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Jacquelyn Bent and Helen Gavin
University of Huddersfield Repository Bent, Jacqi and Gavin, Helen The Maids, Mother and “The Other One” of the Discworld: Exploring the magical aspect of Terry Pratchett's Witches. Original Citation Bent, Jacqi and Gavin, Helen (2010) The Maids, Mother and “The Other One” of the Discworld: Exploring the magical aspect of Terry Pratchett's Witches. In: 1st Global Conference: Magic and the Supernatural, 15 - 17 March 2010, Salzburg, Austria. This version is available at http://eprints.hud.ac.uk/id/eprint/7792/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ The Maids, Mother and “The Other One” of the Discworld: Exploring the magical aspect of Granny Weatherwax, Nanny Ogg, Magrat Garlick, and Agnes Nitt. Jacquelyn Bent and Helen Gavin Abstract Fantasy novelist Terry Pratchett’s Discworld is inhabited by a very diverse group of characters ranging from Death and his horse Binky, Cut-Me- Own-Throat-Dibbler, purveyor of the ‘pork pie’, the Wizard faculty of the Unseen University and an unofficial ‘coven’ of three witches. -
Download Nation Pdf Ebook by Terry Pratchett
Download Nation pdf book by Terry Pratchett You're readind a review Nation book. To get able to download Nation you need to fill in the form and provide your personal information. Book available on iOS, Android, PC & Mac. Gather your favorite books in your digital library. * *Please Note: We cannot guarantee the availability of this ebook on an database site. Book File Details: Original title: Nation 384 pages Publisher: HarperCollins; Reprint edition (2009) Language: English ISBN-10: 0061433039 ISBN-13: 978-0061433030 Product Dimensions:5.3 x 0.9 x 8 inches File Format: PDF File Size: 14887 kB Description: When a giant wave destroys his village, Mau is the only one left. Daphne—a traveler from the other side of the globe—is the sole survivor of a shipwreck. Separated by language and customs, the two are united by catastrophe. Slowly, they are joined by other refugees. And as they struggle to protect the small band, Mau and Daphne defy ancestral spirits,... Review: Nation is one of the finest books ever written for young readers. It may be Pratchetts masterpiece.What sets this apart from other good reads is the sophisticated way the characters grapple with nationhood, empire, religion, culture, and personal responsibility. They are forced to consider such issues critically, raising questions about the kind of... Book Tags: terry pratchett pdf, young adult pdf, mau and daphne pdf, tidal wave pdf, coming of age pdf, sweet judy pdf, thought provoking pdf, discworld series pdf, young adults pdf, south pacific pdf, highly recommended pdf, discworld novels pdf, pelagic ocean pdf, sole survivor pdf, young people pdf, ghost girl pdf, worth reading pdf, lord of the flies pdf, tiffany aching pdf, discworld Nation pdf ebook by Terry Pratchett in Law Law pdf ebooks Nation nation ebook nation book nation pdf nation fb2 Nation Many people are unaware of the nations bestowed by pediatric surgeons. -
The Virtue of the Stereotypical Antagonist in Terry Pratchett's
BY THE STRENGTH OF THEIR ENEMIES: THE VIRTUE OF THE STEREOTYPICAL ANTAGONIST IN TERRY PRATCHETT’S ‘WITCHES’ NOVELS BY CATHERINE M. D. JOULE A thesis submitted to the Victoria University of Wellington in fulfilment of the requirements for the degree of Doctor of Philosophy Victoria University of Wellington (2021) 1 2 Abstract The comic fantasy Discworld novels of Terry Pratchett (1948-2015) are marked by their clear and insightful approaches to complex ethical issues. This has been noted in academic approaches from the beginning, with Farah Mendlesohn’s chapter “Faith and Ethics” appearing in the early collection Terry Pratchett: Guilty of Literature (2000) and many others since touching on the issues Pratchett raises. However, this thesis’s investigation into the use of stereotypes in characterisation and development of the antagonist figures within the Discworld novels breaks new ground in mapping the course of Pratchett’s approaches across six Discworld novels. This argument will focus on the ‘Witches’ sequence of novels: Equal Rites (1987), Wyrd Sisters (1988), Witches Abroad (1991), Lords and Ladies (1992), Maskerade (1995), and Carpe Jugulum (1998). Unlike other sequences in the Discworld series, these novels have a strong metatextual focus on the structural components of narrative. In this context, stereotypes facilitate both the humour and the moral arguments of these novels. Signifiers of stereotypes invoke expectations which are as often thwarted as they are fulfilled and, while resulting in humour, this process also reflects on the place of the individual within the community, the nature of right and wrong, and how we as people control the narratives which define our lives and ourselves. -
