Edward Snowden's Strangely Free Life – As a Robot
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How America Lost Its Secrets: Edward Snowden, the Man and the Theft. by Edward Jay Epstein. New York, N.Y.; Alfred A. Knopf, 2017
Journal of Strategic Security Volume 10 Number 1 Article 9 How America Lost its Secrets: Edward Snowden, The Man and The Theft. By Edward Jay Epstein. New York, N.Y.; Alfred A. Knopf, 2017. Millard E. Moon, Ed.D., Colonel (ret), U.S. Air Force Office of Special Investigations Follow this and additional works at: https://scholarcommons.usf.edu/jss pp. 143-147 Recommended Citation Moon, Ed.D.,, Millard E. Colonel (ret),. "How America Lost its Secrets: Edward Snowden, The Man and The Theft. By Edward Jay Epstein. New York, N.Y.; Alfred A. Knopf, 2017.." Journal of Strategic Security 10, no. 1 (2017) : 143-147. DOI: http://doi.org/10.5038/1944-0472.10.1.1590 Available at: https://scholarcommons.usf.edu/jss/vol10/iss1/9 This Book Review is brought to you for free and open access by the Open Access Journals at Scholar Commons. It has been accepted for inclusion in Journal of Strategic Security by an authorized editor of Scholar Commons. For more information, please contact [email protected]. How America Lost its Secrets: Edward Snowden, The Man and The Theft. By Edward Jay Epstein. New York, N.Y.; Alfred A. Knopf, 2017. This book review is available in Journal of Strategic Security: https://scholarcommons.usf.edu/jss/ vol10/iss1/9 Moon, Ed.D.,: How America Lost its Secrets How America Lost its Secrets: Edward Snowden, The Man and The Theft. By Edward Jay Epstein. New York, N.Y.; Alfred A. Knopf, 2017. ISBN: 9780451494566. Photographs. Notes. Selected Bibliography. Index. Pp. 350. $27.95. Edward Jay Epstein is a well known and respected investigative journalist. -
Edward Snowden
wanted”, and the more he learned about NSA’s ubiquitous international surveillance pro- The man who grammes, the more troubled he became. “A sys- tem of global mass surveillance,” he realised, pro- exposed the duces “a permanent record of everyone’s life”, and indeed that was the intelligence agencies’ pro- watchers fessed goal. “The value of any piece of information is only known when you can connect it with some- David J. Garrow thing else that arrives at a future point in time,” CIA chief technical officer Gus Hunt explained in early Dark Mirror: 2013. “Since you can’t connect dots you don’t Edward Snowden dward snowden revealed him- have, it drives us into a mode of, we fundamentally and the American self to the world, via a Guardian try to collect everything and hang onto it forever.” Surveillance State web-video, on 9 June 2013, four By that time, Snowden had resolved to act, but by Barton Gellman days after the Guardian, and then his initial anonymous messages to radical journal- The Bodley Head, the Washington Post, first reported ist Glenn Greenwald went unanswered. Progres- £20 on the astonishing treasure trove of top-secret US sive filmmaker Laura Poitras did respond, and she Eintelligence community documents they had in turn contacted both former Washington Post Permanent Record been given by the 29-year-old computer systems reporter Bart Gellman, a well-known national se- by Edward Snowden engineer who worked at the National Security curity journalist, and Greenwald. By mid-May Poi- Macmillan, £20 Agency’s (NSA) Hawaii listening post. -
Download Thesis
