Guidelines for Reappraisal and Deaccessioning
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Direct Care of Collections Ethics, Guidelines and Recommendations
Direct Care of Collections Ethics, Guidelines and Recommendations March 2019 Update Direct Care of Collections: Ethics, Guidance and Recommendations March 2019 For 25 years the Code of Ethics for Museums and accounting standards have been out of alignment regarding the use of proceeds from the sale of deaccessioned collections. The Financial Accounting Standards Board (FASB) updated its standard to bring the two into alignment: allowing for direct care as well as acquisition. The ethical principles regarding responsible governance and collections stewardship have not changed. In light of the updated FASB standard noted below, however, a museum should revise its collections management policy, as needed, to disclose its use of proceeds and its definition of direct care (if allowed). These disclosures are additions to the recommendations for Creating an Institutional Policy on page 8. The decision-making tools (pages 9-11) remain relevant guidelines for a museum to define “direct care of collections” depending on its mission, discipline and specific circumstances. Accounting Standards Update The Financial Accounting Standards Board (FASB) updated Topic 958, Definition of Collections (previously addressed in FASB 116) in March 2019. The update was made to align it with AAM’s Code of Ethics for Museums regarding the use of proceeds from the sale of deaccessioned objects. The updated standard permits museums not to recognize as revenue, nor capitalize, “contributions of works of art, historical treasures, and similar assets” if the donated items meet all of the following criteria: “a. They are held for public exhibition, education, or research in furtherance of public service rather than financial gain. -
Deaccessioning Done Right by Jennifer Holt, Curator, Will Rogers Memorial Museums, Claremore
technical bulletin Deaccessioning done right by Jennifer Holt, Curator, Will Rogers Memorial Museums, Claremore Oklahoma Museums eaccessioning is the process used to ered; private sales can be problematic due to Association Dremove permanently an object from a transparency and accountability issues. The Technical Bulletin #47 museum’s collection or to document the rea- use of all proceeds should comply with the Published January sons for an involuntary removal of an object professional ethics and the law. from such a collection. The deaccession- 2009 ing process is used only when accessioned Procedures should be developed along with objects are at issue. Deaccessioning should policies. Deaccession check lists should not be viewed as a routine way to manage follow policy parameters. The registrar/col- indiscriminate collecting. The first rule is lection manager/curator should oversee the Back issues of techni- careful, focused collecting. process and maintain permanent records of cal bulletins published all deaccessions. by the Oklahoma There are a number of reasons why a mu- seum may be prompted to consider deacces- Problems may arise with the deaccession of Museums Associa- sioning. The condition of the object may be an object. The title to the object may be in- tion are available free so bad that it threatens other objects in the complete. Restrictions may have been placed to members. For a collection. A collection may contain unneces- on deaccessioning the object when donated. complete list of tech- sary duplicates. These dupes take resources Other issues that may appear include pri- nical bulletin topics, that could be used for new objects. -
If You Cannot Get Rid of the Family Skeleton, You May As Well
“If you cannot get rid of the family skeleton, you may as well make it dance”:1 How one repository tangoed successfully with some controversial collection management activities. Mark Green I’ve been asked today to touch on four activities—collection analysis, deaccessioning, collecting policy, and active acquisition/appraisal—and to do so “provocatively,” within 20 or 25 minutes. I spend an hour during my Advanced Appraisal workshop for the Society of American Archivists talking about deaccessioning alone, so what I say here will be quite a simplification and condensation—perhaps that will help me be provocative. Some context. I have spent most of my 25-year career as an archivist working with what in the US we refer to as manuscripts collections and in the UK are apparently referred to as “private archives.” In doing so I have worked for a private state historical society in Minnesota with manuscript holdings of approximately 30,000 cubic feet [SLIDE 2], where my sole employment for 11 years was developing collecting policies, identifying and soliciting new acquisitions, appraising solicited and unsolicited collections, building and maintaining relations with donors, and toward the end of my tenure devising reappraisal and deaccessioning projects.2 For the past 8 years I have directed the American Heritage Center in Wyoming [SLIDE 3], part of a public—which is to say taxpayer-funded—university, with manuscript holdings of about 70,000 cubic feet.3 There I have the same responsibilities I had in Minnesota, except that they occupy only a portion of my time, and it is my responsibility to teach the archivists who work with me how and why to perform these tasks. -
