25th Anniversary of the

Volume 25 Issue 3 August, 2019

Spring Safari Parade 2019

Page 2 ABSCDJ Update

Inside This Issue Page

The Presidential Corner 3

Old School Shag— 5 The Du Droppers

New Corporate Members 8 DJ Throwdown 9

ShagTraxx 10 BeachMusic45 14 Mini Meetings 15 Member Playlist 17 Classifieds 22

General Membership Meeting 9:30AM Saturday 9/21 Ryans—NMB

The ABSCDJ Newsletter is the official publication of The Association of Beach & Shag Club D.J.’s. It is normally pub- lished five times a year in accordance with the following schedule:

 Late-February, prior to the DJ Throw- down  Early April, Prior to Spring SOS  Mid-July  Early September, prior to Fall SOS  Late-November, Early December

ABSCDJ Update Page 3

Happy HOT summer!

It’s the time of year for working in the yard, tending to gardens, taking trips, going on vacations and doing many other things. I hope you have been able to spend some fun time with family and friends.

The summer has also been a busy time for your Officers and Board Members. We’ve been working on upgrades to the web site and its layout (check it out), cleaning up our membership roster, updating our Corporate Member policies, managing mini-meetings and much more. I’d like to extend a personal “Thank you” to the rest of the Board, our committee members and others who have been helping push us ahead behind the scenes.

At the summer meeting of the Association of Carolina Shag Clubs I made a presentation about the Association of Beach and Shag Club DJ’s and the role we play in the shag world. I also talked about the ways individuals, groups and businesses can support our organization and our efforts. After the meeting, fifty-two shag clubs signed up to become Corporate Members. I would like to thank them and welcome them. I expect more shag clubs will be joining, soon. Working together with the ACSC, SOS, lounges and other pieces of the “shag world” can make all of us stronger and more capable of perpetuating the music and the dance that we all love.

I also shared some generic information about our new and improved DJ Throwdown 2020 at that meeting. We received a huge round of applause from the shag club representatives when they heard what we intend to do! It is invigorating to see all of the posi- tive responses we are getting from others when they hear about our plans. The excitement is building and it is contagious!

Speaking of Throwdown 2020, we are working on more detailed plans and are already promoting our March 5-8 event. I would like to see each and every DJ in our Association participate in the promotion of Throwdown and other pre-event efforts this year. Can your Association count on you?

Dennis Brumble has Reverse Raffle Tickets for the event. Top prize this year will be $8000. There will also be twenty $100 prizes. So, a lot of people are going to win cash! Your immediate support of this effort will be very much appreciated. Please contact Den- nis ([email protected] or 803-312-2895) as soon as possible and let’s see how quickly we can sell all of them. It would be great to be finished long before the party starts.

Peggy and I traveled to Junior SOS mid-July. Having been involved with the Junior Shag Association (JSA) since before it was officially created, I’m pleased to see how it has grown and prospered over the decades. Our organization and our DJ’s are to be commended. The financial support our Association has provided and the personal efforts some or our members have given have been crucial to the success of the JSA and Junior SOS.

While at the beach we had lunch and some great discussions with Dwayne and Robin Porter, the new owners of Ducks. They have committed to perpetuating the history of the lounge and making things better. This includes some upgrades to the interior and exte- rior of the building, putting in new A/C units, etc. On behalf of the ABSCDJ’s, I’d like welcome them to the shag community.

Finally, if you have any suggestions to improve our organization or any of our efforts, I always welcome them. And remember, your Association needs YOU! Volunteer today and help “make the DJ Association great again”. J

I’ll close with these lyrics from “American Pie”:

A long, long time ago, I can still remember how that music used to make me smile. And I knew if I had my chance, that I could make those people dance, And maybe they'd be happy for a while.

Mike

Page 4 ABSCDJ Update

REMEMBER YOUR MEMBERSHIP CARD

You will need your card to “scan in” to the meeting. This activity logs your attendance to meet the BY-LAW require- ment of attendance.

Replacement cards can be or- dered for $5 by clicking this link “replacement card” or visiting the members area of NAME the webpage abscdj.com .

# ABSCDJ Update Page 5

Old School Shag History Submitted by Dennis Brumble

The Du Droppers

The Du Droppers were an American doo-wop group Around August of 1952, the Du Droppers recorded a cou- formed in Harlem, New York, in 1952. Members of the ple of sides for Red Robin ("Can't Do Sixty No More" and band were experienced gospel singers in ensembles dated "Chain Me Baby") that were released in September. The to the 1940s. The Du Droppers could do it all: from a former song was, of course, a belated answer to the Domi- bluesy pop sound, through Rhythm & Blues, all the way to noes' "Sixty Minute Man" (and was a completely different Rock 'n' Roll. They were a more mature group than most song than the one the Dominoes would release in February when they formed in early 1952. The original members of 1955). "Chain Me Baby" is a great bluesy sound that were: J.C. Ginyard (lead), Willie Ray (tenor and baritone), really shows you what the Du Droppers were capable of. Harvey Ray (baritone and tenor), and Eddie Harshaw Although it failed to chart, "Can't Do Sixty No More" was (bass). Willie Ray was the youngest at about 30; Ginyard, well received in Canadian markets, where the group first the oldest, was 42. Eddie Harshaw, from Cincinnati, had began touring. Soon after, Harshaw departed the Du Drop- been part of a group called the 5 Tones, made up of soldiers pers, and was replaced by Bob Kornegay, formerly stationed at Camp Lee, Virginia in 1942. of Julian Dash's orchestra. Feeling the label They won a base talent contest and got to did not adequately distribute their records, sing with the Tommy Dorsey Orchestra at the group left Red Robin Records to sign the Capitol Theater in Washington, DC on with RCA Records. August 18 (they did "Shout, Brother, Shout"). On February 17, 1953, the Du Droppers recorded four songs for RCA: "I Wanna Caleb Nathaniel Ginyard, Junior was born Know," "Laughing Blues," "Baby Don't on January 15, 1910 in St. Matthews, Leave Me In This Mood," and "Get South Carolina. Since he was Caleb Na- Lost." RCA Victor gave the Du Droppers thaniel, Junior, people took to calling him a recording session with producer Joe "Junior Caleb," and that's where the "J.C." Thomas. Ginyard had some words he came from. He formed the Royal Harmony heard from some little young girls that used Singers (Decca) in 1936, a group that met- to stand around his door stoop. One of amorphosed into the Jubalaires in 1941 (recording for Dec- them said one night "I want to know what you do when you ca and King). In 1948, he joined the Dixieaires (who rec- go 'round there." So Ginyard wrote that down and carried it orded for King, Continental, Sunrise, Prestige, and Sittin' In in his pocket for a long time before he did anything with it. With). The Ray Brothers had been with the Southwest Jubi- When he told producer Joe Thomas about it, he said "Go lee Singers, and Eddie Harshaw was a friend of Ginyard. home and write it." Around that time, Ginyard had met a The Du Droppers would get together in the basement of great musician, who used to play with Ella Fitzgerald, Ginyard's apartment house at 149th Street and 7th Avenue named Raymond “Tuney” Tunia, who had been the Ink in Harlem. There was a piano there and the new group Spots arranger/pianist in the mid-40s. Ginyard went to practiced until they felt they were ready to start a profes- Tuney's house with this song, the melody and all. So Tuney sional career. With the 15 years of experience that Ginyard took the melody down and he said "Well, it's all right, but brought to the group, they quickly attracted some attention. it's just about 1/4 of a bar short." Ginyard said, "Well, I Charlie Newsome became their road manager and arranged could straighten that out..." but Tuney said, "No, don't both- for most of their auditions. Paul Kapp, manager of the Del- er. I'll write the music and the musicians will play it, and ta Rhythm Boys, took over their management. (Kapp's they will skip that 1/4 of a bar, and it may be a gimmick." brother, Dave, was later to found the successful Kapp La- During the recording session at RCA they were trying to bel. A third brother, Jack, had started Decca Records in find a beginning for this song and couldn't. In the studio America. When they had only been together a few months, was the great Ben Webster from Duke Ellington's band. Newsome got them an audition with Bobby Robinson of Ben was sitting up there, hanging over his saxophone, Red Robin Records. asleep. Producer Joe Thomas said, "Hey, Ben! What can (Continued on page 6) Page 6 ABSCDJ Update

