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通販専門リスト・夏号 2021/8 !"#$%&'())*++"&,-./0123 D40354'C35604EFGHIJKLHMNOPQRSTUVWXY 40354'Z)&)![\]^_`)abc\[def()g&+)g&+C+)g0h)g0)g0+ 35604Z#)![\]^_`)bei()g#+)g,h)g,)g,+)g,+C+ D%8*:jO10;)<54'Fklmno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disclandJARO. All Rights Reserved. 1/6 通販専門リスト・夏号 2021/8 !"#$%&'())*++"&,-./0123 wxtq))y 456*76 6*68! 849!8 849!8): ;<6! !"#$!% pqrst utvps E 13890 PHIL WOODS QUINTET INTEGRITY RED VPA 177 2LP. FO. N A- 4800 E 13972 CEDAR WALTON QUARTET THIRD SET STEEPLE CHASE SCS 1179 N A-/- 2800 E 13984 CEDAR WALTON SEXTET TIMELESS LL-STARS:HEART TIMELESS SJP 182 N A 1500 E 14116 PAUL BLEY, J. LUNDGAARD LIVE STEEPLE CHASE SCS 1223 N A 1800 E 14340 STEVE KUHN TRIO WATCH WHAT HAPPENS ! MPS MPS 15 193 PK. FO. N A 28000 E 14567 FREDDIE HUBBARD, K.BARRON QUARTET OUTPOST ENJA ENJA 3095 N A 2800 E 14750 EDDIE LOCKJAW DAVIS QUINTET LAND OF DREAMS IILLY DISC LP 120-588 N A 4000 E 14873 JIMMY GOURLEY TRIO THE JAZZ TRIO BINGO DKB 3364 N A- 4800 E 14979 LEE KONITZ w. SPACE JAZZ TRIO BLEW PHILOLOGY 214W 28 N A 4800 E 15225 MIECZYSTAW KOSZ TRIO REMINISCENCE MUZA SXL 0744 N A- 3800 E 15244 JOACHIM KUHN TRIO EASY TO READ OWL OWL 043 N A 3800 E 15271 DEXTER GORDON QUARTET SOMETHING DIFFERENT STEEPLE CHASE SCS 1136 N A 3800 E 15401 BUD POWELL TRIO, L. THOMPSON TRIO MEMORIAL OSCAR PETTIFORD VOGUE LD 523-30 N- A- 18000 E 15445 IDREES SULIEMAN QUINTET BIRD GRASS STEEPLE CHASE SCS 1202 NEW. A 3000 E 15487 PHIL WOODS & ERM PIERRE CARDIN PRESENTE PIERRE CARDIN CAR 333 FO. N A- 3800 E 15506 MILES DAVIS, J.COLTRANE LIVE IN STOCKHOLM 1960 DRAGON DRLP 90-91 2LP. FO. N A 6800 E 15696 ALLAN BOTSCHINSKY QUINTET QUINTET STUNT STULP 8301 N A- 7800 E 15765 CONNIE CROTHERS TRIO PERCEPTION STEEPLE CHASE SCS 1022 赤枠 N A- 2000 E 15800 KUND JORGENSEN TRIO JAZZ TRIO OPUS 3 Nr. 8401 1st-COVER !!! N A 6000 E 16087 BUD POWELL TRIO BURNING IN U.S.A. 53-55 MYTHIC SOUND MS 6002 FO. N A 1000 E 16090 ROMANO MUSSOLINI TRIO JAZZ ALBUM BANG BANG BBLP 8234 N A- 7800 E 16117 ROMANO MUSSOLINI & HIS FRIENDS SOFT & SWING CAROSELLO CLE 21045 特価！ N- A- 11000 E 16118 VOLKMAR SCHMIDT 5, MICHAEL FRITZEN 4 MODERN JAZZ STUDIO NR. 3 AMIGA 8 55 177 特価！ N- A- 9000 E 16197 GEORGE MAYCOCK TRIO TRIO RING 01 008 特価！ N A- 8000 E 16215 VOLKMAR SCHMIDT etc. JAZZ VIA DRESDEN AMIGA 850 116 特価！ N A-/- 12000 E 16229 TUBBY HAYES QUARTET MEXICAN GREEN FONTANA SFJL 911 N- A- 24000 E 16249 HERVE SELLIN TRIO HAPPY MEETING CHORUS 33 762 N A- 15000 E 16252 NONO DE ROSE TRIO MACONDO CAROSELLO CEL 21033 N- A- 8000 E 16278 MICHEL SARDABY QUINTET FIVE CATS' BLUES PRESIDENT KVP 232 N-/E A- 7800 E 16322 STAN TRACY SALISBURY SUITE STEAM SJ 105 N A 2000 E 16396 GEORGE RUBY TRIO BIOKO JAZHAUS JHM 20 N A- 5800 E 16411 DOLF DeVRIES TRIO WHERE'S THAT RAINY DAY LIMETREE MLP 0019 N A 5800 E 16415 BOBO STENSON TRIO VERY EARLY DRAGON DRLP 148 N A- 5800 E 16417 LEE KONITZ, HANS KOLLER ETC. LEE KONITZ DAEDALUS BS 001 PR. N A- 3800 E 16438 PIETRO CIANCAGLINI QUINTET REINCARNATION OF A LOVEBIRD REARWARD RW 131 2LP. 180g.限定盤 NEW. 特価 2000 E 16454 ARNETT COBB LIVE TIMELESS SJP 174 N- A- 3000 E 16730 RENATO SELLANI w. G.BASSO QUARTET JAZZ CONFRONTO 9 HORO HLL 109- 9 特価！ N- A- 12000 E 16739 TAKE OFF BIG BAND PREVIW ZYT ZYT 235 特価！ N- A- 12000 E 16789 LEE KONITZ, P.WOODS ETC. ALTO SUMMIT MPS 15192 ST PK.FO. N A- 5800 E 16800 ROB VAN DEN BROECK TRIO HEAVY DUTY TIMELESS SJP 220 N A 3000 E 16817 JOAKIM MILDER QUARTET, TRIO LIFE IN LIFE DRAGON DRLP 166 N A- 2000 E 16825 STEFANO SARAFINI:JAZZLIFE SEXTET TALL STORIES DEJAVU DJV 2000050 新品 特価. 2000 E 16831 MARK HEMMELER TRIO FEELINGS REXTON PEB 2001 N A 2000 E 16845 DINO PIANA, OSCAR VALDAMBRINI SESTETTO GLOBE LP 1005 特価 ！ N- A-/- 39800 E 16914 MIKHAIL OKUN TRIO TRIO MELODIYA C60 30549 N A 5800 E 16920 MARIO STANCHEV TRIO UN CERTAIN PARFUM INSTANT MS 10 03 N A- 5800 E 16926 CHRISTOPH SPENDEL TRIO BACK TO BASICS BLUE FLAME BF 2287059 N A 4800 E 16927 VLUIS VIDAL QUARTET ICTUS JUSTINE C 119 N A 3000 E 16930 WALFGANG DAUNER TRIO MUSIC ZOUNDS MPS MPS 15270 PK. N A- 7800 E 16935 KIRK LIGHTSEY QUARTET FIRST AFFAIRS LIMETREE MLP 0015 N A 4000 E 16936 EDDIE THOMPSON TRIO NO GREATER LOVE MPS 20 208710 N A- 12000 E 16937 ENRICO PIERANUNZI TRIO etc. JAZZ ROAD CAM CML 193 N A 12000 E 16948 FRANCO D'ANDREA QUARTET MADE IN ITARY RED NS 206 N A- 3800 E 16949 STAFFAN NILSONS TRIO SANG EN OM BOHUSLAN MEGAFON MFLP S 52 N- A-/- 12000 E 16951 ALAN BROADBENT TRIO FURTHER DOWN THE ROAD TAR TAR TRL 052 N A 23000 E 16958 CEDAR WALTON, RON CARTER HEART AND SOUL TIMELESS SJP 158 N A 3000 E 16973 INATTIA CIGALINI QUINTET ARRIVINGSOON DEJAVU. DJV 2000052 新品. 特価. 2000 E 16991 JENS SONDERGAARD(AS) QUARTET NO COAST STORYVILLE SLP 4126 N A 2000 E 17004 JOE BONNER QUARTET THE LOST MELODY STEEPLE CHASE SCS 1227 PH. N A- 3000 E 17013 ALFREDO GOLINI(DS),F.AMBROSETTI SEPTET FIRST FLIGHT DIRE FO 384 FO. N A 2800 E 17022 JOHN STUBBLEFIELD, M.MILLER QUINTET CONFESSIN SOUL NOTE SN 1095 N A 1800 E 17023 HUGH LAWSON TRIO COLOUR SOUL NOTE SN 1052 CC. N A- 2800 E 17026 CHRISTOPH SPENDEL QUARTET TRACES OF DARKNESS JG RECORDS JG 046 N A 3800 E 