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Smash Hits Volume 60
35p USA $1 75 March I9-April 1 1981 W I including MIND OFATOY RESPECTABLE STREE CAR TROUBLE TOYAH _ TALKING HEADS in colour FREEEZ/LINX BEGGAR &CO , <0$& Of A Toy Mar 19-Apr 1 1981 Vol. 3 No. 6 By Visage on Polydor Records My painted face is chipped and cracked My mind seems to fade too fast ^Pg?TF^U=iS Clutching straws, sinking slow Nothing less, nothing less A puppet's motion 's controlled by a string By a stranger I've never met A nod ofthe head and a pull of the thread on. Play it I Go again. Don't mind me. just work here. I don't know. Soon as a free I can't say no, can't say no flexi-disc comes along, does anyone want to know the poor old intro column? Oh, no. Know what they call me round here? Do you know? The flannel panel! The When a child throws down a toy (when child) humiliation, my dears, would be the finish of a more sensitive column. When I was new you wanted me (down me) Well, I can see you're busy so I won't waste your time. I don't suppose I can drag Now I'm old you no longer see you away from that blessed record long enough to interest you in the Ritchie (now see) me Blackmore Story or part one of our close up on the individual members of The Jam When a child throws down a toy (when toy) (and Mark Ellen worked so hard), never mind our survey of the British funk scene. -
Blondie the Platinum Collection Mp3, Flac, Wma
Blondie The Platinum Collection mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: The Platinum Collection Country: Netherlands Released: 1994 Style: New Wave, Pop Rock MP3 version RAR size: 1987 mb FLAC version RAR size: 1233 mb WMA version RAR size: 1660 mb Rating: 4.7 Votes: 725 Other Formats: DMF MP2 VOX AAC WAV ADX AUD Tracklist Hide Credits X Offender 1-1 3:12 Producer – Richard GottehrerWritten-By – Deborah Harry, Gary Valentine In The Flesh 1-2 2:31 Producer – Richard GottehrerWritten-By – Chris Stein, Deborah Harry Man Overboard 1-3 3:21 Producer – Richard GottehrerWritten-By – Deborah Harry Rip Her To Shreds 1-4 3:21 Producer – Richard GottehrerWritten-By – Chris Stein, Deborah Harry Denis 1-5 2:18 Producer – Richard GottehrerWritten-By – Neil Levenson Contact In Red Square 1-6 2:00 Producer – Richard GottehrerWritten-By – Jimmy Destri Kung Fu Girls 1-7 2:31 Producer – Richard GottehrerWritten-By – Deborah Harry, Gary Valentine, Jimmy Destri I'm On E 1-8 2:13 Producer – Richard GottehrerWritten-By – Chris Stein, Deborah Harry (I'm Always Touched By Your) Presence, Dear 1-9 2:43 Producer – Richard GottehrerWritten-By – Gary Valentine Poets Problem 1-10 2:20 Producer – Richard GottehrerWritten-By – Jimmy Destri Detroit 442 1-11 2:28 Producer – Richard GottehrerWritten-By – Chris Stein, Jimmy Destri Picture This 1-12 2:56 Producer – Mike ChapmanWritten-By – Chris Stein, Deborah Harry, Jimmy Destri Fade Away And Radiate 1-13 4:01 Producer – Mike ChapmanWritten-By – Chris Stein I'm Gonna Love You Too 1-14 2:08 Producer -
From Vintage Collectors and Mixology Fans to Surf, Rockabilly and Punk Music Scenesters, the Escapist Vibes of the Tiki Scene Still Have a Strong Hold on Los Angeles
THE BEST TIKI DRINKS REVISITING GORDON PARKS’ CONTROVERSIAL PHOTO ESSAY TV’S FUTURE IS FEMALE ® AUGUST 2-8, 2019 / VOL. 41 / NO.37 / LAWEEKLY.COM From vintage collectors and mixology fans to surf, rockabilly and punk music scenesters, the escapist vibes of the tiki scene still have a strong hold on Los Angeles. And at Tiki Oasis in San Diego, everyone comes out to play. BY LINA LECARO 2 WEEKLY WEEKLY LA | A - , | | A WWW.LAWEEKLY.COM Welcome to the New Normal Experience life in the New Normal today. Present this page at any MedMen store to redeem this special offer. 10% off your purchase CA CA License A10-17-0000068-TEMP For one-time use only, redeemable until 06/30/19. Limit 1 per customer. Cannot be combined with any other offers. PAID ADVERTISEMENT 3 LA WEEKLY WEEKLY | A - , | | A THANK YOU, SENATOR DURAZO, FOR PUTTING PEOPLE BEFORE DRUG COMPANY PROFITS. WWW.LAWEEKLY.COM AARP thanks the members of the Senate Judiciary Committee for standing up for Californians and passing AB 824. This legislation would prohibit brand-name drug companies from paying generic manufacturers to delay the release of lower priced drugs. AARP strongly supports this important fi rst step towards ending the anti-competitive practices of big drug companies and lowering prescription drug prices for everyone. Too many people are struggling to make ends meet while the big drug companies continue to rake in billions. AARP encourages the entire Senate to pass AB 824, and put a stop to drug company price gouging. facebook.com/AARPCalifornia @AARPCA AARP.org/CA Paid For by AARP 4 L August 2-8, 2019 // Vol. -
The Fastest Fingers on Planet Bass!
