DOCSLIB.ORG

7 Best Animated Movies of All Time

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

PVR MOVIES FIRST VOL. 14 YOUR WINDOW INTO THE WORLD OF CINEMA NOVEMBER 2016 TOTAL RECALL: 7 Best Animated Movies of ALL TIME C FANTASTI FIVE S 5 staR IN THE MAKing THE BEST NEW MOVIES PLAYING THIS MONTH: DEARPVR ZMOVIESindagi FIRST , FantastiC Beasts AND WHERE TO FIND THEM PAGE 1 GREETINGS ear Movie Lovers, Zindagi. John Abraham reprises the towering role of tough cop ACP Yashvardhan in Abhinay Deo’s Force 2. Here’s the November edition of Movies First, your exclusive window to the world of cinema. Matthew McConaughey is aging like fine wine. Join us in wishing a happy 47th birthday to the Academy Award Oscar winner Eddie Redmayne lets a suitcase full of magical winning actor. creatures loose on 1920s New York, in the the Harry Potter spinoff Fantastic Beasts and Where to Find Them. The It’s the month of Children’s Day! Stir up some hot chocolate and magic is back, Potter fans! pick from our list of the finest animated movies ever made. “Doctor Strange,” the latest movie in the ever-expanding We really hope you enjoy the issue. Wish you a fabulous Marvel Cinematic Universe, casts an impressive spell of its month of movie watching. own, with the charming Benedict Cumberbatch in the lead. Regards Thomas Dam’s troll dolls come alive in Dreamworks Animations musical comedy Trolls. Shah Rukh Khan plays a life mentor to Alia Bhatt, a Gautam Dutta promising young cinematographer in Gauri Shinde’s Dear CEO, PVR Limited USING THE MAGAZINE We hope you’ll find this magazine easy to use but here’s a handy guide to the icons used throughout. You can tap the page once at any time to access full contents at the top of the page. PLAY TRAILER SET REMINDER BOOK TICKETS SHARE PVR MOVIES FIRST PAGE 2 CONTENTS Read on as we follow Mazoologist Newt Scamander’s adventures in JK Rowling’s magical world. Tap for... Tap for... Movie OF THE MONTH Stars IN THE MAKING Tap for... Tap for... MUST WATCH FESTIVAL FLASH Tap for... Tap for... ARCHITECTS OF CINEMA Total RECALL TO BOOK TICKETS GO TO PVRCINEMAS.COM OR DOWNLOAD OUR MOBILE APP. AVAILABLE ON PVR MOVIES FIRST PAGE 3 RELEASING THIS MONTH A SNEAK-PEEK INTO THE BIG RELEASES OF THE MONTH! PLAY TRAILER BOOK TICKETS SET REMINDER world to find and document magical creatures, hoping to Fantastic Beasts and educate the wizarding world about why they are important and need to be protected. He arrives in New York for a Where to Find Them brief stopover, and might have come and gone without A NEW ERA OF MAGIC BEGINS incident…were it not for a No-Maj (American for Muggle) named Jacob, a misplaced magical case, and the escape of some of Newt’s fantastic beasts, which could spell trouble As Harry and Ginny bid adieu to their son Albus Severus at for both the wizarding and No-Maj worlds. platform 9¾ in the closing minutes of Harry Potter and The Deathly Hallows Part 2, the potterverse fans might have Along with a former auror Tina, her sister Queenie, and his thought they have seen the very last of JK Rowling and her new No-Maj friend Jacob, Newt forms a band of unlikely world of magic. But it seems that the author and Warner heroes, who must recover Newt’s missing beasts before Bros had other plans. they come to harm. There were plenty of reasons to smile for the fans of the wizarding world when the studio announced production of the spinoff series ‘Magical Beasts and Where To Find DID YOU KNOW? Them’ trilogy with the first film set to hit the theatres on The name Newt Scamander November, 2016. Although we won’t be seeing Harry and appears on the Marauder’s Hermoine again anytime soon, this definitely looks like the next best thing in store. Map in the movie Harry Potter and the Prisoner of Azkaban Set in New York in 1926, seventy years before the events (2004). of Harry Potter series, the plot revolves around Newt Scamander, a Magizoologist who has been travelling the PVR MOVIES FIRST PAGE 4 Reason to Watch: The Collection Fantastic Beasts and Where to Find Them is going to be With a total of 4 installments under his belt, one of 2016’s biggest films, also because of its obvious David Yates holds the record for directing similarities to Harry Potter. With a stellar cast, a proven the most Harry Potter films. His work on director and Rowling screenplay all on board, there’s so the series brought him major commercial much to look forward to in the film. success along with accolades. Here is a sneak-peek of his work from the franchisee: HE FILM IS NEITHER A PREQUEL NOR A SEQUEL TO THE HARRY POTTER SERIES, BUT AN EXTENSION OF THE WIZARDING