Love for the Money Bone Thugs Lyrics
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Crncentury2} PRODUCTIONS INC
, ® OPERATIONS MANUAL - PART TWO Here is your OPUS 74 Top 100 Special! This Billboard Magazine "Documentary of the Year" award-winning program is the culmination o f twelve months of research and interviewing, and over 500 production hours. We feel this year's "OPUS" is more special than ever. On the pages which follow you will find the OPUS 74 Music List/Time & Cue Sheets . These sheets provide full information to ensure a smooth-running and trouble-free presentation. Sheets are divided to correspond with the 8 separate OPUS program disks, representing each of the OPUS broad cast hours. Commercial avails and cutaway times may be precisely determined by referring to the segment lengths shown. The sheets also indicate out cues, disk changes, music content, local ID's, and jingle placement . Please refer to Part One of the OPUS Operations Manual for other operational r e lated details . • Season's Greetings and our best wishes for a Great 1975! crncentury2} PRODUCTIONS INC. 7263 Envoy Court I Dallas, Texas 75247 / 214-638-3222 @ 1974 OPUS PRQJ"'' -lONS,_ IJ-',. p. 2 This year's OPUS program is respectfully dedicated to the memory of John Gilbert, first host of the OPUS series, who lost his life this year in the crash of a station airplane at Houston, Texas. At the time of the accident he was doing what he loved most--broadcasting . Dick Starr Roy Nilson p. 3 FINAL CHECKOUT: 1. TECHNICAL Prior to broadcast we suggest a dry run of a few of the OPUS program segments to check out the technical end of reproduction. -
The Ithacan, 1999-2000
Ithaca College Digital Commons @ IC The thI acan, 1999-2000 The thI acan: 1990/91 to 1999/2000 4-6-2000 The thI acan, 2000-04-06 Ithaca College Follow this and additional works at: http://digitalcommons.ithaca.edu/ithacan_1999-2000 Recommended Citation Ithaca College, "The thI acan, 2000-04-06" (2000). The Ithacan, 1999-2000. 26. http://digitalcommons.ithaca.edu/ithacan_1999-2000/26 This Newspaper is brought to you for free and open access by the The thI acan: 1990/91 to 1999/2000 at Digital Commons @ IC. It has been accepted for inclusion in The thI acan, 1999-2000 by an authorized administrator of Digital Commons @ IC. T¼_ ,, . f ........ , . r P~HC.,(».-i\l ..~~-{ 1' ., i'J "1..,'8 ~ •-~ -.\.,")l: ,1.A / Vol. 67, No. 26 : . , . ;; Ithaca, N. Y. April 6, 2000 . 32 Pages, Free n www. ithaca .eclu/ithacan ~ :~ ~ ; f-Lr.::, Accent ~ij~,Jt·,J;I',.. Accent 15 Shhhhhhhh! Today is the day Classified 25 At Wegmans, sign language students partici 1V news anchor Ann Curry 10 speak Comics 24 . pate in silent ~inner !~rthe deaf.'· Page 15 at Park School at 8 tonight. Page 5 Opinion 12 : .~9f::-J.¢-:i~Y~,-: _ Spons 27 ., ·students •to fast in protest U.S. traiTJ;ing school Two parties compete accused of vwlatwns BY JULIE COCHRAN for control of SGA Staff Writer A group of students and faculty members BY BENJAMIN B. McMILLAN will be going up against the U.S. Army with Staff Writer the only weapon they have-their stomachs. The Ithaca College Amnesty Inter Students will soon have the national chapter is sponsoring a fast on chance to pick the party of campus protesting the U.S. -
Flesh-N-Bone 5Th Dog Let Loose Mp3, Flac, Wma
