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1 in the UNITED STATES DISTRICT COURT for the MIDDLE DISTRICT of TENNESSEE ESTATE of ARMETIA CHATMON, ) A/K/A ARMENTER CHATMON
IN THE UNITED STATES DISTRICT COURT FOR THE MIDDLE DISTRICT OF TENNESSEE ESTATE OF ARMETIA CHATMON, ) a/k/a ARMENTER CHATMON, ) p/k/a “BO CARTER” or “BO CHATMON” ) ) Plaintiff, ) Case No.: ) v. ) Judge: ) WARNER MUSIC GROUP CORP., ) Magistrate: SONY/ATV MUSIC PUBLISHING, ) EMI MILLS MUSIC, INC., RHINO ) ENTERTAINMENT COMPANY, d/b/a ) RHINO RECORDS, VIACOM, INC., d/b/a ) VIACOM INTERNATIONAL, INC, ) FOLKWAYS MUSIC PUBLISHERS, INC. ) HAL LEONARD LLC, J.W. PEPPER & ) & SONS, INC., ERIC CLAPTON, AND ) JOHN DOE NOS. 1-10. ) ) Defendants. ) JURY DEMAND COMPLAINT The Plaintiff, the Estate of Armetia Chatmon, p/k/a Bo Carter1 (hereinafter sometimes collectively referred to the “Plaintiff”), by its attorneys, as and for its complaint, alleges as follows: 1 Armetia Chatmon is variously referred to in underlying documents as “Armenter Chatmon” or professionally as “Bo Chatmon” or “Bo Carter.” Mr. Chatmon is also referenced using the variant spelling of the last name “Chatman.” As used in the facts of this Complaint, the intention is to use either “Plaintiff” when referring to the estate and “Chatmon” when referring to the author/artist, Armetia Chatmon, p/k/a “Bo Carter” or “Bo Chatmon.” To deflect confusion, all of these names should be read interchangeably to refer to the Plaintiff or its interests. 1 Case 3:16-cv-02722 Document 1 Filed 10/13/16 Page 1 of 32 PageID #: 1 NATURE OF THE ACTION 1. In this action, Plaintiff seeks damages for, inter alia, copyright infringement, false designation of origin, violation of personal rights and the right to claim authorship, as well as multiple other common law claims for acts engaged in by Defendants under the laws of the United States and the State of Tennessee as more fully set forth below in the claims for relief. -
October 1-3, 2017 Greetings from Delta State President William N
OCTOBER 1-3, 2017 GREETINGS FROM DELTA STATE PRESIDENT WILLIAM N. LAFORGE Welcome to Delta State University, the heart of the Mississippi Delta, and the home of the blues! Delta State provides a wide array of educational, cultural, and athletic activities. Our university plays a key role in the leadership and development of the Mississippi Delta and of the State of Mississippi through a variety of partnerships with businesses, local governments, and community organizations. As a university of champions, we boast talented faculty who focus on student instruction and mentoring; award-winning degree programs in business, arts and sciences, nursing, and education; unique, cutting-edge programs such as aviation, geospatial studies, and the Delta Music Institute; intercollegiate athletics with numerous national and conference championships in many sports; and a full package of extracurricular activities and a college experience that help prepare our students for careers in an ever-changing, global economy. Delta State University’s annual International Conference on the Blues consists of three days of intense academic and scholarly activity, and includes a variety of musical performances to ensure authenticity and a direct connection to the demographics surrounding the “Home of the Delta Blues.” Delta State University’s vision of becoming the academic center for the blues — where scholars, musicians, industry gurus, historians, demographers, and tourists come to the “Blues Mecca” — is becoming a reality, and we are pleased that you have joined us. I hope you will engage in as many of the program events as possible. This is your conference, and it is our hope that you find it meaningful. -
May/June 2017 Volume XIX, Issue III FOL Board Coming up at the Library 7:30 P.M