The Discworld Novels of Terry Pratchett by Stacie L. Hanes
Aspects ofHumanity: The Discworld Novels ofTerry Pratchett by Stacie L. Hanes Submitted in Partial Fulfillment ofthe Requirements for the Degree of Master ofArts in the English Program YOUNGSTOWN STATE UNIVERSITY May, 2004 Aspects ofHumanity: The Discworld Novels ofTerry Pratchett Stacie L. Hanes I hereby release this thesis to the public. I understand this thesis will be made available from the OhioLINK ETD Center and the Maag Library Circulation Desk for public access. I also authorize the University or other individuals to make copies ofthis thesis as needed for scholarly research. Signature: StacieaLL. Hanes, Student Approvals: Date ~ ~ /I /? ,1 ..,-...ff&?7/P;? ?~ ~C~4.~>r ,ClyYL47: Dr. Thomas Copelan ,Committee Member Date 111 Abstract Novelist Terry Pratchett is one ofEngland's most popular living writers; he is recognized, by virtue ofhis Discworld novels, as one ofthe leading satirists working today. Despite this high praise, however, Pratchett receives relatively little critical attention. His work is fantasy and is often marginalized by academics-just like the rest ofthe geme. Pratchett has a tremendous following in England and a smaller but completely devoted fan base in the United States, not to mention enough readers all over the world to justify translation ofhis work into nearly thirty languages; yet, his popularity has not necessarily resulted in the respect that his writing deserves. However, there is considerable support for Pratchett's place in the literary canon, based on his use ofsatire and parody to treat major issues. 1 Aspects of Humanity: The Discworld Novels of Terry Pratchett Introduction Novelist Terry Pratchett is one ofEngland's most popular living writers; he is recognized, by virtue ofhis Discworld novels, as one ofthe leading satirists working today. -
Capitalist Sorcery: Breaking the Spell
Capitalist Sorcery Breaking the Spell Philippe Pignarre Paris, France and Isabelle Stengers Université Libre de Bruxelles, Belgium Translated and edited by Andrew Goffey -W “%“"" /~q‘.` fr." $]“"**\ 'JL _f .’?"":\ " IQ ;-’°°*w.' 3 E, 3 Li f"°~*-7; ‘cs 55 gwusff' ., ,~-. if - .2 5 \._*w4{ 4 '» . 65; a'q,_,,»r' !~ *_/‘ \./ ¢w».;m ‘ 9 man? I _r l' I AN ?fu\’/WN,zmv; f iz ,._\,'\,,,-al; { E © Editions LA DECOUVERTE, Paris, France, 2005, 2007 Translation and Introduction © Andrew Goffey 2011 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No portion of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, Saffron House, 6-10 Kirby Street, London EC1N BTS. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The authors have asserted their rights to be identified as the authors of this work in accordance with the Copyright, Designs and Patents Act 1988. English translation first published 2011 by PALGRAVE MACMILLAN Palgrave Macmillan in the UK is an imprint of Macmillan Publishers Limited, registered in England, company number 785998, of Houndmills, Basingstoke Hampshire RG21 6XS. Palgrave Macmillan in the US is a division of St Martin's Press LLC, 175 Fifth Avenue, New York, NY 10010. Palgrave Macmillan is the global academic imprint of the above companies and has companies and representatives throughout the world. -
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Religious Faith and Rationalism in Terry Pratchett’S Small Gods
Stella Puhakka RELIGIOUS FAITH AND RATIONALISM IN TERRY PRATCHETT’S SMALL GODS Faculty of Information Technology and Communication Sciences Bachelor’s Thesis November 2019 ABSTRACT Stella Puhakka: Religious Faith and Rationalism in Terry Pratchett’s Small Gods Bachelor’s Thesis Tampere University Degree Programme in English Language, Literature and Translation November 2019 This thesis examines the treatment of institutional religion, religious faith and believers in Terry Pratchett’s Small Gods arguing that the novel calls for transparency and fairness in religious institutions and critical thinking, understanding and tolerance from those with a belief system. The novel highlights these issues through the relationship between its main character, Brutha, and his god, Om, as they explore the world beyond the theocratic nation of Omnia. Their interactions with one another and the world at large are analysed with the help of fantasy and satire as well as real world equivalents for the ideas, ideologies and religions presented. Small Gods uses both religious