG 2010 Despicable Me 2 PG 2013 Despicable Me 3 PG 2017 Dirty Dancing PG-13 1987 Dora And The Lost City Of Gold PG 2019 Dr. Seuss' The Lorax PG 2012 Fast And Furious Presents Hobbs And Shaw PG-13 2019 Ferris Bueller's Day Off PG-13 1986 Field Of Dreams PG 1989 Five Feet Apart PG-13 2019 Footloose (1984) PG 1984 Forrest Gump PG-13 1994 Goosebumps PG 2015 Goosebumps 2 - Haunted Halloween PG 2018 Grease PG 1978 Groundhog Day PG 1993 Home (2015) PG 2015 Hook PG 1991 Hop PG 2011 How To Train Your Dragon PG 2010 How To Train Your Dragon The Hidden World PG 2019 How To Train Your Dragon 2 PG 2014 I Can Only Imagine PG 2018 Indiana Jones And The Last Crusade PG-13 1989 Instant Family PG-13 2018 Jurassic Park PG-13 1993 Knives Out (2019) PG-13 2019 Kung Fu Panda PG 2008 La La Land PG-13 2016 Labyrinth PG 1986 Madagascar PG 2005 Madagascar 3: Europe's Most Wanted PG 2012 Mamma Mia PG-13 2008 Mamma Mia Here We Go Again PG-13 2018 Matilda (1996) PG 1996 Megamind PG 2010 Men In Black (1997) PG-13 1997 Men In Black International PG-13 2019 Monster House PG 2006 Monsters Vs. -
Linda Garcia Merchant 11252 S
Linda Garcia Merchant 11252 S. Normal Avenue, Chicago, IL 60628 c (312) 399-7811 f (773) 629-8170 [email protected] EDUCATION 1982, B.S., with honors, Advertising Design/Photography Western Illinois University 2008-2009, Columbia College Chicago, MFA Film & Video, Follett Fellowship Recipient SELECTED PROFESSIONAL POSITIONS: Producer, Las Pilonas Productions, Phoenix, Arizona 2011 to present Project Coordinator, ‘The Virtual Reunification of the Wisconsin Latina Activist Network’ Course CLS 330: Past and Present Ideologies of the Chican@/Latin@ Movements, University of Wisconsin, Madison 2012 to present Technical Director ‘Chicana Por Mi Raza’ Digital Humanities Project, University of Michigan, 2009 to present Consultant, Somos Latinas Digital Humanities project, 2012 to present Organizing Manager, Voces Primeras, LLC, 2006 to present Web Designer/Developer, Duografix, 2000-2008 Adjunct Professor, Columbia College, Arts, Entertainment & Media Management Department “Management Applications for the Web”, 2000 to 2001 Editor and Content Producer, twotightshoes.net, Chicago, IL 1998 – 2003 Marketing Specialist/IT, Larry Gordon Agency, Chicago, IL 1998 to present Graphics Production Coordinator, 1996 Olympics /Atlanta. GES Exposition Services FILMS/PUBLICATIONS Producer, Director, “Chicana Por Mi Raza Digital Humanities Project: Mujeres del Partido” 2012 Director, ‘Thresholds’, February 2011 Writer, Producer, Four In Grace, 2009, Noelle, 2013 Blogpost, ‘Organized Coraje’, Summer of Feminista, Viva La Feminista, 2012 Producer, Co-director, ‘The A Word’, 2011 Blogpost, ‘Chicanas who spoke out and inspire’, Summer of Feminista, Viva La Feminista, 2011 Producer, Director, ‘Amigas! Fifteen Years of Amigas Latinas’ 2010 Producer, Co-director, ‘Palabras Dulces, Palabras Amargas’ (Sweet Words, Bitter Words) 2009 “From Ava Gardner to Mis Nalgas: The Story of My Brown Skinned Sexuality”, Dialogo, DePaul University Press, 2009. -
T H E C O M B at IV E P H a SE C Heck Y U W Ebsite for in Form Ation
PHASE COMBATIVE THE May 6–June 25, 2017 6–June 25, May The Combative Phase takes its title from an essay by Teshome Gabriel as ‘speaking for,’ as in politics, and representation as ‘representation,’ as in The university and the cinema are not dissimilar institutions. They make 23 titled “Towards a Critical Theory of Third art or philosophy.” 23 comparable claims to be spaces of revelation and of enlightenment. In 19 Teshome Gabriel, “Towards Gayatri Chakravorty Spivak, World Films.”19 This text draws on the writing a Critical Theory of Third World “Can the Subaltern Speak?” 1969, a pivotal year for this exhibition, Noël Burch coined the unwieldy Films,” Questions of Third Cinema, Colonial Discourse and Post-Colonial of Frantz Fanon on decolonization, and ed. Jim Pines and Paul Willemen The temporal, spatial, and socio-political Theory: A Reader, eds. Patrick term “institutional mode of representation (IMR)” to characterize the Williams and Laura Chrisman (London: BFI, 1989), 298–316. 1 proposes a “genealogy of Third World film frame of the university—and particularly, (New York: Columbia University dominant standard of totalizing illusionistic representation in cinema. Press, 1994), 70. culture” on a path from “domination to liberation.” Gabriel identifies three its attendant conditions of access to IMR might equally be applied to the 1 Noël Burch, Praxis du Cinéma, phases in this genealogy: firstly, a phase of “unqualified assimilation” in education and means of production—unifies the films exhibited. More figure of the modern university. -
