Good Pitch Review 2015
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In the Same Breath
IN THE SAME BREATH A film by Nanfu Wang #InTheSameBreathHBO DEBUTS 2021 ON HBO SUNDANCE FILM FESTIVAL SCREENING SCHEDULE Thursday, January 28 at 5:00 PM PT / 6:00 PM MT – Online (WORLD PREMIERE) For press materials, please visit: ftp://ftp.homeboxoffice.com username: documr password: qq3DjpQ4 Running Time: 95 min Press Contact Press Contact HBO Documentary Films Cinetic Marketing Asheba Edghill / Hayley Hanson Rachel Allen / Ryan Werner Asheba cell: 347-721-1539 Rachel cell: 937-241-9737 Hayley cell: 201-207-7853 Ryan cell: 917-254-7653 [email protected] [email protected] [email protected] [email protected] LOGLINE Nanfu Wang's deeply personal IN THE SAME BREATH recounts the origin and spread of the novel coronavirus from the earliest days of the outbreak in Wuhan to its rampage across the United States. SHORT SYNOPSIS IN THE SAME BREATH, directed by Nanfu Wang (“One Child Nation”), recounts the origin and spread of the novel coronavirus from the earliest days of the outbreak in Wuhan to its rampage across the United States. In a deeply personal approach, Wang, who was born in China and now lives in the United States, explores the parallel campaigns of misinformation waged by leadership and the devastating impact on citizens of both countries. Emotional first-hand accounts and startling, on-the-ground footage weave a revelatory picture of cover-ups and misinformation while also highlighting the strength and resilience of the healthcare workers, activists and family members who risked everything to communicate the truth. DIRECTOR’S STATEMENT I spent a lot of my childhood in hospitals taking care of my father, who had rheumatic heart disease. -
Ethics After Hours the Bleeding Edge
Ethics After Hours The Bleeding Edge Documentary _________________________________________________________________ Summary1 Medical devices can save lives, help us live longer, and improve our quality of life. In The Bleeding Edge, Kirby Dick, Amy Ziering and Amy Herdy explore how lax regulations, corporate cover-ups and the drive for profit in the medical device industry may put patients at risk. The program features cases where medical devices such as Essure (a permanent birth control device), vaginal mesh, the DaVinci Surgical System, and chrome-cobalt hip- replacements have caused irrevocable harm to patients. Director: Kirby Dick Producer: Amy Ziering and Amy Herdy Released: April 21, 2018 Available on Netflix Duration: 1 hours 40 Mins. Discussion questions: • What was your initial reaction to this documentary? • In your opinion, what are the ethical responsibilities of the medical device industry, the medical community, and the government in ensuring patient safety regarding medical devices through approval, usage guidelines, and reporting of adverse events? • Should health care providers be better educated about the approval processes for drugs and medical devices? • According to the documentary, pre-market approval (PMA) for medical devices requires only one clinical trial or study. o Did it surprise you that the approval for medical devices requires fewer steps than the approval of new drugs? o Discuss various reasons for this difference in approval process. Do you believe that it is justified? • What type of regulatory and non-regulatory measures do you think could help alleviate the problems around patient safety outlined in the documentary? 1 This summary is adapted from Wikipedia https://en.wikipedia.org/wiki/The_Bleeding_Edge and Netflix’s website. -
Sales Coordinator
JOB DESCRIPTION – DOGWOOF Title: Sales Coordinator Salary: £25k-£30K + Bonus (depending on experience) Term: Permanent Start date: As soon as possible Location: Dogwoof offices, Old Street (we are currently working remotely due to COVID-19) ABOUT THE ROLE: Dogwoof is currently seeking a Sales coordinator to join the international sales team based in London. This role is a great opportunity for someone looking to continue to evolve their career in the International Sales film business and work in a fast-paced, dynamic, and friendly environment. The ideal candidate will have superb organizational admin skills as well as experience in Sales Assistant Role in TV and or Film, be highly sociable and a great