DOCSLIB.ORG

CV Jakob M. Kubizek

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
CV Jakob M. Kubizek Curriculum Vitae Jakob M. Kubizek, Mag. (FH) Buch & Regie & Musik Adresse: Himmelstr. 10-14/5, 1190 Vienna Mobile: +43 650 518 41 96 url: www.jenseide.com e-mail: offi[email protected] Geboren/ 23. Jänner 1979 in Kirchdorf a.d. Krems, Austria Ausbildung / 1985 – 1989 Volkschule, Steyr / 1989 – 1993 Unterstufe Gymnasium (BG-BRG Werndlpark Steyr) / 1993 – 1999 HBLA für Kultur- u. Kongressmanagement Steyr (Matura, Diplom als Kulturassistent / 2001 – 2005 Studium der Multimediaart auf der FH Salzburg (Abschluss zum Magister (FH) für künstlerisch-gestalterische Berufe mit ausgezeichnetem Erfolg) / 2004 Auslandssemester an der Filmhochschule „FAMU“ in Prag weiterer Werdegang: /1995-2001 Singer/Songwriter in der Band Superformy / 1999 Aufnahmen mit der Band Superformy in den Düsseldorfer Skyline Studio mit Olaf Opal und Jem Seifert (Notwist, Monta, Miles, Naked Lunch...) / 2000 Plattenvertrag mit Virgin Records Germany „Pop will save the world“ wird ein Independent Hit in Deutschland und Österreich. Das Video läuft auf höchster Rotation auf MTV und VIVA. Eine Tour durch Deutschland und Österreich, mit der deutschen Band „Readymade“ folgt 2 Semester Studium der Architektur an der Technischen Universität Wien / 2003 Sounddesigner für Sony ADAC Salzburg Gründung des Produktionskollektivs JENSEIDE (freischaffender Produzent, Regisseur, Autor, Musiker) - siehe “Filmographie” / 2004 Berufspraktikum bei der Filmproduktionsfirma AMOUR FOU in Wien. Das Lied „Popaugendixie“ das ich mit „ERDGAS aufnehme kommt auf die FM4- Soundselection Gründung eines Duos mit Stefan Deisenberger von Naked Lunch. Buch und Regie für das Theaterstück “Hunger 20:15” (Uraufgeführt in Klagenfurt) / seit 2006 Aufnahmen für ein Album mit Stefan Deisenberger (Naked Lunch) Geburt meiner Tochter Paula M. /2007-2008 Verschiedene Vorträge und Workshops zum Thema “künstlerische Musikvideos” und “Filmgeschichte”. /2008 Virale Kunstaktion “Geldversteigerung” zum Thema “Wirtschaftskrise. Versteigerung eines 50-Euro Scheins auf Ebay. /2009 Geburt meines Sohnes Frederik M. Filmarbeiten und 2 Touren mit dem „Nowhere Train“, einem interdisziplinä- ren Kunstprojekt. /2010 Love&Fist - Albumrelease bei Seayou Records. Airplay auf diversen Radio - stationen. /2011 Regie für Hosea Ratschillers Kabarett-Stück „Das gehört nicht hierher“ Auszeichnungen/Festivals /September 2011 Die „Trumer Beer Machine“ gewinnt 2 erste Preise bei den W3 - Awards in LA in den Kategorien Web-Viral und Branded - Content - Viral. /April 2011 Screening von „Nicaragua - die vergessene Revolution“ beim Crossing Eu- rope Festival in Linz. /Februar 2011 Screening von „Nicaragua - die vergessene Revolution“ beim Human Rights Festival in Wien. / November 2010 Die „Trumer Beer Machine“ gewinnt den Preis für den „Besten Imagefilm“ vom Filmforum Linz. /January 2008 “Stay” beim 21. Stuttgarter Filmwinter. /May 2007 “Good morning Stranger” unter den 10 besten deutschen Musikvideos beim Muvi-Festival im Rahmen der Oberhausener Kurzfilmtage. /Sept. 2005 Würdigungspreis des BMBWK für “Die Wiederentdeckung der Langsam- keit” (Diplomarbeit). Auszeichnung der WKS für die “Beste Diplomarbeit eines FH-Studenten”. /July 2005 Auszeichnung der FH-Salzburg für “die beste künstlerische Abschlussar- beit” / April 2005 Vorführung der Musikvideos für MONTA „Is It Over“ und „I‘m Sorry“ beim Crossing Europe Film Festival in Linz / March 2005 Aufführung von „MONTA - Is It Over“ bei der Diagonale 2005 in Graz / December 2004 Gewinner des film:riss Wettbewerbs in