119 KILLER BASS CENTRE, CARVIN, ASHDOWN, SCHECTER, DIAMOND AND PIGTRONIX GEAR ON TEST! Issue 119 July 2015 July 2015 Issue 119 Stuart Hamm | Bill Wyman | Wolfgang Van Halen | Markus Grosskopf, Helloween | Grog Rox, Die So Fluid | Cody Wright | Nigel Harrison, Blondie | Daniel Firth, Cradle Of Filth | Bass Centre Bill Wyman Signature | Carvin Brian Bromberg | Ashdown CTM-100 and CL-410 | Schecter Stealth and Vintage | Diamond Halo chorus pedal Pigtronix FX range Vintage CTM-100 and CL-410 | Schecter Stealth Ashdown Signature | Carvin Brian Bromberg Wyman | Bass Centre Bill Cradle Of Filth Blondie | Daniel Firth, Wright | Nigel Harrison, Die So Fluid | Cody | Grog Rox, Helloween Halen | Markus Grosskopf, Van Wolfgang | Wyman Stuart Hamm | Bill BILL WYMAN WOLFGANG VAN HALEN MARKUS GROSSKOPF HELLOWEEN GROG ROX STUART DIE SO FLUID CODY WRIGHT NIGEL HARRISON BLONDIE HAMM DANIEL FIRTH THE FASTEST CRADLE OF FILTH FINGERS ON PLANET BASS! www.bassguitarmagazine.com UK £4.35 Issue 119 July 2015 19 9771476 521054 > stone immaculate 028 BASS GUITAR MAGAZINE 028-030 Wyman_rev2_NR.indd 28 17/06/2015 13:54 BASSISTS BILL WYMAN Sometime Rolling Stone Bill Wyman returns with a new album and signature bass. Paul Trynka asks the sticky-fingered questions Photography by Judy Totton here’s no place like home. While an upbeat, positive vibe. The optimistic feel denotes his ex-bandmates head for the something of a renaissance for the 78-year-old, who has stadia of North America, Bill three young daughters – one of whom, Matilda, helped Wyman has been busy in his audition the new material along with her friends: “I basement – where he cooked up thought they’d like the newer, more uptempo stuff, but T his aptly-named Back To Basics, it turns out they like blues. -
February 1983
VOL. 7 NO. 2 Cover Photo by Rick Malkin FEATURES JEFF PORCARO After having been an in-demand studio drummer for sev- eral years, Jeff Porcaro recently cut back on his studio activities in order to devote more energy to his own band, Toto. Here, Jeff describes the realities of the studio scene and the motivation that led to Toto. by Robyn Flans 8 CLEM BURKE If a group is going to continue past the first couple of albums, it is imperative that each member grow and de- velop. In the case of Blondie, Clem Burke has lived up to the responsibility by exploring his music from a variety of directions, which he discusses in this recent conversation with MD. by Rick Mattingly 12 DRUMS AND EDUCATION Jazz Educators' Roundtable / Choosing a School — And Getting ln / Thoughts On College Auditions by Rick Mattingly and Donald Knaack 16 BILLY HIGGINS The Encyclopedia of Jazz calls Billy Higgins: "A subtle drummer of unflagging swing, as at home with [Ornette] Coleman as with Dexter Gordon." In this MD exclusive, Billy talks about his background, influences and philoso- phies. by Charles M. Bernstein 20 LARRY BLACKMON Soul Inspiration by Scott Fish 24 Photo by Gary Evans Leyton COLUMNS STRICTLY TECHNIQUE EDUCATION Open Roll Exercises PROFILES by Dr. Mike Stephens 76 UNDERSTANDING RHYTHM SHOP TALK Half-Note Triplets Paul Jamieson by Nick Forte 28 RUDIMENTAL SYMPOSIUM by Scott Fish . 36 A Prescription For Accentitus UP AND COMING CONCEPTS by Nancy Clayton 78 Anton Fig Visualizing For Successful Performance by Wayne McLeod 64 by Roy Burns 34 TEACHER'S FORUM Introducing The Drum Solo NEWS ROCK PERSPECTIVES by Harry Marvin 86 Same Old 16ths? UPDATE by John Xepoleas 48 by Robyn Flans 94 INDUSTRY 96 ROCK 'N' JAZZ CLINIC EQUIPMENT Developing Your Own Style by Mark Van Dyck 50 PRODUCT CLOSE-UP DEPARTMENTS Pearl Export 052-Pro Drumkit EDITOR'S OVERVIEW 2 ROCK CHARTS by Bob Saydlowski, Jr. -
Current, February 19, 1981
