Melody Maker
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums. -
Diana Davies Photograph Collection Finding Aid
Diana Davies Photograph Collection Finding Aid Collection summary Prepared by Stephanie Smith, Joyce Capper, Jillian Foley, and Meaghan McCarthy 2004-2005. Creator: Diana Davies Title: The Diana Davies Photograph Collection Extent: 8 binders containing contact sheets, slides, and prints; 7 boxes (8.5”x10.75”x2.5”) of 35 mm negatives; 2 binders of 35 mm and 120 format negatives; and 1 box of 11 oversize prints. Abstract: Original photographs, negatives, and color slides taken by Diana Davies. Date span: 1963-present. Bulk dates: Newport Folk Festival, 1963-1969, 1987, 1992; Philadelphia Folk Festival, 1967-1968, 1987. Provenance The Smithsonian Ralph Rinzler Folklife Archives and Collections acquired portions of the Diana Davies Photograph Collection in the late 1960s and early 1970s, when Ms. Davies photographed for the Festival of American Folklife. More materials came to the Archives circa 1989 or 1990. Archivist Stephanie Smith visited her in 1998 and 2004, and brought back additional materials which Ms. Davies wanted to donate to the Ralph Rinzler Folklife Archives. In a letter dated 12 March 2002, Ms. Davies gave full discretion to the Center for Folklife and Cultural Heritage to grant permission for both internal and external use of her photographs, with the proviso that her work be credited “photo by Diana Davies.” Restrictions Permission for the duplication or publication of items in the Diana Davies Photograph Collection must be obtained from the Ralph Rinzler Folklife Archives and Collections. Consult the archivists for further information. Scope and Content Note The Davies photographs already held by the Rinzler Archives have been supplemented by two more recent donations (1998 and 2004) of additional photographs (contact sheets, prints, and slides) of the Newport Folk Festival, the Philadelphia Folk Festival, the Poor People's March on Washington, the Civil Rights Movement, the Georgia Sea Islands, and miscellaneous personalities of the American folk revival. -
Melody-Maker-1969-0301.Pdf
I / . THE MAGIC OF JIMI HENDRIX part two of the MM's great series on page 14 WOODS: for Ronnie's EUROPEAN BY LAURIE HENSHAW RHYTHM TOP American stars are being lined up for British appen MACHINE ances later in rhe year. Current Pop 30 art COMING ists Martha and the AMERICAN altoist Phil Vandellas and Canned Woods has been booked Heat will be back in into London's Ronnie Britain in 1969. Scott Club for a two CANNED HEAT MARTHA AND VANDELLAS week season commen DATES tour later this year three-week tour plus TV dates cing March 31. He will appear with h11 European Rhythm Muh,ne, Martha, whose cur joins forces with the 1;omprilin1 Daniel Hu,nair rent chart hit " Dancing Count Basie Orchestra (drs), C.Or1e Grunts (pno) In The Street'' is a Canned Heat again for a package u1d Henri T .. ier (lta•t) . " revived 45 ", will which kicks off at the start a three-week tour Hammersmith Odeon this month. later in year on April 19. Dates are being set in London and through Howes also has high European tour later this TREK out the country between hopes that Aretha month. Full details of March 17 and April 12. Franklin will top a dates are on pace 2. The Basie band has The tour will also mammoth concert bill take in TV appearances On the iazz front, four dates on its own, at London's Royal Al the Harold Davison beginnin1 at the Wake on ATV's This Is Tom bert Hall in November. -
Productionprofile
productionprofile COINCIDING WITH HIS ON AN ISLAND ALBUM DEBUTING AT NUMBER ONE WITHIN DAYS OF HIS 60TH BIRTHDAY, THE “VOICE AND GUITAR OF PINK FLOYD” HAS EMBARKED ON HIS FIRST FULL TOUR IN 12 YEARS. MARK CUNNINGHAM REPORTS FROM AMSTERDAM... david gilmour With the surprise and awe of last summer's Pink Floyd fortunate, for not only is this venue purpose-built for association as audio provider with Mike Lowe in office. reunion at Live 8 still a spine-tingling memory in many live music, with all facilities thoughtfully designed to The highly respected Searle maintains a happy ship quarters, David Gilmour's new solo album, On An cope with the practical requirements of incoming upon which an air of polite Englishness resides. As they Island, captures a man who is clearly very happy with productions, but on a personal note, Gilmour's show say, the vibe always comes from the top, and it's a cosy his lot. Released on his 60th birthday in March, the provided an intimate audio experience unrivalled by family affair with Mrs. G documenting the tour collection — his first complete studio project since pretty much anything to date. A bold statement, photographically, guitarist Phil Manzanera's wife Claire Floyd's The Division Bell in 1994 — is a beautifully perhaps, but from the heart. Singers looking after publicity, and Wright's son-in-law mellow showcase for his unmistakable guitar sound and Although Gilmour ventured out in a minor way Guy Pratt on bass. articulate vocal style. So tranquil, in fact, that one can during 2001 and 2002 with a handful of acoustic "I've known Phil Taylor for many years and almost feel the warmth of the Mediterranean sunset shows, it's been 12 years since he's needed a full-scale because he needs to focus on David's stage that inspired Gilmour and his lyricist wife, Polly Samson. -