Flesh-N-Bone 5th Dog Let Loose mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: 5th Dog Let Loose Country: US Released: 2000 MP3 version RAR size: 1739 mb FLAC version RAR size: 1961 mb WMA version RAR size: 1109 mb Rating: 4.4 Votes: 197 Other Formats: ADX XM MP3 MP2 WMA APE MPC Tracklist Hide Credits 1 The Last Tru Souljahs Intro / Hero 8:14 Amen 2 5:01 Featuring – Montell Jordan Way Back 3 4:41 Featuring – Layzie Bone, Ms Chaz* If You Could See 4 3:57 Featuring – Layzie Bone, Wish Bone 5 Word To The Wise 3:59 6 The Master 4:57 7 Say A Little Prayer 4:36 8 Havin A Ball 4:21 Kurupted Flesh 9 5:07 Featuring – Kurupt 10 Deadly 5:24 11 Come F#!k With Me 4:24 12 No Other Like My Kind 3:26 Silent Night 13 4:34 Featuring – BG Knoccout*, Damon Elliott Credits Artwork – Jeff Chenault Photography By – Davis Factor, Peter Dokus Barcode and Other Identifiers Barcode: 0 99923 81972 1 Other versions Category Artist Title (Format) Label Category Country Year Koch Records, 5th Dog Let In The Paint 333.852, 33385-2 Flesh-N-Bone Loose (CD, 333.852, 33385-2 Austria 2000 Records, Mo Album) Thugs Records Koch Records, 5th Dog Let Edel Records, 0122252ERE Flesh-N-Bone Loose (CD, In The Paint 0122252ERE Europe 2000 Album) Records, Mo Thugs Records 5th Dog Let 25-FLESH Flesh-N-Bone Loose (LP, Not On Label 25-FLESH US 2000 Album, W/Lbl) 5th Dog Let 522862 Flesh-N-Bone Loose (CD, Koch Records 522862 Poland 2000 Album) 5th Dog Let KOC-MC-8196 Flesh-N-Bone Loose (Cass, Koch Records KOC-MC-8196 US 2000 Album) Related Music albums to 5th Dog Let Loose by Flesh-N-Bone Floater - Angels In The Flesh And Devils In The Bone Son Of Earth - Flesh On Bone Trio / Bell Five Horizon Hour - Son Of Earth - Flesh On Bone Trio / Bell Five Horizon Hour Seno - Bone Thugs-N-Harmony Feat. -
Pt.BI ISHTAR ~IKAIBKRS
ASCAP "S 2006 DART CLADI Pt.BI ISHTAR ~IKAIBKRS WiD AFFILIATED FOREIG& SOCIETIKS 3 OLC&IE I OF III P U B L I S H E R .357 PUBLISHING (A) S1DE UP MUSIC $$ FAR BEYOND ENTERTAINMENT $3.34 CHANGE OF THE BEAST ? DAT I SMELL MUS1C 'NANA PUDDIN PUBL1SHING A & N MUSIC CORP A & R MUSIC CO A A B A C A B PUBLISH1NG A A KLYC 4 A A P PUBLISHING A AL1KE PUBLiSHING A ALIKES MUSIC PUBLISHING A AND F DOGZ MUSIC A AND G NEALS PUBLiSHER A AND L MUS1C A AND S MUSICAL WORKS AB& LMUSIC A B A D MUZIC PUBLISHING A B ARPEGGIO MUSIC ABCG I ABCGMUSIC A B GREER PUBLISH1NG A B REAL MUSIC PUBLISHING A B U MUSIC A B WILLIS MUS1C A BAGLEY SONG COMPANY A BALLISTIC MUSIC A BETTER HISTORY PUBLISH1NG A BETTER PUBL1SHING COMPANY A BETTER TOMORROM A BIG ATT1TUDE INC A BIG F-YOU TO THE RHYTHM A BILL DOUGLAS MUSIC A BIRD AND A BEAR PUBLISHING A BLACK CLAN 1NC A BLONDE THING PUBLISHING A BOCK PUBLISHING A BOMBINATION MUSIC A BOY AND HIS DOG A BOY NAMED HO A BRICK CALLED ALCOHOL MUSIC A BROOKLYN PROJECT A BROS A BUBBA RAMEY MUSIC A BURNABLE PUBLISHING COMPANY A C DYENASTY ENT A CARPENTER'S SON A CAT NAMED TUNA PUBLISHING A CHUNKA MUSIC A CIRCLE OF FIFTHS MUSIC A CLAIRE MlKE MUSIC A CORDIS MUSIC A CREATI VE CHYLD ' PUB L I SHING A CREATIVE RHYTHM A CROM FLIES MUSIC INC A .CURSIVE MEMDR1ZZLE A D D RECORDiNGS A D G MUSICAL PUBLISHING INC A D HEALTHFUL LIFESTYLES A D SIMPSON OWN A D SMITH PUBLISHING P U B L I S H E R A D TERROBLE ENT1RETY A D TUTUNARU PUBLISHING A DAISY IN A JELLYGLASS A DAY XN DECEMBER A DAY XN PARIS MUSIC A DAY W1TH KAELEY CLAIRE A DELTA PACIFIC PRODUCTION A DENO -