WORLD. NEWT’S HARRY POTTER AND THE ORDER OF THE PHOENIX (2007) STORY WILL START IN NEW YORK, SEVENTY YEARS BEFORE HARRY GETS UNDERWAY. – J.K. Rowling, Author & Screenwriter HARRY POTTER AND THE HALF-BLOOD PRINCE (2009) FANTASTIC BEASTS AND HARRY POTTER AND THE DEATHLy Hallows – PART 1 (2010) WHERE TO FIND THEM RELEASE 18 NOVEMBER Genre: Adventure, Fantasy Language: English Director: David Yates Cast: Eddie Redmayne, Ezra Miller, Zoë Kravitz Studio: Heyday Films Pic Courtesy: Warner Bros. Pictures HARRY POTTER AND THE DEATHLy Hallows – PART 2 (2011) PVR MOVIES FIRST PAGE 5 PVR MOVIES FIRST PAGE 6 PLAY TRAILER BOOK TICKETS SET REMINDER ROCK ON 2 MOVIE OF THE MONTH Tagline: Every Generation Finds its Voice THE PLOT: Eight years after the Mumbai rock grunge Release Date:11 Nov band Magik reunited in Rock On!!, they are back with a Director: Shujaat Saudagar fresh story centered around music, emotions and life. Star Cast: Farhan Akhtar, Arjun Rampal, Shraddha Kapoor, Prachi Desai Genre: Musical/Drama Rating: (U) Studio: Excel Entertainment Y PICK Rock On!! was perhaps the first Hindi film that was made about a rock band, and went on to achieve cult status. With OF THE FILM IS FARHAN’S this sequel, Magik, the band, is back, but the stakes and the CHARACTER, ADI. LIKE HIM, scales are higher now. The film turns the spotlight on the conflicts in the North-East, weaving the issues there into its I TRIED TO RUN BUT I KNEW narrative through music and human relationships. I COULD NOT HIDE. BOTH FILMS HAVE HIM FACE HIS As Farhan Akhtar’s character tells his audience, Magik has not performed for many years and now, “This. Is. It.” The DEMONS. I IDENTIFY WITH “it” promises to be the high point of Rock On 2. THAT A LOT. – Shujaat Saudagar, Director Advertising filmmaker Shujaat Saudagar dons the directorial hat for the first time with Rock On 2, replacing Abhishek Kapoor, who helmed the prequel. PVR MOVIES FIRST PAGE 7 Without giving the story away, the director says, “The with the ladies. Luke Kenny, keyboardist of the band in essence of the plot is to bring out the dynamics of Rock On!! is missing, since his character died in the end. relationships that people share with each other through life. He is replaced by actor-musician Shashank Arora. It is about human bonds that go beyond romance and love as we traditionally define them.” A key element of the film is Shraddha Kapoor, who plays a talented but unsure youngster whom Farhan Akhtar’s character Aditya Shroff mentors. THE CHARACTERS It is an emotionally intense story, like the first one. But the Rock On!! was about friends falling out. Rock On 2 deals characters have grown older and play their current age. with internal conflict. This film is emotionally stronger. Arjun’s son is now a teenager. Farhan’s son is eight years old. Purab is still single because he still cannot get lucky THE SETTING Rock On 2 has been shot in Meghalaya, with a lot of Khasi music. Wildly popular local band Somersault features in it. Shillong is the rock capital of the country. When the Scorpions came to India, that was the only place where they T’S INCREDIBLE performed. Once the idea of setting the film in the North- TO SEE THE RECALL VALUE East concretised, the team flew to Guwahati and drove to Shillong. “As soon as we crossed into Meghalaya, we OF THE FIRST FILM’S SONGS. THE MINUTE THE SONGS START FROM THE ALBUM, THE ENERGY OF THAT CROWD JUST COMPLETELY CHANGES. WITH THE SEQUEL, WE HAVE THE OPPORTUNITY TO PUSH THAT EVEN FURTHER. – Farhan Akhtar PVR MOVIES FIRST PAGE 8 TRIVIA Shradha Kapoor, who astonished 01 everyone with her beautiful voice in Ek Villain, sings jazz for the first time in Rock On 2. She has been mentored by singer and vocal coach Samantha Edwards, who earlier trained Priyanka Chopra and Alia Bhatt for their movie singing debuts The script of Rock On 2 took three 02 years to write, because the director felt they needed that much time to arrive at the emotions they needed to convey The film was scheduled to be 03 shot in Himachal Pradesh, but a series of attacks on North-Eastern students in different parts of the country prompted the team to bring this region into the limelight Shashank Arora, the young actor 04 who got noticed in the critically acclaimed Titli, plays a sarod player in Rock On 2 knew we were shooting there. We spent a week, ten days, absorbing the culture,” says director Shujaat Saudagar. In Cherrapunji, where you do not meet anyone for hours, the team suddenly heard music coming from the mist.
Recommended publications
  • Entertainment, Tech & Business Star Guest of the Day Music Director Raj Mahajan

