Art Gallery of Annual Report 12–13 Annual Report 2012–13

Chair’s Report ...... 4 Director’s Report ...... 6 ISSN 0726-5530 Foundation Report ...... 8 Art Gallery of Ballarat Association Report ...... 9 ACN: 145 246 224 ABN: 28 145 246 224 Gallery Guides Report ...... 10 40 Lydiard Street North Adopt an Artwork ...... 12 Ballarat 3350 T 03 5320 5858 Donations, Gifts, and Bequests ...... 13 F 03 5320 5791

Acquisitions ...... 14 [email protected] www.artgalleryofballarat.com.au The Jenny Zimmer Collection ...... 28 Exhibitions...... 36 Capturing Flora: 300 years of Australian botanical art....40 Touring exhibitions ...... 42 Capturing Flora: Passion for the Exotick...... 44 Outward Loans...... 46 Cover image: original architectual Publications ...... 50 drawing of Gallery facade Image right: view of Capturing Flora: Public Programs ...... 52 300 years of Australian botanical art, Ian Potter Foundation Gallery, Capturing Flora Public Programs ...... 57 September 2013. Image next page: William Ford Education Report ...... 58 Yarra Flats (detail) 1874 oil on canvas. Purchased with funds from Capturing Flora Education Programs ...... 61 the Colin Hicks Caldwell Bequest, 2012 Staff and Volunteers ...... 65 Visitation ...... 65 Board Members ...... 66 Budget Summaries ...... 68 “absolutely beautifully displayed and researched – informative and entertaining” Vision

The Art Gallery of Ballarat will be recognised for inspiring, stimulating, enriching and challenging the lives and experiences of those who come within through its rich and diverse presentation of .

Mission

To foster and enrich the cultural life of our city, our region and the nation by acquiring, conserving and presenting a great collection of art.

3 Chair’s Report

When developing the Strategic Plan for the incoming Art support of these organisations. program. Consistent with the Gallery’s Vision and Mission, Gallery of Ballarat Board of Directors, considerable time was there is a conscious effort to find an alternative model from devoted to identifying both the Vision and the Mission to Two very significant agreements were signed off on behalf the ‘blockbuster’ pre-packaged imports with their potential guide our work. It is worth noting what both these state: of the Art Gallery of Ballarat Board during this period for high risk and compromise. of reporting. These were the Service Level Agreement Vision: between the Board and the City of Ballarat and the Terms Capturing Flora epitomised the Gallery’s Mission and the The Art Gallery of Ballarat will be recognised for of Loan for the Flag of the Southern Cross (Eureka Flag). The Gallery’s direction. This extraordinary exhibition was a truly inspiring, stimulating, enriching and challenging latter agreement enabled the loan of the flag to the newly remarkable event, with every element developed and the lives and experiences of those who come within established Museum for Australian Democracy at Eureka delivered ‘in house’—a credit to the Director and his small through its rich and diverse presentation of visual (M.A.D.E). Contained in this agreement is the formation of team. It attracted tremendous national interest and critical arts. the sub-committee, with members drawn from the Boards acclaim and outstanding attendances. The magnificent and of both institutions, to monitor the loan of the flag. comprehensive catalogue has become a major reference Mission: in botanical circles. The exhibition was complemented by To foster and enrich the cultural life of our City, our The Art Gallery of Ballarat Board of Directors has taken a an attractive gift shop offering and a wonderful education region and the Nation by acquiring, conserving and proactive approach to developing strategic relationships program. Components of this extensive exhibition have presenting a great collection of art. both within Ballarat and beyond. A regular meeting travelled interstate and with more tours confirmed in the schedule has been established with Ballarat Regional coming year. With the completion of the inaugural Strategic Plan the Tourism and a Western Victoria Regional Galleries Board of Directors, through the work of the Director and the forum has been initiated, along with joint professional I conclude this report by taking the opportunity of thanking Gallery team, have remained committed to the Vision and development programs for Directors operating in Not For the very committed and skilled Gallery staff for their Mission. A review of the exhibition schedule, the extensive Profit organisations. A framework for philanthropic support dedicated work, along with the various volunteer groups conservation program and acquisition program during this has been developed with the support of the Art Gallery who so ably support and champion the Gallery. These report period are testimony to this commitment. of Ballarat Foundation. During his address at the Adopt include the Gallery Guides and the Women’s Association. an Artwork program dinner in late 2012 (see image right), The 129 year old Ballarat Fine Art Gallery Association, with Whilst it can be said that much of the work of the Art Rupert Myer AC commented on the importance of galleries its membership close to 2000, continues its strong tradition Gallery of Ballarat Board lacks the glamour of the exhibition being ‘philanthropic prepared’ for the future. of support, as does the Art Gallery of Ballarat Foundation. openings, it has been a very satisfying period in terms of Likewise the work of the Gallery Education Officers once achievement. As the inaugural Board has commenced The Board of Directors has been similarly proactive in again registers record numbers of students attending a implementing the Strategic Plan, considerable work has developing strategic alliances with other galleries of similar regional gallery in . needed to be undertaken around policy, finance planning stature. To this end, through the support of the Ferry and budget delivery, and strategic partnerships. Internally Foundation, the Gallery Director undertook an extensive Finally I thank my fellow Art Gallery of Ballarat Board of it has been important to align the Board’s directions with international trip visiting galleries and meeting with Directors for their dedicated work in implementing the those of the Art Gallery of Ballarat Foundation and the Directors and key international art consultants to identify Strategic Plan and governance compliance. Ballarat Fine Art Gallery Association and to utilise the opportunities that will enhance the exhibition schedule. tremendous resources within these bodies to advance key There will be some exciting developments ahead for the areas of the Strategic Plan. The Board greatly appreciates the Gallery as a result of the Director’s comprehensive travel Garry Taylor, Chair