The Discursive Construction of Archival Science: Conceptual Foundations of a Discipline in Construction
Thiago Henrique Bragato Barros and João Batista Ernesto de Moraes. 2011. The discursive construction of archival science: Conceptual foundations. In Smiraglia, Richard P., ed. Proceedings from North American Symposium on Knowledge Organization, Vol. 3. Toronto, Canada, pp. 196-206. Thiago Henrique Bragato Barros ([email protected]) and João Batista Ernesto de Moraes ([email protected]) Universidade Estadual Paulista, Marília SP Brazil The Discursive Construction of Archival Science: Conceptual Foundations of a Discipline in Construction Abstract: This work outlines a theoretical background established in Archival Science based mainly on discourse analysis as a key discipline to understand which the differences are and points of concep- tual commonality in the area. Uses the French Discourse Analysis as a principle with a theoretical and methodological framework to typify the archive as a discursive practice defined by their historical aspects of its institutional junctures. The study of discourse helps to understand how certain linguistic formations construct the discourse, concerned mainly with the context in which the text was pro- duced. This analysis take place from manuals and treatises of Archival Science produced during the development of discipline and regarded as grounds for discipline. We analyzed the Manual of an Arc- hival Arrangement and Description (vor Handleiding van het ordenen in bescheijven archieven) of Muller, Feith, and Fruin (Ed.1 1898). Another work considered is the Manual of Archive Administra- tion Including the Problems of War Archives and Archive a Making (1 Ed. 1922) and some of late works of Sir Hillary Jenkinson and finally analyzed the work of Theodore R. Schellenberg some as- pects of his vast bibliography. -
Art Deaccessioning Policy
Deaccessioning Policy Document No. CUR 4.0 – Deaccessioning Policy Page 1 Approved: December 2020 Approved by: National Gallery of Australia Council next review due: December 2022 Summary Name of Policy Description of Policy Deaccessioning Policy Policy applies to ☒ NGA wide ☐ Specific (eg. Department) Policy Status ☐ New policy ☒ Revision of Existing Policy (previously Art Acquisition Policy) Approval Authority Director Responsible Officer Assistant Director, Artistic Programs Contact area Artistic Programs Date of Policy Review* October 2022 Related Policies, Procedures, National Gallery Act 1975 Guidelines and Local Protocols Public Governance, Performance and Accountability Act 2013 Council Instructions including Financial Delegations Aboriginal and Torres Strait Islander Cultural Rights and Engagement Policy Due Diligence and Provenance Policy Acquisitions Policy Research Library Collection Development Policy Research Archive Acquisition Policy The Copyright Act 1968 The Privacy Act 1988 Privacy Policy Australian Best Practice Guide to Collecting Cultural Material 2015 Collections Law: Legal issues for Australian Archives, Galleries, Libraries and Museums *Unless otherwise indicated, this policy will still apply beyond the review date. Approvals Position Name Endorsed Date Assistant Director Natasha Bullock Yes Director Nick Mitzevich Yes Council Ryan Stokes Yes Document No. CUR 4.0 – Deaccessioning Policy Page 2 Approved: December 2020 Approved by: National Gallery of Australia Council next review due: December 2022 Table of contents -
Anthropology MAJORS
CAREERS FOR Anthropology MAJORS Anthropology is the study of human behavior and societies across time. UNM’s Anthropology program focuses on the biological diversity and forms, behaviors, and meanings that underlie human experiences over the span of humans’ existence. UNM’s Anthropology Bachelor’s degree offers concentrations in Archaeology, Ethnology and Evolutionary Anthropology. Anthropology majors often pursue careers in fields such as education, museums, research, and preservation. Many graduates work in cultural resource management for public sector employers, like state governments, and for private sector employers, like real estate developers. With a bachelor’s degree, graduates may qualify for entry level jobs such as a museum technician, research assistant, or archaeology field technician. Graduates with this degree may also enter teaching or other social services fields such as social work. Keep in mind that some occupations require further training. From finding chocolate in Chaco Canyon to studying the hands and feet from the fossils of chimpanzees, there are many opportunities for anthropology graduates in New Mexico, with our rich, diverse cultural history, past, and present. Industries & Occupations Research and Cultural Resource Management • Anthropologist,* archaeologist,* archivist, preservationist, conservator, exhibit preparation coordinator, historical background analyst, field technician, excavation, compliance Museums, Arts and Culture • Curator, restorer, collections manager, archivist, docent, exhibit design, -