University of Missouri, St. Louis IRL @ UMSL Current (1980s) Student Newspapers 2-19-1981 Current, February 19, 1981 University of Missouri-St. Louis Follow this and additional works at: https://irl.umsl.edu/current1980s Recommended Citation University of Missouri-St. Louis, "Current, February 19, 1981" (1981). Current (1980s). 33. https://irl.umsl.edu/current1980s/33 This Newspaper is brought to you for free and open access by the Student Newspapers at IRL @ UMSL. It has been accepted for inclusion in Current (1980s) by an authorized administrator of IRL @ UMSL. For more information, please contact [email protected]. fEffiUARY 19,.1981 ISSUE 3901 UNIVERSITY OF MISSOUPl/ 'SAINT LOU1S Assembly to oppose ASUM in referendum president, and Yates Sanders, its past pledges to the UMSL any questions members might At Sunday's meeting, Crone Cberyl Keathley , Student Association president, campus and some of these have have concerning the lobbying and Sanders presented a list of asked "that the Student been met in a limited sense. group. reasons 'why they felt the The Student Assembly voted Assembly of the Student "Nevertheless', the students Gath Bare, chair of the ASUM Assembly should not support Feb. 15 to actively oppose the Association encourage students of UMSL should not be board of directors, described the ASUM. Included were problems Associated Students of the to vote No on the ASUM continually tol(l that the serious group as a "bi-campus lobbying cited concerning the location of University of Missouri, (ASUM), referendum. " problems with ASUM will be organization. " the ASUM offices in Columbia. student referendum scheduled to Sanders, who was also an solved by another two-year Lee Ann Miller, prgram Crone stated "an unequal be held March 3-4. -
Newyork NM with Their "Heart of Glass" Burke,Drums)
Cover Story: Blondie's U.S. Breakthrough NewYork NM With their "Heart of Glass" Burke,drums). The New York single currently bulleted at #26 based band was signed by pro- By DAVID McGEE & BARRY TAYLOR on the pop Singles Chart (and ducer Richard Gottehrer in CAROLYN MAS: Two weeks ago she was opening for the Persua- receiving exposure on the disco, August, 1976, and after havingsions at the Other End. Last week Carolyn Mas, an unsigned New AOR andadultcontemporary pattedwithPrivateStockin York artist, returned to the same venue a headliner playing before levels aswell),and withthe October of that year, theyre- packed houses. That's how quick things can happen for an artist who "Parallel Lines" album from leased theirfirst album in De- has been praised from here to Kalamazoo by some of the most re- whichitwas culled now bul-cember on that label. Their first spected critics around, including Robert Palmer in the New York Times, leting at #33 - a jump of 41 national concert tour, when whose imprimature lended credibility to Mas's efforts and made her spotsinjust one week-it ap- Blondie opened for Iggy Pop and something of a buzz in the industry. David Bowie in March and April pears that Chrysalis' Blondieis Mas is everything the critics say she is, and possibly a little bit more. atlastmatchingtheirsuccess of 1977, played a crucial role in spreading the word. Unfortunately she has been labeled by one as "the female Bruce abroad with a similar acceptance Springsteen." That she is most certainly not, although Springsteen is in the United States. -
Volume Xl - Number 48 - April 14, 1979
