Stefan Dennis

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STEFAN DENNIS TELEVISION (AUSTRALIA) Celebrity Name Game Celebrity Contestant Fremantle Media Neighbours Webisode- Paul Robinson Fremantle Media Mrs. Robinson Neighbours Webseries- Paul Robinson Fremantle Media Neighbours vs. Time Travel Wentworth Armstrong Fremantle Media Neighbours Paul Robinson (regular) Fremantle Media Footballer Wants A Wife Narrator Crankyfish Pty Ltd (webseries) Harold The Musical Paul Robinson Fremantle Media Shaun Micallef is Mad As Hell Bob Hawke ITV Studios Zombies On Ramsay Street Paul Robinson Fremantle Media Stingers Karl Hiller Simpson Le Mesurier Good Guys Bad Guys Andy Caesar Simpson Le Mesurier Blue Heelers Colin Ducker (Guest Lead) West Street Productions Neighbours 1985 – 1992 (Regular) Grundy Television TELEVISION (BRITAIN) River City Marcus McKenzie (Regular) BBC Television The Bill Gene Bishop Thames Television Casualty Mark Christie BBC Television Dream Team Sam Irving (Regular) Hewland International The Office Nigel (Co-Lead) Richmond Films & TV Royal Command Performance (1998) Wogan BBC1 Open Air BBC1 Going Live BBC address 5/400 St Kilda Road, St Kilda, Victoria 3182 Australia telephone 03 9939 7227 email [email protected] abn 45 007 137 671 a division of Deisfay Pty. Ltd. This Morning GMTV The Ross King Midday Show THEATRE (AUSTRALIA) Blood Brothers (Musical) Lead Role Australian & NZ Tour THEATRE (BRITAIN) Fool For Love Eddie Dynamic Earth, Edinburgh Murder By Misadventure Paul Riggs (Co-Lead) Connaught Theatre Blood Brothers Mickey U.K Tour Blood Brothers Mickey West End Whose Life Is It Anyway? Lead E & B, Tour Point Of Death Simon Cable (Lead) Bill Kenwright THEATRE – DIRECTING Blood Brothers New Zealand Tour PANTOMIMES (BRITAIN) Peter Pan Peter Pan The Grand Theatre Jack And The Beanstalk Jack E & B, Wimbledon Cinderella Buttons E & B, Bournemouth Aladdin Lead E & B, Southampton Robin Hood Lead BCC, Liverpool Aladdin Abanazer Playhouse FILM The Truth About Love Dougie Lex Filmed Entertainment After Dinner Johnnie (Lead) Sloane Films (London) INHOUSE VIDEOS / VOICE OVERS & RADIO PLAYS address 5/400 St Kilda Road, St Kilda, Victoria 3182 Australia telephone 03 9939 7227 email [email protected] abn 45 007 137 671 a division of Deisfay Pty. Ltd. Stefan is in demand as a voice over artist and has worked in numerous training films, presentation videos and radio plays both in Australia and the U.K. DOCUMENTARIES Korea (narrator) World Vision (narrator) MISCELLANEOUS Stefan has released two singles as a singer address 5/400 St Kilda Road, St Kilda, Victoria 3182 Australia telephone 03 9939 7227 email [email protected] abn 45 007 137 671 a division of Deisfay Pty. Ltd. .

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CEPS Working Document Policy No
Centre for European CEPS Working Document Policy No. 214/November 2004 Studies Europeanisation as a Gravity Model of Democratisation Michael Emerson & Gergana Noutcheva Abstract Much analysis of trends in democratisation in the world nowadays gives a rather pessimistic message, with such sweeping notions as the end of the third wave of democratisation, or of the democratic transition paradigm. A closer look at what has been happening in Europe, however, suggests that such analyses have often overlooked an important explanatory variable, captured in what we may call a ‘gravity model’, borrowing here a term from trade theory in economics. The gravity model of democratisation joins up with the mechanisms of Europeanisation, with democratisation progressing fast and deeply in 20 European states that were recently non-democratic, and which have various integrative relationships with the European Union. The trends and levels in the democracy scorecard in Europe as a whole show a clear correlation with the degrees of strength of these integrative relationships, and the results can be seen to be linked to the political conditionality and socialisation mechanisms of Europeanisation. Unfortunately for the advocates of universal democracy, other continents are presently unable to organise or access something similar, even Latin America where the US might have been expected to play more of an analogous role, and even less the Arab/Islamic world. This is not to argue that the values and mechanisms of democracy do not have universal plausibility, at least in the long run. But in the absence of the gravity variable in other continents, there should be soberly realistic expectations over the prospects for fast and deep democratisation.