4 5 Director’s Report

This past year was dominated by Capturing Flora: 300 years and conservation undertaken to present these shows Bequests Campaign. One only has to look at the credit lines of Australian botanical art — our largest and most ambitious directly benefits the Collection. on the throughout the Gallery to see how funds exhibition ever, given the number of works included, the left as legacies have transformed the Collection. However, size of its catalogue, and its visitation and wider impact. We haven’t abandoned our community either. As the bequests do not have to be confined to the purchase of The exhibition explored a genre that had never been listing of exhibitions will show, no fewer that eight shows works of art. A bequest can be a very personal way of linking examined or celebrated before by an gallery happened under the aegis of Supporting Local Artists. one’s name with some aspect of the mission of the Gallery. and the Gallery was widely acclaimed for undertaking it. The catalogue has received rave reviews in Australia and I would like to single out another exhibition from this same I would like to take this opportunity to acknowledge and overseas as well as a shortlisting for a prestigious award in period which is also worthy of note. Got the message? 50 thank my staff. Some of the projects that we brought off this the United States and has gone into a second edition in years of political posters, curated by local art historian Geoff year were frankly almost more than such a small staff could partnership with a commercial publisher. Wallis, was another landmark program which I believe manage. Capturing Flora involved everyone both ‘front and added significantly to scholarship about the art of the back of house’. During its set up most of us turned into Flora In recent years this Gallery has been faced with a challenge poster. The show brought out on display an inspiring and Zombies. It was fun but it was very taxing. of how to present itself to its own community and to the challenging body of work from Australia, France, United wider Australian public. Do we go down the path of the States, China, Poland, and South Africa. I would also like to thank the Board of Directors and in German Kunsthalle and simply present pre-packaged particular Chair Garry Taylor for their constant support, not touring exhibitions bought in from outside or do we These are exhibitions that matter, and this Gallery is now just of me, but of all Gallery staff. Similarly thanks are due mount our own exhibitions? If the latter, do we source the widely recognised for developing a dynamic program that is to Jeff Pulford, Director of Destinations and Economy at component works from within the collection or from other studded with offerings of this calibre. the City of Ballarat. The Ballarat Fine Art Gallery Association lenders? An even more fundamental question is whether we and particularly its president Gordon Monro continue to are primarily about serving our community or are meant to Last November we launched the second phase of the Adopt provide excellent support to the Gallery in many of its be a vehicle that generates tourist activity and revenue? an Artwork program. The primary aims of this relaunch were endeavours, especially through its participation in the to conserve the paintings on the wall overlooking the grand Board’s Acquisitions Sub-committee and through its hosting Capturing Flora, and indeed exhibitions like the cartoon staircase and to start providing our extensive collection of of so many of the social events that are an integral part of exhibition In your face!, represent an important part of the paintings by members of the Lindsay family with frames that the life of an art gallery. Gallery’s response to these questions. We haven’t shied away are appropriate to the period in which they were created. from presenting exhibitions which have popular appeal, The results have been spectacular and I am pleased to but we have applied the highest principles of scholarship say that before the end of 2013 every currently Gordon Morrison, Director and design to our projects. Most importantly, we have hanging on the staircase will have been treated and the developed most of our exhibitions ‘in-house’ rather than extensive holding of works by members of the Lindsay buying them in from outside. Wherever possible, these family will also have been conserved and reframed, ready to exhibitions have been grounded within this collection. be hung in a much more impressive display. Eighty-five per cent of the works in Capturing Flora came Image: Ann Newmarch Women hold up half the sky (detail) 1978 screen from the Gallery’s Collection. That means that the research Towards the end of the financial year we also launched a print on paper. Purchased with funds from public donation, 2013