Salzburg, Kategorie „Kunstvideo“ mit dem Muskivideo zu „MONTA - Is It Over“ / 2003 3. Platz mit „Superhero-Superstar“ und 4. Platz mit „Me & Myself“ beim Leo Movie Award, Linz Filmografie Musikvideos/2011 Für Kreisky - „Scheisse Schauspieler“, für Love&Fist - „Bright Light“, „Just Be- cause“, für Kayo - „I woa a amoi jung“, „I kenn di do nu ned amoi“ Nicaragua - die vergessene Revolution /2010 Dokumentarfilm (40 min.). diverse Screenings in Nicaragua und Öster- reich. Screenings beim Human Rights Film Festival und Crossing Europe Linz. Trumer Beer Machine/2010 Imagespot für die Trumer Privatbrauerei. Nowhere Train/2009 Filmcollage für das interdisziplinäre Filmprojekt Nowhere Train (40 min.). UNIVERSALOVE/2009 Musikvideo für die Band NAKED LUNCH 3’ (GOTV, in Verwertung) TIPS/2009 Kinospot für die Wochenzeitung TIPS 30” (Kinos in Österreich) ASTHMA/2009 Musikvideo für die Band “KREISKY” 3’30” (GOTV, in Verwertung) NICARAGUA/2008/09 “Die vergessene Revolution” 45min. in Produktion SAURÜSSEL/2008 Kurzfilm für das “Viertelfestival” in NÖ LA OÖ/2008 Kinospot für die Landesausstellung OÖ im Salzkammergut (Kinos in Österreich) FM4/2007 Kinospot für den Radiosender FM4 (Kinos in Österreich) ANNA & DU/2007 Gestaltung und Schnitt für die erste Handy-Comedy-Soap Österreichs (Universal, ORF, DREI) A Flying Symphony/2007 Schnittregie und Musik für einen künstlerischen Kurzfilm über Fallschirmsprin- gen. Table, Bed, Chair/2007 Kamera für einen Dokumentarfilm über die Hausbesetzerszene in Amsterdam (Kassel Filmfestival) Good Morning Stranger/2007 Musikvideo für Monta (GOTV) Ich kann dich hören/2006 Musikvideo für Fertig, Los (Sat1, Web) Weihnachten/2006 Musikvideo für Erdmöbel (MTV - Platz drei der MTV-Noise Charts, GOTV) FM4/2006 Erstellung dreier FM4-TV-Spots (ORF, GOTV) Break the Wave/2006 Musikvideo für Gudrun Mittermeier aka Somersault (VIVA, GOTV) Valosn/2006 Videoinstallation für die Kunstsportgruppe Hochobir (div. Ausstellungen) It’s our Love/2006 Musikvideo für When the music’s over (GOTV) The Rematch/2006 Musikvideo für Cosmic Casino (SAT 1, andere Airplays noch nicht fixiert) Fuzzman/2006 Musikvideo für Fuzzman (GOTV) Easy/2006 Musikvideo für When the music’s over (GOTV) Left Alone/2005 Musikvideo für When the music’s over (GOTV) Going Down/2005 Musikvideo für When the music’s over (GOTV) Long live the Quiet /2005 Musikvideo für MONTA (GOTV, MTV Italy) Stay / 2005 Musikvideo für die Band Naked Lunch (GOTV, diverse Festivals) Slavek / 2004 Artdirection für den Film des Isländers Grimur Häkonarson (CANNES - Semaine de la Critique) Annas Skin / 2004 Regieassistenz für die Schweizerin Dominique Fleury The Stone / 2004 Internationaler Dreh in Prag; noch nicht fertiggestellt Otec Synovi / 2004 Filmmusik für den Norweger Timo Anders Christensen Going Down / 2004 Musikvideo für „When The Music’s Over“; 2’70“ (GOTV) Girls And Cars / 2004 Musivideo für die Josephs (Naked Lunch) 3’50“ ; (GOTV, ORF (25 das Magazin) in Kollaboration mit AMOUR FOU Thomas Woschitz, Thomas Draschan) Kamera I‘m Sorry / 2004 Musikvideo für MONTA 4’30; mit Fritz Ostermayer (MTV, VIVA, GOTV, 3sat, Bayern, ORF (Sendung ohne Namen) Is It Over / 2003 Pixelationsmusikvideo für MONTA 4’; (MTV, VIVA, GOTV, 3sat; 1. Preis des Filmrissfestivals Kategorie Kunstfilm; Einladung Diagonale 2005) Dot. Dot. Dot. / 2003 Hommage an Samuel Becketts 12’; „Warten auf Godot“ (Screenings: Arena Wien, Festivals) Rebirth / 2003 Musikvideo für die Band „Superformy“ Anna Netrebko / 2002 The Woman/The Voice, DVD Produktion, Arbeit als Lichtassistent (weltweite Veröffentlichung) Akzente Spot / 2002 Kinospot für die Jugendinitiative Akzente Salzburg 50“ (Screenings: in den Ki- nos Salzburgs) Nach Hause / 2002 Heimatkurzfilm 10’; (Screenings: Dreiraum Film) Me & Myself / 2001 Kurzmusikfilm 5’; für „Naked Lunch“ (Screenings: Arena Wien, Dreiraum Film, 4. Platz Leo Music Award) Februar 2012.