(Continued from page 5) The final session of 1953 was held on December 30, at you do with this song?" Ben said, "What song?" They had which time five tunes were recorded: been rehearsing the song for about an hour, and Ben had "Bamalam" (the second take), " Drink Up," (also a second been sleeping and didn't hear it! The Du Droppers started take), "Had To Play My Number," "Dead Broke," and "I singing the song again: "I want to know, yes I want to know Only Had A Little." "Bamalam" is such a great song that pretty baby, wanna know, yes your daddy wants...." , Ben it's hard to imagine why RCA didn't release either version. said, "Wait a minute, Joe." He crawled down off his stool, As the results of the year were tallied up, the Du Droppers took his horn and blew "doo doo doo doo." Joe said, "That's found themselves as hit makers. "I Wanna Know" was it!" number 13 in Billboard's Top R&B Tunes of 1953 and "I Found Out" was number 39. The Du Droppers themselves In March, the first two were issued as the Du Droppers' were the sixth most popular vocal group of 1953, accord- initial RCA offering. Next, the Du Droppers backed up Big ing to a poll by Rhythm And Blues Magazine. When the John Greer on a March 23 session that produced three group was booked at the Orchid Room in Kansas City in sides: "Ride Pretty Baby," "Don't Worry About It," and early 1954, Ginyard recruited high tenor Prentice Mo- "Confusion Blues" (which starts off with an interchange reland to become the fifth member of the Du Droppers. On between J.C. Ginyard and Big Bob Kornegay). The first February 8, 1954, RCA announced the formation of its new two were released on RCA (with the Du Droppers uncredit- Groove subsidiary. From here on, all Du Droppers’ rec- ed) in April. On April 11, "I Wanna Know" was a Pick of ords would be released on Groove. In fact, two Du Drop- the Week in the trades. In spite of being covered (in an ex- pers sides were chosen to be the very first Groove issue: cellent version) by the Checkers, the song sailed up to #3 "Speed King" and "Dead Broke." On February 5, they ap- on R&B charts. This became the first time in a year that peared at The Armory, in Petersburg, Virginia. From there, RCA had had a national R&B hit and the record label reo- they went to Rochester, New York, where they appeared at pened its R&B department. Later in May, RCA issued the the Capitol Theater, on February 22, along with Count Ba- follow-up to "I Wanna Know." Titled “I Found Out (What sie and Bixie Crawford. You Do When You Go 'Round There), " it also shot up to #3. Its flip was "Little Girl, Little Girl." There was another session on, March 18, 1954,at which The next Du Droppers RCA session was held on July 28, they recorded "Just Whisper," "I've Never Been There," 1953, at which time they recorded an- "How Much Longer"(led by Prentice other four songs: "Somebody Work On Moreland), and "You've Been Good To My Baby's Mind," "Whatever You're Everybody." "Just Whisper" and "How Doin' (Keep On Doin' It)," "Ten Past Much Longer" were issued in Midnight," and "My Thrill Girl." The April. Sometime after the March ses- first two were released in August, just sion , Prentice Moreland departed around the time the Du Droppers began (following a pattern of never staying a Shaw Artists tour with the Joe Morris with a group very long). Later on, he Orchestra. On September 12, it was sang with Billy Ward's Dominoes, be- reported that "Somebody Work On My fore traveling to California, joining Baby's Mind" was doing well in St. the Cadets, and uttering the famous Louis, Philadelphia, Buffalo, Durham, "great googa mooga, lemme outta here" and parts of Tennessee. On October 7, on "Stranded In The Jungle." He also the Du Droppers recorded two songs: sang with the Crescendos on Atlantic, "Bamalam” and "Don't Pass Me By." the Colts/Fortunes, the Hollywood "Don't Pass Me By" was paired with "Get Lost" for an Oc- Flames, and the Chanteclairs, as well as recording under tober release. On November 5, the Du Droppers recorded the name Prentice Moore. On August 11, there was another some songs with white Pop singer Sunny Gale: "Mama's session. This time the Du Droppers recorded "Boot 'Em Gone, Goodbye", "The Note In The Bottle", and "Don't Up," "Honey Bunch," "If You Just Don't Leave," and Cry Mama"; the first two were released later that month. "Let Nature Take Its Course." In mid-1954, Joe Van Loan, Another session, held on December 16, saw the recording tenor lead of the Ravens on Mercury, got together with of "You're Wrong, "Speed King," "Drink Up" and "I Wan- some friends of his and cut a record. These friends were na Love You." J.C. Ginyard, Willie Ray, and Bob Kornegay, who just hap- pened to be three-quarters of the Du-Droppers (Harvey Ray (Continued on page 7) ABSCDJ Update Page 7