Crazy Diamond: Syd Barrett and the Dawn of Pink Floyd Free
FREE CRAZY DIAMOND: SYD BARRETT AND THE DAWN OF PINK FLOYD PDF Mike Watkinson,Pete Anderson | 192 pages | 30 Jul 2007 | OMNIBUS PRESS | 9781846097393 | English | London, United Kingdom Crazy Diamond: Syd Barrett, Loads of LSD, and the Founding of Pink Floyd Uh-oh, it looks like your Internet Explorer is out of date. For a better shopping experience, please upgrade now. Javascript is not enabled in your browser. Enabling JavaScript in your browser will allow you to experience all the features of our site. Learn how to enable JavaScript on your browser. Syd Barrett was Pink Floyd's founder, singer, guitarist and principal composer, who left the group in amidst tales of acid-induced madness. Barrett's brief flash of erratic brilliance has is now the stuff of rock legend, and his post-Floyd recordings have become cult classics. Updated forthis book draws on years on research to relate an epic rock tragedy. Home 1 Books 2. Read an excerpt of this book! Add to Wishlist. Sign in to Purchase Instantly. Members save with free shipping everyday! See details. Overview Syd Barrett was Pink Floyd's founder, singer, guitarist and principal composer, who left the group in amidst tales of acid- induced madness. Product Details. Pages: Sales rank:Product dimensions: 5. Related Searches. Music journalist Mike Barnes MOJO, The Wire, Prog, and author of the acclaimed biography Captain Beefheart goes back to the birth of progressive rock and surveys the cultural conditions and attitudes that fed into, and were in turn affected by, View Product. Bob Marley: Lyrical Genius. This in-depth analysis of the reggae superstar's poetry in lyric form delves into the songwriter's This in-depth analysis of the reggae superstar's poetry in lyric form delves into the songwriter's intellect and spirituality with scholarly precision usually more associated with Bob Dylan or John Lennon. -
Inside the Cages of the Zoo
The Library of America • Story of the Week From Shake It Up: Great American Writing on Rock and Pop from Elvis to Jay Z (Library of America, 2017), pages 151–65. Originally published in Trips: Rock Life in the Sixties (1973). Copyright © by Ellen Sander. ▼ Ellen Sander Ellen Sander (b. 1944) was The Saturday Review’s rock critic in the mid- to late sixties and also wrote on rock for Vogue, The Realist, Cavalier, The L.A. Free Press, the Sunday New York Times Arts & Leisure section, and many other venues. She is the author of Trips: Rock Life in the Sixties (1973), an important source for those seeking to understand the texture and allure of 1960s rock culture. A unique aspect of that culture was captured in Sander’s piece “The Case of the Cock- Sure Groupies” (1968), a remarkably clear- eyed and nonjudgmental account of one of rock’s less celebrated scenes. After her years of rock writing, Sander worked in various capacities in the software industry, from tech writing to computational linguistics. She then returned to her first love, poetry; most recently she served as the Poet Laure- ate of Belfast, Maine (2013–2014). Several collections of her rock journalism are available as Kindle ebooks. ▼ ▼ ▼ ▼ ▼ ▼ ▼ ▼ ▼ ▼ ▼ ▼ ▼ ▼ ▼ ▼ ▼ ▼ ▼ ▼ ▼ ▼ ▼ ▼ Inside the Cages of the Zoo Some years later, a group called Led Zeppelin came to America to make it, taking a highly calculated risk. The group had been put together around Jimmy Page, who had a heavy personal following from his previous work with the Yardbirds, an immensely popular British group that generated a great deal of charisma in the States. -
“The Dark Side of the Moon”—Pink Floyd (1973) Added to the National Registry: 2012 Essay By: Daniel Levitin (Guest Post)*
“The Dark Side of the Moon”—Pink Floyd (1973) Added to the National Registry: 2012 Essay by: Daniel Levitin (guest post)* Dark Side of the Moon Angst. Greed. Alienation. Questioning one's own sanity. Weird time signatures. Experimental sounds. In 1973, Pink Floyd was a somewhat known progressive rock band, but it was this, their ninth album, that catapulted them into world class rock-star status. “The Dark Side of the Moon” spent an astonishing 14 years on the “Billboard” album charts, and sold an estimated 45 million copies. It is a work of outstanding artistry, skill, and craftsmanship that is popular in its reach and experimental in its grasp. An engineering masterpiece, the album received a Grammy nomination for best engineered non-classical