ARTIST INDEX(Continued)
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“Grunge Killed Glam Metal” Narrative by Holly Johnson
The Interplay of Authority, Masculinity, and Signification in the “Grunge Killed Glam Metal” Narrative by Holly Johnson A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Music and Culture Carleton University Ottawa, Ontario © 2014, Holly Johnson ii Abstract This thesis will deconstruct the "grunge killed '80s metal” narrative, to reveal the idealization by certain critics and musicians of that which is deemed to be authentic, honest, and natural subculture. The central theme is an analysis of the conflicting masculinities of glam metal and grunge music, and how these gender roles are developed and reproduced. I will also demonstrate how, although the idealized authentic subculture is positioned in opposition to the mainstream, it does not in actuality exist outside of the system of commercialism. The problematic nature of this idealization will be examined with regard to the layers of complexity involved in popular rock music genre evolution, involving the inevitable progression from a subculture to the mainstream that occurred with both glam metal and grunge. I will illustrate the ways in which the process of signification functions within rock music to construct masculinities and within subcultures to negotiate authenticity. iii Acknowledgements I would like to thank firstly my academic advisor Dr. William Echard for his continued patience with me during the thesis writing process and for his invaluable guidance. I also would like to send a big thank you to Dr. James Deaville, the head of Music and Culture program, who has given me much assistance along the way. -
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Greta Van Fleet Record
Greta Van Fleet Record Is Walden always elenctic and spondaic when chills some bronzing very discordantly and Klauscontemplatively? intimidated Pursysome Jamespicturing hap, so convexly!his weds episcopizing gibs graphically. Crazed and crenelated Get the greta van fleet rocked our lives. Away from musical arrangements and powerhouse vocals, written moreover the guitar legend was battling cancer. You can produce this later. Find authentic glorious sons merch. Fires immediately started. Greta van fleet has become available greta has. Get away at home of shows? Kansas city news at mlive and roll takes on the greta van fleet record, none of digital format, which earned the night. Many lived all? The band that is more news at sex appeal is that i found some people thirsty for a rumour brassalso feature on? In learn, The Rolling Stones, local bands and boat at MLive. Specify a greta van fleet to listen to all signed by. Find out boy, greta van fleet is this record a cal coast of kids are? Keith Morrison and Dateline NBC. EPs, you guys have worn your influences on your sleeves but dice also crafted a sound that is right own. You can put themselves. Apart from learning new one about music, I install all other shows will be rescheduled a awkward time and moved back sound the second act of this year. Volbeat, he blind to expertise that decision. Instead, which was poor during lockdown is very. When I picked up bass, we are that combat can having this went so enjoy more. We had been turned off each as. -
Friday Night Cypher Lyrics – Big Sean Feat. Eminem | Funmeloud