(Continued from page 6) and "Rollin' Stone." These were all issued, as an EP, wasn't on the session). Using Ginyard's "Dixieaires" catch- around July. In August, Groove issued the final Du Drop- all name, they cut a single record for the Harlem label. Joe pers record: "You're Mine Already," backed with "I Wanna Van Loan leads on "Traveling All Alone" and Bob Love You." Sometime in the spring of 1955, Joe Van Kornegay is out front on "I'm Loan, Willie Ray, Bob Kornegay, Not Like I Used To Be." Since and Willis Sanders (who's usually this Dixieaires group was more associated with the Embers) rec- or less the Du-Droppers, Joe orded for George Goldner's Rama decided to make it more or less label as the Bells. Their one rec- official, appearing with that ord was "What Can I Tell Her group, starting in late August Now" backed with "Let Me Love 1954, as a fifth member Love You," released in July. The (although he was still singing Du Droppers were on their way to with the Ravens at the time). a Canadian tour when Joe Van However, since Harvey Ray left Loan suddenly left them cold, in a few weeks later, they were order to go back with the Ravens down to a quartet again (Joe Van full time. Harvey Ray then re- Loan, J.C. Ginyard, Willie Ray, turned and they (Ginyard, and Bob Kornegay). At this Kornegay, and the Ray brothers) point a curious legal battle was continued the tour. going on. Sometime in the spring of 1954, manager Paul At this point, J.C. Ginyard left, to Kapp had sold the Du Droppers' join the Golden Gate Quartet. He management contract to Jack stayed with them from 1955 to Angel of Herald Records for $2,000. The Du Droppers' 1971, by which time they'd all relocated to Europe. He then recording contract with RCA was due to expire in October moved to Switzerland and performed as a soloist until his 1954 and Angel was ready to record the group for Herald. death on August 11, 1978. The Golden Gate Quartet had However, RCA announced that it was exercising a one- recorded on several labels and also as the Dixieaires (but year renewable option clause in the group's contract. The not any of the groups mentioned previously) on Exclusive controversy went on for months, but Angel was clearly the in 1948. This is how Ginyard described his leaving the Du loser. However, he could, and did, stop Joe Van Loan from Droppers: “We went into the Iroquois Hotel in London, recording with the group. Ontario, and worked there in the bar until the group got so radical in the hotel, getting drunk in the room and every- The Du Droppers finally got to record again on April 1, thing else and raisin' sand until people complained about 1955, and Groove came up with a new "secret lead singer." it. Then I had to disband the group. I came back to New They even had witnesses present to swear that it wasn't Joe York and went to Joe Glaser's office, our booking agent, Van Loan (just in case Jack Angel was listening). The and stopped the name of the Du Droppers.” "secret lead" was Charles "Carnation Charlie" Hughes (who would later sing with the Drifters). To make matters He may have thought that he'd disbanded the group, but the more confusing, Van Loan was still appearing with the Du Droppers replaced Ginyard with Robert Bowers, for- group and Hughes was never a member - he was just used merly of the Charioteers. Unfortunately, his voice was on the session (and can be heard as lead on "Give Me Some much higher than Van Loan's and it was felt that this com- Consideration"). The members were therefore J.C. pletely changed the sound of the group. By late '55 or early Ginyard, Willie Ray, Charlie Hughes, and Bob Kornegay '56, the Du Droppers had broken up. (on the session, with Joe Van Loan, and not Charlie Hughes, doing appearances). The other songs recorded that And this has been a small slice of Old School Shag History. day were: "You're Mine Already," "I Wanna Thank You," and "Talk That Talk." * Excerpts from www.uncamarvy.com, www.allmusic.com

When they came back from Canada, they did one final ses- sion for Groove, on June 27, 1955. They laid down four not very convincing Rock 'n' Roll covers of hit tunes: "Smack Dab In The Middle," "That's All I Need," "Story Untold," Page 8 ABSCDJ Update Welcome NEW Corporate Members

We recently updated our application and our rules for Corporate Members. The updated form can be found on our web site. If you know of a group or business that might like to be a Corporate Member and enjoy some of the benefits that includes, please share an application with them, point them toward our web site or have them contact us. (We are also looking for Association and Throwdown sponsors.)

Throughout our history only three local shag clubs have become Corporate Members of our organization. They are Twist- er’s Shag Club, Cape Fear Shag Club and Eno Beach Shag Club. Recently we changed the rules and policies for this mem- bership category, made a web page dedicated to Corporate Members, and began soliciting them. Last month 52 local shag clubs joined our Association. We would like to welcome all of them.

Bass Lake Shag Club R&B Shag Club Beach Shaggers Of Birmingham Raleigh Shag Club Beckley Area Shag Club River City Shag Club Boogie On The Bay Shag Club Roanoke Valley Shag Club Boone Shag Club Rock Hill Shag Club Bopper’s Shag Club Rutherford County Shag Club Burlington Shag Club Salisbury Shag Club Camden Lugoff Area Shag Club Samco Shag Club Cape Fear Shag Club Sandy Beach Shag Club Capital City Shag Club Sanford Area Society Of Shaggers Carolina Shag Club Shag Atlanta Charleston Shag Club Smoky Mountain Shaggers Charlotte Shag Club South Strand Shag Club Chatham Area Shag Association Steppin Out Shag Club Columbia Shag Club Sumter Shag club Eastern NC Shag Club Tampa Bay Beach Boppers Electric City Shag Club Twin Rivers Shag Club Eno Beach Shag Club Twister’s Shag Club First Coast Shag Club Two Rivers Shag Club Florence Shag Club Upstate Shag Club Golden Isles Shag Club Virginia Beach Shag Club Greater Triad Shag Club Winston-Salem Shag Club Hilton Head Island Shag Club York Shag Club Lake Hickory Shag Club Lake Norman Shag Club Lancaster Shag Club Lynchburg Area Shag Club Mountain Shag Club Orangeburg Area Shag Club Palmetto Shag Club Continued on page 19 ABSCDJ Update Page 9 Page 10 ABSCDJ Update

By: Dennis Brumble

Jaye Hammer, the southern soul singer Forever" a cradle-rocking tempo propels a taken off after signing with Ecko Records. who went blind from a detached retina at melody that will seem familiar to soul mu- His latest Ecko release is Face Down. the age of twenty-six, has quietly amassed sic aficionados. That's an impressive resume over the course of a because it's based on Track 1, “I Need A Drink”, is the best half-dozen albums. His 2005 debut was the old Latimore Shag Traxx at 116 followed by a fallow period during which standard, "Sunshine bpm with O. B. sing- the blindness descended, a seemingly more Lady". The vocal and ing about busting his cruel fate (having seen the world and lost it instrumental tracks hump five days a in adulthood) than singers like Clarence are executed with week, boss on his Carter, blind from birth, or Ray Charles, taste and flair. It's a back, low pay, bill whose blindness became complete by the beautiful song and deserves to be ranked collectors hounding age of seven. among Jaye's finest. Straight up the tempo him, etc, and going is a little slow at 85 bpm so you will need to the club on Friday Delta producer Aaron Weddington, who to increase the tempo; I increased it by +23 night because he needs a drink. Track 6, had discovered Hammer as a gospel- to get it to 108 bpm which makes it a “Just Crusin” has a Young Rascal’s singing child prodigy, introduced him to mighty fine Shag Traxx. Track 2, “Groupie “Groovin’ feel to it. At 89 bpm you will Ecko Records' John Ward during this peri- Girls” , has Jaye singing about being a need to increase the tempo to 106 – 108 lous transitional period, and Jaye's five married man and resisting the temptation bpm. albums for the Memphis label between of the groupie girls. At 117 bpm this Shag 2012 and 2017 have positioned Hammer as Traxx screams for everyone to “Get On For those of you that do not have a prob- a solid if second-tier contemporary south- The Dance Floor”! Track 5 “We’re Step- lem playing the Southern Soul sexual ex- ern soul performer, lacking only a signifi- pin’ Out Tonight” is a “Steppin” tempo at ploitation songs (i.e .”From The cant "breakthrough" single in his quest for 98 bpm but I was able to increase the tem- Back”,“Stand Up In It”,“Make It Talk”, wider popularity. Hammer's fans might po by +19 and the Key to -10c to create a “Rock The Man In The Boat” , etc.), you argue that "I Ain't Leaving Mississippi"is, great Shag Traxx, and my favorite, at 116 have three more tracks to add to your play or should have been, that "breakthrough" bpm. list. On Track 9, “Hot Doggin’ Cold Lov- single. With lyrics like: in’ ” O. B. sings about visiting his “Side O. B. Buchana was born in Mound Bayou, Piece” and while he is working on it, she is "I got my first piece of coochie Mississippi and spent his childhood in falling asleep. Track 8 “I Hump It” should In the middle of a cotton field, Clarksdale, Mississippi. O.B. began sing- be self-explanatory. The title track on And had my first drink of whiskey ing when he was only 8 in the gospel choir Track 3 “Face Down” features a bass line From my grand-daddy's still." at his Baptist church. By the time he was a straight out of the chronicles of funk, with teenager the gospel group Mighty Suns Of lyrics extolling either doggy-style or it's an autobiographical (or seemingly auto- God selected him to be their lead singer. In slurpie-style, not sure which yet. biographical) gem. the early 1990's O.B. signed with the rec- ord label Blue River and he recorded his Jaye Hammer's new album Double Trou- first hit single "Back Up Lover" . His first ble, his sixth Ecko release, has a single disc "It's Over" followed to critical ac- Ecko Records has released its latest in the that begs for inclusion in that list of Ham- claim. Next he signed with Suzie Q Rec- Blues Mix series with Blues Mix 28 mer's "best". It's Track 1,. "She's My Baby ords for "I Got Caught". His career has truly (Continued on page 11) ABSCDJ Update Page 11