This electronic thesis or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ Representations of the Holocaust in Soviet cinema Timoshkina, Alisa Awarding institution: King's College London The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement. END USER LICENCE AGREEMENT Unless another licence is stated on the immediately following page this work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence. https://creativecommons.org/licenses/by-nc-nd/4.0/ You are free to copy, distribute and transmit the work Under the following conditions: Attribution: You must attribute the work in the manner specified by the author (but not in any way that suggests that they endorse you or your use of the work). Non Commercial: You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 25. Sep. 2021 REPRESENTATIONS OF THE HOLOCAUST IN SOVIET CINEMA Alissa Timoshkina PhD in Film Studies 1 ABSTRACT The aim of my doctoral project is to study how the Holocaust has been represented in Soviet cinema from the 1930s to the collapse of the Soviet Union in 1991. -
Visualizing the Past: Perestroika Documentary Memory Of
VISUALIZING THE PAST: PERESTROIKA DOCUMENTARY MEMORY OF STALIN-ERA TRAUMA by Erin Rebecca Alpert B.A. in Global Studies, College of William and Mary, 2007 M.A. in Slavic Languages and Literatures, University of Pittsburgh, 2009 Submitted to the Graduate Faculty of the Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2014 UNIVERSITY OF PITTSBURGH Kenneth P. Dietrich School of Arts and Sciences This dissertation was presented by Erin Alpert It was defended on May 12, 2014 and approved by Nancy Condee, Professor, University of Pittsburgh, Department of Slavic Languages and Literatures David Birnbaum, Professor, University of Pittsburgh, Department of Slavic Languages and Literatures Jeremy Hicks, Reader, Queen Mary University of London, Department of Russian Dissertation Advisor: Vladimir Padunov, Associate Professor, University of Pittsburgh, Department of Slavic Languages and Literatures ii Copyright © by Erin Alpert 2014 iii VISUALIZING THE PAST: PERESTROIKA DOCUMENTARY MEMORY OF STALIN-ERA TRAUMA Erin Alpert, PhD University of Pittsburgh, 2014 The main goal of this dissertation is to look at how, during perestroika, documentary breaks away from the traditional notions of the genre in order to reexamine and redefine traumatic events from the Stalinist period. The first chapter examines the nuances of three critical terms: “documentary,” “collective memory,” and “cultural trauma.” I then turn to a historical approach, exploring how political culture and technology affected the content, production, and screening of documentaries, first discussing the time leading up to perestroika and then the massive changes during the glasnost era. In the final chapters, I argue that there are three primary approaches the films examined in this project take to understanding the past. -
Snowdenshailene Woodley ©2016 Sacha, Inc
PATHÉ PRÉSENTE EN ASSOCIATION AVEC WILD BUNCH, VENDIAN ENTERTAINMENT ET TG MEDIA JOSEPH GORDON-LEVITT SNOWDENSHAILENE WOODLEY ©2016 SACHA, INC. TOUS DROITS RÉSERVÉS © CRÉDITS NON CONTRACTUELS INC. ©2016 SACHA, UN FILM DE OLIVER STONE PATHÉ PRÉSENTE EN ASSOCIATION AVEC WILD BUNCH ENTERTAINMENT VENDIAN ENTERTAINMENT TG MEDIA UNE PRODUCTION MORITZ BORMAN SNOWDEN UN FILM DE OLIVER STONE JOSEPH GORDON-LEVITT SHAILENE WOODLEY MELISSA LEO ZACHARY QUINTO TOM WILKINSON UN FILM PRODUIT PAR MORITZ BORMAN & ERIC KOPELOFF D’APRÈS L’OUVRAGE DE LUKE HARDING & LE ROMAN DE ANATOLY KUCHERENA SCÉNARIO DE KIERAN FITZGERALD & OLIVER STONE SORTIE LE MARDI 1ER NOVEMBRE DURÉE : 2H14 www.snowden-lefilm.com DISTRIBUTION PRESSE PATHÉ DISTRIBUTION MICHÈLE ABITBOL-LASRY 2, RUE LAMENNAIS − 75008 PARIS SÉVERINE LAJARRIGE TÉL. : 01 71 72 30 00 184, BD HAUSSMANN − 75008 PARIS FAX : 01 71 72 33 10 TÉL. : 01 45 62 45 62 [email protected] / [email protected] DOSSIER DE PRESSE ET PHOTOS TÉLÉCHARGEABLES SUR WWW.PATHEFILMS.COM À elle seule, l’Histoire fait d’Edward Snowden une figure marquante. Ses révélations en 2013 – une démarche qui en Amérique vaut le qualificatif de « lanceur d’alerte » à son auteur s’il s’agit d’un fonctionnaire du gouvernement – ont déclenché une prise de conscience générale du fait que les nouvelles technologies avaient atteint des niveaux d’omniscience inédits jusqu’alors – du fait que « ils », les Yeux et les Oreilles du gouvernement, pouvaient voir et entendre tout ce que nous, vous, moi, considérons comme privé. Quelles que soient vos convictions ou réactions à propos de la démarche de Snowden, il est indéniable qu’il a tenté de nous alerter sur l’illégalité des agissements de ce nouvel État de Sécurité Nationale, dont la surveillance de masse de sa propre population. -