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Good Neighbours, an Inquiry Into Australia's Relationship with Indonesia
The Parliament of the Commonwealth of Australia Near Neighbours – Good Neighbours An Inquiry into Australia’s Relationship with Indonesia Joint Standing Committee on Foreign Affairs Defence and Trade Foreign Affairs Sub Committee May 2004 Canberra © Commonwealth of Australia 2004 ISBN 0 642 78464 7 Contents Foreword...................................................................................................................................................vii Membership of the Committee................................................................................................................. ix Membership of the Foreign Affairs Sub-Committee ................................................................................ x Terms of reference..................................................................................................................................xiii List of abbreviations ................................................................................................................................xv List of recommendations........................................................................................................................ xix 1 Australia’s relationship with Indonesia —a rich and complex tapestry.......... 1 Introduction.....................................................................................................................................1 Importance of Indonesia to Australia ..........................................................................................2 Importance
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STRAIGHT MATE /With Matthew Myers
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How Fremantlemedia Australia's Daily Soap Won the Hearts of Millions Of
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Redesign Support Framework for Complex Technical Processes
UNIVERSITAT POLITECNICA` DE CATALUNYA Departament de Llenguatges i Sistemes Informàtics Redesign Support Framework for Complex Technical Processes IvánLópez Arévalo Thesis submitted to obtain the degree of Ph.D. in Artificial Intelligence Supervisors: Dr. Arantza Aldea Corrales Dr. RenéBañares-Alcántara Barcelona, Spain, November 2005. Redesign Support Framework for Complex Technical Processes Copyright °c 2005 by Ivan López Arévalo. Dedicated to my family, for always being there. a mi familia, por estar siempre ahi. Acknowledgements I would like to thank all those people who have made this thesis possible. I would like to thank my supervisors Drs. Arantza Aldea Corrales and RenéBañares-Alcántara for their confidence, guiding, support, time and effort that they spent during this thesis. Also, I would like to thank Drs. Mat´ıasAlvarado and Leonid Sheremetov for their support and inspired my decision to work in the field of Artificial Intelligence. I am also indebted to the reviewers who were available to read and comment an earlier version of this thesis that made the final version so much better. I thank the invaluable contribution of Dr. Laureano Jiménezand Antonio Rodr´ıguez in the area of Chemical Engineering Process Design. Their penetrating and constructive criticisms and discussions have contributed greatly to the completion of this work. This work has been mainly supported by the Department of Computer Engineering and Mathematics of the University Rovira i Virgili. I am indebted to all the members and staff for providing financial support and resources, particularly the members of the Banzai Group.
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The Comedy Unit, and a BBC Scotland Television Series, River City (BBC, 2002-Date)
CORE Metadata, citation and similar papers at core.ac.uk Provided by Glasgow Theses Service Creative Industries Policy and Practice: A Study of BBC Scotland and Scottish Screen Lynne Alison Hibberd BA (Hons), MPhil Submitted in fulfilment of the requirements for the Degree of Doctor of Philosophy University of Glasgow Faculty of Arts and Humanities Centre for Cultural Policy Research Department of Theatre Film and Television Studies December 2008 © Lynne Alison Hibberd 2008 2 Abstract This thesis examines creative industries policy in film and television in Scotland. It explores the impact that different approaches to creative industries policy have on creative practice in two media industries, BBC Scotland and Scottish Screen, and reflects on how each of these bodies articulates its role as a „national‟ institution. BBC Scotland is the Scottish branch of the UK‟s largest public service broadcaster, while Scottish Screen exists on a far smaller scale, to serve the screen industries in Scotland. The thesis examines the role of BBC Scotland in sustaining the creative economy and contributing to the cultural life of Scotland. The study of Scottish Screen examines a key early aim of the agency, that of establishing a national film studio. The work investigates the connections between UK and Scottish levels of creative industries policy in light of the debates over the future of public service broadcasting and the Scottish Executive‟s cultural policy framework. The study outlines how ideas of cultural creativity and its economic significance have developed, charts how these ideas have affected policy debate, and explores the extent to which devolution has affected film and television policy.
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Module 2: Family
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CMS.603 / CMS.995 American Soap Operas Spring 2008
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DOCUMENT RESUME ED 398 129 SO 026 588 TITLE Social Studies: A
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