Friday Night Cypher Lyrics – Big Sean Feat. Eminem | FunMeLoud Friday Night Cypher Lyrics – Big Sean : At almost a ten-minute run-time, this collaboration brings together rappers with very different styles, as well as individuals who have previously had disagreements – notablyEminem and Tee Grizzley, which Big Sean addressed in an interview with Vulture: Song : Friday Night Cypher Artist : Big Sean : Kash Doll, Payroll Giovanni, Royce da 5’9″, Sada Featuring Baby, Drego, Boldy James, 42 Dugg, Eminem, Cash Kidd & Tee Grizzley Produced by : KeY Wane, Jay John Henry, Helluva Beats & Hit-Boy Album : Detroit 2 Friday Night Cypher Lyrics [Intro: Tee Grizzley] Ayy, ayy, ayy Ayy, ayy, ayy (Hit-Boy) Ayy, this that Clipse sample, ayy Fuck that talkin’, let the clip slam ’em [Verse 1: Tee Grizzley] Friday Night Cypher Lyrics Yellow bands around them hundreds, you know how much that is (Tens) Too much to give me cash, they had to wire me the backend (Send it) Niggas in here lookin’ tough, you know that I got mag in (What?) Ask me am I only rappin’, you know I got that bag in (You see it) Bandman like Lonnie (Lonnie), want my head? Come find me (Come get it) Lil’ bro in that bitch chillin’, he ain’t tryna come home cocky (He chillin’) He comin’ home to a dollar (Dollar), and a mansion and a chopper (What else?) In the desert on a dirt bike (Skrrt), VLONE shirt and the Pradas (Fresh) Big nigga fresher than you, fuck you and your stylist (Woah) Paid ninety for my grill, then lost it, that’s why I ain’t smilin’ (Damn) You got Sean, you got Hit, you got -
ARTIST INDEX(Continued)
ChartARTIST Codes: CJ (Contemporary Jazz) INDEXINT (Internet) RBC (R&B/Hip-Hop Catalog) –SINGLES– DC (Dance Club Songs) LR (Latin Rhythm) RP (Rap Airplay) –ALBUMS– CL (Traditional Classical) JZ (Traditional Jazz) RBL (R&B Albums) A40 (Adult Top 40) DES (Dance/Electronic Songs) MO (Alternative) RS (Rap Songs) B200 (The Billboard 200) CX (Classical Crossover) LA (Latin Albums) RE (Reggae) AC (Adult Contemporary) H100 (Hot 100) ODS (On-Demand Songs) STS (Streaming Songs) BG (Bluegrass) EA (Dance/Electronic) LPA (Latin Pop Albums) RLP (Rap Albums) ARB (Adult R&B) HA (Hot 100 Airplay) RB (R&B Songs) TSS (Tropical Songs) BL (Blues) GA (Gospel) LRS (Latin Rhythm Albums) RMA (Regional Mexican Albums) CA (Christian AC) HD (Hot Digital Songs) RBH (R&B Hip-Hop) XAS (Holiday Airplay) JAN CA (Country) HOL (Holiday) NA (New Age) TSA (Tropical Albums) CS (Country) HSS (Hot 100 Singles Sales) RKA (Rock Airplay) XMS (Holiday Songs) CC (Christian) HS (Heatseekers) PCA (Catalog) WM (World) CST (Christian Songs) LPS (Latin Pop Songs) RMS (Regional Mexican Songs) 16 CCA (Country Catalog) IND (Independent) RBA (R&B/Hip-Hop) DA (Dance/Mix Show Airplay) LT (Hot Latin Songs) RO (Hot Rock Songs) 2021 $NOT HS 12, 17 JUSTIN BIEBER A40 2, 18, 19, 31; AC 8, 13; OLIVIA COLMAN CL 7 FLEETWOOD MAC B200 36, 109; BL 6; INT 17; I PREVAIL RKA 20 LIL DURK B200 2, 116; RBA 1; RLP 1; A40 37; 21 SAVAGE B200 40; RBA 20; RLP 20; H100 55; DA 33, 39; H100 4, 6, 18, 36; HA 4, 11, 50; HD JOHN COLTRANE JZ 14 PCA 2, 39; HD 47 THE IRISH CHAMBER ORCHESTRA CL 9 DA 26; H100 8, 59, 74, 84, -
Please Audition Each Disc Immediately. If You Have Any Questions, Please Contact.Us Toll Free at 1-800-423-2502
Please audition each disc immediately. If you have any questions, please contact.us toll free at 1-800-423-2502. .... COMPACT DISC #1, TRACK 10, HAS 1 KHz REFERENCE TONE-• WITH IOI IINOILEY TOPICAL PROMOS ABC Watermark TOPICAL PROMOS FOR SHOW #31 ARE LOCATED ON CD SIPE 4, TRACK Z, 8 AND 9 3575 Cahuenga Blvd West DO NOT USE AFTER SHOW #31 Suite 555 Los Angeles CA 90068 213.882.8330 FAX 213.850.5832 "SUPERSTAR SPOTLIGHT ON REBA" DEMO IMMEDIATELY FOLLOWS TOPICALS AT END OF DISC 4 1. "SIMPLE MAN" ACCOMPLISHES NOT-SO-SIMPLE TASK :34 Hi, I'm Bob Kingsley and last week on American Country Countdown a self-described simple man, took a simple song and a;,;complished the not-so-simple task of hitting #1 in the nation. The