BETWEEN THE PAGES A Publication of the Friends of the Allen Public Library May/June 2017 Volume XIX, Issue III FOL Board Coming Up at the Library 7:30 p.m. Thursday, May 11,The Real Downton Abbey: Inside Highclere Castle President—Susan Jackson 7:30 p.m. Friday, May 12, Beatlemania64 VP - Noma Nabi 7:30 p.m. Friday, May 26, Memorial Day celebration with Allen Community Band and Iwo Secretary– Laura Wingler Jima survivor Clyde Jackson Treasurer—JJ Grilliette May 30—Beginning of Summer reading program, Adult and Youth Services Historian 7:30 p.m. Thursday, June 8, Bo Carter discussed sports legend Dizzy Dean Sandy Wittsche 10-11:30 a.m. Saturday, June 10, Family Cultural Festival—Youth Services Programs and Marketing 7:30 p.m. Thursday, June 15, Regina Merson discusses Latina beauty and cosmetics Tom Keener 7:30 p.m. Thursday, June 22, What to do When Stopped by Police 7:30 p.m. Friday, June 23, The Lone Star String Band performance Community Liaison Open 7:30 p.m. Saturday, July 1, Gator and Mudcat performance Hospitality Click on any item above and it will link you directly to the article. Karla Warborg Always forgetting events you want to see? Print this page and stick it on your fridge! Ongoing Book Sale Alison McCullough For updates, go to AllenFriends.org or to the library’s calendar at AllenLibrary.org, then “Calendar.” Membership Russ and Jo Schenck Friends of the Allen Public Library Annual Meeting ALLen Reads Anita Moghe Communications On April 13, 2017,the Friends held a short meeting to elect open officers for next year and give out awards. -
Curriculum Vitae
Curriculum Vitae Faculty Name: Tyler DeWayne Moore Work Address: P.O. Box 519; MS 1060 Prairie View, TX 77446 Position Title: Lecturer of History Office Location: 207 Woolfolk Bldg. / Phone: 936-261-2555 / twitter: @MtZionFund / Email:[email protected] Education: Degree and Area of Study Institution Name Degree Date Ph.D., History (African Diaspora, US) University of Mississippi 2018 M.A., Public History Middle Tennessee State University 2010 B.S., Mass Communications Middle Tennessee State University 2001 Teaching Position Title Institution Name Position Dates Experience (Beginning and End) Lecturer Prairie View A&M University Aug 2020 - Assistant Professor of History Bowling Green State University Aug 2019–May 2020 Graduate Instructor University of Mississippi Jan 2014-June 2018 Teaching Assistant University of Mississippi Aug 2010-Dec 2014 Professional Publications: 2021 In press, Old Time Mississippi Fiddle Tunes & the Segregation of Sound (Jackson, MS: University Press of Mississippi, 2021). 2021 In press, “‘Lightning Struck Him’: Walter Rhodes, the Delta’s Crowing Rooster, and the Influence of Accordion on the Blues,” The Frog Blues & Jazz Annual 6 (2021). 2020 In press, “‘Degrading ‘God’s Acre’: The Alleged Disinterment of Mississippi’s Only African American Secretary of State James D. Lynch,” The Journal of Mississippi History 82:2 (Fall 2020). 2020 “Worth Westinghouse Long Jr.: Creating Dangerously in The Land Where the Blues Began,” Southern Cultures 26:1 (Spring 2020): 54-77. 2020 “Ripped Spike, Tie and Rail from its Moorings’: Racial Reconciliation, Public History, and the ‘Yellow Dog’ of the Mississippi Blues Trail,” The Public Historian 42:2 (May 2020): 56-77. 2018 “Revisiting Ralph Lembo: Complicating Charley Patton, the 1920s Race Record Industry, and the Italian American Experience in the Mississippi Delta,” Association for Recorded Sound Collections Journal 49:2 (Dec 2018): 153-184. -
CBS Newsletter January 2018
January 2018 BLUES NEWS Message from the President: Hello and Happy New Year! I’d like to thank those on the previous boards who did not return for their sup- port with moving CBS forward. Our biggest challenge this year is to implement the CBS Scholarship and Edu- cational Fund initiated by John Adams. Currently most of the funding for the “Fund” comes from our annual Blues Cruise. We’re looking forward to our next Cabin Fever Picnic on February 18th. This is an opportunity to meet other members and the CBS board. Hope to see many of you then. Bill Koteles A new year means another beginning. Keeping the Blues alive takes work, takes com- mitment, and it needs YOU. Think about helping us by becoming involved this year. Where else can you volunteer your time to bring live music to our area and have such a sweet payoff! CBS is going to be ten years old in June. Stay tuned for more information. Our newsletter will be published bi-monthly. The next issue will be in March 2018. From all of us at CBS, all the best this New Year, and may live music be a part of your life, always! 2017-2019 Cleveland Blues Society Board Members President: Bill Koteles Vice President: Anthony Lovano Secretary: Kris Diehl Treasurer: Elaine DeStephano Board Member: Mike Kormos Board Member: Dave Rolland Board Member: Bob Dickow Board Member: Susanne Mayer Board Member: Penny Holycross Cleveland Blues Society 1/7/2018 1 Inside this i s s u e : DECEMBER JAM Decembrer Jam Band 2-3 MS. -