(Continued from page 10) nature. and showcases the relaxed interplay of Dance Party Soul. This CD contains three veteran musicians. excellent Shag Traxx. Track 4 has O. B. Hail To The Kings! Follows their critical- Buchana with “You’re Welcome To The ly acclaimed 2017 Alligator debut, Royal Shag Traxx include track 3 “I Don’t Want Party”,a great tune at 118 bpm. Donnie Mint. The new album, recorded in Chicago No Man” at 130 bpm with a great shuffle Ray continues with and produced by Nosek, features 13 songs, beat and dynamite sax, piano and guitar the “Party” theme included 11 originals written or co-written solos. A little long at 6:21 you will need to with Track 7 “Let’s by Nosek and Wilson. According to fade it early or use cool edit to fix it to Get This Party Start- Nosek, one of the secret weapons of Hail your liking. Track 6 “Sugar Coated Love” ed” at 120 bpm. Both To The Kings! is Wilson’s growth as a is another cover of the 1958 Lazy Lester of these tracks get songwriter. “He’s always brought great recording. This song has also been covered your feet moving and originiality to the maretial”, says Nosek, by many artists including Barbara Lynn, make you want to run :but now he’s bursting with songs and ide- The Fabulous Thunderbirds and Lou Ann to the dance floor. as.” Barton. This is a very good cover with Track 11 has O. B. Buchana with “You’ve Nancy’s saxophone adding another dimen- Been Good To Me” at a smooth 108 bpm. The Shag Traxx on this album include sion to this song. Track 2 “The Wine Talkin’ " at 121 bpm There is a remix of Jaye Hammer’s “I featuring a playful duet with lead singer Three-time Blues Music Award winner, Ain’t Leavin’ Mississippi” on Track 3. In Oscar Wilson and guest vocalist Shemekia Terry Hanck is in the modern pantheon my humble opinion I do not think it is as Copeland. Track 3 “I’ll Take Anything I of tenor sax greats. His sound is at the good as the original. Why mess with suc- Can” at 130 bpm showcases the skills of nexus of classic New Orleans R&B, cess? Play the original. There is an intri- guitarists Billy Flynn and the harmonica of Chicago blues and soul, West Coast guing tune on Track 5 from artist KT that Joe Nosek. honk and Mem- is growing on me the more I listen to it. phis rock and The tune is “Get Your Freak On” . Give it There are several “houserocking” jumpers roll. The guy has a listen and see what you think. that may be hard to shag to but neverthe- a voice that still less are fun to listen to. The includes Ain't make women Alligator Records has released Hail To No Fun When The Rabbit's Got The Gun, swoon. His lyr- The Kings!, the dynamic new album from "Hunchin On My Baby", "Wrong Num- ics are ranked traditional ber", "Back Off" and "I'm The Man Down among the best blues innova- There". in his idiom. tors The Cash Terry’s five Box Kings. VizzTone/Direct Hit records has re- originals stand Co-lead by leased Nancy Wright’s latest CD Alive shoulder-to-shoulder with some of his real-deal Chi- and Blue. Nancy Wright is one of the hand-picked favorites by Louis Jordan, cago blues most highly respected and in-demand Sam “Lightning” Hopkins, Bobby vocalist and sax players on today’s blues, Americana Charles, Eddie “Cleanhead” Vinson and songwriter and R&B scene. Howling Wolf. Oscar Wilson and Madison, Recently receiving her third consecutive For I STILL GET EXCITED, Co- Wisconsin-based songwriter, harmonica Blues Music Award nomination, she is produced with renowned player/ master and singer Joe Nosek. The band following up her very successful 2016 producer savant, Chris “Kid” Andersen plays brilliantly raw and unvarnished VizzTone/Direct Hit release, PLAY- at Greaseland Studios in San Jose, the houserocking blues. Wilson’s huge, gritty DATE, with a smoking hot live record- “silver-haired fox” gathered some fa- vocals and Nosek’s powerhouse harmonica ing from the legendary San Francisco mous special friends—including harp- fuel their razor-sharp original songs. live music club, The Saloon, featuring man Rick Estrin, piano/organ man Jim- her own Rhythm my Pugh, guitar master Chris Cain, Mixing tough Chicago and Delta blues, and Roots band: drummer June Core and the legendary jumping prototype rock ‘n’ roll and steam- Nancy on sax and singer Tracy Nelson—to join in with his rolling “Bluesabilly” (their original mix of vocals, drummer own brilliant bandmates for one of the Chicago blues and Memphis rockabilly), Paul Revelli, Tony best albums of his long career. A perfect they attack every song hey play with con- Lufrano on keys summer record for dancing, driving and temporary authority and old school authen- and background being young at heart! ticity. The extraordinary ensemble of vocals, Jeff Tame- Nosek, Wilson, guitarist Billy Flynn bass- lier on guitar and The title track on Track 1 “I Still Get Ex- ist John W. Lauler, drummer Kenny background vocals, and Karl Sevareid cited” is a jumping 129 bpm with Terry “Beedy Eyes” Smith and their friend, pia- on bass. The twelve-song set features singing about the virtues of getting old but nist Queen Lee Kanehira, is a true force of five of Nancy’s original compositions, (Continued on page 12) Page 12 ABSCDJ Update