Load more

Recommended publications
  • Austrian Music Export Handbook
    Austrian Music Export Handbook Table of Contents Imprint.................................................................................................................................................................................................. 5 Introduction........................................................................................................................................................................................ 6 PART 1 - GENERAL INFORMATION.................................................................................................................................................... 7 Geogr p!ic l # t nd Tr n$port In%r $tructure.............................................................................................................. 7 Gener l In%ormation ................................................................................................................................................................ 7 Town$ nd Citie$ ...................................................................................................................................................................... ( Admini$tr ti)e #i)i$ion$......................................................................................................................................................... * Tr n$port +Touring in Au$tri ,.............................................................................................................................................. * Import nt Cont ct$, Re" ted Lin.$ ..............................................................................................................................
    [Show full text]
  • Global Pay TV Fragments
    Global pay TV fragments The top 503 pay TV operators will reach 853 million subscribers from the 1.02 billion global total by 2026. The top 50 operators accounted for 64% of the world’s pay TV subscribers by end-2020, with this proportion dropping to 62% by 2026. Pay TV subscribers by operator ranking (million) 1200 1000 143 165 38 45 800 74 80 102 102 600 224 215 400 200 423 412 0 2020 2026 Top 10 11-50 51-100 101-200 201+ Excluded from report The top 50 will lose 20 million subscribers over the next five years. However, operators beyond the top 100 will gain subscribers over the same period. Simon Murray, Principal Analyst at Digital TV Research, said: “Most industries consolidate as they mature. The pay TV sector is doing the opposite – fragmenting. Most of the subscriber growth will take place in developing countries where operators are not controlled by larger corporations.” By end-2020, 13 operators had more than 10 million pay TV subscribers. China and India will continue to dominate the top pay TV operator rankings, partly as their subscriber bases climb but also due to the US operators losing subscribers. Between 2020 and 2026, 307 of the 503 operators (61%) will gain subscribers, with 13 showing no change and 183 losing subscribers (36%). In 2020, 28 pay TV operators earned more than $1 billion in revenues, but this will drop to 24 operators by 2026. The Global Pay TV Operator Forecasts report covers 503 operators with 726 platforms [132 digital cable, 116 analog cable, 279 satellite, 142 IPTV and 57 DTT] across 135 countries.