In the United States District Court for the Northern District of Georgia Atlanta Division
IN THE UNITED STATES DISTRICT COURT FOR THE NORTHERN DISTRICT OF GEORGIA ATLANTA DIVISION MILES FLOYD, as Administrator ) of the Estate of Armetia Chatmon ) (a.k.a. Armetia Chatman, Armeter Chatmon ) Bo Carter, and Bo Chatman) ) ) Plaintiff, ) CIVIL ACTION ) v. ) CASE NO. ______________ ) CAPITOL RECORDS, LLC, UNIVERSAL ) MUSIC GROUP, INC., DECCA ) RECORDS INCORPORATED, and ) RODERICK DAVID (“ROD”) STEWART, ) ) Defendants. ) COMPLAINT FOR WILLFUL COPYRIGHT INFRINGEMENT Plaintiff Miles Floyd, as Administrator of the Estate of Armetia Chatmon (a.k.a. Armetia Chatman, a.k.a. Armeter Chatmon, a.k.a. Bo Carter and a.k.a. Bo Chatman) (“Plaintiff”), files this Complaint against (a) Defendants Capitol Records, LLC, (b) Universal Music Group, Inc., (c) Decca Records Incorporated and (d) Roderick David (“Rod”) Stewart (collectively, “Defendants”) as follows: Introduction 1. Armenter “Bo Carter” Chatmon was one of the country’s earliest blues 1 musicians. The son of ex-slave and fiddler Henderson Chatmon, Bo Carter was known for a number of popular and innovative blues songs, including "Corrine, Corrina," the subject matter of this lawsuit. 2. Rod Stewart and his co-Defendants willfully infringed Plaintiff’s “Corrine, Corrina” (“Infringing Song”). Defendants were aware that "Corrine, Corrina" has been registered with the United States Copyright Office continuously since 1929, yet Defendants proceeded with their unauthorized version nonetheless. 3. Additionally, Defendants continued to make the Infringing Song available for distribution through sale to consumers on digital outlets, such as Amazon.com and Apple’s iTunes Store, even after receiving letters from Plaintiff’s counsel asserting the infringement. See Exhibit A. Background 4. Without Plaintiff’s permission, Defendants made copies and derivatives (“Infringing Song”) of Plaintiff’s famous and enduring country blues song, "Corrine, Corrina". -
Robert Johnson's “Terraplane Blues,”
1 The Significance of Cars in the Delta: Robert Johnson’s “Terraplane Blues,” (Vocalion, 03416, 1937) Abstract: Robert Johnson's "Terraplane Blues" was a modest hit for the newly recorded bluesman. Notable musically for its elaborate intertwining rhythms and disjointed sections, interpretations of the song have revolved around its lyrical double entendres that equate a woman to a car to discuss her infidelity and the narrator's resultant inability to arouse or satisfy his partner sexually. Although the car in the title has been identified as a Hudson model, scant attention has been paid to the socio-cultural significance of cars in the Delta in the late 1930s. Cars represent a charged locus of convergence of meanings in the Mississippi Delta: a commodity that condenses not only racialized, socio-economic relations, but also the forces of modernization. Ambiguously identified as both means of mobility and significant investments, cars symbolize both escape and entrapment by the economic system. Recontextualizing the central symbol in "Terraplane Blues" with the aid of Federal Writers Project interviews and sociological studies of the Delta complicates our understanding of the meaning of the song. The affective shifts associated with sexual betrayal and frustration, as well as the musical leaps and gaps, map onto the contested meanings of automobiles among an impoverished and largely immobilized African American population during the Depression. Keywords: Johnson, Robert, 1911-1938 Blues musicians -- Mississippi Blues (Music) -- Mississippi Guitar music (Blues) Automobiles -- Social aspects -- United States -- History -- 20th century 2 The Significance of Cars in the Delta: Robert Johnson’s “Terraplane Blues,” (Vocalion, 03416, 1937) “I had a 4,000 dollar car and 3,900 dollars in my pocket. -
The Genius of Blues by Luc Sante