Art Modeling Trixie Model Sets 01 150 Previewsrar
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Faculty Directory
FACULTY AND ADMINISTRATORS 2016-2017 CLAYTON ABAJIAN (2014), Lecturer of Nursing, B.S.N., California State University, Sacramento MIKAEL J. ANDERSON (2003), Professor of Construction KIMO AH YUN (1996), Professor of Communication Management; Chair, Department of Construction Studies, B.A., California State University, Management, B.S., M.S., University of California, Sacramento; M.A., Kansas State University; Ph.D., Davis; Registered Professional Engineer; Licensed Michigan State University General Contractor DALE AINSWORTH (2014), Assistant Professor of Health ANDREW K. ANKER (1996), Professor of Design; Chair, Science, B.A., Mississippi College; M.S., Pepperdine Department of Design, B.A., State University of University; Ph.D., Saybrook University New York, Binghamton; M.Arch., Harvard Graduate School of Design; M.Env.Des., Yale PHILLIP D. AKUTSU (2008), Associate Professor of School of Architecture Psychology, B.S., University of Washington; Ph.D., University of California, Los Angeles JUDE ANTONYAPPAN (1998), Professor of Social Work, P.U.C., Holy Cross College, University of Madurai; KRISTEN WEEDE-ALEXANDER (2002), Professor, B.Sc., St. Mary's College; M.S.W., Stella Maris College of Education, Graduate and Professional College, Ph.D., University of California, Berkeley Studies, B.A., University of California, Riverside; M.S., Ph.D., University of California, Davis BEHNAM S. ARAD (1997), Professor of Computer Science, B.S., University of Massachusetts, Lowell; M.S., DALE ALLENDER (2014), Assistant Professor, College of Purdue University, -
“The Angry Birds Movie 2” Takes Flight As Columbia Pictures and Rovio Entertainment Set Creative Team, Release Date
“The Angry Birds Movie 2” takes flight as Columbia Pictures and Rovio Entertainment set creative team, release date 22 MAY 2017 Sequel to animated blockbuster launches September 20, 2019 Following the success of The Angry Birds Movie, which slingshot to nearly $350 million in worldwide box office and launched a global movie brand, Columbia Pictures in association with Rovio Entertainment Ltd. are once again joining forces on the next high-velocity adventure as the flightless birds and scheming green piggies take their beef to the next level in The Angry Birds Movie 2; Sony Pictures will distribute the sequel. The sequel is planned to hit theaters on September 20, 2019, coinciding with the 10th anniversary of the original Angry Birds game. The Angry Birds Movie 2 will be directed by Thurop Van Orman (The Marvelous Misadventures of Flapjack, Adventure Time). Van Orman recently worked at Disney and Sony Pictures Animation. The film will be co- directed by John Rice (King of the Hill, Rick and Morty), who served as lead storyboard artist on The Angry Birds Movie and directed the popular Angry Birds Hatchlings shorts. The film will be produced by John Cohen (Despicable Me, The Angry Birds Movie). Peter Ackerman (FX’s “The Americans,” Ice Age) is writing the screenplay. The talented team at Sony Pictures Imageworks will once again be handling the animation for the film, which will be with the collaboration of Sony Pictures Animation. Also returning from The Angry Birds Movie will be production designer Pete Oswald and character art director Francesca Natale. “We are thrilled to be teaming up again with Sony Pictures after the fantastic cooperation in the first movie and I can't wait to experience the new journey in the upcoming film,” commented Kati Levoranta, CEO of Rovio Entertainment. -
Theater Birthday Party Video Library Jan21
