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Music Department Concert Programs Music

2-17-1999 Music of the Renaissance Department of Music, University of Richmond

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Recommended Citation Department of Music, University of Richmond, "Music of the Renaissance" (1999). Music Department Concert Programs. 171. https://scholarship.richmond.edu/all-music-programs/171

This Program is brought to you for free and open access by the Music at UR Scholarship Repository. It has been accepted for inclusion in Music Department Concert Programs by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. UNIVERSITY OF RICHMOND LIBRARIES M 'i 7 p ------llllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllll ------3 3082 00891 4870

UNIVERSITY OF RICHMOND DEPARTMENT OF MUSIC

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FEBRUARY 17, 1999, 7 PM CAMP CONCERT HALL BooKER HALL OF Music GEORGE M. MoDLIN CENTER FOR THE ARTS ::Personnel

:Jennifer Gable, soprano c5uzanne cSievens, mezzo,...soprano 'J/e}foey !J?iefi.(lenor :;!~es Xfo/ ::Smifi,' fiardone Xennelh 2/(err1ff, harpsichord 7/nckew 2/(aginley, lheorbo, viola cia mana :fay 0Jfenbein, viola cia !Jamba

'Jbis performance is bein!Jpresen/edin confunc/ion ad/b!be e:xhJ1J.i/ion, :J?efrjion and!Polr!ics. 'Jbe exbibilion features over e1jblyprinls, ran!Jin!J in dales from 1450 Ia 1.5cJ9, /&'!be !/real maslers ofibe :J?enaissance andreflec!s !be fi_{e oflbe pe.nad, 1ts pofrlica/reafrlies, refrg1ous befr·efi andupbeav~ afs, andsocialmores. 'Jbe exhJfut1on, wbicb willremain on viewlbrou!Jb7/pn/2, 1999, is or!lanized/&'!be 2/(arsb7/rl 9aflery, Wniversily of:J?icbmond, andcurafed /&' Cbarfes W. :lobnson, :?rofessorof71rl Jfislory andCbair, 7Jeparl~ men/of71ri and7/rl J/Ls!ory, Wniversify of!l&c.bmoncl 'Jbe exhJfut1on and accompanyin!J ca!afo!lue, publrsbed/&' !be 2/(arsb 7/rl 9ailery, are made poss11J.fe w1tb !be !lenerous supporf of/be Weslbampfon 71/umnae 7/ssociahon oflbe Wniversily of!l&cbmondandlbe Cuflura/7/lfairs Com~ m1lfee of!be Wniversify of!l&cbmoncl 'Jbeperformance/&' 7/ffilli 2/(us1cafr·1s made poss11J.fe, in pari, /&'!be Wniver~ sily of%cbmondClass o/1991 0ndowmenffor !be 7/r/s. 1 L' Amor donna ch'io te porto Anonymous z. None tempo d'aspettare Marco Cara :; Io non compro piu speranza (c. 1470-c. 1525) Ms. Cable, Ms. Stevens, Mr. Riehl, Mr. Smith, Mr. Merrill, Mr. Maginley, Mr. Elfenbein

'-f Amarilli, mia bella Giulio Caccini (c.1545-1618) Mr. Riehl, ML Maginley

) Un Cavalier di Spanga Anonymous Ms. Cable, Ms. Stevens, Mr. Riehl, Mr. Smith, Mr. Merrill, Mr. Maginley, Mr. Elfenbein

Ricercare Francesco da Milano (1497-1543)

1 Mass Movements, arr. Valderrabano, c. 1500 Josquin des Prez Crucifixus (c. 1440-1521) Et Resurrexit Benedictus Plenisunt Agnus Dei Mr. Maginley

3 Fresche erbette Sigismundo D'India Su, su prendi (1582-1629)

Ms. Cable, Ms. Stevens, Mr. Merrill, Mr. Maginley, Mr. Elfenbein It.> Zefiro toma Claudio Monteverdi (1567-1643) Ms. Cable, Mr. Riehl, Mr. Merrill, Mr. Maginley, Mr. Elfenbein