Sample Chapter
3 Pain, Misery, Hate and Love All at Once A THEOLOGY OF SUFFERING I remember the period well. It was the months following the 1992 LA Riots. We were young, full of energy, and having bore witness to the destructive forces that tore our community apart, we wanted to change the direction of the ‘hood. So what did we do? We organized gangs, nonprofits and people with like-minded worldviews to create something that had never been done, a gang truce. A fifteen-city organizational effort involving gang leaders, commu- nity organizations and rappers like Tupac, the then lesser known Snoop Dogg and former members of NWA, as well as people who wanted to see a change from the violence of the 1980s, put together posters, banners, flyers and events that helped put a message of peace out in the commu- nity. Large gangs like the Crips and the Bloods came to park BBQ’s to celebrate the newfound peace. MTV covered many of the events. For the first time it seemed as though urban peace was beginning to take shape. I was truly amazed. Especially being as angry as I was after the Rodney King trial verdict, I was beginning to see some change that I could be a part of. We decided that each city needed to take their concerns to City SoulOfHipHop.indb 75 4/26/10 11:13:30 AM 76 THE SOUL OF HIP HOP Hall. We had hoped to file for a “state of emergency” to begin receiv- ing federal funds to clean up our ‘hoods and begin to restore our fam- ilies. -
Williams, Justin A. (2010) Musical Borrowing in Hip-Hop Music: Theoretical Frameworks and Case Studies
Williams, Justin A. (2010) Musical borrowing in hip-hop music: theoretical frameworks and case studies. PhD thesis, University of Nottingham. Access from the University of Nottingham repository: http://eprints.nottingham.ac.uk/11081/1/JustinWilliams_PhDfinal.pdf Copyright and reuse: The Nottingham ePrints service makes this work by researchers of the University of Nottingham available open access under the following conditions. · Copyright and all moral rights to the version of the paper presented here belong to the individual author(s) and/or other copyright owners. · To the extent reasonable and practicable the material made available in Nottingham ePrints has been checked for eligibility before being made available. · Copies of full items can be used for personal research or study, educational, or not- for-profit purposes without prior permission or charge provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. · Quotations or similar reproductions must be sufficiently acknowledged. Please see our full end user licence at: http://eprints.nottingham.ac.uk/end_user_agreement.pdf A note on versions: The version presented here may differ from the published version or from the version of record. If you wish to cite this item you are advised to consult the publisher’s version. Please see the repository url above for details on accessing the published version and note that access may require a subscription. For more information, please contact [email protected] MUSICAL BORROWING IN HIP-HOP MUSIC: THEORETICAL FRAMEWORKS AND CASE STUDIES Justin A. -
0 Musical Borrowing in Hip-Hop