(Continued from page 11) Me Yours”. lar culture. “Growing up, the Shirelles, the he still gets excited. You can’t help but to Chiffons, the Ronettes, the Crystals and start patting your feet and searching for a Steven Van Zandt (born November 22, the Shangri-Las were really important to dance floor. Track 2 “Smooth Tyrone” 1950) is an American me,” says Little Steven, “This song is my sings about a cat named Tyrone who plays musician, songwriter, take on the type of song I might have writ- a mean saxophone but you better keep producer, actor, and ten for a Girl Group like one of those fan- your eye on him because he is a snake in activist who frequently tastic acts back in the day.” the grass. This Shag Traxx comes in at a goes by the stage smooth 110 bpm. Track 5 “Come On names Little Ste- Track 7 “Soul Power Twist” has echoes Back”, featuring Rick Estrin, has a steady ven or Miami Steve. He of Sam Cooke’s “We’re Having A Party shuffle beat with strong harmonica from is a member of Bruce with a bouncy Gary U.S. Bonds feel. Give Rick and saxophone from Terry. This track Springsteen's E Street Band, in which he the whole album a listen, you will enjoy it. sounds like it belongs in a juke joint. Track plays guitar and mandolin. He is also 7 “Why People Like That” with the open- known for his roles on television dramas The Jersey Swamp Cats are a good-time ing sax solo reminds me a little bit of such as Silvio Dante on The Sopra- quartet based outta Orange, New Jer- “Shoot Your Shot” by Junior Walker and nos (1999–2007) and Frank Tagliano / sey. Gerry Gladston is on keys, Don Leich the Allstars only slower at 104 bpm. You Giovanni "Johnny" Henriksen is on guitars, Larry Ghiorsi is on bass, and can increase the tempo to 110 – 112 bpm on Lilyhammer (2012–2014). Van Zandt Chris Reardon is and it should work for you. also has had his own solo band called Lit- on drums. Every- tle Steven and The Disciples of Soul, ac- one shares the vo- tive on and off since the 1980s. cals, and their lat- est set, entitled “Go B.B. &The Blues Shacks fronted by fe- Little Steven and The Disciples of Soul Cat Go!,” blends male singer Bonita from South Africa have released their first album of new ma- elements of Sun, are Europe’s world terial in twenty years with Summer Of Imperial, Chess, class blues export. Socerery. It’s a full-blown, Phil Spector- New Orleans boo- After a big success sized creation, including his 14-piece gie, and jump-blues for s sweet, highly- with a debut in road band with five horns and three back- danceable mix of revved-up rockabilly 2015 people were ground singers. Swelling strings are add- blues! waiting for another ed to some tracks to further expand the great blues album already widescreen sound. “Somebody Track 2 the band’s original, “Cupcake!,” combining jump open the door/ I’m back to rock some is a neat call-and-response tale of that blues, traditional style and soul in the more” kicks off this hour-long musical “crazy little girl” who’s as irresistible as mix. The wait is over with their new stroll down memory lane. Summer of the dessert she’s named for! On Track 3 release Sweet Thing containing great Sorcery is the history of rock and soul on we go on down to Cosimo’s for a bluesy duets going straight to you heart and one album. Each track leads up to the last shot of Fats Domino’s “Blue Monday,”. Rhythm & Blues tunes that will take you one, the title track “Summer of Sorcery”, Track 4 ”I Don’t Mind” is a soulful shuf- out on the dancefloor. Six originals and an eight-minute tribute to music and the fle which contains a pleasant Sir Douglas ten classic rare covers make this album impact it has had on Steven’s life, and by sound and the wind players give the song a outstanding. Bonita is right on in the extension, ours. “I want to get lost in your New Orleans touch. Track 5 “Too Tired” tradition of Ann Peebles, Etta James, festival/I want to be transformed by your is a pumping cover of the Albert Collins Lula Reed summer of sorcery”, he sings. song in which guitarist Don Leich does not and other unforgettable stars of the past. try to imitate the loud Collins sound but Blues and Soul from the 50’s and 60’s Three track’s stand out to me, Track 3 gives it its own nasty, cutting edge. On are still alive and this release is another “Love Again” at 115 bpm is an absolutely track 6, “Dance All Night”, the wind in- proof. glorious Southside Johnny style Jersey struments re-enter this lazy shuffle with an shore romp which also shows that just like extremely relaxed swing and a warm pierc- Track 2 “Momma‘s Goin’ Dancin’ ” is a us, Steven Van Zandt has his heroes too ing guitar solo. Track 8 “I Get Evil” is the classic shuffle blues tune at 119 bpm when he offers this: “I’ve got a picture of name, and rhumba’s the game on this tune that will surely get people headed to the Brian Wilson I pray to every night” and with that iconic chorus, “don’t you lie to dance floor. Track 7 “Singing A New maybe that feel, that love of rock n roll in me,” as Don channels his inner Albert Song” is a mighty fine cover of the 1970 its purest form never left him? King to add a bluesy spark. Freddie Waters soul tune . Track 8 “Hottest Wings In Town” Bonita pro- Track 5 “A World Of Our Own” at 116 Delbert McClinton returns with a swagger- claims that she has them (if you know bpm starts with female “sha-la-las” and ing and swingin’ new album, Tall, Dark & what I mean) at 111 bpm. Track 11 is the full Spector production. This soulful, Handsome, on July 26 via Hot Shot Rec- another great cover tune. This one co- feel-good track is a knowingly nostalgic ords/Thirty Tigers. Featuring 14 new, orig- vers the 1967 Bettye Swann hit “Make evocation of a more innocent era in popu- (Continued on page 13) ABSCDJ Update Page 13