www.americanradiohistory.com www.americanradiohistory.com VOLUME XL - NUMBER 48 - APRIL 14, 1979 THE INTERNATIONAL MUSIC RECORD WEEKLY COSH BOX GEORGE ALBERT President and Publisher If The Price Is Right MEL ALBERT EDITORIAL Vice President and General Manager of records by these un- In the wake of discussions on alternative pricing structures for is a way to increase exposure and sales CHUCK MEYER and similar com- known artists, while at the same time encouraging the consumer Director of Marketing new artists at the recent NARM convention, ments from rack jobbers in this week's survey article (page 8), we to be more willing to take a chance on lesser known acts. to DAVE FULTON believe that the following editorial from the Oct. 7, 1978 issue of We propose a sliding scale of suggested retail list prices Editor In Chief The Cash Box warrants reprinting. While a number of industry ex- cover the various career stages that artists pass through. the J.B. CARMICLE ecutives responded favorably to the concept presented therein, easiest way to establish such a scale would be to base it on Manager. East Coast General no concrete action has yet been taken on this or any other sales history of the respective act. might list for $6.98, a JIM SHARP variable pricing proposal for new acts. For example, a completely unknown artist Director, Nashville proven 250,000 unit seller would list for $7.98, a gold album for $9.98, and so on. The East Coast Editorial New artists are the lifeblood of the music business. -
15-Minuten-Versuch
# 1999/10 dschungel https://jungle.world/artikel/1999/10/15-minuten-versuch 15-Minuten-Versuch Von Kim Bönte Debbie Harry arbeitet mit "Last Exit" konsequent gegen den Blondie-Mythos "I, I could be queen and you, you could be king, we could beat them, just for one day, we could be heroes, just for one day!" Debbie Harrys im Jahr 1980 eingespielte New-Wave- Version des David Bowie-Stücks "Heroes" hat mit der Originalversion kaum mehr etwas zu tun. Mehr gesprochen als gesungen, teilweise völlig gegen den Text, nahm sie den Helden ihr Pathos. Genausowenig hatte sie für Mystifizierungen übrig: "Die Verherrlichung von Blondie ist absurd. Ich war doch bloß ein getriebener, besessener, star-verrückter Rock'n'Roller, ich tat lediglich mein Bestes, um dazuzugehören, und wollte nur einige Dinge sagen, die zu dieser Zeit relevant waren." Die Misere der meisten Rockmusiker besteht darin, daß sie nicht wie Jimi Hendrix, Janis Joplin oder Jim Morrison früh genug sterben, sondern irgendwann alt werden und trotzdem noch einmal auf die Bühne oder ins Studio gehen. Das ist meist kein Vergnügen, auch nicht für die Zuhörer, und selten schafft eine Band ein Comeback wie die Sex Pistols, die ihre Stücke spielten, als sei die Zeit stehengeblieben. Blondie hätte man Ähnliches zugetraut. Mit der Veröffentlichung des neuesten Albums "No Exit" erlag aber auch diese Band der Versuchung zur Selbstmystifizierung. Ähnlich wie andere wiedervereinigte Gruppen, die sich nach einigen Hits aufgelöst hatten und Jahre später einen Neuanfang mit neuen Stücken versuchten, wollten auch Blondie mit ihrer neuen CD beweisen, daß sie immer noch etwas zu sagen haben. -
Je Epa4/Wìn Mrad RECORD
46 Talent &Venues Act-ivities Rockn' ' Rollin Def Leppard took a page out of the trip offer a "payoff." KLAQ also several variety shows as well as a tv Continue dfrom page 44 9 James Watt school of community re- passed on administering the trip, movie based on his hit, "Copacabana." Instead of seeing Mitch Ryder this ty game, but who knew the material lations recently during a concert in though it has resumed playing Def The English Beat is big in some little paper somewhere, and who had the records. By and Tucson. Lead singer Joe Elliott re- Leppard songs. looking for new vocalists. you could open up just about any large the people who did them under- portedly told the audience that the Send audition tapes clear, with little no rock magazine and see him. And he's stood the concept, which is an im- band had just come from El Paso, San Francisco band the Looters or accompani- ment to Andy's gone out on tour. He's always done provement for me of a lot of these an- "that place with all the greasy Mexi- made a rare appearance in Nicaragua Auditions, P.O. Box 320, Birmingham well for himself, and I have no doubt thology books where half the people cans." Though Elliott later called El recently, playing the second annual 20, England ... Despite he'll continue doing that," says know what's it about and half jack it Paso radio station KLAQ to say he Festival of the Romantic Song. The torrential rains that turned it into Mellencamp. -