17027 GORAN SODERLUND TRIO, C.COREA TRIO NORDIN PA BOLAGET COOP LP 179 1st ORIG. N A- 6800 E 17043 FRANK STAFFORD TRIO VARIATIONS SAGA EROS 8139 N A 2800 E 17064 ALVIN QUEEN, J.MANCE TRIO GLIDIN' AND STRIDIN' NILVA NQ 3403 N A 2000 E 17080 MIKE CARR, IAN CAR : EmCEE 5 BOBOP FROM THE EAST COAST '60-'62 BIRDLAND MC 587 N A 5800 E 17082 SELDON POWELL PLAYS VOGUE LAE 12184 (UK) N A- 15800 E 17085 JIM SNIDERO QUINTET MIXED BAG CRISS CROSS JAZZ 1032 N A 2000 E 17167 FRANCIS LOCKWOOD QUARTET HOME, SWEET HOME JMS JMS 029 N A- 1800 E 17179 VALERIE CAPERS TRIO AFFIRMATION KM ARTS KMA 1907 N A- 3000 E 17183 GAETANO LIGUORI TRIO TEMA DI LUNA BULLRECORD LP 001 N- A 6800 E 17184 ULI LENTZ TRIO LIVE AT SWEET BASIL ENJA ENJA 6008 N A 2800 E 17186 ATLI BJORN TRIO ATLICITY STUNT STULP 8705 N A- 6800 E 17190 ENRICO PIERANUNZI TRIO DEEP DOWN SOUL NOTE SN 121121 N A 6800 E 17235 BRYCE ROHDE QUARTET STRAIGHT AHEAD ! HARMONY HAS 094 (FR.).特価！ N- A- 12000 E 17273 GUIDO MANUSARDI SEXTET ACQUA FRAGIA SPLASCH H 178 N A 3000 E 17281 STEVE DOBROGOSZ TRIO SONGS CAPRICE CAP 1232 N A 3800 E 17309 HOREST JANKOWSKY TRIO, QUINTET TRIO - QUINTET BRUNSWICK 10805 EPB EP.特価。 N A- 4000 E 17310 ALBERT MANGELSDORFF w. D.GOYKOVICH JAZZTET A BALL WITH AL PHILIPS 760 001 PV EP.特価。 N A-/- 4000 E 17314 METRONOME QUINTET TONBEISPIELE VON JAZZ STILARTEN PAN GC 4556 EP.特価。 N A- 8000 E 17315 MILAN STOJANOVIC QUARTET MILIAN STOJANOVIC RTB. EP 4150 EP.特価。 N- A- 48000 E 17347 ALVIN QUEEN, D.GOYKOVICH SEXTET ASHANTI ! NILVA NQ 3402 CC. N A- 5800 E 17348 SLIDE HAMPTON, D.GOYKOVICH etc. SUMMIT BIG BAND BY HORO HLL 101-18 1st.ORIG. N A- 11000 E 17357 TETE MONTOLIU TRIO A TOT JAZZ CONCENTRIC NO 5701 RARE! ORIG.特価！ N A- 98000 E 17379 BILLY WILLIAMS (ts.), w. RAY KENNEDY TRIO IN A HAPPING FOR BODY & SOUL SION SIS 0002 N A- 8000 E 17384 EDDIE LOCKJAW DAVIS, J.WOOD : A QUEEN QUARTET WE ARE HERE MR. JAZZ MRJ 1001 (SWITZ.) N A 3800 E 17385 EDDIE LOCKJAW DAVIS, H.PARLAN QUARTET JAW'S BLUES ENJA ENJA 3097 N A- 2000 E 17449 BEN WEBSTER, DON BYAS, T.MONTOLIU QUINTET MEETS DON BYAS SABA SB 15159 PK.FO.(GR.) N A- 12000 E 17509 SAL NISTICO, KENNY BARRON, Z.SIMS etc. EUROPA JAZZ EUROPA JAZZ EJ 1044 FO. N A 2800 E 17620 MIKE NOCK QUARTET IN OUT AND AROUND TIMELESS SJP 119 N A- 1800 E 17648 RUUD BRINK, RAY KAART SEXTET JUSTYOU, JUST ME-JUST JAZZ CAT LP 59 N A- 7800 E 17673 RONNIE MATHEWS TRIO SONGS FOR LESLIE RED VPA 162 N A- 2800 E 17686 LARS GULLIN QUARTET etc.
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  • Albert Mangelsdorff Übungsstunden Im Jazzkel- Ler Frankfurt