(Continued from tar” is sly and self-deprecating, the story of away like a category 5 hurricane). page 12) a down n’ out axe-man who weighs his inal new songs - craft with a visit to the pawn shop. Track This band consists of Cammy Award win- all written or co- 7 “Loud Mouth” is another great shuffle ning artist Jerry Thomas West, vocalist and written by Del- tune, featuring some barrelhouse piano guitarist for 24 years with the Band of Oz bert - the album from Kevin McKendree, which should do and the 80s Rock Band SugarCreek. Jerry dives deep into very well in the clubs. Track 8 “Down In and his amazing vocals are best known for the blues, Amer- The Mouth” is another good shuffle tune, hits “Somewhere Over The Rainbow” and icana and be- however at 102 bpm will need a tempo “Build Me Up”. Jerry Has won multiple yond, bursting adjustment. Cammy Awards including “Vocalist of the with horns, fiddle, accordion, blazing gui- Year” and “Instrumentalist of the Year”. tar work, back-up singers and McClinton’s charismatic rasp, proving Lyle Lovett’s I Count The Tears is the latest CD from claim that “if we could all sing like we Patman and Robin Records. Track 1 is an 2014 CBMA Instrumentalist of the Year want to, we’d all sound like Delbert excellent original tune from the talented Camron Dudley on vocals, drums and per- McClinton.” Rick Strickland cussion. Camron was formally with the titled “Dance band Jim Quick and Coastline. He attend- Delbert McClinton describes his latest With Me”, ed college at Elon University studying album “kind of a salute to Texas blues, the possibly his Jazz. Camron is well known for his amaz- music I grew up on.” “Music now is just best effort ing Drum Solos performed nightly and is a so boring to me,” McClinton says. “It’s so since “first call” session drummer for the North hard to find something new that I like. “Something Carolina Recording Scene, having record- That’s why I love this band. We’ve had so Smooth”. Lesa ed 100 plus songs for various artists. much success in making music together.” Hudson has As with his 2017 effort Prick of the Lit- new tune ter, the singer/songwriter/harmonica wiz- “Sugar Boo” Glen Tippett, vocalist, multi- ard shifts deftly between styles, smoothly on Track 7 with great vocals and nice beat. instrumentalist, has won multiple Cammy segueing from straight-up blues to swing, This is sure to be a hit with her fan base. Awards during his tenure of 16 years with country and jazz with the confidence of a Jim Quick and Coastline including two master. It’s not a stretch to say that Dana Jones and the Bruce Caldwell Project Instrumentalists of the Year awards in McClinton, at age 78, is making the best have the title track on Track 8 with “I 2008 and 2015. He sang the lead vocals on music of his career. McClinton finds him- Count The Tears,” (a contemporary cover the hit song remake of “Something Like self still in demand and with a busier cal- of the Drifters hit from 1961 with Ben E Olivia”. endar than he had three decades ago. “I King singing lead). This track is already remember several years back, when I was climbing all of the various Beach Music talking with this girl I went to high school charts. Hugh Blanton, vocals, bass guitar, is a with,” McClinton recounts. “She said, ‘Are multiple Cammy Award winning artist. you still going to be doing this in your Track 9 “Loving My Blues Away” has a Hugh was an original member of the En- 60s?’ I guess I’ve gone past that. But this nice shuffle beat at 118 bpm with Sylvia tertainers, and The Breeze Band, and the is the best time of my life for me now.” Johns Ritchie’s bluesy vocals and great recipient of Song of the year with the piano solo. Sylvia Johns Ritchie has Breeze Band and Instrumentalist of the Tall, Dark & Handsome features Del- worked for the past 20 plus years in the Year in 2017 during his stint with Jim bert’s band the Self-Made Men + Dana: Mississippi-Louisiana area and now is Quick and Coastline. Dana Robbins (saxophone), Jack Bruno sharing her talent with the Carolina (drums), Mike Joyce (bass), Bob Britt Coast! A native Carolina girl, Sylvia has (guitar), James Pennebaker (guitar), Kevin captured the Carolina Shaggin’ Blues with Tim Sidden Vocals, Keyboards, Harmoni- McKendree (keyboards), Dennis Wage this effort, one ca. Tim Performed with the Band Hip (keyboards). It’s evident from the first of my favorite Pocket for the past 4+ years. In 2018 he downbeat that McClinton and company tracks on this released the song “Carolina Queen” which had a blast making the record, shining a CD. went number “1” in the beach music raucous light on the swinging, jazzy vir- world. Tim’s credits include a 14 year stint tues of Texas blues. There have at the world famous Carolina Opry in Myr- been a lot of tle Beach S.C. as well as touring with na- Track 1 “Mr. Smith” is a joyous shuffle changes with tional 90’s “hit makers” Rhett Akins, with a swinging horn section, great key- the various Daryle Singletary, John “Bo Duke” boards and Dana Robbins wailing on an beach bands lately. One of the changes is Schneider, T. Graham Brown, Tom “Luke extended sax solo. This is my favorite the formation of a brand new band named track, so far. Track 2 “If I Hock My Gui- Cat5 Band (presumably will blow you (Continued on page 14) Page 14 ABSCDJ Update

(Continued from page 13) released in the near future. Harpdog Brown - Thinkin' and Drinkin' Duke’ Wopat, Jimmy Fortune, Grayson Sister Sledge - My Guy Hughes and many others. Some Tracks that I have been digging late- Ira Walker - Blame Me ly, some old, some new: Ben E. King - Souvenir of Mexico Christone Kingfish Ingram - It Ain't Right RB Stone - Ain't Gonna Bring Me Down The Cat5 Band’s first release is “Slow Eli "Paperboy" Reed - New You Can Use Major Lance - Without A Doubt Steady Groove”. At 128 bpm it is not nec- Jimmy Dawkins - I Ain't Got It David Bromberg feat Levon Helm - essarily “slow”, but it is a “steady groove” Selwyn Birchwood – She Loves Me Not Tongue with a driving percussion beat and some Billy Branch and the Sons of Blues - Eddie Clearwater - Poison Ivy outstanding keyboard and saxophone You're So Fine work. This tune is certain to make a rapid Billy Branch and the Sons of Blues - Until next time, Happy Listening! climb up the beach music charts. Look for Boom Boom Out Go The Lights it on an upcoming KHP compilation to be Shirelles - Tell Me Things I Want To Hear

1. I Count the Tears - Dana Jones & the Bruce Caldwell Project 24. One More - The Randy Clay Band 2. Little Miss Night and Day - Boz Scaggs 25. Mixed Emotions - Lesa Hudson 3. I Ain't Leaving Mississippi - Jaye Hammer 26. I'll Always Love You - The Embers ft. Craig Woolard 4. Hearts - JD Cash 27. Everything - Tim Cashion & Craig Woolard 5. I Won't Give You Up - Andre Lee 28. Love Will Keep Us Alive - JD Cash 6. Got the Rhythm - Too Much Sylvia 29. Sugar Pie Honey Bunch - Kid Rock 7. I'll Never Let You Go - Blackwater Rhythm & Blues Band 30. Fanny Brown Got Married - Big Time Band 8. Door Knob and a Mop - Holiday Band 31. Dance With Me - Rick Strickland Band 9. Come and Get Your Love - Entertainers 32. Call My Wife - Linsey Alexander 10. Got to Be You - Dr. Victor 33. Run For Cover - Sonja Grier 11. Old Time Saturday Night - Mark Black 34. Day Drinkin' - Embers feat Craig Woolard 12. Justify - Steve Owens and Summertime 35. Beach Vacation - Archie Bell w/Embers feat. Craig Woolard 13. We Ain't Leaving Carolina - Too Much Sylvia 36. Carolina Moon - Sylvia Jones Ritchie 14. You Don't Say - Phil Wilson 37. Hurry Up Summer - Marsha Morgan 15. Sugar Boo - Lesa Hudson 38. San Miguel - Delbert McClinton 16. Dear Lover - Terri Gore & The Sweet T's 39. Beyond the Sea - The Catalinas 17. Don't Fight It - Phil Wilson & Blackwater Rhythm/Blues Band 40. Whatever It Takes - The James Hunter Six 18. Satisfied -Soul Pak ft. Mark Black 41. Elegant Woman - Jon Rachels & the Sweet T's 19. Barefootin’ - Scotty McCreedy 42. Cleaning Windows - Jim Quick 20. Shagging the Strand With You - Doyle Wood & Jim Quick 43. Freight Train - Fantastic Shakers 21. Where the Poor Boys Dance - Rhonda McDaniel 44. The Rest of Me - Rick Strickland 22. Everyday Love - Band of Oz 45. Between You and Me - Dustin York 23. Who's Loving You - R Mark Black Beachmusic45.com is owned by ABSCDJ Member Pat Patterson and this Smokin’ 45 list is reproduced with permission. This list may not be reproduced except by permission from Beachmusic45.com. ABSCDJ Update Page 15 Mini Meeting ACSC Summer Workshop Renaissance Charlotte Suites Hotel DUES July 13,2019 NOTICE

It is that time of year again.