6 7 Foundation Report Association Report

This year has been a time of considerable change for The Trustees of the Foundation were also invited by the Art During the year the Association has been settling into its The Association organised an Indoor Garden Party in honour the Foundation. It has seen the winding up of the Ferry Gallery Board of Directors to the inaugural Western Victorian new relationship with the Gallery, as the new Gallery Board of the Capturing Flora exhibition. It also ran regular bus Foundation and its incorporation into the Art Gallery of Regional Galleries Forum. This event proved to be a very puts its policies and processes into place. As the incoming trips to for tours of some major exhibitions at Ballarat Foundation and as a result we have welcomed informative evening and we hope it will be the first of many. President of the Association, I have also been learning about the National Gallery of Victoria, and it arranged Behind the Robyn Ferry on to the Foundation as a Trustee. We have We congratulate the Board on this initiative. the wide range of activities connected with the Gallery and Scenes tours of the Gallery for new Members — I wish to also welcomed another two new Trustees in Mark Guirguis the intricate organisational structures that help to make thank Gallery staff, and in particular Anne Rowland and these activities possible. Gordon Morrison, for making their time available for these and Vicki Coltman. Their interest and enthusiasm gives the The Foundation has been able to help the Gallery financially tours. Foundation a great team for the future. in a variety of ways over the last twelve months including contributing to the production of a catalogue for the On behalf of the Association, I wish to congratulate the Gallery Director and all the staff for the extensive and During the year, the Association provided funds for the In November 2012 the Foundation hosted a dinner to re- exhibition For the Love of Art: 25 years of guiding at the Gallery, the Bequest Brochure production, the production varied exhibitions and events they have put on during the purchase of three significant works in memory of Dr Greg launch the highly successful Adopt an Artwork initiative. Binns, art lecturer, teacher and mentor to many, lover of the of a promotional folder to be used in helping to gain year, including the wonderful Capturing Flora exhibition, a This program, which was established in 2008, has proven to landmark of Australian botanical art and botanical art about Australian bush, past President of the Association, Gallery sponsorship and also provided funding for the Director to be a very successful fundraiser towards the conservation of Australia. I didn’t know that Napoleon’s Empress Josephine Guide and a great friend of the Gallery. The works, chosen travel overseas on a research trip investigating prospects for artworks—one only needs to walk into the Oddie Gallery had a significant collection of Australian plants, as well as on the Association’s behalf by Gallery Director Gordon future major exhibitions. and marvel at the splendour in that room to appreciate kangaroos and black swans. Morrison, recall some of Greg’s many interests. how important it is to have money to maintain our valuable I would also like to acknowledge the contribution to the collection. The re-launch was intended to reinvigorate Another exhibition drawing heavily on the Gallery’s own This year marks the twenty-fifth year of service of the Gallery work of the Foundation of Bruce Thomas, who passed away this program and it has certainly done that. Our Director, collection was the exhibition of political posters, Got the Guides, who are independent of the Association but work earlier this year. Bruce audited the Foundation books since closely with it. I wish to pay tribute to their hard work and Gordon Morrison, has a very long list of works that need Message?. Apart from being a substantial achievement for it was established in 1998. He generously provided this professionalism, especially evident with the demanding conservation, so it is wonderful to be able to assist in this the Gallery and its staff, this exhibition drew on the private essential service in a voluntary capacity and we are very collection and the specialised knowledge of Geoff Wallis, schedule of exhibition tours they put on for Capturing Flora. important work. grateful for his long-term commitment to our work. Lecturer and subsequently Research Fellow at the University I also wish to thank the members of the Association Council of Ballarat. and the various committees for their work during the year, In May this year, the Foundation launched its Bequest I look forward to working with all the Trustees in growing and for their advice and guidance for a new President. program with a brochure produced and distributed to the Foundation to help support the Art Gallery of Ballarat A significant event for our members was the moving of the solicitors, accountants and financial planners in Ballarat and into the future. Flag of the Southern Cross (Eureka Flag) to the new Museum beyond. This has generated some interest, but of course of Australian Democracy at Eureka (M.A.D.E). Under the Gordon Monro, President it can be some time before we receive any direct benefits loan agreement made with the Gallery, all Members of the from such a program. Only time will tell. Jane Cowles, Chair Association may view the Flag at M.A.D.E free of charge.