recording, based on beautifully captured instrumental tones and a warm, lush soundscape. Engineer Alan Parsons and Mixing Supervisor Chris Thomas, who had worked extensively with The Beatles (the LP was mastered by engineer Wally Traugott), introduced a level of sonic beauty and clarity to the album that propelled the music off of any sound system to become an all- encompassing, immersive experience. In his 1973 review, Lloyd Grossman wrote in “Rolling Stone” magazine that Pink Floyd’s members comprised “preeminent techno-rockers: four musicians with a command of electronic instruments who wield an arsenal of sound effects with authority and finesse.” The used their command to create a work that introduced several generations of listeners to art-rock and to elements of 1950s cool jazz. Some reharmonization of chords (as on “Breathe”) was inspired by Miles Davis, explained keyboardist Rick Wright. -
Mediated Music Makers. Constructing Author Images in Popular Music
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Helsingin yliopiston digitaalinen arkisto Laura Ahonen Mediated music makers Constructing author images in popular music Academic dissertation to be publicly discussed, by due permission of the Faculty of Arts at the University of Helsinki in auditorium XII, on the 10th of November, 2007 at 10 o’clock. Laura Ahonen Mediated music makers Constructing author images in popular music Finnish Society for Ethnomusicology Publ. 16. © Laura Ahonen Layout: Tiina Kaarela, Federation of Finnish Learned Societies ISBN 978-952-99945-0-2 (paperback) ISBN 978-952-10-4117-4 (PDF) Finnish Society for Ethnomusicology Publ. 16. ISSN 0785-2746. Contents Acknowledgements. 9 INTRODUCTION – UNRAVELLING MUSICAL AUTHORSHIP. 11 Background – On authorship in popular music. 13 Underlying themes and leading ideas – The author and the work. 15 Theoretical framework – Constructing the image. 17 Specifying the image types – Presented, mediated, compiled. 18 Research material – Media texts and online sources . 22 Methodology – Social constructions and discursive readings. 24 Context and focus – Defining the object of study. 26 Research questions, aims and execution – On the work at hand. 28 I STARRING THE AUTHOR – IN THE SPOTLIGHT AND UNDERGROUND . 31 1. The author effect – Tracking down the source. .32 The author as the point of origin. 32 Authoring identities and celebrity signs. 33 Tracing back the Romantic impact . 35 Leading the way – The case of Björk . 37 Media texts and present-day myths. .39 Pieces of stardom. .40 Single authors with distinct features . 42 Between nature and technology . 45 The taskmaster and her crew. -
A History of Audio Effects
applied sciences Review A History of Audio Effects Thomas Wilmering 1,∗ , David Moffat 2 , Alessia Milo 1 and Mark B. Sandler 1 1 Centre for Digital Music, Queen Mary University of London, London E1 4NS, UK; [email protected] (A.M.); [email protected] (M.B.S.) 2 Interdisciplinary Centre for Computer Music Research, University of Plymouth, Plymouth PL4 8AA, UK; [email protected] * Correspondence: [email protected] Received: 16 December 2019; Accepted: 13 January 2020; Published: 22 January 2020 Abstract: Audio effects are an essential tool that the field of music production relies upon. The ability to intentionally manipulate and modify a piece of sound has opened up considerable opportunities for music making. The evolution of technology has often driven new audio tools and effects, from early architectural acoustics through electromechanical and electronic devices to the digitisation of music production studios. Throughout time, music has constantly borrowed ideas and technological advancements from all other fields and contributed back to the innovative technology. This is defined as transsectorial innovation and fundamentally underpins the technological developments of audio effects. The development and evolution of audio effect technology is discussed, highlighting major technical breakthroughs and the impact of available audio effects. Keywords: audio effects; history; transsectorial innovation; technology; audio processing; music production 1. Introduction In this article, we describe the history of audio effects with regards to musical composition (music performance and production). We define audio effects as the controlled transformation of a sound typically based on some control parameters. As such, the term sound transformation can be considered synonymous with audio effect. -
How Joy Division Came to Sound Like Manchester: Myth and Ways of Listening in the Neoliberal City