1r E la morte di marito Perissone Cambio (fl. 1540-1550) Ms. Cable, Ms. Stevens, Mr. Riehl, Mr. Smith, Mr. Merrill, Mr. Maginley, Mr. Elfenbein

1'J-An cor che col partire Cipriano da Rore (1515116-1565) Ms. Cable, Ms. Stevens, Mr. Riehl, Mr. Smith Ancor che col partire (instrumental) Mr. Merrill, Mr. Maginley, Mr. Elfenbein

Festivities for the Marriage of Cosimo I, Duke of Florence, in 1539

~~ Lieta per honorate Mattio Rampollini (c. 1497-c. 1553) 14 Non men'ch'ogn'altra Baccio Moschini (d. 1552) 5 Vattene Almo riposo Pier Francesco Corteccia Bacco, bacco (1502-1571) (Text for the final two by Giovan Battista Strozzi) Ms. Cable, Ms. Stevens, Mr. Riehl, Ms. Smith, Mr. Merrill, Mr. Maginley, Mr. Elfenbein

r:'5pecia.I'J£a.n£s lo 9ene 'Jlnderson 'lJawdB1ngerje!i Yred Cohen 2JiflBu.hrs 2Jonny J£a.f/ r:Suzanne !)(ie£/ '}J(ary :fenninys Jfomer !)(ucfofj G£arles /lo.hnson :J?ichard Waller Jennifer Cable has performed through­ which introduces opera to schools and out the United States and Europe in solo communities throughout the Common­ repertoire ranging from the Renaissance wealth. through the 20th Century. In addition She made her professional debut with to opera and oratorio, Cable has sung Portland Opera (Oregon) in Offenbach's with many chamber music ensembles, Les Contes d'Hoffmann, and has also including Tragicomedia, Musica Nova, sung the roles of Hansel in the Kennedy Center Chamber Players, Humperdinck's Hansel and Gretel, the Richmond Chamber Players and Dorabella in Mozart's Cosi fan tutte and Currents. She is a founding member and Mother Marie in Poulenc's Dialogues of regular artist with Affetti Musicali, an the Carmelites. early music ensemble well known to Richmond audiences, and has made sev­ Concert work includes solo work with eral solo appearances with the Rich­ the Rochester Oratorio Society, Roch­ mond Symphony Orchestra. Under­ ester Philharmonic Orchestra, the graduate study at Oberlin College was Greater Lansing Symphony Orchestra, followed by the Eastman School of the Eastman School Symphony and the Music for her Master of Music and Doc­ University of Richmond Orchestra and tor of Musical Arts. Cable was also Choirs. She has presented recitals in the awarded Performer's Certificates in both Richmond area, including performances Opera and Vocal Performance from the at the Virginia Museum of Fine Arts. She Eastman School of Music. She has at­ teaches voice at the University of Rich­ tended the Aspen Music Festival, the mond, where she performs regularly Akademie fur Alte Musik in Bremen, with the voice faculty quartet; in addi­ Germany, the International Institute for tion, she is on faculty with the Virginia Chamber Music in Munich, the Commonwealth University Community Aldeburgh Festival and the Britten­ School for Performing Arts. She has Pears School in Aldeburgh, England, studied with Marcia Baldwin, Meredith and the Franz Schubert Institute in Zara, Ethel Armeling, and Ellen Faull. Vienna. She is currently studying voice with Marlena Malas in New York City A graduate of Michigan State Univer­ and serves on the faculty of the Univer­ sity, she earned the Master of Music sity of Richmond in Richmond, Virginia. degree in Vocal Performance and Lit­ She has recorded for Word Records and erature from the Eastman School of the Contemporary Record Society. Music, where she also earned the Performer's Certificate in Voice. Suzanne Stevens, mezzo-soprano, has sung to critical acclaim around the coun­ Jeffrey Riehl, a native of central PA, is try. Her operatic credits include the role Assistant Professor of Music at the Uni­ of Dinah in Opera Carolina's production versity of Richmond where he directs of Bernstein's Trouble in Tahiti, and the choral program and teaches a vari­ Maddalena in with the Lan­ ety of music courses for the general stu­ sing Lyric Opera. She has also sung with dent. As a singer, Riehl has performed the Ash-Lawn Highland Summer Festi­ with Robert Shaw, the early music con­ val in Charlottesville, performing the sort Affetti Musicali, the Eastman Col­ role of Ma Moss in its acclaimed pro­ legium Musicum and lutenist Paul duction of Aaron Copland's The O'Dette, the Dickinson College Choir, Tenderland; and with Virginia Opera as the Lebanon Valley College Chorus, the part of their SPECtrum Artist program, Bucks County Choral Society, the Leba- non County Choral Society, the Almaviva, Le Nozze di Figaro; Westminster Choir, and the Children's Guglielmo, Cos'ifan Tutte; Marcello, Miracle Network Annual Messiah Sing. La Boheme; and Lescaut, as well He is active as a guest conductor, clini­ as numerous comprimario roles. Last cian, and adjudicator and has recorded season he sang the title role in Puccini's for Chesky Records as a member of the with the VCU Opera Westminster Choir. Theater and also appeared with the Rich­ mond Symphony singing Aaron Riehl is an active scholar with particu­ Copland songs. This is his second ap­ lar interests in eighteenth-century pearance with Affetti Musicali, having Viennese sacred music and the nine­ performed Carissirni's Jeptha with them teenth-century German lied. He is cur­ here two seasons ago. He has sung in rently editing the unpublished songs of concert as a guest artist at the National Fanny Mendelssohn Hensel and is pre­ Cathedral and the French Embassy in paring a comprehensive guide to the Washington, D.C. and has performed ex­ sacred works of W. A Mozart. tensively in Germany and the Middle East. A veteran musical theatre per­ Prior to joing the UR faculty, he held former, he has played such roles as Papa faculty appointments at Nazareth Col­ Charlie, Shenandoah; Archibald Cra­ lege of Rochester, Westminster Choir ven, The Secret Garden; Michael, I Do, College, and Lebanon Valley College in I Do. He is currently portraying the role Pennsylvania. Riehl was Artistic Direc­ of Father (God) in Swift Creek Mill tor of the highly-acclaimed Lancaster Playhouse's production of Children of Chamber Singers, the Ephrata Cloister Eden by Stephen Schwartz. This past Chorus, and Conductor of the Lebanon fall he debuted with Virginia Opera as County Choral Society. the Prince in Gounod's Romeo et Juliette. He teaches on the voice facul­ Riehl earned the Doctor of Musical Arts ties of Virginia Commonwealth Univer­ in Conducting at the Eastman School of sity and the University of Richmond. Music, the Master of Music in Choral Conducting at Westminster Choir Col­ lege, and the BS in Music Education at Kenneth Merrill is currently on the Lebanon Valley College. His principal faculty of the Vocal Arts conducting study has been with Joseph Department, where he often acts as Flummerfelt, Frauke Haasemann, Rob­ musical director of productions of the ert Shaw, Helmuth Rilling, Donald Juilliard Opera Theatre. He is also on Neuen, and William Weinert; voice the faculty of the Manhattan School of study with Thomas Houser, Carol Music where he teaches classes in song Webber, Ruth Drucker, Oren Brown, repertoire, accompanying, and vocal­ and Marvin Keenze; he has also studied instrumental ensemble. Movement with Elaine Summers as well as the Alexander and Feldenkrais Tech­ He has been associated with the Aspen niques. He is married to Suzanne Riehl Music Festival since 1980, and currently and they have two children. acts as head coach in charge of musical preparation for the Aspen Opera Theatre Center, where he shares responsibilities James Riley Smith has appeared with with director Edward Berkeley. In 1998 Virginia Opera, Opera Memphis, South­ he began another summer association, ern Opera Theatre, in roles such as acting as head of music preparation for Sharpless, Madama Butterfly; Count the Voice Program led by Marlena Malas at the Chatauqua Institution. degree from the Juilliard School in 1975, studying piano with Josef Raieff and As pianist, he has appeared in concert accompanying and opera