and political satire in its efforts to criticise religion. In its political satire, the novel highlights the dangers of the intertwining of religion, state, and law enforcement, and questions religious expansion and censorship for power’s sake. Its religious satire, on the other hand, is more interested in religious figures, ideas and texts as it ridicules extremism within such institutions. These two types of satire are irrevocably linked to one another within the novel as those seeking political power do so through religious means. They are also used to highlight the individuals inside these outwardly dangerous institutions and show the conditions in which they practice their faith. -
Ankh-Morpork: the City As Protagonist
Ankh-Morpork: The City as Protagonist Anikó Sóhar Université Catholique Pázmány Péter Abstract: In science fiction and fantasy, sometimes the city (whether it is real or imaginary) plays the leading role, for example New York in Winter’s Tale by Mark Helprin, or London in Neverwhere by Neil Gaiman. Often, as in the case of Newford in several novels and short stories by Charles de Lint, a made-up city with its fictional topography and maps corresponds to and accentuates the social relations as well as the emotions embedded in the narration; the geography can indeed be emotional as it was so aptly put by Sir Terry Pratchett when he appointed Rincewind (one of his regularly popping-up characters) “Egregious Professor of Cruel and Unusual Geography of Unseen University” (among other jobs). Sir Terry also dreamt up a very significant city called Ankh-Morpork in his Discworld series (which might have been based on Budapest) which offers a perfect topic for discussion. Ankh-Morpork, which was a simple although very funny parody of a typical city in fantasy fiction at the beginning, gradually becomes a setting for emancipation, liberation and disenthralment from various bonds, and provides ample examples of references to British and internationalised culture. The city itself does not play a leading role in any of the novels, but when the whole series is taken into consideration, its significance is immediately apparent, the whole series forms a sort of bildungsroman which describes the maturation process of Ankh-Morpork. The whole sensational landscape created for our amusement as well as intellectual and moral benefit could be accurately mapped in terms of literary-cum-urban-studies, geopoetics, focusing on several aspects of social criticism. -
DISCWORLD Roleplaying Game S Elephants, Who in Turn Stand on the Back of Great I A’Tuin, the Only Turtle to Form the Basis of an Entire Branch of Astrophysics
. nd And Also Flat! u 1 o It’s obvious really. Everyone knows it. The Disc rests on the back of four giant DISCWORLD Roleplaying Game R s elephants, who in turn stand on the back of Great I A’Tuin, the only turtle to form the basis of an entire branch of astrophysics. d For many years, events on the Discworld have been l chronicled in the works of Terry Pratchett. Fans have enjoyed r the adventures of Rincewind the incompetent wizard, Granny o Weatherwax (known to trolls as “She Who Must Be Avoided”), Commander Sam Vimes, Susan Sto Helit (granddaughter of Death), Moist von Lipwig, and a cast of other strange and unique characters. W Now, with the aid of this completely revised and updated edition of the Discworld Roleplaying Game (with special thanks to Mr Moist von e Lipwig for his assistance with all the restructuring), roleplayers can h once again venture to the far end of the probability curve and . T THRILL to the distinctive sights, sounds, and smells (especially smells) of Ankh-Morpork, most dubious city in the multiverse! SAIL the Circle Sea in pursuit of glory, pirate gold, or a suntan! INTERVENE in the cultural interactions of trolls and dwarves (watch out for flying axes)! AVOID the attentions of Death, Fate, the Lady, and the Patrician! CAMPAIGN for goblin rights! WONDER why they bought a second meat pie from Mr Dibbler! RUN AWAY from an angry Swamp Dragon (two feet of mindless fury and high-explosive digestion)! LEARN why the second-greatest lover on the Disc needs a stepladder. -
The Final Version Is in J. Held & J. South