MUSICAL BORROWING IN HIP-HOP MUSIC: THEORETICAL FRAMEWORKS AND CASE STUDIES Justin A. Williams, BA, MMus Thesis submitted to the University of Nottingham for the degree of Doctor of Philosophy September 2009 0 Musical Borrowing in Hip-hop Music: Theoretical Frameworks and Case Studies Justin A. Williams ABSTRACT ‗Musical Borrowing in Hip-hop‘ begins with a crucial premise: the hip-hop world, as an imagined community, regards unconcealed intertextuality as integral to the production and reception of its artistic culture. In other words, borrowing, in its multidimensional forms and manifestations, is central to the aesthetics of hip-hop. This study of borrowing in hip-hop music, which transcends narrow discourses on ‗sampling‘ (digital sampling), illustrates the variety of ways that one can borrow from a source text or trope, and ways that audiences identify and respond to these practices. Another function of this thesis is to initiate a more nuanced discourse in hip-hop studies, to allow for the number of intertextual avenues travelled within hip-hop recordings, and to present academic frameworks with which to study them. The following five chapters provide case studies that prove that musical borrowing, part and parcel of hip-hop aesthetics, occurs on multiple planes and within myriad dimensions. These case studies include borrowing from the internal past of the genre (Ch. 1), the use of jazz and its reception as an ‗art music‘ within hip-hop (Ch. 2), borrowing and mixing intended for listening spaces such as the automobile (Ch. 3), sampling the voice of rap artists posthumously (Ch. 4), and sampling and borrowing as lineage within the gangsta rap subgenre (Ch. -
Wilson Pickett, New York City, 1981; Swamp Dogg; Aretha Franklin, New York City, 1982; Fred Wesley, 2011; Dr
HYTHM AND LUES From left top and clockwise: Wilson Pickett, New York City, 1981; Swamp Dogg; Aretha Franklin, New York City, 1982; Fred Wesley, 2011; Dr. Mable John. Photos: © Fredrich Cantor; Courtesy of Swamp Dogg; © Fredrich Cantor; Mark Puryear, Smithsonian Institution; Courtesy of Stax Museum of American Soul Music Right side: The Dixie Cups® began performing rhythm and blues music in 1963; the group now includes original members Barbara A. Hawkins (right) and Rosa L. Hawkins (left), joined by Athelgra Neville. Photo by Richard Strauss, Smithsonian Institution Rhythm and Blues 53 Tell It Like It Is by Mark Puryear In 1964 The Dixie Cups®, a female vocal trio from New Orleans, crooned out a cheerful version of “Chapel of Love” and knocked the Beatles from their number one spot on the pop charts. A year later, the trio released “Iko Iko,” a song first released in 1954 by James “Sugar Boy” Crawford as “Jock-A-Mo,” whose lyrics recount the meeting of two groups of Mardi Gras Indians. Since then, this song has been cov- ered by artists from the Grateful Dead to Cyndi Lauper, and continues to move new generations with its infectious New Orleans rhythms. The career of The Dixie Cups, and their direct and indirect roles in carrying rhythm and blues (R&B) into mainstream consciousness, speaks to the enduring pow- er of this music to transcend region and musical category and become a representative sound of the country. Musical Crossroads by Dwandalyn Reece The National Museum of African American History of musical genres, highlighting musical innovations, and Culture (NMAAHC) was established by an act of significant time periods and events along with Congress in 2003 making it the nineteenth museum historic performances to capture the music’s impact of the Smithsonian Institution. -