    Albert Mangelsdorff Übungsstunden Im Jazzkel- Ler Frankfurt

    JAZZ-PORTRAIT unabhängig davon, dass Ten- denzen des Jazz aus dem Her- kunftsland USA nach dem Zweiten Weltkrieg in Europa wie normative Ideen rezipiert wurden: »Erstens ist es nicht hier gewachsen, zweitens ist es ja eine Musik, von der man eigentlich weg wollte. Was man als Jazz-Musiker will, ist doch immer die eigene Mu- sik«, sagte er einst im Ge- spräch mit Joachim Ernst Be- rendt (in: »Ein Fenster aus Jazz«). Doch Folklore, ebenso wie seine klassische Ausbil- dung, war nur bedingt ein Thema für Albert Mangels- dorff, wie Wolfram Knauer in seinem Essay »Zum Umgang von Jazz-Musikern mit deut- scher Musiktradition« (in: »Tension«) dessen minde- stens skeptische Haltung be- schrieb. Mangelsdorff be- kannte sich ostentativ dazu, »dass die eigentlichen Ele- mente des Jazz nicht verges- sen werden«. Durch seine kritische Abgrenzung von Imitationen, nicht aber die Ablehnung der afro-amerika- nischen Tradition, und seine Hinwendung zu eigenen Ressourcen gab Albert Man- gelsdorff entscheidende und nachhaltige Impulse für die Emanzipation des europäi- Photo: Sven Thielmann schen Jazz. Eigenes entstand für ihn zunächst einzeln, und zwar durch seine legendären Albert Mangelsdorff Übungsstunden im Jazzkel- ler Frankfurt. Von diesen täg- uperlative umgaben Albert Man- ausgezeichnet, sondern er war auch stets lichen Exerzitien war Albert Mangels- gelsdorff (1928 - 2005) schon zu eine kulturell integrative Persönlichkeit. dorff »abhängig, einfach um den S Lebzeiten wie einen Nimbus. Ido- Seine respektierte Autorität wirkte Standard zu halten« für
  • CH Depliant Historique 2

    CH Depliant Historique 2

    70 ans de jazz Si le Caveau de la Huchette fait partie de l'histoire de la musique,il est aussi inséparable de l'histoire de Paris. En 1550 , l'immeuble portant le Retrouvent : Danton, Marat, Les G.I’.S importent le swing et Sans aucune interruption depuis N° 5 de la rue de la Huchette fut Saint-Just, Robespierre et sur le be-bop et les danseurs s'écla- 1946, le Caveau de la Huchette le lieu de rendez-vous des Rose place ont été rendus de tent sur des rythmes endiablés, maintient la tradition et chaque -Croix et des Templiers. nombreux jugements suivis multipliant les passes acrobati- soir un orchestre se produit pour d'exécutions. ques. la plus grande joie des amateurs En 1772 , il fut transformé en loge Vous y trouverez successive- de Jazz. Parmi eux les meilleurs secrète franc-maçonnique. On y ment : le tribunal, la prison, la Le Caveau de la Huchette serait danseurs de Be-Bop de Paris. accédait par les rues de la Parche- salle d'exécutions ! Dans la salle le premier club de Paris où l'on minerie, de l'Hôtel-Dieu et du la plus basse il existe encore un a joué du Jazz et sous ses voûtes Lieu d'inspiration des cinéastes, Petit Pont. Cette loge se compo- puit très profond destiné à faire se produiront les plus célèbres le Caveau de la Huchette a prêté sait de deux salles basses, caves disparaître les crimes qui y Jazzmen du monde : son décor pour de nombreux superposées servant de lieu de étaient commis.
  • Bebopnet: Deep Neural Models for Personalized Jazz Improvisations - Supplementary Material

    Bebopnet: Deep Neural Models for Personalized Jazz Improvisations - Supplementary Material