Journal of Popular Music Studies, Volume 25, Issue 1, Pages 56–76 How Joy Division Came to Sound Like Manchester: Myth and Ways of Listening in the Neoliberal City Leonard Nevarez Vassar College Manchester, England, is among the most well-known cities today for the creation and celebration of popular music, thanks in no small part to the group Joy Division. Among the first bands to be associated with a postpunk aesthetic, Joy Division eschewed punk’syouthful rage and unrelenting din for an expansive, anthemic sound distinguished by its dynamic scope, machinic pulses, and by singer Ian Curtis’ssonorous baritone and existential lyrics. As the first significant band to sustain a career in Manchester, thus bypassing the music industry headquartered in London, Joy Division is also recognized as pioneering the DIY tradition that has famously characterized Manchester’s musical economy over the last four decades. The group didn’t achieve this alone; the role of Manchester label Factory Records is well documented, as, increasingly, is the foundation laid by the city’s networks of musicians, scene participants, and cultural institutions (see Crossley; Botta).´ Yet these local facts don’t quite explain the contemporary resonance of Joy Division’s Manchester roots for music fans and city boosters today. Perhaps more than any other Mancunian band, Joy Division are claimed to sound like Manchester, at least the Manchester of a certain era. That is, the group did not just originate from the late 1970s Manchester of deindustrialization, carceral housing estates, Thatcherism, and punk’s youthful refusal; nor do they simply illustrate a recurring Mancunian ethos of creative pluck and insouciant disregard for London’s cultural hegemony (Haslam, Manchester, England). -
Vanguard Label Discography Was Compiled Using Our Record Collections, Schwann Catalogs from 1953 to 1982, a Phono-Log from 1963, and Various Other Sources
Discography Of The Vanguard Label Vanguard Records was established in New York City in 1947. It was owned by Maynard and Seymour Solomon. The label released classical, folk, international, jazz, pop, spoken word, rhythm and blues and blues. Vanguard had a subsidiary called Bach Guild that released classical music. The Solomon brothers started the company with a loan of $10,000 from their family and rented a small office on 80 East 11th Street. The label was started just as the 33 1/3 RPM LP was just gaining popularity and Vanguard concentrated on LP’s. Vanguard commissioned recordings of five Bach Cantatas and those were the first releases on the label. As the long play market expanded Vanguard moved into other fields of music besides classical. The famed producer John Hammond (Discoverer of Robert Johnson, Bruce Springsteen Billie Holiday, Bob Dylan and Aretha Franklin) came in to supervise a jazz series called Jazz Showcase. The Solomon brothers’ politics was left leaning and many of the artists on Vanguard were black-listed by the House Un-American Activities Committive. Vanguard ignored the black-list of performers and had success with Cisco Houston, Paul Robeson and the Weavers. The Weavers were so successful that Vanguard moved more and more into the popular field. Folk music became the main focus of the label and the home of Joan Baez, Ian and Sylvia, Rooftop Singers, Ramblin’ Jack Elliott, Doc Watson, Country Joe and the Fish and many others. During the 1950’s and early 1960’s, a folk festival was held each year in Newport Rhode Island and Vanguard recorded and issued albums from the those events. -
CARRY on STREAMIN from EDINBURGH FOLK CLUB Probably the Best Folk Club in the World! Dateline: Wednesday 28 October 2020 Volume 1.11
CARRY ON STREAMIN from EDINBURGH FOLK CLUB Probably the best folk club in the world! Dateline: Wednesday 28 October 2020 Volume 1.11 Wouldn’t it be just fantastic if we were able to C’MON EVERYBODY! achieve that by ourselves with your continued CARRY ON STREAMIN NOW IS THEIR TIME support? Of course it would. You may recognise in our banner a We are fully aware that many normally ‘reworking’ of the of the Carrying OF NEED generous folk will be experiencing their own Stream festival which EFC’s late chair, Paddy Bort, created shortly after the IN OUR LAST EDITION Pamela King “cash flow” problems now as furloughs end death of Hamish Henderson. wrote about Edinburgh FC’s attempts to help and lockdowns prevent normal working. all, “… the fiddlers, the guitarists, banjo- With the Scottish winter just around the corner After Paddy died in February 2017, players, cellists, accordionists, mandolin now and Christmas only about eight weeks EFC created the Paddy Bort Fund players, singers, flautists, whistlers, and away, some folk are going to experience way (PBF) to give financial assistance to players of the uillean and small pipes” by more than average difficulty in managing their folk performers who, through no fault using your brilliant donations to our Paddy of their own, fall on hard times. existence. There has been a lot in the press and Bort Fund (PBF). media about mental health problems arising No-one contemplated anything like the Indeed it would be wonderful to say that we from COVID19. Musicians will be just as coronavirus.