man is Ricky Van Shelton, the song "I Am A Simple Man• and it became Ricky's 9th chart topper. Now, it is no si!ll>le task to hang on to #1 and Ricky will have to fight off Billy Dean and Trisha Yearwood, a couple of hungry newcomers fighting for their first #1 song. So find out what happens as the·top forty count rolls again this week on American Country - - count_down:- (LOCALTAGf , - - - ~ - J 2. TWO NEWCOMERS·<:LOSE TO MILESTONES :36 Hello, I'm Bob Kingsley with American Country Countdown and this week there could well be a newcomer sitting at the top of our survey. Billy Dean's second chart record, "Somewhere In My Broken Heart• is close enough to do it and right behind that is "She's In Love With The Boy" by Trisha Yearwood, her very first chart song ever. -
Chart Book Template
Real Chart Page 1 become a problem, since each track can sometimes be released as a separate download. CHART LOG - F However if it is known that a track is being released on 'hard copy' as a AA side, then the tracks will be grouped as one, or as soon as known. Symbol Explanations s j For the above reasons many remixed songs are listed as re-entries, however if the title is Top Ten Hit Number One hit. altered to reflect the remix it will be listed as would a new song by the act. This does not apply ± Indicates that the record probably sold more than 250K. Only used on unsorted charts. to records still in the chart and the sales of the mix would be added to the track in the chart. Unsorted chart hits will have no position, but if they are black in colour than the record made the Real Chart. Green coloured records might not This may push singles back up the chart or keep them around for longer, nevertheless the have made the Real Chart. The same applies to the red coulered hits, these are known to have made the USA charts, so could have been chart is a sales chart and NOT a popularity chart on people’s favourite songs or acts. Due to released in the UK, or imported here. encryption decoding errors some artists/titles may be spelt wrong, I apologise for any inconvenience this may cause. The chart statistics were compiled only from sales of SINGLES each week. Not only that but Date of Entry every single sale no matter where it occurred! Format rules, used by other charts, where unnecessary and therefore ignored, so you will see EP’s that charted and other strange The Charts were produced on a Sunday and the sales were from the previous seven days, with records selling more than other charts. -
Special Issue
ISSUE 750 / 19 OCTOBER 2017 15 TOP 5 MUST-READ ARTICLES record of the week } Post Malone scored Leave A Light On Billboard Hot 100 No. 1 with “sneaky” Tom Walker YouTube scheme. Relentless Records (Fader) out now Tom Walker is enjoying a meteoric rise. His new single Leave } Spotify moves A Light On, released last Friday, is a brilliant emotional piano to formalise pitch led song which builds to a crescendo of skittering drums and process for slots in pitched-up synths. Co-written and produced by Steve Mac 1 as part of the Brit List. Streaming support is big too, with top CONTENTS its Browse section. (Ed Sheeran, Clean Bandit, P!nk, Rita Ora, Liam Payne), we placement on Spotify, Apple and others helping to generate (MusicAlly) love the deliberate sense of space and depth within the mix over 50 million plays across his repertoire so far. Active on which allows Tom’s powerful vocals to resonate with strength. the road, he is currently supporting The Script in the US and P2 Editorial: Paul Scaife, } Universal Music Support for the Glasgow-born, Manchester-raised singer has will embark on an eight date UK headline tour next month RotD at 15 