    BEBOPNET: DEEP NEURAL MODELS FOR PERSONALIZED JAZZ IMPROVISATIONS - SUPPLEMENTARY MATERIAL 1. SUPPLEMENTARY MUSIC SAMPLES We provide a variety of MP3 files of generated solos in: https://shunithaviv.github.io/bebopnet Each sample starts with the melody of the jazz stan- dard, followed by an improvisation whose duration is one chorus. Sections BebopNet in sample and BebopNet out of sample contain solos of Bebop- Net without beam search over chord progressions in and out of the imitation training set, respectively. Section Diversity contains multiple solos over the same stan- Figure 1. Digital CRDI controlled by a user to provide dard to demonstrate the diversity of the model for user- continuous preference feedback. 4. Section Personalized Improvisations con- tain solos following the entire personalization pipeline for the four different users. Section Harmony Guided Improvisations contain solos generated with a har- monic coherence score instead of the user preference score, as described in Section 3.2. Section Pop songs contains solos over the popular non-jazz song. Some of our favorite improvisations by BebopNet are presented in the first sec- Algorithm 1: Score-based beam search tion, Our Favorite Jazz Improvisations. Input: jazz model fθ; score model gφ; batch size b; beam size k; update interval δ; input in τ sequence Xτ = x1··· xτ 2 X 2. METHODS τ+T Output: sequence Xτ+T = x1··· xτ+T 2 X in in in τ×b 2.1 Dataset Details Vb = [Xτ ;Xτ ; :::; Xτ ] 2 X ; | {z } A list of the solos included in our dataset is included in b times scores = [−1; −1; :::; −1] 2 Rb section 4.
  • Instead Draws Upon a Much More Generic Sort of Free-Jazz Tenor

    Instead Draws Upon a Much More Generic Sort of Free-Jazz Tenor

    1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. BILL HOLMAN NEA Jazz Master (2010) Interviewee: Bill Holman (May 21, 1927 - ) Interviewer: Anthony Brown with recording engineer Ken Kimery Date: February 18-19, 2010 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 84 pp. Brown: Today is Thursday, February 18th, 2010, and this is the Smithsonian Institution National Endowment for the Arts Jazz Masters Oral History Program interview with Bill Holman in his house in Los Angeles, California. Good afternoon, Bill, accompanied by his wife, Nancy. This interview is conducted by Anthony Brown with Ken Kimery. Bill, if we could start with you stating your full name, your birth date, and where you were born. Holman: My full name is Willis Leonard Holman. I was born in Olive, California, May 21st, 1927. Brown: Where exactly is Olive, California? Holman: Strange you should ask [laughs]. Now it‟s a part of Orange, California. You may not know where Orange is either. Orange is near Santa Ana, which is the county seat of Orange County, California. I don‟t know if Olive was a part of Orange at the time, or whether Orange has just grown up around it, or what. But it‟s located in the city of Orange, although I think it‟s a separate municipality. Anyway, it was a really small town. I always say there was a couple of orange-packing houses and a railroad spur. Probably more than that, but not a whole lot.
  • ART FARMER NEA Jazz Master (1999)

    ART FARMER NEA Jazz Master (1999)

    Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. ART FARMER NEA Jazz Master (1999) Interviewee: Art Farmer (August 21, 1928 – October 4, 1999) Interviewer: Dr. Anthony Brown Dates: June 29-30, 1995 Repository: Archives Center, National Museum of American History Description: Transcript, 96 pp. Brown: Today is June 29, 1995. This is the Jazz Oral History Program interview for the Smithsonian Institution with Art Farmer in one of his homes, at least his New York based apartment, conducted by Anthony Brown. Mr. Farmer, if I can call you Art, would you please state your full name? Farmer: My full name is Arthur Stewart Farmer. Brown: And your date and place of birth? Farmer: The date of birth is August 21, 1928, and I was born in a town called Council Bluffs, Iowa. Brown: What is that near? Farmer: It across the Mississippi River from Omaha. It’s like a suburb of Omaha. Brown: Do you know the circumstances that brought your family there? Farmer: No idea. In fact, when my brother and I were four years old, we moved Arizona. Brown: Could you talk about Addison please? Farmer: Addison, yes well, we were twin brothers. I was born one hour in front of him, and he was larger than me, a bit. And we were very close. For additional information contact the Archives Center at 202.633.3270 or [email protected] 1 Brown: So, you were fraternal twins? As opposed to identical twins? Farmer: Yes. Right.