    [Show full text]
  • Transatlantic Migration and the Politics of Belonging, 1919-1939
    W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects Summer 2016 Between Third Reich and American Way: Transatlantic Migration and the Politics of Belonging, 1919-1939 Christian Wilbers College of William and Mary - Arts & Sciences, [email protected] Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Studies Commons Recommended Citation Wilbers, Christian, "Between Third Reich and American Way: Transatlantic Migration and the Politics of Belonging, 1919-1939" (2016). Dissertations, Theses, and Masters Projects. Paper 1499449834. http://doi.org/10.21220/S2JD4P This Dissertation is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Between Third Reich and American Way: Transatlantic Migration and the Politics of Belonging, 1919-1939 Christian Arne Wilbers Leer, Germany M.A. University of Münster, Germany, 2006 A Dissertation presented to the Graduate Faculty of the College of William and Mary in Candidacy for the Degree of Doctor of Philosophy American Studies Program The College of William and Mary August 2016 © Copyright by Christian A. Wilbers 2016 ABSTRACT Historians consider the years between World War I and World War II to be a period of decline for German America. This dissertation complicates that argument by applying a transnational framework to the history of German immigration to the United States, particularly the period between 1919 and 1939. The author argues that contrary to previous accounts of that period, German migrants continued to be invested in the homeland through a variety of public and private relationships that changed the ways in which they thought about themselves as Germans and Americans.
    [Show full text]
  • Two-Thirds of Pay TV Operators Will Gain Subs
    Two-thirds of pay TV operators will gain subs Two-thirds of the world’s pay TV operators will gain subscribers between 2019 and 2025. Covering 502 operators across 135 countries, the Global Pay TV Operator Forecasts report estimates that 59% will also increase their revenues over the same period. Share of pay TV subscribers by operator ranking (million) 100% 38 48 90% 74 80 80% 104 106 70% 225 60% 225 50% 40% 30% 460 449 20% 10% 0% 2019 2025 Top 10 11-50 51-100 101-200 201+ The top 50 operators accounted for 46% of the world’s pay TV subscribers by end- 2019. However, the top 10 will lose subscribers over the next five years, with the next 40 operators flat. Operators beyond these positions will gain subscribers. Simon Murray, Principal Analyst at Digital TV Research, said: “By end-2019, 13 operators had more than 10 million paying subscribers. This will reach 14 operators by 2025.” Eight operators will add more than 1 million subscribers between 2019 and 2025. China Unicom will win the most subs (19.96 million), followed by China Telecom (18.52 million). Eight operators will lose 1 million or more subscribers between 2019 and 2025, led by China Radio and TV with a 37 million loss. The next five losers will all be from the US. The Global Pay TV Operator Forecasts report covers 502 operators with 732 platforms [134 digital cable, 118 analog cable, 283 satellite, 140 IPTV and 57 DTT] across 135 countries. Global Pay TV Operator Forecasts Table of Contents Published in June 2020, this 302-page electronically-delivered report comes in two parts: • A 73-page PDF giving a global executive summary and forecasts.
    [Show full text]
  • Standing Committee on Copyright and Related Rights
    E SCCR/30/5 ORIGINAL: ENGLISH DATE: JUNE 2, 2015 Standing Committee on Copyright and Related Rights Thirtieth Session Geneva, June 29 to July 3, 2015 CURRENT MARKET AND TECHNOLOGY TRENDS IN THE BROADCASTING SECTOR prepared by IHS Technology IHS TECHNOLOGY Current Market and Technology Trends in the Broadcasting Sector May 2015 ihs.com Introduction Like so many facets of the modern world, television has been transformed by the application of digital technologies and the parallel and related development of the fast evolving Internet. While some broadcasters – especially those in developing economies - still utilise traditional analogue transmission techniques, most have transitioned to more efficient and powerful digital means of sending their programming to viewers. Use of digital technologies has enabled explosive growth in the number of channels and choices of programmes offered. It has also ceded more control to the viewer, allowing on-demand access to programming – not only from broadcasters and pay TV service providers, but also increasingly from online video services delivered over the open Internet. Indeed, as this report outlines, the definitional boundaries between broadcasting and other forms of digital video delivery are increasingly blurred. The viewer is undoubtedly a winner as a result of these developments as we move ever closer to the ultimate provision of ubiquitous choice, convenience and control. And broadcasters are usually winners too as evidenced by the impressive global TV market growth described in this report. Inevitably, that growth and technological development is not evenly distributed geographically, and we outline some of the key regional trends in the pages that follow, as well as some more focused snapshots of the market evolution within selected countries.