8 9 Gallery Guides Report

It has been an exciting, rewarding and special year for the Our trips are educational in their focus—we have visited Gallery Guides as we celebrate a remarkable twenty-five many galleries throughout the year, including a trip to Heide years of guiding. Museum of Modern Art in 2012 to see the Danila Vassilieff exhibition, with a wonderful talk by Felicity St John Moore. We currently have a very committed and vibrant group We also visited the Monet exhibition at the National Gallery of forty-four Guides, after fifteen new trainees graduated of Victoria, which was preceded by a very informative with flying colours from their year-long training program introductory talk. in December 2012. Trainees are carefully matched with a senior Guide and then embark on a program of intense The Gallery Guides are proud to be forging strong research, observation, and oral presentations. Our newest relationships with our regional colleagues. In March we members continue to delight us with their great knowledge, visited Ararat Regional Art Gallery, where Director Anthony enthusiasm and camaraderie. Camm and his team made us feel very welcome while showing us through the Lorraine Connelly-Northey As well as providing visitors with our regular afternoon travelling exhibition. We visited the Bendigo Art Gallery in tours of the permanent collection all year round, the Guides April 2013 and were shown the highlights of the permanent provide tours for booked groups and for special exhibitions. collection and took part in group discussions around gallery To look at a single month as an example, in October guiding. In May we hosted the Bendigo Art Gallery Guides 2012, we provided extra tours for a Liberal Party cocktail who were particularly interested in seeing our Modern and function, the Iraqi Ministry of Finance, GroupLink tours, Contemporary collections and in touring the Guirguis New Ballarat Southern Cross Probus and Friends of the Hamilton Art Prize. Art Gallery. From 26 September to 2 December 2012, we conducted daily morning tours and special group tours of The monthly Art Insights program of lunchtime talks is a the Capturing Flora exhibition. These tours were very well highlight on our yearly calendar and gives us an opportunity attended and we enjoyed every single minute with our to collaborate with the University of Ballarat Arts Academy, — Ron Radford from the National Gallery of Australia, exhibition, highlighting works that we see as central to the knowledgeable visitors. We also provided special Stories of who run the talks during May and August. This well- Andrew Sayers from the National Museum of Australia, collection and our guiding story, with accompanying trail Entertainment tours during Heritage Weekend in May 2013. attended program is carefully planned by the Gallery Guides Sarah Engledow from the National Portrait Gallery, Margy and catalogue. This is a great tribute to the hard work of our committee, Gallery staff and the University of Ballarat. Burn from the National Library of Australia and Sasha Grishin many past and present volunteers. Our education program is paramount to the success of the The list of speakers is varied and includes our own Gallery from the Australian National University. Our thanks go to guiding group. We approach this through our own planned Guides, as well as visiting guests and artists. the Gallery Association for contributing to the cost of our My sincere thanks go to my wonderful and very hard- education days, visits to other galleries, the Art Insights travelling to this marvellous event. working committee who design and maintain all aspects of lunchtime talk program and sharing of our research into In May 2013 twelve Guides attended A capital collection: art our yearly program, and each and every Gallery Guide who the collection. In August 2012 the guides participated in a for the nation. This was the nineteenth National Conference This year it is twenty-five years since our first Convenor, dedicates so much time, knowledge and passion for the wonderful Eureka education session, led by Bob Allan (see of Art Gallery Guides, held at the National Gallery of Australia Margaret Martin, and her team began guiding duties at the love of art and the Art Gallery of Ballarat. image right). We have had many marvellous education as part of the celebrations for the Centenary of Canberra. Art Gallery, and during this time the Guides have continued sessions with arts professionals such as Anne E Stewart on At the conference we were treated to a comprehensive a strong tradition of camaraderie, inspired and sustained storytelling, and Julianne Eveleigh on voice and posture. series of presentations on our national cultural institutions by our love of art. This milestone will be celebrated with an Pauline O’Shannessy-Dowling, Convenor