The Genius of Blues By Luc Sante Nothing But the Blues: The Music and the Musicians edited by Lawrence Cohn Abbeville Press, 432 pp., $45.00 The Land Where the Blues Began by Alan Lomax Pantheon, 539 pp., $15.00 (paper) King of the Delta Blues: The Life and Music of Charlie Patton by Stephen Calt, by Gayle Wardlow Rock Chapel Press, 341 pp., $14.95 (paper) Searching for Robert Johnson by Peter Guralnick Dutton, 83 pp., $15.00 Love in Vain:A Vision of Robert Johnson by Alan Greenberg Da Capo, 252 pp., $13.95 (paper) 1. The blues, a form of music that seems as ancient as the emotions it conveys, is actually less than a hundred years old. Sometime in the mists of the late 1890s, somewhere in the South, some unknown singer (or singers) first settled on the now-familiar three-line verse, with its AAB rhyme scheme and its line length of five stressed syllables, e.g.: Hitch up my pony, saddle up my black mare, Hitch up my pony, saddle up my black mare, I'm gonna find a rider, baby, in the world somewhere. (Charlie Patton, "Pony Blues") Although the term "blues" came to be applied to any minor-key lament—in the 1920s and 1930s to almost any kind of song—the authentic blues songs are those that hew to this structure. While the sentiments, chord progressions, vocal and instrumental styles that came to distinguish the blues were all lying at hand in the black musical culture of the South, the form itself is just too specific not to have had a very particular origin. -
Various Blues from the Vocalion Vaults Mp3, Flac, Wma
Various Blues From The Vocalion Vaults mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Blues Album: Blues From The Vocalion Vaults Country: UK & Europe Released: 2014 MP3 version RAR size: 1447 mb FLAC version RAR size: 1401 mb WMA version RAR size: 1310 mb Rating: 4.6 Votes: 683 Other Formats: MPC AC3 MOD VQF AAC MP2 WAV Tracklist 1-1 –Robert Johnson Ramblin On My Mind 1-2 –Blind Boy Fuller Step It Up And Go 1-3 –Blind Willie McTell Broke Down Engine Blues 1-4 –Sonny Terry Harmonica And Washboard Breakdown 1-5 –Big Bill Broonzy How You Want It Done 1-6 –Mississippi Sheiks Sitting On Top Of The Worlds 1-7 –Victoria Spivey Toothache Blues 1-8 –Peetie Wheatstraw Police Station Blues 1-9 –Henry Thomas Fishing Blues 1-10 –Bertha 'Chippie' Hill* Trouble In Mind 1-11 –Casey Bill Weldon W.P.A. Blues 1-12 –St. Louis Bessie Sugar Man Blues Pt. 1 & Pt. 2 1-13 –Charlie Segar* Key To The Highway 1-14 –Rosa Henderson Chicago Policemaen Blues 1-15 –Edmonia Henderson Dead Man Blues 1-16 –Bumble Bee Slim New B & O Blues 1-17 –Charley Jordan Keep It Clean 1-18 –George Noble Dozing Blues 1-19 –Tampa Red You Rascal You 1-20 –Bernice Edwards Butcher Shop Blues 1-21 –Mississippi Sarah & Daddy Stovepipe* Burleskin' Blues 1-22 –Lulu Jackson Lost Lover Blues 1-23 –Monkey Joe* & Roosevelt Scott Send Me An Angel Down 1-24 –Leroy Carr & Scrapper Blackwell How Long, How Long Blues 1-25 –Texas Alexander & Willie Reed Easy Rider Blues 2-1 –Bukka White Special Steam Line 2-2 –Memphis Minnie New Bumble Bee 2-3 –Scrapper Blackwell Kokomo Blues 2-4 –Blind Willie Johnson Dark Was The Night (Cold Was The Ground) 2-5 –Charley Patton Hang It On The Wall 2-6 –Furry Lewis Billy Lyons And Stack O'Lee 2-7 –Ada Brown Panama Limited Blues 2-8 –Blind Boy Fuller Mamie 2-9 –Ida Cox & Her Allstar Band* Four Day Creep 2-10 –Robert Johnson Stones In My Passway 2-11 –Bo Carter Ram Rod Daddy 2-12 –Cow Cow Davenport Cow Cow Blues (Take A) 2-13 –Hattie Hart I Let My Daddy Do That 2-14 –Son Becky Midnight Trouble Blues 2-15 –Black Boy Shine Sail On Little Girl No. -
9-16-21-Deluca Auction
SPECIAL John Tefteller’s World’s Rarest Records AUCTION AUCTION! Address: P. O. Box 1727, Grants Pass, OR 97528-0200 USA #1 Phone: (541) 476–1326 or (800) 955–1326 • FAX: (541) 476–3523 Ralph DeLuca’s E-mail: [email protected] • Website: www.tefteller.com More DeLuca Pre-War auctions to Blues Auction closes Thursday, September 16, 2021 at 7:00 p.m. come! Presenting . The Ralph DeLuca Collection of Pre-War Blues 78’s! This is auction #1 (of at least five) of the record Mr. DeLuca has moved into the art world, collection. Be prepared though — the great stuff is collection of Ralph DeLuca. no longer collecting 78’s, as he finds it easier to going to