Museums and Health, the Lessons of History
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Jim Lambie Education Solo Exhibitions & Projects
FUNCTIONAL OBJECTS BY CONTEMPORARY ARTISTS ! ! ! ! !JIM LAMBIE Born in Glasgow, Scotland, 1964 !Lives and works in Glasgow ! !EDUCATION !1980 Glasgow School of Art, BA (Hons) Fine Art ! !SOLO EXHIBITIONS & PROJECTS 2015 Anton Kern Gallery, New York, NY (forthcoming) Zero Concerto, Roslyn Oxley9 Gallery, Sydney, Australia Sun Rise, Sun Ra, Sun Set, Rat Hole Gallery, Tokyo, Japan 2014 Answer Machine, Sadie Coles HQ, London, UK The Fruitmarket Gallery, Edinburgh, Scotland 2013 The Flowers of Romance, Pearl Lam Galleries, Hong Kong! 2012 Shaved Ice, The Modern Institute, Glasgow, Scotland Metal Box, Gerhardsen Gerner, Berlin, Germany you drunken me – Jim Lambie in collaboration with Richard Hell, Arch Six, Glasgow, Scotland Everything Louder Than Everything Else, Franco Noero Gallery, Torino, Italy 2011 Spiritualized, Anton Kern Gallery, New York, NY Beach Boy, Pier Art Centre, Orkney, Scotland Goss-Michael Foundation, Dallas, TX 2010 Boyzilian, Galerie Patrick Seguin, Paris, France Jupiter Artland, Edinburgh, Scotland Metal Urbain, The Modern Institute, Glasgow, Scotland! 2009 Atelier Hermes, Seoul, South Korea ! Jim Lambie: Selected works 1996- 2006, Charles Riva Collection, Brussels, Belgium Television, Sadie Coles HQ, London, UK 2008 RSVP: Jim Lambie, Museum of Fine Arts, Boston, MA ! Festival Secret Afair, Inverleith House, Ediburgh, Scotland Forever Changes, Glasgow Museum of Modern Art, Glasgow, Scotland Rowche Rumble, c/o Atle Gerhardsen, Berlin, Germany Eight Miles High, ACCA, Melbourne, Australia Unknown Pleasures, Hara Museum of -
List of Scottish Museums and Libraries with Strong Victorian Collections
Scottish museums and libraries with strong Victorian collections National Institutions National Library of Scotland National Gallery of Scotland National Museums Scotland National War Museum of Scotland National Museum of Costume Scottish Poetry Library Central Libraries The Mitchell Library, Glasgow Edinburgh Central Library Aberdeen Central Library Carnegie Library, Ayr Dick Institute, Kilmarnock Central Library, Dundee Paisley Central Library Ewart Library, Dumfries Inverness Library University Libraries Glasgow University Library University of Strathclyde Library Edinburgh University Library Sir Duncan Rice Library, Aberdeen University of Dundee Library University of St Andrews Library Municipal Art Galleries and Museums Kelvingrove Art Gallery, Glasgow Burrell Collection, Glasgow Aberdeen Art Gallery McManus Galleries, Dundee Perth Museum and Art Gallery Paisley Museum & Art Galleries Stirling Smith Art Gallery & Museum Stewartry Museum, Kirkcudbright V & A Dundee Shetland Museum Clydebank Museum Mclean Museum and Art Gallery, Greenock Hunterian Art Gallery & Museum Piers Art Centre, Orkney City Art Centre, Edinburgh Campbeltown Heritage Centre Montrose Museum Inverness Museum and Art Gallery Kirkcaldy Galleries Literary Institutions Moat Brae: National Centre for Children’s Literature Writers’ Museum, Edinburgh J. M. Barrie Birthplace Museum Industrial Heritage Summerlee: Museum of Scottish Industrial Life, North Lanarkshire Riverside Museum, Glasgow Scottish Maritime Museum Prestongrange Industrial Heritage Museum, Prestonpans Scottish -
Castletown List 55
National Library of Ireland Collection List No. 55 Lord Castletown Papers (Mss 35,295-332) (Accession 2503) Compiled by Mary Colley, 2000 The papers of Bernard Edward Barnaby FitzPatrick (1848-1937), 2nd Baron Castletown of Upper Ossory, consisting of correspondence and papers mainly relating to his literary and cultural activities and his political involvements. There is also a relatively small amount of material relating to the management of his estates. Introduction The Lord Castletown Papers were mainly generated by Bernard Edward Barnaby FitzPatrick (1848-1937), 2nd Baron Castletown of Upper Ossory, who was descended from a branch of the illustrious family of Mac Giolla Phádraig. In Gaelic times this branch of the FitzPatricks ruled the area of the present counties Laois and Kilkenny, successive heads of the family being styled chiefs or lords of Upper Ossory. The chiefs were generally politically adroit, and managed to retain their extensive estates even in the most adverse circumstances. For instance, in the reign of Henry VIII, Barnaby (or Bryan) FitzPatrick made a timely submission, whereupon he had his estates re-granted and was subsequently created Baron of Upper Ossory, a title that remained in the family for a century and a half. In the eighteenth and early nineteenth centuries, heads of the family were again ennobled and held the titles Baron Gowran and Earl of Upper Ossory. Following a break in the succession, in 1869 John Wilson FitzPatrick was created 1st Baron Castletown of Upper Ossory. On his death in 1883, his only son, Bernard, succeeded to the title as 2nd Lord Castletown, and inherited the extensive family estate based on Granston Manor in Queen's County, the present Co. -