    Entertainment, Tech & Business Star Guest of the Day Music Director Raj Mahajan

    02 UDAIPUR MONDAY, JUNE 27, 2016 Entertainment, Tech & Business On The Set Of Tv Reality Show Dancing War Joins Delhi-Full statehood in center’s favor Star Guest Of The Day Music Delhi, the national capital remains in news for one or another reason. And the news of confrontation between Delhi government and center is a part of Director Raj Mahajan it. Recently the Delhi government placed the draft of full statehood bill of News Highlights : 'Top 18' was filmed at "Silver Line Delhi in the public domain for review and suggestions by people of the state. " Raj Mahajan presented Public School, Ghaziabad". The The bill has been a long pending poll promise of all the major political par- many participants with promis- ceremony was star studded with ties including BJPand Congress. As of now Police, Delhi development Authority are among the departments that are not under the authority of Delhi gov- es to work with Moxx Music and many of the famous Bollywood ernment which they feel are important for smooth functioning of the state. appear in his future music celebrities appearing as 'Star Delhi being at the helm of politics is neither a full state nor the full union ter- videos Guest of the Day' and encourag- ritory. The best case for such a situation is that same party has rule in cen- " Participants were ecstatic ing the participants including ter and Delhi. It was the case in the past. Last time when Sheila Dikshit was with the break in a music video 'Bajrangi Bhaijan' fame Manoj the CM, center had UPA government led by Congress so entire onus was " Raj will also extend the Bakshi, film 'Dhakad Chora fame' on one party.
  • Shah Rukh Khan from Wikipedia, the Free Encyclopedia "SRK" Redirects Here