    [Show full text]
  • Global Pay TV Operator Forecasts
    Global Pay TV Operator Forecasts Table of Contents Published in October 2015, this 184-page electronically-delivered report comes in two parts: A 58-page PDF giving a global executive summary, international pay TV operator analysis, rankings and forecasts. An excel workbook giving comparison tables, full rankings and country-by- country forecasts in detail for 338 operators (subscribers and subscription & VOD revenues) across 89 territories for every year from 2010 to 2020. Forecasts (2010-2020) contain the following detail for each country: By country: TV households Digital cable subs Analog cable subs Pay IPTV subscribers Pay digital satellite TV subs Pay DTT homes Total pay TV subscribers Pay TV revenues By operator (and by platform [digital cable, analog cable, IPTV, satellite and pay DTT] by operator): Pay TV subscribers Share of pay TV subscribers by operator Subscription & VOD revenues Share of pay TV revenues by operator ARPU Forecasts for the following pay TV operators: Operator Country Operator Country Digitalb (satellite & DTT) Albania Axtel (IPTV) Mexico Tring (cable, satellite, IPTV) Albania Cablecom (cable) Mexico Canal Plus (satellite) Angola Cablemas (cable) Mexico DStv (satellite) Angola Dish (satellite) Mexico Zap (satellite) Angola Izzi (cable) Mexico Cablevision (cable) Argentina Megacable (cable) Mexico DirecTV (satellite) Argentina Sky (satellite) Mexico Supercanal (cable) Argentina TVI (cable) Mexico Foxtel (cable, satellite, IPTV) Australia Ddish (satellite) Mongolia Sky (satellite only) Austria Canal Plus (satellite)
    [Show full text]
  • Sec(2008) 2310
    EN EN EN COMMISSION OF THE EUROPEAN COMMUNITIES Brussels, 22.7.2008 SEC(2008) 2310 COMMISSION STAFF WORKING DOCUMENT Accompanying document to the COMMUNICATION FROM THE COMMISSION TO THE EUROPEAN PARLIAMENT, THE COUNCIL, THE EUROPEAN ECONOMIC AND SOCIAL COMMITTEE AND THE COMMITTEE OF THE REGIONS Eighth Communication on the application of Articles 4 and 5 of Directive 89/552/EEC ‘Television without Frontiers’, as amended by Directive 97/36/EC, for the period 2005- 2006 [COM(2008) 481 final] EN EN TABLE OF CONTENTS BACKGROUND DOCUMENT 1: Performance indicators...................................................... 3 BACKGROUND DOCUMENT 2: Charts and tables on the application of Articles 4 and 5... 6 BACKGROUND DOCUMENT 3: Application of Articles 4 and 5 in each Member State ... 12 BACKGROUND DOCUMENT 4: Summary of the reports from the Member States ........... 44 BACKGROUND DOCUMENT 5: Voluntary reports by Bulgaria and Romania................. 177 BACKGROUND DOCUMENT 6: Reports from the Member States of the European Free Trade Association participating in the European Economic Area ......................................... 182 BACKGROUND DOCUMENT 7: Average transmission time of European works by channels with an audience share above 3% .. ........................................................................ 187 BACKGROUND DOCUMENT 8: List of television channels in the Member States which failed to achieve the majority proportion required by Article 4............................................. 195 BACKGROUND DOCUMENT 9: List of television channels in the Member States which failed to achieve the minimum proportion required by Article 5........................................... 213 EN 2 EN BACKGROUND DOCUMENT 1: Performance indicators The following indicators facilitate the evaluation of compliance with the proportions referred to in Article 4 and 5 of the Directive. Indicators 2 – 5 are based on criteria set out in Articles 4 and 5.