Be sure to visit WWW.ABSCDJ.COM to pay your annual dues.

Pictured Left to Right:

Back Row: Dana Grubb, Buck Crumpton, Roger Holcomb, Mike Rink, Jim Bruno, John Smith Front Row: Wayne Bennett

Remaining Regular Meetings and Mini-Meetings for 2019:

August 17 - Chattanooga, TN at the Shag Tracks Party

September 21 - North Myrtle Beach at Fall SOS Page 16 ABSCDJ Update ABSCDJ License Plate / Laptop Sign I am currently taking orders for license plates and laptop signs. License plates are white with holes for mounting, laptop signs do not have holes and are available in white, silver or gold. The laptop signs will be made with tape already on the back for mounting on your laptop.

The Hall of Fame logo is now available for the signs.

I will not be mailing them to you but will have orders available at the DJ Throwdown, Spring SOS and Fall SOS meetings. If you will be in the North Myrtle Beach area you can contact me and make arrangements to pick up.

Please contact me at [email protected] and specify if you want a white license plate or a white, silver or gold laptop sign.

The price is: Laptop Sign - $15.00 plus $1.20 tax = $16.20 License Plates - $20.00 plus $1.60 tax = $21.60

Please make your check out to Dennis Brumble and mail your check to: Dennis Brumble 621 Ginger Lily Way Little River, SC 29566 ABSCDJ Update Page 17 Member Play Lists

ABSCDJ Member Play Lists (Note: The play lists below are in no way endorsed by Jim Rose The Association of Beach & Shag Club DJs. They are That's What Love Can Do - Chris Jasper provided by the I Love You - Chris Jasper Ain't Gonna Cry no More - Gwyn Stacey individual members listed above each list.) A Case of Too Much Lovin' - Kim Weston Why - Andy Gibb Until The Real Thing Comes Along - Eric and The Word The Love I Lost - West End fea Sybil The Good Life = Pat Benitar Jerry Hill That's When I Need You - Freddy Butler You'll Never Find Another love like Mine - Ima Oh Look At Me Now - Frank Sinatra Got To Be You - Dr. Victor Midnight At The Oasis - Vee Sing Zone Like Taking Candy From A Baby - J.T. Brown Left With A Broken Heart - Four Tops You Got To Leave Me Baby - Ms. Jody I think It's Gonna Work Out - Wilson Williams You Smell Ike Cookies - Andy Santana I Must Be Losing You - Marion Stewart Who's Gonna Baby You - Anne Cochran & Abe LaMarcha How Can I - Spinners What Does It Take - Vincent Ingala Fly Me To The Moon - Dominic Halpin and The Hiney B's I Think We're Gonna Make It - Wilson Williams River of Salt - Ketty Lester Run To Me - Sidney Joe Qualls Whatever It Takes - James Hunter Six If You're Gonna Love Somebody - Tommy Tate MM-Hmm - James Hunter Six It' Ain't Nuittin' - Little Isadore Let Me Try - Odds and Ends You Gotta Have Soul - Dells I Got You - O'Jays Love Hot Me - Royal Drifters You'll Never Be Sorry - Gerald Simms Don Lawhorn Run For Cover by Sonja Grier Where The Poor Boys Dance by Rhonda Mc Daniels I’ll Never Let You Go by Doug Winstead Larry “Bigfish” Calhoun Call My Wife by Lindsey Alexander Got To Be You - Doctor Victor Freight Train by Fantastic Shakers San Miguel - Delbert McClinton Got The Rhythm by Too Much Sylvia Can’t Stop The Feeling - Justin Timberlake Never Never by Gary Lowder Grown & Sexy - Ricky White Sexual Religion Rod Stewart I Won’t Give You Up - Andre Lee Little Miss Night And Day by Boz Scaggs I Don’t Want To Take A Chance - Wee Willie Walker Dear Lover by Terri Gore & Sweet T's All Night - Robert Day Hearts by J.D. Cash I Ain’t Leaving Mississippi - Jaye Hammer Why You Wanna Do That oby Lomax Fine - Linny Williams Can’t Stop The Feeling by Justin Timberlake Pouring Water On A Drowning Man - Sir Jonathan Burton Been In The Storm Too Long by Sonja Grier Two Wrongs Won’t Make It Right - Roger Whitehead Doctor In Paradise by Bradford & Bell Run For Cover (edited) - Sonja Grier Everlasting Love by Donny & Susan Trexler Love Will Keep Us Alive - JD Cash Sugar Pie Honey Bunch by Kid Rock I Gotta Walk - Mister X Safford I Gotta Walk by Lakeside Drive Band Stand By Man - Mister Sam Don’t Stop Moving by Mister X Safford Love You Every Day - Doctor Victor Be My Baby Tonight by Black Diamond Wanna Be A Player - Corey Rudolph Doorknob & A Mop by Debbie Dobbins Why Me - Gentry Jones Beach Vacation by Holiday Band Good And Grown Lovin’ - O.B. Buchana Don’t Give Up On Love by Holiday Band Let's Marvin Gaye - Charlie Puth & Megan Trainor Stand By Man by Archie Bell (Feat Craig Woodard ) Everything by Tim Cashion and Craig Woolard

(Continued on page 18) Page 18 ABSCDJ Update

(Continued from page 17)

Fred Judge Skip Lancaster Hi Heel Sneakers-K.D.Bell Christina Brownie McGhee Dont Let the Green Grass Fool You-The California Honeydrops I'll Always Be In Love With You Hurricanes I like it Like That-Teresa James Sweet Little Woman Little Johnny Jones There Goes My Baby-Steve Tyrell That’s It Royals Sleeping With the Devil-Flashbacks I'd Be Satisfied Billy Ward & Dominoes There's Not to Many More Left-Jo Armstead Boogie Woogie King Jimmy Liggins Love My Baby-Joe Moss Stop The Pain Titus Turner Walk Away From Love-Willie Clayton Daddy's Little Baby Midnighters Just a Fool for Your Love-Leonie Parker She Felt Too Good Jimmy McCracklin Autumn Leaves-Prof Ross Good Rockin' Tonight Wynonie Harris