    Shah Rukh Khan from Wikipedia, the Free Encyclopedia "SRK" Redirects Here

    Shah Rukh Khan From Wikipedia, the free encyclopedia "SRK" redirects here. For other uses, see SRK (disambiguation). Shah Rukh Khan Shah Rukh Khan in a white shirt is interacting with the media Khan at a media event for Kolkata Knight Riders in 2012 Born Shahrukh Khan 2 November 1965 (age 50)[1] New Delhi, India[2] Residence Mumbai, Maharashtra, India Occupation Actor, producer, television presenter Years active 1988present Religion Islam Spouse(s) Gauri Khan (m. 1991) Children 3 Signature ShahRukh Khan Sgnature transparent.png Shah Rukh Khan (born Shahrukh Khan, 2 November 1965), also known as SRK, is an I ndian film actor, producer and television personality. Referred to in the media as "Baadshah of Bollywood", "King of Bollywood" or "King Khan", he has appeared in more than 80 Bollywood films. Khan has been described by Steven Zeitchik of t he Los Angeles Times as "perhaps the world's biggest movie star".[3] Khan has a significant following in Asia and the Indian diaspora worldwide. He is one of th e richest actors in the world, with an estimated net worth of US$400600 million, and his work in Bollywood has earned him numerous accolades, including 14 Filmfa re Awards. Khan started his career with appearances in several television series in the lat e 1980s. He made his Bollywood debut in 1992 with Deewana. Early in his career, Khan was recognised for portraying villainous roles in the films Darr (1993), Ba azigar (1993) and Anjaam (1994). He then rose to prominence after starring in a series of romantic films, including Dilwale Dulhania Le Jayenge (1995), Dil To P agal Hai (1997), Kuch Kuch Hota Hai (1998) and Kabhi Khushi Kabhie Gham..
  • Recruiter's Handbook 2020

    Recruiter's Handbook 2020

    Recruiter’s Handbook 2020 VISION To create a state-of-the-art institution that sets new standards of world-class education in film, communication and creative arts. MISSION Benchmarking quality, inspiring innovation, encouraging creativity & moulding minds, by leading from the front in the field of film, media and entertainment education. ONE OF THE TEN BEST FILM SCHOOLS IN THE WORLD - THE HOLLYWOOD REPORTER Degree & Diploma 5.5 ACRE programmes CAMPUS acceredited by the TISS 1300+ 2200+ STUDENTS Media & Film industry Alumni campus SCHOOL OF EVENT MANAGEMENT Subhash Ghai Founder & Chairman, Whistling Woods International Chairman, Mukta Arts Limited Member, Executive Committee, Film & Television Producers Guild of India Member, United Producers Forum Education Evangelist Karamveer Chakra Awardee Chairman, MESC Subhash Ghai is a globally renowned filmmaker having directed 19 films over a four-decade career, with 14 of them being blockbusters. Recipient of many national and international awards, he has also been honoured by the United States Senate. He has been a former Chairman of the Entertainment Committee of Trade body CII and also a member of FICCI, NASSCOM and TIE Global & its alliances. He has been invited to address various forums and seminars on corporate governance and the growth of Media & Entertainment industry globally and in India. He is presently serving as the Chairman of Media and Entertainment Skills Council (MESC). Message from the Founder & Chairman My journey as a filmmaker in the Media & Entertainment (M&E) industry has been a long and cherished one. Over the years, the one factor that has grounded me and contributed to my success is the basic film education I received from the film institute I studied in, coupled with my strong desire to learn and re-learn from my days as part of the Indian film industry.
  • Indian Media and Its Transformed Public

    Indian Media and Its Transformed Public

    Indian media and its transformed public Maitrayee Chaudhuri Indian media has witnessed an unprecedented growth over the last two decades. This expansion does not necessarily lead to greater democratic participation for the very idea of the ‘public’ has undergone a transformation, evident in: the ideological content of the media, the extra-national membership of the public sphere and the interactive form of publicness. The article argues that the media plays a crucial ideologicalUSE role in recast- ing public discourse in India, a role which is rendered more effective because of a strong synergy between its substance and style. An often strident appropriation of the nation and the Indian ‘public’ by a middle class ideologically aligned with the project of liberalisa- tion is most evident in the media today. This is done in two ways: by an overt ideological defence of an unbridled market and an attack on the very idea of an interventionist and welfare state; and by the everyday quotidian features and news that inscribe corporate speech, create a new imaginary of a global Indian and a global Indian middle class. This contention may be sustained from a scrutiny of the media even when the period is a random month (24 May–23 June) of a random year (2007), as is the case here. COMMERCIAL Keywords: Transnational, media, public sphere, ideology, middle class, corporate culture, globalisation, India FOR After decades of sedate existence, the Indian media universe has witnessed a ‘big bang’ of sudden and gigantic expansion. The most specta- cular changesNOT are in television, where 24×7 news channels, reality pro- grammes, chat shows, sting operations, celebrity weddings and birthdays, beauty pageants, award functions, sports events, natural disasters, political crises, music channels, tarot readings, stand-up comics and competing Maitrayee Chaudhuri is at Centre for the Study of Social Systems, School of Social Sciences, Jawaharlal Nehru University, New Delhi.
  • THE BUCHAREST UNIVERSITY of ECONOMIC STUDIES The