Histoire Des Collections Numismatiques Et Des Institutions Vouées À La Numismatique
HISTOIRE DES COLLECTIONS NUMISMATIQUES ET DES INSTITUTIONS VOUÉES À LA NUMISMATIQUE Numismatic Collections in Scotland Scotland is fortunate in possessing two major cabinets of international signifi- cance. In addition over 120 other institutions, from large civic museums to smaller provincial ones, hold collections of coins and medals of varying size and impor- tance. 1 The two main collections, the Hunterian held at the University of Glasgow, and the national collection, housed at the National Museums of Scotland in Edinburgh, nicely complement each other. The former, based on the renowned late 18th centu- ry cabinet of Dr. William Hunter, contains an outstanding collection of Greek and Roman coins as well as important groups of Anglo-Saxon, medieval and later English, and Scottish issues along with a superb holding of medals. The National Museums of Scotland house the largest and most comprehensive group of Scottish coins and medals extant. Each collection now numbers approximately 70,000 speci- mens. The public numismatic collections from the rest of Scotland, though perhaps not so well known, are now recorded to some extent due to a National Audit of the coun- try’s cultural heritage held by museums and galleries carried out by the Scottish Museums Council in 2001 on behalf of the Scottish Government. 2 Coins and Medals was one of 20 collections types included in the questionnaire, asking for location, size and breakdown into badges, banknotes, coins, medals, tokens, and other. Over 12 million objects made up what was termed the Distributed National Collection, of which 3.3% consisted of approximately 68,000 coins and medals in the National Museums concentrated in Edinburgh and 345,000 in the non-nationals throughout the rest of the country. -
Journal of the of Association Yachting Historians
Journal of the Association of Yachting Historians www.yachtinghistorians.org 2019-2020 The Jeremy Lines Access to research sources At our last AGM, one of our members asked Half-Model Collection how can our Association help members find sources of yachting history publications, archives and records? Such assistance should be a key service to our members and therefore we are instigating access through a special link on the AYH website. Many of us will have started research in yacht club records and club libraries, which are often haphazard and incomplete. We have now started the process of listing significant yachting research resources with their locations, distinctive features, and comments on how accessible they are, and we invite our members to tell us about their Half-model of Peggy Bawn, G.L. Watson’s 1894 “fast cruiser”. experiences of using these resources. Some of the Model built by David Spy of Tayinloan, Argyllshire sources described, of course, are historic and often not actively acquiring new material, but the Bartlett Over many years our friend and AYH Committee Library (Falmouth) and the Classic Boat Museum Member the late Jeremy Lines assiduously recorded (Cowes) are frequently adding to their specific yachting history collections. half-models of yachts and collected these in a database. Such models, often seen screwed to yacht clubhouse This list makes no claim to be comprehensive, and we have taken a decision not to include major walls, may be only quaint decoration to present-day national libraries, such as British, Scottish, Welsh, members of our Association, but these carefully crafted Trinity College (Dublin), Bodleian (Oxford), models are primary historical artefacts. -
House of Lords Minute
REGISTER OF LORDS’ INTERESTS _________________ The following Members of the House of Lords have registered relevant interests under the code of conduct: ABERDARE, Lord Category 1: Directorships Director, WALTZ Programmes Limited (training for work/apprenticeships in London) Director, Twist Partnership Limited (promoting leadership through learning) Category 2: Remunerated employment, office, profession etc. Publications Consultant, Freemasons' Grand Charity (irregular employment) Category 10: Non-financial interests (c) Trustee, Berlioz Society Trustee, St John Cymru-Wales Category 10: Non-financial interests (e) Trustee, West Wycombe Charitable Trust ACTON, Lord Category 2: Remunerated employment, office, profession etc. Barrister (non-practising) ADAMS OF CRAIGIELEA, Baroness Nil No registrable interests ADDINGTON, Lord Category 7: Overseas visits Visit to India, 26 September-4 October 2009, under auspices of Liberal Democrats Friends of India; business class flights and accommodation paid for by Government of India Category 10: Non-financial interests (d) Vice President, British Dyslexia Association Category 10: Non-financial interests (e) Vice President, UK Sports Association Vice President, Lakenham Hewitt Rugby Club ADEBOWALE, Lord Category 1: Directorships Director, Leadership in Mind Ltd Non-executive Director, St Vincent Healthcare (retains 5% shares in this organisation) Category 2: Remunerated employment, office, profession etc. Chief Executive Officer, Turning Point (social care registered charity) Occasional income from broadcasting -