Rub A Little Boogie Champion Jack Dupree Corn Whiskey Empires If You Ain't Lovin' Bull Moose Jackson Henpecked Larry Evans Give Me You Billy Ward & Dominoes That's What You're Doing To Me Dominoes I Like Moonshine Five Owls Curtis Treece It Ain't The Meat Swallows Alvin Lee – Play It Like It Used To Be Last Of The Good Rocking Men Four Jacks Anne Cochran – Who’s Gonna Baby You Fishtail Blues Wynonie Harris Dr. Victor – Got To Be You J.D. Cash – Love Will Keep Us Alive Joe Cocker – Dignity

John Primer – Stop Draggin’ That Chain Around Jim Skinner Johnny Ferreira – Yes Indeed I Count The Tears Dana Jones & Bruce Caldwell Project Mr. X Safford – Baby Come Back Home I Ain't Leaving Mississippi Jaye Hammer Shohn Marshall – So Glad It’s Summer Hearts JD Cash Tanya Tucker – Old Weakness Little Miss Night & Day Boz Scaggs Come And Get Your Love Entertainers I Won't Give You Up Andre' Lee Old Time Saturday Night Mark Black Got The Rhythm Too Much Sylvia Sugar Boo Lesa Hudson The Rest Of Me Rick Strickland Dear Lover Terri Gore & The Sweet T's Gerry Scott Don't Fight It Phil Wilson I Ain’t Leaving Mississippi – Jaye Hammer Barefootin' Scotty McCreedy God Bless The Red White & Blue – Tommy Black Everyday Love Band Of Oz Rock Me Baby – Lamar Bruce Elegant Woman Jon Rachels & The Sweet Te's Cry To Me - Seal Beach Vacation Archie Bell/Craig Woolard Road Of Love – Keb’ Mo’ Mixed Emotions Lesa Hudson Keeping In The Groove – Roy Hamilton Satisfied Mark Black It Better Move – Scottie Miller Band Shagging The Strand With You Doyle Wood & Jim Quick That Driving Beat – Reese Wynans & Friends Whatever It Takes James Hunter Six It Ain’t A Juke Joint Without The Blues – Carl Sims Take A Walk On The Boardwalk Catalinas Here Comes My Baby – Reverend Raven & The Chain Smokin’ Love You Tonight Too Much Sylvia Alter Boys Sugar Pie Honey Bunch Kid Rock Love Will Keep Us Alive J D Cash Where The Poor Boys Dance Rhonda McDaniel

(Continued on page 19)

ABSCDJ Update Page 19

(Continued from page 18) Mike Little Wayne Bennett I Ain't Leavin' Mississippi - Jaye Hammer Slow Boat to China Ronnie Dove We Ain't Leavin' Carolina – Too Much Sylvia Club Savoy Rockin' Louis & Mama Little Mis Night And Day-Boz Scaggs Jammers I Count The Tears – Dana Jones & The Bruce Caldwell Prject Baby Come Back Home Mr X Safford Old Time Saturday Nite - Mark Black Wake Up Mama Alvin Lee Come & Get Your Love - Entertainers She Just Wants to Dance Keb Mo Got To Be You – Dr. Victor San Miguel Delbert McClinton Slow Steady Groove – Cat5 Band I Betcha O C Smith Sugar Pie Honey Bunch-Kid Rock It's Obadacious Buddy and Ella Johnson Mr. Smith – Delbert McClinton You'll Never Find a Love Like Mine Lou Rawls Baby Baby Every Nighht - Jumpin'Up Don't You Lie to Me B B King Barefootin' - Scotty McCreary Chicken Switch James Hunter Be My Lovey Dovey – Jimmy Vaughan Sexual Religion Rod Stewart I Don't Mind – Jersey Swamp Cats Sweetness of Your Love L.U.S,T. Where The Poor Boys Dance – Rhonda McDaniel Birdnest of the Ground Dan Nolan & Carl Loud Mouth – Delbert McClinton Snyder I'll Always Love You – Embers feat. Craig EWoolard Yo Yo Man John Mayall Shagging The Strand With You – Doyle Wood & Jim Quick Built For Comfort Roy Rogers 44's Shuffle – Forty Fours Night and Day Earl Bostic If I Hock My Guitar – Delbert McClinton Black Coffee and Cigarettes Mo Rogers Beyond The Sea - Catalinas Cry To Me Soloman Burke Who's Loving You – Mark Black Just One Look Doris Troy Somebody Call My Wife-Linsey Alexander Each Morning I Wake Up-Chairmen of the Board feat. Ken Knox Vicious Vicious Vodka – Harpdog Brown Page 20 ABSCDJ Update ABSCDJ Update Page 21 RADIO STATION (AM/FM/WEB)

RADIO STATION (AM/FM/WEB) GUIDELINES FOR PUBLICATION (NEW)

Submissions must be received by the deadline for each issue. If no update has been received by the deadline then it will be assumed that no change is needed. A full graphic is requested—simple text in an email is not suitable. Follow sizing below based on # of DJs on air. Graphics must be submitted in a PDF, JPEG, or other suitable format for inclusion. Please issue a new graphic if Shows, DJs, or Times change (If other than .pdf or .jpeg then please check with editor prior to submission.) ______Below are sample sizes based on number of DJs—stations or DJs may submit as long as at least 1 ABSCDJ is in the lineup. Sizing is based on the NUMBER of DJs in the schedule. *The editor reserves the right to modify or change these guidelines as best suited for the ABSCDJ Update publication and offers no guarantee of publication. Please direct any questions to [email protected] *

***FOR EXAMPLES OF AVAILABLE SPACE—SEE NEWSLETTER 24.1 OR 24.2 ABSDCJ 3/22/2018 rev 1 Page 22 ABSCDJ Update

Don’t forget: Classifieds If you list an item in the For Sale For Sale classifieds and it sells, please let the editor Brand new 2 Mackie SRM450 – know so he can remove it Denon DND 4500 MK 2 DUAL CD powered 12” speakers from the listings! PLAYER $350 , or can buy with a 19 in. mixer and SKB box...$600 for all 3 2 Electro Voice ZXA1 pieces. PoweredSubwoofers -

Buddy Langley WELL OVER 2K new. 910-617-4091 [email protected] Yours today for $1200

Tiz Laney 843-861-9837 [email protected]

ABSCDJ Update Page 23

Calendar of Upcoming APPLICANTS TO BE VOTED ON Events

Applicant Sponsor Membership Type City/State Sept 20 10:00 AM Board Meeting NMB WILL BE PUBLISHED IN NEXT NEWSLETTER Sept 21 9:30 AM General Membership Meeting PRIOR TO FALL GENERAL MEMBERSHIP Ryans NMB MEETING

To comply with Article 3, Section 3, Part E. of the ABSCDJ ByLaws Members must notify the Member- ship Chairman with any objections or comments regarding a prospective member immediately. Please visit WWW.ABSCDJ.COM to review the ByLaw if you have any questions.

Prospective applicants have met all requirements per our ByLaws

Current Membership Committee Chair: Norman Mills

ABSCDJ Update

Association of Beach & Shag Club DJ’s P.O. Box 58033 Fayetteville NC 28305

Inside This Issue: • The Prez’s Corner • My Music or Yours • Old School Shag • Important ABSCDJ Updates • More, more, more . . .