with Martin with Gerard Souzay, Anna Moffo, Isepp. He also studied chamber music Robert Merrill, Eleanor Steber, James with Antonio Janigro at the Mozarteum King, Jan DeGaetani, John Aler, Neil in Salzburg and song interpretation with Rosenshein, Paul Groves, Charlotte Gerard Souzay and Dalton Baldwin at Hellekant, Ruth Golden, Faith Esham, the Festival in Aix-en- Provence. Anthony Dean Griffey, and Jeanette Thompson. At present he is involved in recording the songs of Pauline Viardot Andrew Maginley graduated from the with soprano Ruth Golden, for release Mannes College of Music, New York on the Koch label later this year. with a Masters degree in historical per­ formance, having studied the lute with As conductor of opera, he has led Patrick O'Brien. In 1995 a Fulbright productions of Britten's The Burning scholarship was awarded to him to study Fiery Furnace, and The Beggar's Opera, independently with Stephen Stubbs in Mozart's The Impresario, Handel's Bremen, Germany, where Mr. Maginley Acis and Galatea, Monteverdi's currently resides. Mr. Maginley has per­ L'Incoronazione di Poppea, and most formed as a soloist and continuo player recently, Caballi's La Calisto, with the in festivals and live radio broadcasts Juilliard Opera Theatre. throughout Europe. He has recorded with Piori Musicali Barockorchester As harpsichordist and organist, he has Bremen (Wolfgang Helbich, Director), appeared in many concerts of early Teatro linco (Stephen Stubbs, Director) music, particularly with the Baroque and the Lanziter Opera Company. performance ensembleAffetti Musicali, which he helped to found in 1992. He has performed continuo in many operas Jay Elfenbein, completed his Artist's by Handel and in almost all operas by Diploma from the Juilliard School in Mozart and Rossini that call for 1985 and has been performing with continuo. Early Music ensembles in the New York area for the past ten years. As well as In 1995 he was head of musical Affetti Musicali, Elfenbein is also a preparation and played harpsichord member of the Ivory Consort and has continuo for the Houston Grand Opera played with The Artek Ensemble, The production of Rossini's La Centerentola, Classical Band, The Fairfield Period with Cecilia Bartoli in the title role. This Ensemble, and the 18th Century En­ performance has been released on semble. He has studied with Mr. London CD and Video. In 1996 he was Michael Willens and Miss Martha head of musical preparation for the McGaughey and has coached with Miss Houston production of Mozart's The Mary Springfels. Also a composer, Mr. Magic Flute. Elfenbein's works have recently been performed at the American Festival of Merrill, a native Arkansas, received his Microtonal Music in New York City. Bachelor of Music degree from the Mr. Elfenbein has performed for Sony University of Arkansas, where he Classics. studied piano with Jerome Rappaport. He then received his Master of Music GEORGE M. MODLIN CENTER FOR THE ARTS ScHEDULE oF EVENTs Ticket information: 289-8980

James River Brass* Mike Davison, trumpet Jon Mela, trumpet Amy Roberts, French horn Mark La Fratta, trombone David Townsend, tuba Saturday, February 21, 1999, 8 pm Camp Concert Hall, Booker Hall of Music

Junior Recital Kristen Alexander, voice * Steve Ahearn, clarinet Friday, February 26, 8 pm Perkinson Recital Hall

Senior Recital Denise Roberts, piano * Saturday, February 27, 8 pm Perkinson Recital Hall

San Jose Taiko Monday, March 1,1999,8 pm Tuesday, March 2, 1999, 8 pm Alice Jepson Theatre

Chorovaya Akademia Wednesday, March 3, 1999, 8 pm Camp Concert Hall, Booker Hall of Music Sponsored by the E. Rhodes and Leona B. Carpenter Foundation

Faculty and Guest Recital Hope Erb, piano * Rebecca Carrington, cello Sunday, March 14, 7 pm Perkinson Recital Hall

Celtic Roots Hesperus and Bonnie Rideout, Scottish fiddler Tuesday, March 16, 1999, 8 pm Camp Concert Hall, Booker Hall of Music

* Free, no tickets required