    THE BUCHAREST UNIVERSITY of ECONOMIC STUDIES The

    THE BUCHAREST UNIVERSITY OF ECONOMIC STUDIES The Faculty of International Business and Economics The Department of Modern Languages and Business Communication of ASE Iuliu Hațieganu University of Medicine and Pharmacy Cluj- Napoca 7th International Conference: Synergies in Communication Bucharest, Romania, 22 - 23 November 2018 BEHIND THE SCREENS: A STUDY OF THE FILMS OF THREE INDIAN WOMEN DIRECTORS Minouti NAIK1 Abstract Indian films, even after 76 years of independence and 105 years of Indian Cinema, are a predominantly male domain. The percentage of women film makers, in the industry, is a mere 9.1%. Despite this, the films directed by women have compelled audiences to take notice, because of the wide spectrum of issues they have touched upon. Three women directors, whose movies have left an indelible mark on the audiences, include Tanuja Chandra, Meghna Gulzar and Gauri Shinde. This paper analyses the work of these three women directors, for the uniqueness of their themes and the characters they have sketched, and attempts to find out, what has led to their films being etched deeply, into the consciousness of their audience. This will be analysed against the backdrop of the realities of the society from which these films emerge, and as a reflection of the gender dynamics existing in Indian society. Keywords: Indian cinema, women, themes, characters, uniqueness 1. Introduction Men have sight, women insight. - Victor Hugo Victor Hugo‟s observation, penned down in his memoirs, might be an apt point to begin with, when one reflects upon films made by Indian women filmmakers. Despite films forming a very important facet of the Indian society and the fact that India completed 105 years of cinema, this year, the number of women making films in India is very small.
  • A Film Watcher's Guide to World Cinema 5

    A Film Watcher's Guide to World Cinema 5

    (Year) The year stated follows the TPL catalogue, based on when it was released in DVD format. *includes graphic scenes/violence *It Follows (2015) [English] *Juan of the Dead (2012) [Spanish] DRAMA CONTINUED *We Are What We Are (2013) [English/French] Cairo 678 (2013/2010) [Arabic] *The Witch (2016) [French/English] Calvary (2014) [English] *This Night I’ll Possess Your Corpse (2017/1967) Cemetery of Splendor (2016) [Thai] [Portuguese] Climates (2007) [Turkish] Dańgala (Dangal) (2017) [Hindi] MYSTERY / SUSPENSE / THRILLER The Dark Horse (2016) [English/Spanish] *1:54 (2017) [French] A Film Watcher’s The Double Life of Véronique (2006/1991) *Bethlehem (2014) [Hebrew/Arabic] [Polish/French] *Dark Diamond (2016) [French] Elle (2017) [French] *Dheepan (2016) [French/Tamil] Guide To Hatunah me-niyar (Hatuna Manikh) (2016) [Hebrew] *Disorder (2016) [French] *Innocents (2016) [French/Polish] Fan (2016) [Hindi] Ixcanul (2017) [Spanish/Kaqchikel] *Guide de la Petite Revenge (Little Book of Jal (2014) [Hindi] Revenge) (2007) [French] JCVD (2009) [English/French] Madaari (2016) [Hindi] Jonathan (2017) [German] *Partisan (2014) [English] Julieta (2017) [Spanish] *Pink (2016) [Hindi] *Land of Mine (2017) [German] *Ramana Raghav 2.0 (2016) [Hindi] Les Êtres Chers (2016) [French] *Red Road (2007) [English] Margaret’s Museum (2001/1995) [English/French] Remember (2016) [English/French] Mountain (Ha’har) (2015) [Hebrew] Tom à la Ferme (Tom at the Farm) (2013) [French] Mountains May Depart (2016) [Mandarin/English] Tunnel (Teo-neol) (2017) [Korean] Neon
  • My Favourite Singers