communicator. Dogwoof is an Equal Opportunity Employer and encourages applications from all kinds of candidates. Salary will be commensurate with experience. KEY RESPONSIBILITIES: ADMIN AND SALES ASSISTANT ● Scheduling meetings for the sales and management team. ● Entering all sales contracts into rights management software (iRights), managing and producing availability (mostly through Excel reports and iRights) ● General admin for international sales team (logging links, ensuring sales estimates, availability lists, producers reports are up to date etc.) ● Raising invoices for all international sales contracts ● Managing the constant updating of contacts list to make sure it is accurate and current ● Liaise and follow up with buyers to oversee and track the release of a film ● Assist in organizing company attendance at film markets – e.g. Cannes, EFM, Toronto, AFM - or similar style events SALES ● Support the Sales Manager and Head of Sales with sales. ● Direct responsibility for sales in specific territories. -
1 the Bleeding Edge, An Independent Documentary Directed
1 The Bleeding Edge, an independent documentary directed by Kirby Dick and produced by Amy Ziering through their production company, Chain Camera Pictures, unearths systematic corruption within the “$400 billion medical device industry” (The Bleeding Edge 2018). The film takes a deep dive into the healthcare impacts of medical device “innovation” (Dick 2018). Both Dick and Ziering specialize in investigative journalism and documentary having produced the Emmy Award-winning and Academy Award-nominated documentary, The Invisible War (The Bleeding Edge 2018). In all of their documentaries, Dick and Ziering focus on issues of “breaking news,” aiming to inform public opinion, and influence policy (Fuchs 2018). According to Ziering, in an interview by No Film School, when she and Dick decide to make a film they “first get intrigued, then outraged, and then [they] decide to make a movie” (Buder 2018). In the case of The Bleeding Edge, the topic of the film arose when one of Chain Camera Picture’s producers, Amy Herdy, came forward with “this crazy story” about one of her neighbors, who had experienced complications due to an untested medical device (Buder 2018). The disbelief following the interview resulted in an in-depth investigation into this “breaking news,” where research was conducted, and interviews with survivors, professionals, scholars, and doctors were recorded (Fuchs 2018). This information was then synthesized and analyzed, before getting compiled into a commercially consumable film that informs the public of the fractured health system that “has devolved into [a] business” (Fuchs 2018) The Bleeding Edge is an independent film, meaning that,t was not produced in Hollywood and is not backed by any super PACs or the government (Grove 2014). -
Avi Lewis: Change Is Affecting People All Over the World, Causing Droughts, Wildfires, Intense Why We Should All Leap Summer Heat, Violent Storms and More
This is an image from the film This Changes Everything. The film shows how climate Avi Lewis: change is affecting people all over the world, causing droughts, wildfires, intense Why We Should All Leap summer heat, violent storms and more. Partners in life and partners in conviction and social activism, Avi Lewis and Naomi Klein make a formidable team. Through documentary film and writing, the two combined their talents to create This Changes Everything – a film and book by the same name. Then came the “Leap Manifesto” a political document meant to change how people think and act on climate change and economic inequality. Avi Lewis spoke with us recently about This Changes Everything and the Leap Manifesto. CP: The book, the documenta- causes of the climate crisis in extractivist ry and the Leap Manifesto – capitalism) that emphasizes emotion and you did it as a three platform people on the front lines. When I was approach. Why did you choose finishing the film I felt very strongly that to present it this way? the political demands that came out of AL: We set out almost eight years ago on our thesis needed to be in the movie, but this sprawling multi-platform initiative with every time I tried to put them in it felt like the conviction that to really introduce big, a pamphlet or a laundry list, so in the end bold ideas into a very cluttered culture we I took them out of the film because they needed to come at people from as many just weren’t convincing as narrated argu- angles as possible. -