The Nines Dance List
Just a note from The Nines 1-2-3 MIAMI SOUND MACHINE AIN’T NO OTHER MAN CHRISTINA AGUILERA AIN’T NOBODY CHAKA KHAN ANOTHER NIGHT REAL MCCOY AT LAST CHRISTINA AGUILERA BAD GIRLS DONNA SUMMER BE MY LOVER LABOUCHE BELIEVE CHER BOOGIE OOGIE TASTE OF HONEY BRICKHOUSE COMMODORES CAN’T GET U KYLIE MINOGUE DEVIL WITH THE BLUE DRESS MITCH RYDER DISCO INFERNO THE TRAMPS DON’T CHA PUSSYCAT DOLLS DON’T LEAVE ME THELMA H DREAMS FLEETWOOD MAC DRIVE THE CARS ELECTRIC SLIDE MARCIA GRIFFITHS ENDLESS LOVE L. VANDROSS/MARIAH CAREY FUNKY MUSIC WILD CHERRY GET DOWN KC SUNSHINE HOT STUFF DONNA SUMMER I LUV THE NITE LIFE ALICIA BRIDGES I WILL SURVIVE GLORIA GAYNOR IN THE AIR PHIL COLLINS LADY MARMALADE PATTI LABELLE LAST DANCE DONNA SUMMER LE FREAK CHIC LIKE A STAR CORINNE BAILEY RAE LONG TRAIN DOOBIE BROS LOVE SHACK B 52’S MERCY DUFFY MUSIC MADONNA MUSIC IN ME KIKI DEE MUSTANG SALLY WILSON PICKETT NATURAL WOMAN ARETHA FRANKLIN OBSESSION ANIMOTION RESCUE ME ARETHA FRANKLIN RHYTHM IS GONNA GET YOU MIAMI SOUND MACHINE SANDSTORM DJ DARUDE SAVING ALL MY LOVE FOR YOU WHITNEY HOUSTON SEXUAL AMBER SMOOTH OPERATOR SADE SOME KIND OF WONDERFUL GRAND FUNK RAILROAD SWEET DREAMS EURYTHMICS SWEETEST TABOO SADE TAKIN’ IT TO THE STREETS DOOBIE BROTHERS THAT'S THE WAY KC SUNSHINE THRILLER MICHAEL JACKSON TOTAL ECLIPSE NIKKI FRENCH TURN ME LOOSE LOVER BOY UNCHAINED MELODY RIGHTEOUS BROTHERS VENUS BANANARAMA VOGUE MADONNA WALKING ON SUNSHINE KATRINA WE ARE FAMILY SISTER SLEDGE WHAT IS LOVE HADDAWAY PO Box 619 ● Neenah WI 54957-0619 ● (920) 722-2222 www.stjohn-artists.com Just -
Bone Thugs N Harmony Collection Volume Free Download Bone Thugs N Harmony Collection Volume Free Download
bone thugs n harmony collection volume free download Bone thugs n harmony collection volume free download. Bone Thugs-N-Harmony - Creepin on ah Come Up (1994) 1. Intro 2. Mr. Quija 3. Thuggish Ruggish Bone 4. No Surrender 5. Down Foe My Thang 6. Creepin On Ah Come Up 7. Foe Tha Love Of $ 8. Moe Cheese. Bone Thugs N Harmony - The Art of War (Duplo) (1997) 1. Retaliation (Intro) 2. Handle The Vibe 3. Look Into My Eyes 4. Body Rott 5. It's All Mo' Thug 6. Ready 4 War 7. Ain't Nothin Changed 8. Clog Up Yo Mind 9. It's All Real 10. Hardtimes 11. Mind Of A Souljah 12. If I Could Teach The World 13. Family Tree. 1. Mo' Thug 2. Thug Luv 3. Hatin Nation 4. 7 Sign 5. Wasteland Warriors 6. Neighborhood Slang 7. U Ain't Bone 8. Get Cha Thug On 9. All Original 10. Blaze It 11. Let The Law End 12. Whom Die They Lie 13. Friends 14. Evil Paridise 15. Mo' Thug Family Tree. parte 1: http://rapidshare.com/files/82764022/Bone_Thugs_N_Harmony_-_The_Art_of_War__1997__CD_1.zip. Bone Thugs N Harmony - The Collection Vol. 1 (1998) 1. Foe Tha Love Of $ 2. 1st Of Tha Month 3. Shoot 'Em Up 4. Days Of Our Livez 5. Breakdown 6. Notorious Thugs 7. BNK 8. War (Battlecry Remix) 9. Crossroad (Original Mix) 10. Body Rott 11. Thuggish Ruggish Bone 12. F--- Tha Police (Remix) 13. P.O.D. (Bonus Track) Bone Thugs N Harmony - The Collection Vol. 2 (2000) 1. C L and I.A. -
The Top 200 Greatest Funk Songs