    My Favourite Singers

    MY FAVOURITE SINGERS 12 01 01 SAMJHAWAN 17 CHALE CHALO 33 BARSO RE 48 JEENA 63 AY HAIRATHE 79 DIL KYA KARE (SAD) 94 SAAJAN JI GHAR AAYE 108 CHHAP TILAK 123 TUM MILE (ROCK) 138 D SE DANCE ARTIST: ARIJIT SINGH, SHREYA GHOSHAL • ALBUM/FILM: HUMPTY SHARMA KI DULHANIA ARTIST: A. R. RAHMAN, SRINIVAS • ALBUM/FILM: LAGAAN ARTIST: SHREYA GHOSHAL, UDAY MAZUMDAR • ALBUM/FILM: GURU ARTIST: SONU NIGAM, SOWMYA RAOH • ALBUM/FILM: DUM ARTIST: ALKA YAGNIK, HARIHARAN • ALBUM/FILM: GURU ARTIST: KUMAR SANU, ALKA YAGNIK • ALBUM/FILM: DIL KYA KARE ARTIST: KAVITA KRISHNAMURTHY, ALKA YAGNIK, KUMAR SANU ARTIST: KAILASH KHER • ALBUM/FILM: KAILASA JHOOMO RE ARTIST: SHAFQAT AMANAT ALI • ALBUM/FILM: TUM MILE ARTIST: VISHAL DADLANI, SHALMALI KHOLGADE, ANUSHKA MANCHANDA 02 ENNA SONA 18 ROOBAROO 34 KHUSHAMDEED 49 WOH PEHLI BAAR 64 AGAR MAIN KAHOON 80 DEEWANA DIL DEEWANA ALBUM/FILM: KUCH KUCH HOTA HAI 109 CHAANDAN MEIN 124 TERE NAINA ALBUM/FILM: HUMPTY SHARMA KI DULHANIA ARTIST: ARIJIT SINGH • ALBUM/FILM: OK JAANU ARTIST: A. R. RAHMAN, NARESH IYER • ALBUM/FILM: RANG DE BASANTI ARTIST: SHREYA GHOSHAL • ALBUM/FILM: GO GOA GONE ARTIST: SHAAN • ALBUM/FILM: PYAAR MEIN KABHI KABHI ARTIST: ALKA YAGNIK, UDIT NARAYAN • ALBUM/FILM: LAKSHYA ARTIST: UDIT NARAYAN, AMIT KUMAR • ALBUM/FILM: KABHI HAAN KABHI NA 95 MAIN ALBELI ARTIST: KAILASH KHER • ALBUM/FILM: KAILASA CHAANDAN MEIN ARTIST: SHAFQAT AMANAT ALI • ALBUM/FILM: MY NAME IS KHAN 139 VELE 03 GERUA 19 TERE BINA 35 BAHARA 50 TUNE MUJHE PEHCHAANA NAHIN 65 KUCH TO HUA HAI 81 KUCH KUCH HOTA HAI ARTIST: KAVITA KRISHNAMURTHY, SUKHWINDER SINGH • ALBUM/FILM: ZUBEIDAA 110 AA TAYAR HOJA 125 AKHIYAN ARTIST: VISHAL DADLANI, SHEKHAR RAVJIANI • ALBUM/FILM: STUDENT OF THE YEAR ARTIST: ARIJIT SINGH, ANTARA MITRA • ALBUM/FILM: DILWALE ARTIST: A.
  • Institutional Equities Event Update