Documentarists and Documentary/Narrative Filmmakers Those Listed Are Directors, Unless Otherwise Noted
1 COM 321, Documentary Form in Film & Television 1/15/14 Documentarists and Documentary/Narrative Filmmakers Those listed are directors, unless otherwise noted. Documentary/Narrative Filmmakers—Many have done both: Name & Key Documentaries Key Narrative Works Nation Allen, Woody Zelig, 1983 (mockumentary) Annie Hall, 1977 US Manhattan, 1979 Altman, Robert The James Dean Story, 1957 M*A*S*H, 1970 US The Player, 1992 Short Cuts, 1993 Anderson, Lindsay Thursday’s Children, 1954 (with Guy if. , 1968 Britain Brenton) O Lucky Man!, 1973 Anger, Kenneth Kustom Kar Kommandos, 1963 Fireworks, 1947 US Scorpio Rising, 1964 Apted, Michael The Up! series (1970‐2012 so far) Gorillas in the Mist, 1988 Britain Nell, 1994 The World is Not Enough, 1999 Brakhage, Stan The Act of Seeing with One’s Own Dog Star Man, 1962 US Eyes, 1971 Mothlight, 1963 Bunuel, Luis Las Hurdes (Land Without Bread), Un Chien Andalou, 1928 (with Salvador Spain/France 1933 (mockumentary?) Dali) L’Age D’Or, 1930 The Discreet Charm of the Bourgeoisie, 1972 Cameron, James Expedition Bismarck, 2002 Titanic, 1997 US Ghosts of the Abyss, 2003 Avatar, 2009 Capra, Frank Why We Fight series, 1942‐44 Mr. Deeds Goes to Town, 1936 US Mr. Smith Goes to Washington, 1939 It’s a Wonderful Life, 1946 Chukrai, Grigori Pamyat, 1971 Ballad of a Soldier, 1959 Soviet Union Cooper, Merian C. Grass: A Nation’s Battle for Life, 1925 The Four Feathers, 1929 US (with Ernest B. Schoedsack) King Kong, 1933 Chang: A Drama of the Wilderness, 1927 (with Ernest B. Schoedsack) Demme, Jonathan Stop Making Sense, -
The Look of Silence and Last Day of Freedom Take Top Honors at the 2015 IDA Documentary Association Awards
Amy Grey / Ashley Mariner Phone: 818-508-1000 Dish Communications [email protected] / [email protected] The Look of Silence and Last Day of Freedom Take Top Honors at the 2015 IDA Documentary Association Awards Best of Enemies, Listen to Me Marlon & HBO’s The Jinx Also Pick Up Awards LOS ANGELES, December 5, 2015 – Winners in the International Documentary Association’s 2015 IDA Documentary Awards were announced during tonight’s program at the Paramount Theatre, giving Joshua Oppenheimer’s THE LOOK OF SILENCE top honors with the Best Feature Award. This critically acclaimed, powerful companion piece to the Oscar®-nominated The Act of Killing, follows a family of survivors of the Indonesian genocide who discover how their son was murdered and the identities of the killers. Also announced in the ceremony was the Best Short Award, which honored LAST DAY OF FREEDOM, directed by Dee Hibbert-Jones and Nomi Talisman. The film is an animated account of Bill Babbitt’s decision to support and help his brother in the face of war, crime and capital execution. Grammy-nominated comedian Tig Notaro hosted the ceremony, which gathered the documentary community to honor the best nonfiction films and programming of 2015. IDA’s Career Achievement Award was presented to Gordon Quinn, Founder and Artistic Director of Kartemquin Films. He has produced, directed and/or been cinematographer on over 55 films across five decades. A longtime activist for public and community media, Quinn was integral to the creation of ITVS, public access television in Chicago; in developing the Documentary Filmmakers Statement of Best Practice in Fair Use; and in forming the Indie Caucus to support diverse independent voices on Public Television. -
Ben Whishaw Photographed by Matt Doyle at the Walter Kerr Theatre in NYC on Feb