Ideally Situated at Hoboken's Thriving
Manhattan at your window ... deally situated at Hoboken’s thriving north end and just minutes from the Big IApple, Hudson Tea is a metropolitan paradise. The desirable location of this dis- tinctive luxury residence puts you in the midst of ... the world at your door. everything you could ever want or need, including beautiful, lush parks, A glorious waterfront location … popular restaurants, a vibrant cultural landscape, and an abundance of a stunning view of Manhattan … world-class shopping. a dynamic and luxurious city setting … With Hoboken’s polished hometown ambience and the dynamic sophistication of New York all of this is yours at Hudson Tea! City just moments away, this is the best of both worlds! Life is in the details ... Hoboken Luxury without limit ... Each address at Hudson Tea offers its residents a Hudson Tea, presented by Toll Brothers City Living, is a spectacular waterfront residence on Hoboken Cove distinctive array of exclusive amenities. The commu- in Hoboken, New Jersey. This distinctive landmark, the original American headquarters of the Lipton Tea nity also offers a variety of shared amenities, which all Company, offers gracious, loft-style living; breathtaking, panoramic views of Manhattan and the Hudson Hudson Tea residents may enjoy. These include … River; and world-class amenities. Hudson Tea is set on 16 waterfront acres of beautifully landscaped grounds and gardens in one of the finest locations on New Jersey’s Gold Coast. Waterfront Promenade The perfect venue for relaxing and enjoying the views of World-class amenities ... Manhattan and our beautifully landscaped grounds. World-class amenities for a distinctive lifestyle On-Site Gourmet Deli Dine in or grab a bite to go from a gourmet deli right at your front door. -
Mainstreaming the Equality Act Progress Report on the Delivery of The
Mainstreaming the Equality Act Progress report on the delivery of the aims of the general duty of the Equality Act 2010 National Museums Scotland 2017 Published 28 April 2017 1 Welcome National Museums Scotland’s vision sets out our aspiration: “…Inspiring people, connecting Scotland to the world and the world to Scotland.” Visitors are at the heart of our work and ensuring all our visitors have an opportunity to engage with our collections; participate in our learning programmes and enjoy their experience is a responsibility to which we attach great importance. We are proud that our commitment has been reflected in our proven track record of providing wider access. Our service is realised through guiding strategies and policies and brought to life by the creativity, commitment and talent of our workforce, both paid and voluntary. I thank them all for their contribution to our visitor and stakeholder experiences. To build on our success we continue to lead and develop our staff and volunteers to realise their potential and the potential of National Museums Scotland. This is our third Mainstreaming Report and it outlines our approach to embedding equality and diversity in our day-to-day work, whilst harnessing the step changes made by some specific projects in relation to community engagement, digital access and capital project work in terms of access and engagement with our collections, and participation with our programmes. This report concludes the reporting period of our Equalities Outcomes 2013-2017 and the actions and activities we set ourselves four years ago. It shows how far we have come in terms of mainstreaming our equalities work within our processes and culture; provides reflection on recent consultation feedback and organisational data, and proposes our future Equalities Outcomes priorities for the period 2017-2021. -
National Strategy for Scotland's Museums and Galleries
GOING TheNationalStrategyfor Scotland’sMuseumsandGalleries fURTHER To SUccEEd aNd floURiSH we wILL aLL Need tO pLay Our part ScoTTiSH NaTioNal PoRTRaiT GallERy National Galleries of Scotland TheScottishNationalPortraitGalleryre-opened on1December2011,followingatwoandahalfyear closureandanambitious£17.6mrestorationproject. Asaresult,amuchgreaterproportionofthe collectionwillbeonshow,bringingtolightawealth Theproject–thefirstmajorrefurbishmentinthe ofartworksthathasbeen,untilnow,largelyhidden Gallery’s120-yearhistory–hasrestoredmuchof fromview. thearchitect’soriginalvision,openinguppreviously inaccessiblepartsofthebuildingandincreasing Reviewsandfeedbackhavebeenoverwhelmingly thepublicspacebymorethan60%.Accesstothe positivewithmorethan52,000visitorsgoing exhibitionspacesonallthreelevelshasbeenopened totheGalleryduringthefirstmonthofopening. up,whiletherestorationofthemagnificentsuiteof top-litgalleriesontheupperfloorhascreatedoneof themostimpressivedisplayspacesinScotland. www.nationalgalleries.org TheNationalStrategyfor Scotland’sMuseumsandGalleries Images courtesy of the National Galleries of Scotland © Chris Watt The National Strategy for Scotland’s Museums and Galleries gOINg The National Strategy for Scotland’s Museums and Galleries further Acknowledgements contents The development of this National Strategy for Scotland’s Museums and Galleries would not have 5 FOREWORD 34 AIm fIve -