    [Show full text]
  • Final Report Austrian DVB-T Trial Graz 2004 Table of Contents
    Final Report Austrian DVB-T Trial Graz 2004 Vienna, December 14, 2004 Publishing information Owner, publisher and editor: Austrian Regulatory Authority for Broadcasting and Telecommunications (RTR) Mariahilfer Strasse 77 – 79, A-1060 Vienna, Austria E-mail: [email protected]; Internet: www.rtr.at RTR would like to thank all of the project partners involved in compiling this report. 2 Final Report Austrian DVB-T Trial Graz 2004 Table of contents Preface ...........................................................................................................................................5 1. Introduction .............................................................................................................................7 1.1. Digital technology takes hold..........................................................................................7 1.1.1. Satellite broadcasting.............................................................................................7 1.1.2. Cable broadcasting ................................................................................................8 1.1.3. Terrestrial broadcasting .........................................................................................9 1.2. Capabilities of digital television ......................................................................................9 1.2.1. Variety of channels and efficiency of spectrum usage ...........................................9 1.2.2. Interactive additional services ..............................................................................10
    [Show full text]
  • Communications Report 2019
    COMMUNICATIONS REPORT 2019 www.rtr.at 2019 Rundfunk und Telekom Regulierungs-GmbH Mariahilfer Straße 77–79 | 1060 Wien | Österreich T: +43 1 58058-0 | F: +43 1 58058-9191 | M: [email protected] www.rtr.at COMMUNICATIONS REPORT 2019 Contents Table of contents communications report 2019 Preface 4 Promoting. Digitalisation. 6 Cyber security: an issue of the future and for the future 8 1 RTR and the regulatory authorities 12 1.1 Our company: we stand for competition and media diversity 12 1.3 National regulatory authorities KommAustria, TKK and PCK 21 2 Regulatory activities of KommAustria 24 2.1 Access to media markets 24 2.2 Legal supervision 29 2.3 Public communications networks and services 34 2.4 Act on Transparency in Media Cooperation and Funding 35 2.5 Administration and coordination of broadcasting frequencies 36 2.6 International activities 41 2.7 Press and journalism subsidies 42 3 Digital broadcasting – usage and developments 48 3.1 Digital linear television 48 3.2 Digital radio 52 4 Management of funds and grants 56 4.1 Digitisation Fund 56 4.2 Austrian Television Fund 58 4.3 Broadcasting funds 63 4.4 Press and journalism subsidies 67 5 Activities of the TKK 72 5.1 Spectrum – maximising efficient use of limited resources 72 5.2 Net neutrality 76 5.3 Measures to ensure competition 79 5.4 Infrastructure rights: wayleave rights and rights of joint use contribute to broadband rollout 80 5.5 Ensuring legally compliant terms of contract 81 5.6 Electronic signatures and trust services 82 communications report 2019 Contents 6 Activities of RTR 86 6.1 User protection: we help consumers assert their rights 86 6.2 Supervisory procedures 89 6.3 Value-added services 89 6.4 Services subject to notification requirements 90 6.5 Communications parameters: administration of the Austrian number range 90 6.6 Emergency calls: rare outages are a cause for alarm 92 6.7 RTR ordinances 93 6.8 RTR’s international commitments 95 6.9 Security and integrity of networks 98 6.10 Single information points 99 6.11 Evaluation of the Telecommunications Act 2003 in accordance with Art.
    [Show full text]
  • Nautical Channel Ltd. Distribution List
    Nautical Channel Ltd. Distribution List Household Territory Operator Logo Link Reach Angola NOS Comunicações 25.000 www.zon.pt Australia VeeTel TBD www.fliptv.com.au Austria Liwest 125.000 www.liwest.at Belgium Be TV 168.000 www.betv.be Belgium Brutélé TBD www.brutele.be Belgium Nethys TBD www.nethys.be Belgium TV Vlaanderen TBD www.tv-vlaanderen.be Bosnia Logosoft d.o.o. 135.000 www.logosoft.ba Herzegovina Bulgaria Silistra TBD www.silistra.tv Caribbean Canal Plus Overseas 500.000 www.canalplus-caraibes.com Czech Republic Skylink 500.000 www.skylink.cz Croatia Croatian Telecom 385.000 www.t-com.hr Croatia VIPnet 250.000 www.bnet.hr Cablenet Comm Cyprus 120.000 www.cyprusbroadband.net System CNS Group Cyprus MTN TBD www.mtn.com.cy Cyprus PrimeTel 50.000 www.primehome.com Denmark Telia Stofa AS 600.000 www.stofa.dk Estonia Elion Ettevotted AS 50.000 www.elion.ee Nautical Channel Ltd. Distribution List Estonia STV 24.000 www.stv.ee/content/est/45 Finland Altibox 360.000 www.altibox.no Finland ANVIA TV Oy 250.000 www.anvia.fi Finland Ålcom 38.000 www.alcom.aland.fi Finland Maxivision TBD www.maxivision.fi Finland Welho Dna Ltd. 600.000 www.dna.fi France Bouygues Telecom 2.000.000 www.bouyguestelecom.fr France Cellfish 2.000 www.cellfish.com France FREE 10.000 www.free.fr France Molotov TBD www.molotov.tv France Orange 6.000.000 www.francetelecom.com France Wibox 30.000 www.wibox.fr Kabel Baden Germany 840.000 www.kabelbw.de Württemberg Germany Magine 5.000 www.magine.com Germany Unity Media 6.500.000 www.unitymedia.de Germany WilhlemTel 30.000 www.wilhelm-tel.de Greece Vodafone 500.000 www.vodafone.gr Hungary Invitel 120.000 www.invitel.hu Hungary Jurop Telekom TBD www.juropnet.hu Hungary Kapos-Net Kft.