The top 200 greatest funk songs 1. Get Up (I Feel Like Being a Sex Machine) Part I - James Brown 2. Papa's Got a Brand New Bag - James Brown & The Famous Flames 3. Thank You (Falletinme Be Mice Elf Agin) - Sly & The Family Stone 4. Tear the Roof Off the Sucker/Give Up the Funk - Parliament 5. Theme from "Shaft" - Isaac Hayes 6. Superfly - Curtis Mayfield 7. Superstition - Stevie Wonder 8. Cissy Strut - The Meters 9. One Nation Under a Groove - Funkadelic 10. Think (About It) - Lyn Collins (The Female Preacher) 11. Papa Was a Rollin' Stone - The Temptations 12. War - Edwin Starr 13. I'll Take You There - The Staple Singers 14. More Bounce to the Ounce Part I - Zapp & Roger 15. It's Your Thing - The Isley Brothers 16. Chameleon - Herbie Hancock 17. Mr. Big Stuff - Jean Knight 18. When Doves Cry - Prince 19. Tell Me Something Good - Rufus (with vocals by Chaka Khan) 20. Family Affair - Sly & The Family Stone 21. Cold Sweat - James Brown & The Famous Flames 22. Out of Sight - James Brown & The Famous Flames 23. Backstabbers - The O'Jays 24. Fire - The Ohio Players 25. Rock Creek Park - The Blackbyrds 26. Give It to Me Baby - Rick James 27. Brick House - The Commodores 28. Jungle Boogie - Kool & The Gang 29. Shining Star - Earth, Wind, & Fire 30. Got To Give It Up Part I - Marvin Gaye 31. Keep on Truckin' Part I - Eddie Kendricks 32. Dazz - Brick 33. Pick Up the Pieces - Average White Band 34. Hollywood Singing - Kool & The Gang 35. Do It ('Til You're Satisfied) - B.T. -
Bone Thugs-N-Harmony Resurrection (Dirty Version) Mp3, Flac, Wma
Bone Thugs-N-Harmony Resurrection (Dirty Version) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Resurrection (Dirty Version) Country: UK Style: Thug Rap MP3 version RAR size: 1508 mb FLAC version RAR size: 1389 mb WMA version RAR size: 1762 mb Rating: 4.3 Votes: 134 Other Formats: MMF WAV ADX AHX AAC TTA MP4 Tracklist 1 Show 'Em 5:14 2 The Righteous Ones 4:33 3 2 Glocks 4:26 4 Battlezone 4:19 5 Ecstasy 5:44 6 Murder One 4:16 7 Souljahs Marching 3:39 8 Serving The Fiends 3:53 9 Paper 5:15 10 Can't Give It Up 5:10 11 Weed Song 4:10 12 Change The World (W/o Sample) 4:32 13 Don't Worry 5:35 14 Mind On Our Money 5:10 15 No Way Out 5:18 Companies, etc. Mastered At – Whitfield Street Mastering Studios – none Other versions Category Artist Title (Format) Label Category Country Year Ruthless 496427 2, 496427 2, Records, EPC 496427 Bone Thugs-N- Btnhresurrection EPC 496427 Epic, Europe 2000 2, Harmony (CD, Album) 2, Ruthless 4964272000 4964272000 Records Bone Thugs-N- Btnhresurrection Ruthless EPC 496427 1 EPC 496427 1 Europe 2000 Harmony (2xLP, Album) Records Bone Thugs-N- Btnhresurrection Ruthless 496427 2 496427 2 US 2000 Harmony (CD, Album) Records Bone Thugs-N- Btnhresurrection EPC 496427 4 Epic EPC 496427 4 Poland 2000 Harmony (Cass, Album) Bone Thugs-N- Btnhresurrection Ruthless ET 63581 ET 63581 US 2000 Harmony (Cass, Album) Records Related Music albums to Resurrection (Dirty Version) by Bone Thugs-N-Harmony Bone Thugs-N-Harmony - Days Of Our Livez Bone Thugs-N-Harmony - Change The World Bone Thugs-N-Harmony - Btnhresurrection Bone Thugs-N-Harmony Featuring Phil Collins - Home Bone Thugs-N-Harmony - The Best Of Bone Thugs-N-Harmony Bone Thugs-N-Harmony - Buddah Lovaz Bone Thugs-N-Harmony - Tha Crossroads (DJ Magic Mike Remix) Bone Thugs-N-Harmony - Greatest Hits Volume One Bone Thugs-N-Harmony - Young Thugs Bone Thugs-N-Harmony - If I Could Teach The World Bone Thugs-N-Harmony - E.