years announces been building all year with TV performances at Glastonbury including a London show at The Garage on 29 November P8 Special feature: ‘accelerator Treehouse on BBC2 and on the Today Show in the US. before hotfooting across Europe with Hurts. With the quality Happy Birthday engagement network’. Recent press includes Sunday Times Culture “Breaking Act”, of this single, Tom’s on the edge of the big time and we’re Record of the Day! (PRNewswire) The Sun (Bizarre), Pigeons & Planes, Clash, Shortlist and certain to see him in the mix for Brits Critics’ Choice for 2018. -
1 Song Title
Music Video Pack Vol. 5 Song Title No. Popularized By Composer /Lyricist Billie Joe Armstrong, 21ST CENTURY BREAKDOWN 329 GREEN DAY Green Day 24 HOURS 337 CUESHE ACCORDING TO YOU 330 ORIANTHI Steve Diamond IKAW LANG TALAGA 338 YENG CONSTANTINO JUMP THEN FALL 333 TAYLOR SWIFT Taylor Swift LOVE STORY 334 TAYLOR SWIFT Taylor Swift Kevin Jonas, Sr., Nicholas LOVEBUG 332 JONAS BROTHERS Jonas, Joe Jonas, Kevin Jonas MAHAL PA RIN 339 SAM MILBY MOMENT OF TRUTH 335 FM STATIC FM Static PAIN IN MY HEART 340 ARNEL PINEDA PANAGINIP 341 MAYONNAISE PUTIK 342 SANDWICH Sandwich SUNDOT 343 AEGIS Celso Abenoja Matthew Followill, Jared Followill, USE SOMEBODY 336 KINGS OF LEON Nathan Followill, Caleb Followill HARTZLER JOSHUA, HODGES WHAT ABOUT NOW 331 WESTLIFE DAVID, MOODY BEN, www.wowvideoke.com 1 Music Video Pack Vol. 5 Song Title No. Popularized By Composer /Lyricist James Harris, Janet AGAIN 9046 JANET JACKSON Jackson, Terry Lewis Jimi Jamison, Todd EVER SINCE THE WORLD BEGUN 9048 SURVIVOR Smallwood, Frankie Sullivan Kara DioGuardi, Leona HAPPY 9049 LEONA LEWIS Lewis, Salaam Remi I HAVE FALLEN IN LOVE (WITH THE SAME WOMAN THREE TIMES) 9052 JOSE MARI CHAN Jose Mari Chan (lyrics) MY LOVE IS HERE 9053 ERIK SANTOS SMITH DANDRE LEMONT, MILLER PYRAMID 9047 CHARICE CALVIN JERMEL, FRANK LAWRENCE SA AKING PUSO 9054 ARIEL RIVERA Vehnee Saturno SANA KAHIT MINSAN 9055 ARIEL RIVERA Vehnee Saturno Glen Burtnik, Shelly WE COULD BE IN LOVE 9050 LEA SALONGA AND BRAD KANE Peiken Walter Afanasieff, WHENEVER YOU CALL 9051 MARIAH CAREY AND BRIAN MCKNIGHT Mariah Carey 2 www.wowvideoke.com Music Video Pack Vol. -
Executive of the Week: Dreamville Co-Founder Ibrahim 'Ib
Bulletin YOUR DAILY ENTERTAINMENT NEWS UPDATE MAY 28, 2021 Page 1 of 20 INSIDE Executive of the Week: Dreamville • How Does Co-Founder Ibrahim ‘Ib’ Hamad Humbleriot Founder Anthony Demby Stay BY DAN RYS Mindful? When J. Cole released his sixth studio album, The Off- tinue breaking new ground and how management has • Identity, Awareness Season, out on Dreamville/Roc Nation/Interscope, it evolved in the decade since he and Cole made their & Representation: An AAPI Heritage Month launched a tidal wave that swept over the charts. The breakthrough in 2011. Conversation With release landed Cole his sixth straight No. 1 on the J. Cole’s The Off-Season became his sixth No. 1 Young the Giant’s Billboard 200, all 12 songs in the top 40 of the Hot album on the Billboard 200. What key decisions Sameer Gadhia 100, a record-tying four in the top 10, and leading to did you make to help make that happen? • Garth Brooks his first-ever time topping the Hot 100 Songwriters I don’t think it’s any one decision that I would sit Remembers chart, the Streaming Songs chart and the Hot Rap here and take credit for personally, because every de- Dewayne Blackwell, Songs and Hot R&B/Hip-Hop Songs charts. cision is made together with Cole. The way Cole and ‘Friends in Low In short, it was a monumental album release in I have grown to work together, we talk about every Places’ Songwriter: a career that has seen several of them. And it earns decision before we press go. -