Edmond Town Hall Birthday Party Movie Titles Unless Otherwise Indicated, All Movies are Rated 'G' Aladdin (PG) The Incredibles 2 Angel Has Fallen (R) Kung Fu Panda (1,2, and 3) Annie Leap! A Christmas Story (PG) The Lego Batman Movie The Angry Birds Movie 2 The Lego Movie Ant-Man and the Wasp The Lion King (live action) Avengers: Infinity War The Little Mermaid Bridesmaids Loving Vincent Bolt Maleficent (PG) The Boss Baby Mary Poppins Returns Call of the Wild Megamind Captain America (PG-13) Moana Captain Marvel Civil War (PG-13) Motherless Brooklyn Captain Underpants: The First Epic Movie Mr. Poppers Penguins Cars 3 Narnia (PG) Descendants Nightmare Before Christmas (PG) Despicable Me 3 Now You See Me Detective Pikachu Paddington 2 Diary of a Wimpy Kid: Long Haul Peter Pan (Disney Classic Animated 2014) Dumbo (live action) Peter Rabbit Dora and The Lost City of Gold Pixels Home Alone 1 and 2 (PG) The Polar Express Elf (PG) Remember the Titans Frozen The Secret Life of Pets 1 and 2 (PG) Frozen 2 School of Rock Jaws Sherlock Gnomes Joker (R) Sing Judy (PG-13) Smallfoot Jurassic World (PG-13) Snowball Express The Emoji Movie Speed Racer Ghostbusters Spider-Man: Homecoming Goosebumps (1 and 2) Spider-Man: Into the Spider-Verse The Grinch (Disney) Star Wars: The Complete Saga Harry Potter and the Sorcerer’s Stone Teen Titans Go! To the Movies Home Toy Story (1,2,3 and 4) (G) Homeward Bound Trolls Hotel Transylvania 3 We Bare Bears The Movie How to Train Your Dragon Willy Wonka and the Chocolate Factory Hustlers (R) A Wrinkle in Time The Incredibles (G) All Audiences; (PG) Parental Guidance Suggested; (PG-13)May Be Inappropriate for Pre-teens (R) Under Age 17 Requires Accompanying Parent or Adult Guardian, Contains Adult Material . -
Making Movement Through Motion Pictures
Making Movement through Motion Pictures Period films & videos from 1968 to 1975 programmed by Julia Reichert and Ariel Dougherty FILM played a significant role in conjunction with this conference. In fact, a work-in-progress screening of LEFT ON PEARL ignited the whole idea for A Revolutionary Moment. The conference featured two evenings of screenings of documentaries about Second Wave feminism, including Joan Braderman’s “Heretics.” Jennifer Lee’s “Feminist: Stories from Women’s Liberation,” Catherine Russo’s “A Moment in Her Story,” Susie Rivo and the 888 Women’s History Project’s “Left on Pearl,” Liane Brandon’s “Anything You Want to Be,” and excerpts from Mary Dore’s “She’s Beautiful When She’s Angry.” A third evening featured a range of films from the early 1970s, selected by Julia Reichert and Ariel Dougherty. Two workshops focused entirely on women’s filmmaking. Numerous others included film as a component of the context of recording issues of the period. MAKING A MOVEMENT THROUGH MOTION PICTURES PROGRAM NOTES: Films of the Period 1968 – 1975 programmed by Julia Reichert and Ariel Dougherty For A REVOLUTIONARY MOMENT Conference / Boston University Saturday March 29, 2014 7:30 pm GSU Conf Auditorium This selection of films from the period includes documentary, fiction, experimental & animated works from all over the US. These film clips and shorts will introduce viewers to authentic voices from the birth of the Women's Liberation Movement. The works are pointedly a response to omission of voices and /or distortion of viewpoints in mainstream corporate media that still persists today. While here we show only US based work, this movement was international. -
Kesha's “Best Day” from “The Angry Birds Movie 2” Is a Prescription For
Kesha’s “Best Day” from “The Angry Birds Movie 2” is a Prescription for Summer Fun Listen to the Joyful Bop on DSPs HERE New York, NY, July 26, 2019 — Today, Kesha drops “Best Day (Angry Birds 2 Remix)” via Kemosabe/RCA Records, encapsulating the carefree spirit of summer and suggesting we take a walk in the sunshine, dance with our friends and embrace the day to the fullest. Featured in The Angry Birds Movie 2 (out August 14th via Sony Pictures Animation in association with Rovio Entertainment), “Best Day (Angry Birds 2 Remix)” is pop music at its most joyful. With a smooth vocal performance, funk bass line, beachside vibe, and a mantra-like refrain about seizing the moment and expelling negativity, the song captures what continues to make Kesha one of the pop world’s most refreshing stars: her effortlessly exciting and melodious songwriting, her