USA V JULIAN ASSANGE EXTRADITION HEARING When
USA V JULIAN ASSANGE EXTRADITION HEARING When: Part 1: 24th February -28th February Part 2: 18th May - 5th June Where: Woolwich Crown Court/Belmarsh Magistrate's Court, which is adjacent to HMP Belmarsh (See end of this briefing for travel advice). Magistrate: Vanessa Baraitser Defence team: Solicitor Gareth Peirce (Birnberg, Peirce & Partners), lead Barristers Edward Fitzgerald QC, Doughty Street Chambers, Mark Summers QC, Matrix Chambers The US is seeking to imprison Julian Assange for obtaining and publishing the 2010/2011 leaks, which exposed the reality of the Bush Administration's "War on Terror": Collateral Murder (Rules of Engagement), Afghan War Diaries, Iraq War Logs, Cablegate, and The Guantanamo Files. The US began its criminal investigation against Julian Assange and WikiLeaks in early 2010. After several years, the Obama administration decided not to prosecute WikiLeaks because of the precedent that this would set against media organisations. In January 2017, the campaign to free Mr. Assange's alleged source Chelsea Manning was successful and President Obama gave her a presidential commutation and freed her from prison. In August 2017 an attempt was made under the Trump administration to pressure Mr. Assange into saying things that would be politically helpful to the President. After Mr. Assange did not comply, he was indicted by the Trump Administration and the extradition request was set in motion. Chelsea Manning was re-imprisoned due to her refusal to cooperate with the grand jury against WikiLeaks. President Trump has declared that the press is "the enemy of the people" (https://www.nytimes.com/2017/02/17/business/trump-calls-the-news-media-the-enemy-of-the- people.html). -
October 2016 the Head of the Charles Continued on Page 24
The RegisterRegister ForumForum Established 1891 Vol. 129, No. 2 Cambridge Rindge and Latin School October 2016 The Head of the Charles Continued on page 24 Three Rindge boats raced in the 52nd Head of the Charles; the Varsity Boys boats came in 19th and 66th and the Varsity Girls came in 22nd place. Photo Credit: Cam Poklop For Rindge, It’s No Contest Cambodian Genocide In RF Mock Election Hillary Wins Handily Survivor Speaks at CRLS nominee for president. ge students are not a fan eight years old to fight in By By All together, 14.4% of of the Twenty-Second Am- a war. In the middle of the Diego Lasarte Kiana Laws students, unprompted, re- mendment, as 1.8% of the war, Pond fled to the jungle Register Forum Register Forum Staff fused to pick one of the four student body—fifth place— Editor-in-Chief and later found himself in a major candidates or to ab- wrote in President Obama, In 1975, after the Viet- Thai refugee camp. Soon he After surveying al- stain and instead wrote in a wanting a third term for the nam war, the Khmer Rouge was found by Peter Pond, an most one fourth of CRLS candidate of their choosing. sitting president. took over Cambodia. They American man who later ad- students, teachers, and After Senator Sanders, However, President promised to bring peace opted him and brought him staff, the Register Forum is Republican nominee Don- Obama was not the only back to their country, but to America. prepared to announce that ald Trump and Libertarian write-in ineligible for the instead they starved and In America, he went Democratic nominee Sec- nominee Governor Gary office of the presidency: re- abused millions of Cambo- to highschool, but things retary Clinton has cently martyered dians, wiping out almost all were still very difficult for won the Rindge gorilla Harambe of their music him. -