    Institutional Equities Event Update

    Institutional Equities Film Exhibition Sector 2 May 2017 ‘Baahubali 2’ Augurs Well For FY18 Girish Pai ‘Baahubali 2’, which was released on 28 April 2017, has beaten all historical records in the Indian Head of Research film industry by clocking gross box office collection (GBOC, revenue prior to entertainment tax [email protected] being deducted) globally of Rs5.2bn over three days (Friday, Saturday and Sunday) based on media +91-22-3926 8017 reports. This includes domestic GBOC of ~Rs4bn and ~Rs1.2bn in overseas markets (of which 60% came from North America). This marks a tremendous start to FY18 for the two film exhibition players, PVR and Inox Leisure, which will benefit from the very high occupancy rate, higher ATP and also higher bargaining power vis-à-vis advertisers. Unlike FY17, which was impacted by insipid content (except for a late flourish from ‘Dangal’), we believe FY18 could be a great year with the start provided by ‘Baahubali 2’ and a slate of blockbusters that are likely to be released in the rest of FY18 (Exhibit 2 provides the slate of movies in FY18). We are positive on the film exhibition sector (see sector report Indian Film Exhibition Sector- Oligopolistic Business In Its Infancy; GST To Lift Margins And RoIC). We believe that: (1) Indian multiplex industry is an oligopoly (top four players control ~70% of screens) and will remain so as entry barriers are quite formidable and there are no substitutes. This industry structure will deliver steady revenue growth, and improve margins as well as RoIC over a long period of time.
  • Adult Movies the Dark Knight VR FIC DAR Adult Limitless VR FIC LIM

    Adult Movies the Dark Knight VR FIC DAR Adult Limitless VR FIC LIM

    Adult movies The dark knight VR FIC DAR Adult Limitless VR FIC LIM Adult Anonymous VR FIC ANO Adult Big miracle VR FIC BIG Adult Being Flynn VR FIC BEI Adult The cabin in the woods VR FIC CAB Adult ET (Extra Terrestrial) VR FIC ET Adult Extremely loud & incredibly close VR FIC EXT Adult Exam VR FIC EXA Adult Ghost town VR FIC GHO Adult Ironclad VR FIC IRO Adult John Carter VR FIC JOH Adult The Lincoln lawyer VR FIC LIN Adult The lady VR FIC LAD Adult Life as we know it VR FIC LIF Adult Miral VR FIC MIR Adult Men in Black VR FIC MEN Adult Men in Black II VR FIC MEN Adult The mummy VR FIC MUM Adult Salmon fishing in the Yemen VR FIC SAL Adult Twilight zone the movie VR FIC TWI Adult The woman in black VR FIC WOM Adult We need to talk about Kevin VR FIC WE Adult Furry vengeance VR FIC FUR Adult The hunger games VR FIC HUN Adult Avengers VR FIC AVE Adult The dark knight rises VR FIC DAR Adult Wuthering heights VR FIC WUT Adult Taken 2 VR FIC TAK Adult Argo VR FIC ARG Adult The way back VR FIC WAY Adult Trouble with the curve VR FIC TRO Adult Avengers VR FIC AVE Adult American Gangster VR FIC AME Adult Bully VR FIC BUL Adult Albert Nobbs VR FIC ALB Adult Beasts of the southern wild VR FIC BEA Adult Shirin Farhad VR FIC SHI Adult Talaash the answer lies within VR FIC CAR Adult Bedtime Stories VR FIC BED Adult Bewitched VR FIC BEW Adult The dictator VR FIC DIC Adult Life of Pi VR FIC LIF Adult The Hobbit : An Unexpected Journey VR FIC HOB Adult The Best Exotic Marigold Hotel VR FIC HOB Adult Anna Karenina VR FIC ANA Adult Rabbit Hole VR FIC RAB
  • Declaration by the Candidate

    Declaration by the Candidate

    DECLARATION BY THE CANDIDATE I hereby declare that the dissertation entitled “Objectification and commodification of women in the visual media: A critical study” submitted at National Law University, Delhi is the outcome of my own work carried out under the supervision of Dr. Sushila, Assistant Professor (Law), National Law University, Delhi. I further declare that to the best of my knowledge, the dissertation does not contain any part of my work, which has been submitted for the award of any degree either in this University or in any other institution without proper citation. Vighnesh Balaji 27/ LLM /18 Place: New Delhi National Law University, Delhi Date: 23.05.19 I CERTIFICATE OF SUPERVISOR This is to certify that the work reported in the LL.M. dissertation titled “Objectification and Commodification of Women in the Visual Media: A Critical Study” submitted by Vighnesh Balaji at National Law University, Delhi is a bona fide record of his original work carried out under my supervision. Dr. Sushila Assistant Professor (Law) Place: New Delhi National Law University, Delhi Date: 23.05.19 II ACKNOWLEDGMENT First, and foremost I would like to thank my wonderful supervisor Dr. Sushila who has always believed in me and has provided me insightful suggestions and has been a constant pillar of support throughout the dissertation period. My father, for always trying to balance me, My sisters, for holding my back, my friends, to whom I owe the world, NLU-Delhi for teaching me much more than the prescribed syllabus. Last but never the least; I thank Lord Shiva with all my heart for my unconditional mother, Suseela Ravichandran who has always firmly believed that the odds have to favour me.
  • Your Guide to Over 2500 Channels of Entertainment