spirited and earnest vocals, and of course her occasional doses of humor. Of the inspiration for the track, which Kesha wrote with Wrabel, Ryan Lewis (who also produced the song) and Scott Harris, the singer said “I wanted to write a song that would make people feel GOOD. Life can be hard sometimes, and I wanted to write something to listen to in the morning to remind myself to be happy, grateful, positive and remember that I can choose to have the best day of my life (of my life, of my life). Every day. I also think high fives are great and would like to promote high fives whenever possible.” “With a movie as colorful, fun, bright and hilarious as The Angry Birds Movie 2, we’re thrilled to have a song that gives a happy musical bounce to the movie,” said Spring Aspers, head of Sony Motion Pictures Music Group. -
Mexican and Chicano Images in Film (CCS and LATAM 400)
Mexican and Chicano Images in Film (CCS and LATAM 400) Department of Chicana and Chicano Studies Center for Latin American Studies Spring 2016 Schedule Number for CCS 400: 20569 Schedule Number for LATAM 400: 21870 Professor Norma Iglesias-Prieto Contact information: Class Day: Monday Office Hours: Wed 12:00-15:15 PM and Tuesday 2 to 3 pm (only Class Time: 4:00 to 6:40 PM by appointment) Class Location: SH 105 Office Location: AL 398 Telephone: (619) 594-0656 E-mail: [email protected] (not through blackboard) Course Description from General Catalogue: Comparative study of images presented by Hollywood, Mexican, and Chicano cinemas. Critical analysis and discussion of projected values. Comparison of themes in film and text. General Course Description: This course is an introduction to the analysis of representations and misrepresentations of Mexicans, Latinos, and Chicanos in Hollywood Cinema. It is also an introduction to Chicano Cinema. Films will be utilized as a resource for historical, political, artistic, and cultural analysis within the multidisciplinary field of Chicana and Chicano Studies. The course emphasizes and includes a critical approach to film, utilizing textbooks and film resources. The first part of the course analyzes the way that Mexicans, Latinos, and Mexican-Americans have been depicted in Hollywood films. The second and most important part of the course covers contemporary work (1969- present) by Chicano/a and Mexican directors and producers who have been producing films about their own communities. They counteract the negative racial, ethnic, and gender stereotypes typical of Hollywood and Mexican commercial film with more accurate and complex images of their history and culture. -
2020 Movie Catalog
Catalog © 2019 Paramount Pictures © 2019 Disney Enterprises Inc. 2020 © 2019 Warner Bros. Ent. All rights reserved. © 2019 CMTG, Inc. All Rights Reserved. © Lions Gate Entertainment, Inc. © 2019 Universal City Studios Productions LLLP. All Rights Reserved. RESOURCEYour Movie The 2020 Swank Movie Catalog features all the films you’ll want to feature in your upcoming movie program. To make it easier for you to select titles based on your audience, we’ve ordered the titles by rating! This year, find all our new G and PG-rated content in the first section followed by new PG-13 titles. TABLE OF Contents G/PG New Releases .............................................................................................................................. 1 PG-13 New Releases ...........................................................................................................................16 2020 Programming Calendar ...........................................................................................................30 Coming Soon ........................................................................................................................................32 Top 50 All-Time Favorites ..................................................................................................................34 Top 20 Halloween ...............................................................................................................................36 Top 20 Holiday .....................................................................................................................................37