UNITED STATES DISTRICT COURT DISTRICT of MARYLAND LEADERS of a BEAUTIFUL STRUGGLE Et Al., Plaintiffs, V. BALTIMORE POLICE DEPART
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Filming the End of the Holocaust War, Culture and Society
Filming the End of the Holocaust War, Culture and Society Series Editor: Stephen McVeigh, Associate Professor, Swansea University, UK Editorial Board: Paul Preston LSE, UK Joanna Bourke Birkbeck, University of London, UK Debra Kelly University of Westminster, UK Patricia Rae Queen’s University, Ontario, Canada James J. Weingartner Southern Illimois University, USA (Emeritus) Kurt Piehler Florida State University, USA Ian Scott University of Manchester, UK War, Culture and Society is a multi- and interdisciplinary series which encourages the parallel and complementary military, historical and sociocultural investigation of 20th- and 21st-century war and conflict. Published: The British Imperial Army in the Middle East, James Kitchen (2014) The Testimonies of Indian Soldiers and the Two World Wars, Gajendra Singh (2014) South Africa’s “Border War,” Gary Baines (2014) Forthcoming: Cultural Responses to Occupation in Japan, Adam Broinowski (2015) 9/11 and the American Western, Stephen McVeigh (2015) Jewish Volunteers, the International Brigades and the Spanish Civil War, Gerben Zaagsma (2015) Military Law, the State, and Citizenship in the Modern Age, Gerard Oram (2015) The Japanese Comfort Women and Sexual Slavery During the China and Pacific Wars, Caroline Norma (2015) The Lost Cause of the Confederacy and American Civil War Memory, David J. Anderson (2015) Filming the End of the Holocaust Allied Documentaries, Nuremberg and the Liberation of the Concentration Camps John J. Michalczyk Bloomsbury Academic An Imprint of Bloomsbury Publishing Plc LONDON • OXFORD • NEW YORK • NEW DELHI • SYDNEY Bloomsbury Academic An imprint of Bloomsbury Publishing Plc 50 Bedford Square 1385 Broadway London New York WC1B 3DP NY 10018 UK USA www.bloomsbury.com BLOOMSBURY and the Diana logo are trademarks of Bloomsbury Publishing Plc First published 2014 Paperback edition fi rst published 2016 © John J. -
DF- 201S~ 0009·7
Approved for release by ODNI on 06-24-2016, FOIA Case #DF-2015-00330 DF- 201s~ 0009·7 From: Sonia Roubini <[email protected]> Sent Wednesday, January 21, 2015 11:45 AM Ml 2 1 2015 To: DNI-FOIA Subject Freedom of Information Act request Attachments: ACLU FOIA request, government impersonation.pdf Dear Ms. Hudson, Please find attached a Freedom of Information Act request, as submitted by the Speech, Privacy, and Technology Project atthe ACLU. All best, Sonia Sonia Roubini Paralegal Speech, Privacy & Technology Project American Civil Liberties Union 125 Broad St., New York, NY 10004 • 212.519.7885 • [email protected] www.aclu.ora IJ Li 1 Approved for release by ODNI on 06-24-2016, FOIA Case #DF-2015-00330 II. ACLU At-<lRI ' 4~ Cl•I LIBFRTIES UN10t, I January 21, 2015 VIA FACSIMILE OR ELECTRONIC MAll. Central.Intelligence Agency Information and Privacy Coordinator Central Intelligence Agency Washington, DC 20505 Fax: {703) 613-3007 Drug Enforcement Administration Katherine L. Myrick, Chief Freedom of Information Operations Unit POI/Records Management Section AIHlllCAM CIVIL LlllllTIES Department of Justice UlllON FOUNDATION NATIONllL OFFICE 700 Army Navy Drive 125 BROAI> STREET. 18TH FL. West Building, 6th Floor NEW YORK. Nl 10004-2400 Arlington, VA 22202 T/212.549.2500 WWW .ACLU.ORG Fax: {202) 307-8556 Email: [email protected] Defense Intelligence Agency ATTN: DAN-IA (FOIA) 200 MacDill Blvd Washington, DC 20340-5100 Fax: (301) 394-5356 Email: [email protected] Director of National Intelligence Jennifer L. Hudson Director, Information Management Division Office of the Director of National Intelligence Washington, DC 20511 Fax: (703) 874-8910 Email: [email protected] National Security Agency NSA FOIA Requester Service Center POC: Cindy Blacker NSA FOIA Requester Service Center/DJ4 9800 Savage Road, Suite 6248 Ft. -