Glasgow Museums' Lending Policy
PLEASE NOTE THAT FROM NOW UNTIL THE END OF 2020 GLASGOW MUSEUMS WILL HAVE TO CEASE LENDING IN ORDER TO ACCOMMODATE DECANT OF STORAGE SITE AND A MAJOR REFURBISHMENT AND RE- DISPLAY OF THE BURRELL COLLECTION. THESE PROJECTS ARE SUPPORTED BY THE HERITAGE LOTTERY FUND AND GLASGOW CITY COUNCIL. GLASGOW MUSEUMS’ LENDING POLICY Glasgow Museums is the operating and trading name used by the department that manages Glasgow City Council’s museum collection on behalf of the City of Glasgow. It forms part of the charitable company Culture and Sport, Glasgow (CSG), which also operates under the trading name of ‘Glasgow Life’. Glasgow Museums is committed to providing the widest possible access to the collection. We will consider all requests for loans carefully and respond to them promptly. This Lending Policy explains how loans are administrated, how to apply, who is eligible to borrow, and the conditions that a borrower will be expected to meet in order for a loan to proceed. Management and Administration The management and administration of loans to and from Glasgow Museums is undertaken by the Loans and Touring Section, which sits within the Collections Management department and reports on the matter of loans directly to Glasgow Museums’ Head of Museums and Collections. The Head of Museums and Collections has delegated authority to agree the loan of objects on behalf of Glasgow City Council (GCC) except for those loans identified under the heading of ‘Notification’ (see below) where additional permissions and consents are required. Eligibility A Borrower must be an Accredited (or equivalent) museum or gallery or other public gallery/venue that can meet the necessary lending conditions. -
Newsletter Contents 06-07
Newsletter No 26 Autumn/Winter 2007 From the Chair society, one which reflects our existing activities and membership but which we hope will appeal to a wider audience and help to attract many more people to ‘Art is long, and Time is fleeting.’ So Longfellow wrote join us. As part of this we have created new publicity and he knew a thing or two. Once again I must begin leaflets and will soon be redesigning the society’s by apologising for that fact that this issue has taken so website, but the most important factor in making all long to appear. Our plans for a new editor to take this work is our new logo. Our previous design, over the newsletter unfortunately failed to work out, though eye-catching at a certain size, has always been so I’m afraid what you’re reading here has had to be difficult to reproduce in the variety of ways that we somewhat hastily assembled by yours truly. It’s needed it to, and was looking increasingly out of place particularly frustrating as there have been some truly amid the cleaner, simpler logos of other organisations. inspiring exhibitions on over the summer which we Our first means of tackling this was a would have loved to feature while they were still on competition for art students, held earlier this year. show – my own favourite being the stunning Arts & This yielded some interesting ideas but none that was Crafts exhibition Hand, Heart & Soul at the City Art quite what we were looking for. In the end we Centre in Edinburgh. -
Newsletterissue 1 Spring 2011
NEWSLETTER IssueIssue 1 2 Spring Summer 2011 2011 Society News Newsletter Contents Issue 2 Summer 2011 2-3 CRM Society News Information on the AGM Weekend, Comic Convention and new CRM society Council Member. 4 Regional News 5 Exhibitions 6-7 Feature: Mackintosh at NMS 8-9 Victor Horta: Hôtel Aubecq 10-11 Mackintosh in the Saleroom 12 Announcements & Events www.crmsociety.com www.mackintoshchurch.com Cover image © National Museums Scotland Members of the Society on the tour of the Riverside Museum COMIC CONVENTION AGM REVIEW Glasgow’s first comic convention for over 15 This years AGM weekend got off to an years was a great success. The all ticketed excellent start at the Hunterian Art Gallery, event was sold out months ago. Over 500 with a presentation on the Mackintosh enthusiastic fans enjoyed the fantastic Architectural Research project by Pamela atmosphere within the Mackintosh Church Robertson, Joseph Sharples & Nicky Imrie. and revered artists like Gary Erskine and We also had the opportunity to view some David Lloyd gave so much of their time of the Honeyman, Keppie and Mackintosh throughout the day. Mark Millar tried to give Job Books. as much time as he could to the hordes that descended on him for a signature before The next day began with the AGM at The he had to dive away for his daughter’s Mackintosh Church in Glasgow. An account birthday. Hopefully this successful event of the AGM business can be found on the will be repeated next year. Society website. After lunch we headed off to Cottiers Theatre/Dowanhill Church, where David Robertson gave us an insight into the restoration work.