Collection Development Policy
COLLECTION DEVELOPMENT POLICY Heather Saunders , Director of Library Leslie Cade, Director of Archives Collection Development Policy — Ingalls Library and Museum Archives July 25, 2018 TABLE OF CONTENTS Ingalls Library I. Purpose of the Policy 3 II. Description of the Collections 3 III. Selection Responsibility 4 IV. General Collection Guidelines 4 V. Collecting Categories and Formats 6 VI. Collecting Levels 10 VII. Subject Qualification by Collecting Level 11 VIII. Gifts 13 IX. Exchange Materials 13 X. Preservation 13 XI. Replacement and Desiderata 13 XII. Deaccessioning 14 XIII. Relation to Other Library Resources 14 Museum Archives I. Purpose of the Policy 16 II. Description of the Collections 16 III. Retention Responsibility 17 IV. Deacce ssioning 17 V. Relation to Other Archive Resources 17 VI. Recommendations 17 Appendix A I. Mission of the Ingalls Library and Museum Archives 18 II. Description of the Ingalls Library 18 Appendix B I. Mission of the Museum Archives 23 II. History of the Museum Archives 23 Appendix C Guidelines for the Library Purchase and Processing of Books with Original Prints and Photographs 26 2 Collection Development Policy — Ingalls Library and Museum Archives July 25, 2018 Ingalls Library I. Purpose of the Policy Ingalls Library of t he Cleveland Museum of Art is a nationally recognized art research library with rich collections encompassing a wide range of published materials covering art from all geographic areas and all periods of art history and archival collections documenting the history of the institution. Materials are collected in many languages and in all formats. Throughout their history the library and archives have been committed to excellence in support of the museum’s current and future collections, research, exhibitions, publications, lectures, programs and activities by identifying, acquiring, organizing and providing access to relevant research mat erials and information . -
Blair 2007 Archival Science Intro Milligan.Pdf (131.1
Introduction The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Blair, Ann, and Jennifer Milligan. 2007. “Introduction.” Archival Science 7 (4) (December): 289–296. doi:10.1007/s10502-008-9069-7. Published Version 10.1007/s10502-008-9069-7 Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:29674917 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA manuscript for Ann Blair and Jennifer Milligan, "Introduction," Archival Science 7:4 (2007), pp. 289-96. Introduction Archives -- collections of paper, books, and other substrates of information (some might say “memory”) and the institutions that house and manage these objects -- are subjects of a renewed and vital current critical historical interest. Archives, broadly conceived, have been used for the writing of history since historical writing began, and archival materials and institutions are an integral part of the making not just of history but of the modern historical profession as well. The historian’s relationship with the archive has been long and varied and described in a broad range of terms, as being as unproblematic as “bread and butter” (Giles 1996) or as driven by erotic, fetishistic desire (Smith 1998). It is fitting that historians should turn their scholarly attentions to these depositories that have been the object, if not the subject, of so much historical work. -
Review of Reappraisal and Deaccessioning in Archives and Special Collections
Journal of Contemporary Archival Studies Volume 7 Article 10 2020 Review of Reappraisal and Deaccessioning in Archives and Special Collections Audra E. Yun University of California, Irvine, [email protected] Follow this and additional works at: https://elischolar.library.yale.edu/jcas Part of the Archival Science Commons Recommended Citation Yun, Audra E. (2020) "Review of Reappraisal and Deaccessioning in Archives and Special Collections," Journal of Contemporary Archival Studies: Vol. 7 , Article 10. Available at: https://elischolar.library.yale.edu/jcas/vol7/iss1/10 This Book Review is brought to you for free and open access by EliScholar – A Digital Platform for Scholarly Publishing at Yale. It has been accepted for inclusion in Journal of Contemporary Archival Studies by an authorized editor of EliScholar – A Digital Platform for Scholarly Publishing at Yale. For more information, please contact [email protected]. Yun: Review of Reappraisal and Deaccessioning Laura Uglean Jackson. Reappraisal and Deaccessioning in Archives and Special Collections. Lanham, MD: Rowman & Littlefield, 2019. Building on the procedures and principles set forth in the Society of American Archivists’ (SAA) Guidelines for Reappraisal and Deaccessioning, this volume of case studies edited by Laura Uglean Jackson provides ample instruction and examples from a variety of practitioners focused on these often neglected components of archival collection management. Jackson, a self- proclaimed “‘unrepentant reappraiser’ (and deaccessioner)” (vii), brings together the -