    [Show full text]
  • Global Pay TV Operator Databook
    Global Pay TV Operator Databook Table of Contents Published in June 2017, this 200-page electronically-delivered report comes in two parts: • A PDF giving a global executive summary and data. • An excel workbook giving comparison tables and country-by-country data in detail for 522 operators across 135 territories for every year from 2010 to 2016. The report covers 758 platforms: 292 satellite TV; 144 digital cable; 128 analog cable; 128 IPTV; and 66 DTT. For more information, please click here or contact [email protected] SPECIAL OFFER: Three reports for the price of two Get our three Global Pay TV Databooks for the price of two – so you pay £1,500/€1,800/$1,950 instead of £2,250/€2,700/$2,925. The three reports covered in this deal are: • Global Pay TV Revenue Databook • Global Pay TV Subscriber Databook • Global Pay TV Operator Databook Please email [email protected] to receive more details. Countries and operators covered: Country No of ops Operators Albania 3 Digitalb; Tring; Albtelecom Algeria 4 beIN, OSN, ART, Algerie Telecom Angola 7 ZAP TV, DStv, Canal Plus, StarSat, StarTimes; Angola Telecom, TV Cabo Argentina 3 Cablevision; Supercanal; DirecTV Australia 1 Foxtel Austria 4 Telekom Austria; UPC; Sky; Liwest Bahrain 4 beIN, OSN, ART, Batelco Bangladesh 1 RealVU Belarus 3 MTIS, Zala, Velcom Belgium 5 Belgacom; Numericable; Telenet; VOO; Telesat/TV Vlaanderen Benin 5 DStv; Canal Plus; Easy TV; StarSat; StarTimes Bolivia 3 DirecTV, Tigo, Entel Bosnia 3 Telemach, M:Tel; Total TV Botswana 3 DStv; GOtv; StarSat Brazil
    [Show full text]
  • ROCKSTAR ENERGY DRINK MAYHEM FESTIVAL Announces 2011 Festival Sponsors, Official Band Autograph Signings & Touring Eco Initi
    For Immediate Release June 22st, 2011 ROCKSTAR ENERGY DRINK MAYHEM FESTIVAL Announces 2011 Festival Sponsors, Official Band Autograph Signings & Touring Eco Initiatives “Side Stage” Now Officially Named the REVOLVER STAGE for 2011 Tour! The ROCKSTAR ENERGY DRINK MAYHEM FESTIVAL is pleased to announce this year’s festival sponsors! The 2011 ROCKSTAR ENERGY DRINK MAYHEM FESTIVAL is presented by Rockstar Energy Drink. Jägermeister, Revolver, Fuel TV, and Chevy are also sponsoring the tour, along with music and label sponsors Ibanez, NAMM, Sabian, Century Media, Nuclear Blast Records, Metal Blade Records, Roadrunner Records, lifestyle sponsor South Surf, awareness program sponsors Shirts for a Cure and Music Saves Lives, as well as the US Air Force Reserves, Metal Injection, and HollywoodMusic.TV. See below to learn more about this year’s exciting sponsors, and stay tuned to www.rockstarmayhemfest.com for more information coming soon. Rockstar Energy Drink and Jägermeister are presenting exclusive signings at each festival date! Rockstar Energy Drink has confirmed signings with Machine Head and Suicide Silence, and Jägermeister will be offering signings with Kingdom of Sorrow and Unearth starting at the Boise, ID date through the end of the tour. Hatebreed will also be taking part in signings on their specific show dates, and Dave Ellefson of Megadeth will be taking part in signings on various dates, as well. Make sure to swing by the Rockstar and Jägermeister booths at your local festival date to check on signing times. The Metal Mulisha Jump Team will also be taking part in special autograph signings! The team will join together for two daily signings after two of their three daily jump shows.
    [Show full text]