America Radio Archive Broadcasting Books
ARA Broadcasting Books EXHIBIT A-1 COLLECTION LISTING CALL # AUTHOR TITLE Description Local Note MBookT TYPELocation Second copy location 001.901 K91b [Broadcasting Collection] Krauss, Lawrence Beyond Star Trek : physics from alien xii, 190 p.; 22 cm. Book Reading Room Maxwell. invasions to the end of time / Lawrence M. Krauss. 011.502 M976c [Broadcasting Collection] Murgio, Matthew P. Communications graphics Matthew P. 240 p. : ill. (part Book Reading Room Murgio. col.) ; 29 cm. 016.38454 P976g [Broadcasting Collection] Public Archives of Guide to CBC sources at the Public viii, 125, 141, viii p. Book Reading Room Canada. Archives / Ernest J. Dick. ; 28 cm. 016.7817296073 S628b [Broadcasting Skowronski, JoAnn. Black music in America : a ix, 723 p. ; 23 cm. Book Reading Room Collection] bibliography / by JoAnn Skowronski. 016.791 M498m [Broadcasting Collection] Mehr, Linda Harris. Motion pictures, television and radio : a xxvii, 201 p. ; 25 Book Reading Room union catalogue of manuscript and cm. special collections in the Western United States / compiled and edited by Linda Harris Mehr ; sponsored by the Film and Television Study Center, inc. 016.7914 R797r [Broadcasting Collection] Rose, Oscar. Radio broadcasting and television, an 120 p. 24 cm. Book Reading Room annotated bibliography / edited by Oscar Rose ... 016.79145 J17t [Broadcasting Collection] Television research : a directory of vi, 138 p. ; 23 cm. Book Reading Room conceptual categories, topic suggestions, and selected sources / compiled by Ronald L. Jacobson. 051 [Broadcasting Collection] TV guide index. 3 copies Book Archive Bldg 070.1 B583n [Broadcasting Collection] Bickel, Karl A. (Karl New empires : the newspaper and the 112 p. -
1 Ervin Jarek 2017 PHD.Pdf
ii © Copyright by Jarek Paul Ervin All Rights Reserved May 2017 iii ABSTRACT My dissertation takes a speculative cue from the reception of 1970s New York punk, which is typically treated as both rule – the symbolic site of origin – and exception – a protean moment before the crystallization of punk proper. For this reason, artists such as Velvet Underground, Patti Smith, the Ramones, and Blondie are today afforded the simultaneous status of originators, interlopers, innovators, and successors. This has led both to the genre’s canonicity in the music world and its general neglect within scholarship. I argue that punk ought to be understood less as a set of stylistic precepts (ones that could be originated and then developed), than as a set of philosophical claims about the character of rock music in the 1970s. Punk artists such as Patti Smith, Jayne County, and the Ramones developed an aesthetic theory through sound. This was an act of accounting, which foregrounded the role of historical memory and recast a mode of reflexive imagination as musical practice. At times mournful, at times optimistic about the possibility of reconciliation, punk was a restorative aesthetics, an attempt to forge a new path on memories of rock’s past. My first chapter looks at the relationship between early punk and rock music, its ostensible music parent. Through close readings of writing by important punk critics including Greil Marcus, Lester Bangs, and Ellen Willis – as well as analyses of songs by the Velvet Underground and Suicide – I argue that a historical materialist approach offers a new in-road to old debates about punk’s progressive/regressive musical character.