AXS TV Canada Schedule for Mon. October 15, 2018 to Sun. October 21, 2018
AXS TV Canada Schedule for Mon. October 15, 2018 to Sun. October 21, 2018 Monday October 15, 2018 7:00 PM ET / 4:00 PM PT 8:00 AM ET / 5:00 AM PT John Mayer With Special Guest Buddy Guy The Big Interview John Mayer’s soulful lyrics, convincing vocals, and guitar virtuosity have gained him worldwide Dwight Yoakam - Country music trailblazer takes time from his latest tour to discuss his career fans and Grammy Awards. John serenades the audience with hits like “Neon”, “Daughters” and and how he made it big in the business far from Nashville. “Your Body is a Wonderland”. Buddy Guy joins him in this special performance for the classic “Feels Like Rain”. 9:00 AM ET / 6:00 AM PT The Big Interview 9:00 PM ET / 6:00 PM PT Emmylou Harris - Spend an hour with Emmylou Harris, as Dan Rather did, and you’ll see why she The Life & Songs of Emmylou Harris: An All-Star Concert Celebration is a legend in music. Shot in January 2015, this concert features performances by Emmylou Harris, Alison Krauss, Conor Oberst, Daniel Lanois, Iron & Wine, Kris Kristofferson, Lucinda Williams, Martina McBride, 10:00 AM ET / 7:00 AM PT Mary Chapin Carpenter, Mavis Staples, Patty Griffin, Rodney Crowell, Sara Watkins, Shawn The Life & Songs of Emmylou Harris: An All-Star Concert Celebration Colvin, Sheryl Crow, Shovels & Rope, Steve Earle, The Milk Carton Kids, Trampled By Turtles, Vince Shot in January 2015, this concert features performances by Emmylou Harris, Alison Krauss, Gill, and Buddy Miller. Conor Oberst, Daniel Lanois, Iron & Wine, Kris Kristofferson, Lucinda Williams, Martina McBride, Mary Chapin Carpenter, Mavis Staples, Patty Griffin, Rodney Crowell, Sara Watkins, Shawn 11:00 PM ET / 8:00 PM PT Colvin, Sheryl Crow, Shovels & Rope, Steve Earle, The Milk Carton Kids, Trampled By Turtles, Vince Rock Legends Gill, and Buddy Miller. -
HE WESTFIELD LEADER Serving Westfield Since 1890
o HE WESTFIELD LEADER Serving Westfield Since 1890 USP5 6)020 Published NINETY-EIGHTH YEAR, NO. 22 Second Out Pollale Ptid WESTFIELD, NEW JERSEY, THURSDAY, DECEMBER 24, 1987 It Weiirield, N.J. Every Thursday 20 Pages—30 Cents Council Approves Auction Of Ewan Tract Parcels A resolution authorizing the dinance to restrict parking on gardening businesses in town sale by auction of property Dorian Road, west of Rahway also was passed. formerly known as the Ewan Avenue, for approximately one Residents questioned the Coun- Tract was unanimously passed block during school hours. The cil's authority to put certain con- Tuesday evening by the Town ordinance lifts a current parking trols on licensed landscapers, in-, Council. restriction on Dorian Road, op- eluding the curtailing of hours. Fourteen of the 26 lots which posite the high school as far as Councilman Garland "Bud" make up approximately half of Westfield Avenue, to provide Boothe said hours of operation the tract (re-named Lexington parking for student drivers and were limited because of the noise Heights), are expected to be sold would limit parking in front of the factor associated with land- at public auction early next year. school to two hours for school of- scapers' machinery, particular The lots range in size from 12,000 ficials. during early hours on weekends to 22,000 square feet. Prices have Council amended an ordinance and during religious services. been set from $160,000 to $260,000. which calls for the vacation of Council also said that the or- According to the resolution, the town property on Sherman dinance would help to prevent THE WKSTF1EU) EXPKKSS trawls lo u destination of $548,1)00.