Note: This version is the author’s draft copy; the final version is in J. Held & J. South (Eds.) Philosophy and Terry Pratchett. Palgrave MacMillan. (2014) The Care of the Reaper Man: Death, the Auditors, and the Importance of Individuality Erica L. Neely In Terry Pratchett’s Discworld novels, there is an ongoing battle between Death and a group of beings known as the Auditors. These beings strive to maintain order in the universe and dislike humanity and all its inherent messiness. Death, on the other hand, is rather fascinated by humans and sees value in the individuality humans exhibit. This causes tension between him and the Auditors, which comes to a head in three novels wherein the Auditors attempt to impose their view of order upon the Discworld: Reaper Man, Hogfather, and Thief of Time. In each of these novels Death thwarts the Auditors by acting in concert with humans. His motives for this stem from an odd allegiance to the importance of individuality and care. Humans have different desires and beliefs; they are not all the same. While this may distress the Auditors, it is fundamental to the nature of humans – we are individuals and must be treated as such. To ignore this and attempt to deal with humans purely collectively is to be unjust. This illustrates a more general tension between the individual and the collective. While humans are driven to form communities, we also wish to maintain our individuality; there is thus a question as to how to balance commitments to the group with commitments to the individual. -
Antipodes: in Search of the Southern Continent Is a New History of an Ancient Geography
ANTIPODES In Search of the Southern Continent AVAN JUDD STALLARD Antipodes: In Search of the Southern Continent is a new history of an ancient geography. It reassesses the evidence for why Europeans believed a massive southern continent existed, About the author and why they advocated for its Avan Judd Stallard is an discovery. When ships were equal historian, writer of fiction, and to ambitions, explorers set out to editor based in Wimbledon, find and claim Terra Australis— United Kingdom. As an said to be as large, rich and historian he is concerned with varied as all the northern lands both the messy detail of what combined. happened in the past and with Antipodes charts these how scholars “create” history. voyages—voyages both through Broad interests in philosophy, the imagination and across the psychology, biological sciences, high seas—in pursuit of the and philology are underpinned mythical Terra Australis. In doing by an abiding curiosity about so, the question is asked: how method and epistemology— could so many fail to see the how we get to knowledge and realities they encountered? And what we purport to do with how is it a mythical land held the it. Stallard sees great benefit gaze of an era famed for breaking in big picture history and the free the shackles of superstition? synthesis of existing corpuses of That Terra Australis did knowledge and is a proponent of not exist didn’t stop explorers greater consilience between the pursuing the continent to its sciences and humanities. Antarctic obsolescence, unwilling He lives with his wife, and to abandon the promise of such dog Javier. -
Gendered Magic and Educational Ideology in Terry Pratchett's Discworld
“CHANGE THE STORY, CHANGE THE WORLD”: GENDERED MAGIC AND EDUCATIONAL IDEOLOGY IN TERRY PRATCHETT’S DISCWORLD A Thesis by L. KAITLIN WILLIAMS Submitted to the Graduate School Appalachian State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2015 Department of English “CHANGE THE STORY, CHANGE THE WORLD”: GENDERED MAGIC AND EDUCATIONAL IDEOLOGY IN TERRY PRATCHETT’S DISCWORLD A Thesis by L. KAITLIN WILLIAMS May 2015 APPROVED BY: James Ivory, Ph.D. Chairperson, Thesis Committee Craig Fischer, Ph.D. Member, Thesis Committee Leon Lewis, Ph.D. Member, Thesis Committee Carl Eby, Ph.D. Chairperson, Department of English Max C. Poole, Ph.D. Dean, Cratis D. Williams School of Graduate Studies Copyright by L. Kaitlin Williams 2015 All Rights Reserved Abstract “CHANGE THE STORY, CHANGE THE WORLD”: GENDERED MAGIC AND EDUCATIONAL IDEOLOGY IN TERRY PRATCHETT’S DISCWORLD L. Kaitlin Williams B.A., Auburn University M.A., Appalachian State University Chairperson: James Ivory This thesis explores educational ideology in Terry Pratchett’s Discworld series with a continued focus on the ways gendered magic results in gendered knowledge and education. Pratchett’s witches and wizards demonstrate and even consciously uphold distinct gender separation regarding magical practice, methodology, knowledge, and responsibility. By fracturing the magical community into two distinct factions, Pratchett’s work positions the witches and wizards of Discworld as ideological oppositions. An in-depth analysis of the wizards and Unseen University traces their associations with the history of the British educational system, male privilege, academic elitism, and tradition, reading their order as indicative of the “norm” and a repressive dominant educational ideology.