03.17.16 • BACKSTAGE.COM YOUR VO NEED-TO-KNOWS: BEN BUILD YOUR OWN WHISHAW IN-HOUSE STUDIO! DOWNLOAD YOUR THE BRIT GOES WAY TO SUCCESS! PURITANICAL IN “THE CRUCIBLE” TAKE TIPS FROM THE PROS! 17+ Pages of Casting Notices! NEW YORK STELLAADLER.COM 212-689-0087 31 W 27TH ST, FL 3 NEW YORK, NY 10001 [email protected] THE PLACE WHERE RIGOROUS ACTOR TRAINING AND SOCIAL JUSTICE MEET. SUMMER APPLICATION DEADLINE EXTENDED: APRIL 1, 2016 TEEN SUMMER CONSERVATORY 5 Weeks, July 11th - August 12th, 2016 Professional actor training intensive for the serious young actor ages 14-17 taught by our world-class faculty! SUMMER CONSERVATORY 10 Weeks, June 6 - August 12, 2016 The Nation’s Most Popular Summer Training Program for the Dedicated Actor. SUMMER INTENSIVES 5-Week Advanced Level Training Courses Shakespeare Intensive Chekhov Intensive Physical Theatre Intensive Musical Theatre Intensive Actor Warrior Intensive Film & Television Acting Intensive The Stella Adler Studio of Acting/Art of Acting Studio is a 501(c)3 not-for-prot organization and is accredited with the National Association of Schools of Theatre LOS ANGELES ARTOFACTINGSTUDIO.COM 323-601-5310 1017 N ORANGE DR LOS ANGELES, CA 90038 [email protected] by: AK47 Division CONTENTS vol.57,no.11|03.17.16 NEWS 6 Ourrecapofthe37thannualYoung Artist Awardswinners 7 Thisweek’sroundupofwho’scasting whatstarringwhom 8 7 brilliantactorstowatchonNetflix ADVICE 11 NOTEFROMTHECD Themonsterwithin 11 #IGOTCAST EbonyObsidian 12 SECRET AGENTMAN Redlight/greenlight 13 #IGOTCAST KahliaDavis -
TCA Panel Release
FOR IMMEDIATE RELEASE CONTACT Voleine Amilcar, ITVS 415-356-8383 x 244 [email protected] Pressroom for more information and/or downloadable images: http://www.itvs.org/pressroom EMMY® AWARD-WINNING PBS SERIES Independent Lens TO SHOWCASE NEW SEASON AT THE JUNE 2007 TELEVISION CRITICS ASSOCIATION PRESS TOUR Panel to Showcase Box Office Hit WORDPLAY, Patrick Creadon’s Acclaimed Documentary About New York Times crossword puzzle editor Will Shortz, his fans and the drama behind a crossword championship Also to be highlighted are MISS NAVAJO, an engaging look at a unique beauty pageant and PLEASE VOTE FOR ME, a spirited documentary from China that chronicles cautious experimentation with democracy in a third-grade classroom (San Francisco, CA)—The Independent Television Service (ITVS) announced today that its Emmy® Award-winning series, Independent Lens, will be prominently fea- tured at the upcoming Television Critics Association (TCA) press tour, scheduled for July 2007 in Beverly Hills, California. Independent Lens, now entering its sixth con- secutive season, airs nationally on PBS on Tuesday nights at 10:00 PM October through June. From left to right, scenes from WORDPLAY, MISS NAVAJO and PLEASE VOTE FOR ME coming to the 2007-2008 season of Independent Lens. The first of the two-part Independent Lens presentation will feature Patrick Creadon’s acclaimed documentary, WORDPLAY, an engrossing peek at a national pastime, puz- zles and the people who solve them. WORDPLAY focuses on the man most associat- ed with crossword puzzles, New York Times puzzle editor and NPR “Puzzle master” Will Shortz. Director Patrick Creadon introduces us to this passionate hero and to the inner workings of his brilliant and often hilarious contributors, including syndicated puzzle creator Merl Reagle. -
2020 Sundance Film Festival: 118 Feature Films Announced
FOR IMMEDIATE RELEASE Media Contact: December 4, 2019 Spencer Alcorn 310.360.1981 [email protected] 2020 SUNDANCE FILM FESTIVAL: 118 FEATURE FILMS ANNOUNCED Drawn From a Record High of 15,100 Submissions Across The Program, Including 3,853 Features, Selected Films Represent 27 Countries Once Upon A Time in Venezuela, photo by John Marquez; The Mountains Are a Dream That Call to Me, photo by Jake Magee; Bloody Nose, Empty Pockets, courtesy of Sundance Institute; Beast Beast, photo by Kristian Zuniga; I Carry You With Me, photo by Alejandro López; Ema, courtesy of Sundance Institute. Park City, UT — The nonprofit Sundance Institute announced today the showcase of new independent feature films selected across all categories for the 2020 Sundance Film Festival. The Festival hosts screenings in Park City, Salt Lake City and at Sundance Mountain Resort, from January 23–February 2, 2020. The Sundance Film Festival is Sundance Institute’s flagship public program, widely regarded as the largest American independent film festival and attended by more than 120,000 people and 1,300 accredited press, and powered by more than 2,000 volunteers last year. Sundance Institute also presents public programs throughout the year and around the world, including Festivals in Hong Kong and London, an international short film tour, an indigenous shorts program, a free summer screening series in Utah, and more. Alongside these public programs, the majority of the nonprofit Institute's resources support independent artists around the world as they make and develop new work, via Labs, direct grants, fellowships, residencies and other strategic and tactical interventions. -