Carolyn M. Chesarino. an Analysis of Finding Aid Structure and Authority Control for Large Architectural Collections
Carolyn M. Chesarino. An Analysis of Finding Aid Structure and Authority Control for Large Architectural Collections. A Master’s Paper for the M.S. in L.S degree. November, 2012. 41 pages. Advisor: Stephanie W. Haas This study discusses best practices in describing architectural records in special collections repositories through encoded finding aids. It argues that metadata elements within these finding aids could serve as more effective access points if end users were more easily able to develop their own ways of highlighting relationships which exist within and across collections. Based on the information gathered from semi-structured interviews, this paper reports how other archivists developed institutional standards with which to catalog and process their architectural collections. Finally, this paper provides examples of what could be achieved in the realm of data visualization in an attempt to inspire repositories to make it easier for end users to extract the metadata that archivists and librarians spend so much time collecting. Headings: Architectural drawings Faceted classification Finding aids Libraries--Special collections AN ANALYSIS OF FINDING AID STRUCTURE AND AUTHORITY CONTROL FOR LARGE ARCHITECTURAL COLLECTIONS by Carolyn M. Chesarino A Master’s paper submitted to the faculty of the School of Information and Library Science of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Science in Library Science. Chapel Hill, North Carolina November 2012 Approved -
Basics of Finding Aids
Society of Ohio Archivists / Ohio Local History Alliance fall meeting, October 5, 2018 BASICS OF FINDING AIDS Cate Putirskis Ohio State University Libraries Overview ■ What a finding aid is & is used for ■ Best practices for writing finding aids ■ Anatomy of a finding aid – Part 1: Summary – Part 2: Notes – Part 3: Collection Inventory ■ Suggestions for getting started Food and Nutrition Class, 1950s What is a finding aid? ■ Society of American Archivists’ definition: A description of records that gives the repository physical and intellectual control over the materials and that assists users to gain access to and understand the materials. ■ Physical control = materials listed have a numbering or identification system applied that allows for locating and retrieving them The Lantern, 1955 ■ Intellectual control = documents the context within which the materials were created, including identifying and maintaining relationships between materials What does a finding aid look like? When are finding aids useful? ■ When researchers want to know more about what is in a collection ■ When a repository wants to share information about their collections broadly online ■ When having a (detailed) inventory of the contents of a collection is helpful for the daily work of the repository – Inventory control or collection maintenance – Determining uniqueness or overlap of collection contents ■ May be beneficial for insurance or valuation purposes Optics Dispensary, Mendenhall Hall, 1930 Finding aid best practices ■ Describing Archives: A Content Standard -
Guidelines on Deaccessioning of the International Council of Museums
Guidelines on Deaccessioning of the International Council of Museums Introduction The following guidelines elaborate upon the principles of the ICOM Code of Ethics for Museums concerning the deaccessioning and disposition1 of objects2 from museum collections. The guidelines consider deaccessioning within the context of acquisition and accessioning and are intended to assist in the practical application of the Code of Ethics’ principles. Acquisition The decision to acquire an object (whether it is offered for donation, acquired at sale or auction or found during an archaeological excavation) and accession it into a museum’s collection should be made thoughtfully, considering the nature of the object and its provenance, the museum’s mission3 and the resources that will be required to care for, display and provide access to the object. A museum’s collections policy should thoroughly define the acquisition process and address the legal and ethical principles and professional responsibilities involved4. Acquisitions should be made in accordance with the highest standards of due diligence5 and in accordance with the applicable law6. Accessioning Once a museum acquires an object, the object is accessioned. Accessioning is the formal process involved in accepting and recording an item as an object in a museum’s collection and its inventory. A record of the acquisition, accession processes, and all relevant documents accompanying the object should be kept and preserved. 1 In the ICOM Code of Ethics for Museums, the term “disposal” is used instead of “disposition”. 2 For the purposes of these standards, the word object is used broadly to refer to all cultural objects, as defined in the relevant international legislation: cultural objects are those which, on religious or secular grounds, are of importance for archaeology, prehistory, history, literature, art or science.