go for a lot of money! buy rare art than rare records. That should tell Mr. DeLuca is most known for his legendary you something! E+ is the highest grade used. This is the old-time collection of rare movie posters, but for about 15 78 grading system and I am very strict. years he actively, and aggressively, collected rare There should be something for each and every Blues 78’s, mostly Pre-War. Blues collector reading this auction. There are The next Ralph DeLuca auction will be in a few titles here not seen for sale in decades . and months and contains another 100 goodies. He plunged into collecting rare Blues 78’s hot some may never be seen again. and heavy and went for the best whenever and Good luck to all! wherever he could find them. He bought smart This is your chance to get some LEGENDARY and paid big to get what he wanted! rarities and just plain GREAT records for your THE 3 KINGS OF THE BLUES! CHARLEY PATTON TOMMY JOHNSON ROBERT JOHNSON 1. -
Incorporating BLUES WORLD MISSISSIPPI FRED Mcdowell 1904-1972
Blues~Link4 incorporating BLUES WORLD MISSISSIPPI FRED McDOWELL 1904-1972 X T R A 1136 (R.R.P. inc. VAT— £1.50) Recorded in 1969 at Malaca Studios, Jackson, Mississippi. Produced by Michael Cuscuna WALTER ‘SHAKEY’ HORTON w ith HOT COTTAGE WAIIER ‘IHAHEV HOfiVOM X T R A 1135 (R.R.P. inc. VAT — £1.50) Recorded in 1972 at Parklane Studios, Edmonton, Canada. Produced by Holger Petersen for further information about these and other blues albums in the Transatlantic Group Catalogue, write to Dept. BU/3 Transatlantic Records, 86 Marylebone High Road, W1M 4AY Blues-Link Incorporating Blues World 94 Puller Road, Barnet, Herts., EN5 4HD, U.K. EDITOR - Mike Black ASSISTANT EDITOR - Alan Balfour LAYOUT & DESIGN - Mike Black SUBSCRIPTIONS: 25p a single copy postpaid. 1 year’s subscription (6 issues) £1.50 ($4.00 surface, $8.00 air mail). Overseas subscribers please pay by IMO or International Giro. Personal cheques w ill be accepted only if 25p is added to cover bank charges. Blues-Link Giro Account Number — 32 733 4002 All articles and photos in Blues-Link are copyright and may not be reproduced without the written permission of the Editor although this permission will normally be freely given. © Blink Publications 1974 DUTCH AGENT: Martin van Olderen, Pretoriusstraat 96, Amsterdam-oost, Holland. GERMAN AGENT: Teddy Doering, D-7 Stuttgart 80, Wegaweg 6, Germany. SWEDISH AGENT: Scandinavian Blues Association (Mail Order Dept.), C/o Tommy Lofgren Skordevagen 5,S — 186 00 Vallentuna, Sweden. Cover photo: Alex Moore by Chris Strachwitz. Typeset by Transeuroset Ltd. and printed by Plaistow Press Magazines Ltd. -
Blues: an Oral Tradition Fall 2017
Blues: An Oral Tradition Fall 2017 Instructor Asher Tobin Chodos Lecture Tuesday and Thursday 6:30p-7:50p in Center Hall, room 216 Office Hours Thursdays 4:00pm - 6:00pm at the Art of Espresso Teaching Assistants hold office hours by appointment • Leah Bowden – last names Abreu-pereira-da-sil to Hernandez-Martinez • Kyle Motl -- (Hesseltine - Morris) • Elliot Patros -- (Mostafa-Zou) Final Exam Tuesday, 12/12/2017, 7:00p-9:59p, location TBA Course Summary The blues has meant many different things over the course of the 20th century. As an extension of African musical practices within the American slave population and the black communities of the Jim Crow south, the blues puts us in touch with the resilience of African American cultural expression in the face of extraordinary cruelty and repression. We will trace the changes wrought upon this music by the urbanization of America's black population, and its re-signification as an emblem of far left politics across the racial divide after the depression. We will study its decisive importance for the advent of Rock-n-Roll in the 1950s and the radical counter-cultural movements of the 1960s, as well as its influence on popular musical forms all over the world, continuing to the present day. This is a course that will help students to understand how blues music works, but it is also a chance for students to consider its meaning in the context of the history of race, class, and gender in the United States. Course Objectives This course traces the history of the blues from their beginnings to the present.