Coding OK Computer: Categorization and Characterization of Disruptive Harmonic and Rhythmic Events in Rock Music
Coding OK Computer: Categorization and Characterization of Disruptive Harmonic and Rhythmic Events in Rock Music by Nathaniel Emerson Adam A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Music Theory) in the University of Michigan 2011 Doctoral Committee: Professor Walter T. Everett, Chair Associate Professor Ramon Satyendra Assistant Professor Karen J. Fournier Assistant Professor Sheila C. Murphy © Nathaniel Emerson Adam 2011 To Laura Hope ii Acknowledgements First and foremost, I want to acknowledge and thank my advisor and friend, Walt Everett. His work inspired me to pursue research in rock analysis, and he personally guided that pursuit, generously providing constant support and assistance. This work is a tribute to him. Many thanks also to the members of my committee, for the experiences in their classrooms and for their encouragement and suggestions in the development of this project. I must acknowledge Thom, Johnny, Ed, Colin, Phil, and Nigel for creating such beautiful and provocative music in the first place. I can’t wait to see what they do next. My love and thanks go out to Zach and to Brent for providing years of stimulating conversation and musical collaboration, and constantly challenging me to think about music better and more deeply. When I started graduate school, Blair, Phil, Danny, and David went out of their way to make me feel welcome and embrace me as a colleague. I’m extremely grateful for their example, their mentoring, and their friendship. Thanks to them and to all of my other colleagues at the University of Michigan, especially Bryan, Michael, Alison, and Abby; spending time with them made it easier to stay sane.
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