1927/28 - 2007 Гг
© Роман ТАРАСЕНКО. г. Мариуполь 2008г. Украина. [email protected] Лауреаты премии Американской Академии Киноискусства «ОСКАР». 1927/28 - 2007 гг. 1 Содержание Наменование стр Кратко о премии………………………………………………………. 6 1927/28г……………………………………………………………………………. 8 1928/29г……………………………………………………………………………. 9 1929/30г……………………………………………………………………………. 10 1930/31г……………………………………………………………………………. 11 1931/32г……………………………………………………………………………. 12 1932/33г……………………………………………………………………………. 13 1934г……………………………………………………………………………….. 14 1935г……………………………………………………………………………….. 15 1936г……………………………………………………………………………….. 16 1937г……………………………………………………………………………….. 17 1938г……………………………………………………………………………….. 18 1939г……………………………………………………………………………….. 19 1940г……………………………………………………………………………….. 20 1941г……………………………………………………………………………….. 21 1942г……………………………………………………………………………….. 23 1943г……………………………………………………………………………….. 25 1944г……………………………………………………………………………….. 27 1945г……………………………………………………………………………….. 29 1946г……………………………………………………………………………….. 31 1947г……………………………………………………………………………….. 33 1948г……………………………………………………………………………….. 35 1949г……………………………………………………………………………….. 37 1950г……………………………………………………………………………….. 39 1951г……………………………………………………………………………….. 41 2 1952г……………………………………………………………………………….. 43 1953г……………………………………………………………………………….. 45 1954г……………………………………………………………………………….. 47 1955г……………………………………………………………………………….. 49 1956г……………………………………………………………………………….. 51 1957г……………………………………………………………………………….. 53 1958г……………………………………………………………………………….. 54 1959г……………………………………………………………………………….. 55 1960г………………………………………………………………………………. -
Surveillance and Privacy: Can They Coexist?
June 28, 2017 Annual Conference Transcript Surveillance and Privacy: Can They Coexist? Hon. Matthew Olsen Former Director, NCTC Liza Goitein, Co-Director, Liberty and National Security Program Brennan Center for Justice Carrie Cordero, Counsel ZwillGen PLLC Ben Wizner, Project Director American Civil Liberties Union Ellen Nakashima, National Security Reporter The Washington Post Adam Klein, Senior Fellow Center for a New American Security Begin Transcript ADAM KLEIN: (In progress) – so since 9/11, our intelligence community has developed powerful, sophisticated surveillance capabilities for the digital age. Now, for years these developments stayed in the shadows, popping up occasionally in major newspapers but the significance of those reports wasn’t really appreciated until 2013, when a certain set of disclosures triggered a massive global debate that continues today. Now, our leader in CNAS, Michèle Flournoy, likes to say that our job is to go to the (pain ?). What she means by that is we have to take on the difficult issues that policymakers need answers on. In that spirit, CNAS has entered this debate and discussion over the future of surveillance policy. Last December, Michèle, Richard Fontaine and I issued a lengthy report with 61 recommendations to guide the future of surveillance policy. Since then, we’ve continued to build out our capabilities in this area, adding former Director of National Intelligence Jim Clapper as a distinguished adjunct fellow and also Matt Olsen, whom I’ll introduce momentarily. So, with that, let me introduce our panel for this lunch discussion. We’ve brought you some of the most thoughtful, most interesting, insightful and knowledgeable people operating in this space around surveillance, privacy, civil liberties and technology.