    Your Guide to Over 2500 Channels of Entertainment

    YOUR GUIDE TO OVER 2500 CHANNELS OF ENTERTAINMENT Voted World’s Best Infl ight Entertainment Digital Widescreen February 2017 for the 12th consecutive year! PLANET Explore the wonders ofEARTH II and more incredible entertainment NEW MOVIES | DOCUMENTARIES | SPORT | ARABIC MOVIES | COMEDY TV | KIDS | BOLLYWOOD | DRAMA | NEW MUSIC | BOX SETS | AND MORE ENTERTAINMENT An extraordinary experience... Wherever you’re going, whatever your mood, you’ll find over 2500 channels of the world’s best inflight entertainment to explore on today’s flight. 496 movies Information… Communication… Entertainment… THE LATEST MOVIES Track the progress of your Stay connected with in-seat* phone, Experience Emirates’ award- flight, keep up with news SMS and email, plus Wi-Fi and mobile winning selection of movies, you can’t miss and other useful features. roaming on select flights. TV, music and games. from page 16 STAY CONNECTED ...AT YOUR FINGERTIPS Connect to the OnAir Wi-Fi 4 103 network on all A380s and most Boeing 777s Move around 1 Choose a channel using the games Go straight to your chosen controller pad programme by typing the on your handset channel number into your and select using 2 3 handset, or use the onscreen the green game channel entry pad button 4 1 3 Swipe left and right like Search for movies, a tablet. Tap the arrows TV shows, music and ĒĬĩĦĦĭ onscreen to scroll system features ÊÉÏ 2 4 Create and access Tap Settings to Português, Español, Deutsch, 日本語, Français, ̷͚͑͘͘͏͐, Polski, 中文, your own playlist adjust volume and using Favourites brightness Many movies are available in up to eight languages.
  • Indian Reality Television Shows: Ordinary People, Celebrity and the Fame Cycle

    Indian Reality Television Shows: Ordinary People, Celebrity and the Fame Cycle

    Journal of Xi'an University of Architecture & Technology Issn No : 1006-7930 Indian Reality Television Shows: Ordinary People, Celebrity and the Fame Cycle Taranjeet Kaur Chawla Research Scholar Department of Journalism and Mass Communication Manipal University Jaipur, Rajasthan, India Email- [email protected] Dr. Rayaz Hassan Associate Professor & Head of the Department Department of Journalism and Mass Communication Manipal University Jaipur, Rajasthan. India Dr. Oinam Bedajit Meitei Assistant Professor Department of Mass Communication and Journalism Central University of Karnataka, India Abstract- In this paper, we discuss the phenomenon of Indian reality television shows explore its function for those participating in it. Drawing on the success of their talent hunt programmes such as Sa Re Ga Ma Pa, Indian Idol and Dance India Dance, this research work argues that reality television appeals in different ways to participants and celebrities at different points in the fame cycle. ‘Ordinary’ people seeking to become known through using reality television as an opportunity. To understand the importance of Indian reality television shows for ordinary people and considering fame as a cyclical process, a survey of opinions has been conducted through questionnaire among students of media and communication studies. The present study explores how a successful reality television show cast ordinary people who are at a range of points in the fame cycle as seek to develop their own image and those whose careers are in a period of ‘post-celebrity’ who seek to renew their fame and to prove a key attraction for audiences. Keywords - Celebrity, Fame, Indian reality television, Ordinary people I. INTRODUCTION When television expanded in India, it also provided the space for genre of reality television.