Sundance Institute to Present a Week of Creative Film Producing Initiatives, July 29 – August 4, 2013
FOR IMMEDIATE RELEASE Media Contact: July 17, 2013 Casey De La Rosa 310.360.1981 [email protected] Sundance Institute to Present a Week of Creative Film Producing Initiatives, July 29 – August 4, 2013 11 Projects Selected for Creative Producing Labs, Ongoing Support and Granting; 40 Industry Leaders Converge for Creative Producing Summit Los Angeles, CA — Sundance Institute today announced the participants for its annual Creative Producing Labs and Creative Producing Summit, both held the week of July 29 at the Sundance Resort in Sundance, Utah. These activities are part of the Institute’s year-round Creative Producing Initiative, which encompasses a series of Labs, Fellowships and other events that support independent producers. Eleven projects will participate in the Labs (July 29 – August 2), where they will work with an accomplished group of Creative Advisors to advance their creative, communication and problem-solving skills in all stages of a film’s journey from script development to distribution. These Producing Fellows will also receive ongoing creative and strategic support throughout the year, as well as direct granting for further development and production. This year’s Fellows represent eleven projects identified by the Institute’s Feature Film Program and Documentary Film Program and Fund. Immediately following the Labs, the Summit (August 2-4) takes place. The Summit is an invitation-only gathering that connects 42 producers and directors, including the Producing Fellows, with more than 40 top independent film industry leaders for three days of case study sessions, panels, roundtable discussions, one-on-one meetings and pitching sessions. Multimedia artist Doug Aitken, whose installation Sleepwalkers was featured in New Frontier at the Sundance Film Festival, will deliver a keynote opening address on storytelling and the creative process. -
Political Documentary, Youtube and the 2008 US Presidential Election: Focus on Robert Greenwald and David N
Studies in Documentary Film Volume 3 Number 3 © 2009 Intellect Ltd Article. English language. doi: 10.1386/sdf.3.3.199/1 Political documentary, YouTube and the 2008 US presidential election: Focus on Robert Greenwald and David N. Bossie Charles Musser Yale University Abstract Keywords This essay investigates elements of the changing media landscape between the documentary 2004 and the 2008 US presidential elections, focusing on the audio-visual presidential elections works of two prominent independent organizations:Robert Greenwald's Brave Barrack Obama New Films and David Bossie's Citizens United. After Kerry's defeat in 2004, John McCain Greenwald's organization gradually shifted from its production of political Hillary Clinton documentaries such as Uncovered: The Truth About the War in Iraq to a YouTube heavy reliance on YouTube and video campaigns such as "The Real McCain." Brave New Films Citizens United, stung by the success of the numerous liberal-left documenta- Citizens United ries of 2004 (by Greenwald, Michael Moore and others), produced a number of Robert Greenwald documentaries in 2008 including Hillary: The Movie and Hype: The Obama David Bossie Effect, but put little energy into exploiting video streaming, video sharingand media related technologies. Although Brave New Films videos were widely viewed on politics the Internet and played a significant role in the campaign, the flourishing of digital video disks music videos on YouTube - over 1,000 embracing "hope" and expressing a (DVD's) pro-Obama sentiment - was arguably the most unexpected and a highly influ- Republicans ential dimension of the 2008 campaign season. Democrats campaign films Internet Given that feature-length political documentaries such as Michael Moore's Fahrenheit 9/11 and Robert Greenwald's Uncovered: The Whole Truth About the War in Iraq played such a prominent role in the 2004 US presidential election, many interested observers expected a wave of simi- lar activities in 2008.