10 11 Donations, Gifts and Bequests

Giving to an art gallery is not just Brett Whiteley’s Portrait of Richard For more information, or to arrange an an act of generosity, it is a powerful Neville and Jeffrey Smart’s The listeners. appointment with the Gallery Director, expression of your own personality, contact the Art Gallery of Ballarat recognisable for generations to come. Donations, gifts or bequests Business Support Officer on do not have to go towards the 5320 5858 or [email protected] The generosity of individual donors acquisition of works of art, but can has the power to transform art include conservation work, support institutions, bringing a lasting benefit of publications or establishing The Gallery would like to thank the to their communities and creating a community programs. The variety of following sponsors for their support lasting memorial to the giver. ways in which your contribution can during 2012–13 have a lasting impact is almost endless. The Courier Over the years, the Art Gallery of The Ferry Foundation Adopt an Artwork Gifts to the Gallery can be made Ballarat has benefitted from the through the Art Gallery of Ballarat The Hugh Williamson Foundation This program gives individuals or Contributions during 2012–13: Bronze dontations generosity of members of the Foundation, a Charitable Fund whose McCain Australasia Pty Ltd groups the opportunity to contribute $1,000 up to $5,000 community and many of the Gallery’s role is to assist the Gallery with specific towards the conservation treatment Silver donations Art Gallery of Ballarat Women’s most famous artworks have been projects or acquisitions. and maintenance of artworks in the $5,000 up to $25,000 Association acquired as the result of donations, Art Gallery of Ballarat Collection. The Courier, Fairfax Media Group Australian Catholic University gifts and bequests. Hans Heysen’s The The Art Gallery of Ballarat is a Not for The Davies family Barrie Coltman three gums, ’ A summer Profit Company Limited by guarantee Image left: before and after conservation of Mrs Ridsdale in memory of her Val Newman morning tiff and E Phillips Fox’s A love which has Charitable Institution status Aurelio Tiratelli Crossing the Campagna husband, Leonard Darrell Ridsdale Ruth Rentschler story were acquired in this way in the and is endorsed by the Australian not dated oil on canvas. Gift of E Smythe Esq. Michael Stubbs John & Voi Williams Frame conserved with funds donated in memory past, while more recent examples are Taxation Office as a Deductible Gift of Leonard Darrell Ridsdale by his wife, Dr Jeff Woodger Rick Amor’s Study for the dry season, Recipient (DGR). Adopt an Artwork, 2012

12 13 Acquisitions

Drawings Australian Edwin Tanner Mandy Martin Untitled (nude study), circa 1952 Group of four works Christian Waller pencil on paper Drawing for ‘Time and Tide’ 1985 Study of a horse Purchased with funds from the Colin Untitled [Red Ochre Cove series], circa1985 pencil on paper Hicks Caldwell Bequest, 2013 Second valley 1985 Gift of the estate of Klytie Pate in 2010, Drawing for Landscape Prosthesis 3 1985 2013 Ambrose Dyson mixed media works on paper [soldiers] Donated through the Australian Spooner ink & wash on paper Government’s Cultural Gifts Program Group of two works Purchased with funds from the Rick by Mandy Martin, 2013 The uppity house 2011 Amor Drawing Prize, 2012 Hitler in Hell 2011 Mali Moir ink & watercolour on paper George Finey Group of two works Donated through the Australain Another! 1930s Lysiopetalum involucratum 2011 Government’s Cultural Gifts Program ink & coloured pencil on paper Philotheca myoporoides 2012 by John Spooner, 2013 Purchased with funds from the MS & watercolour on vellum LJ Wilson, JA Smith Trust, 2012 Purchased with funds from the Rick Peter Wegner Amor Drawing Prize, 2012 Five days with a poet 2013 Daryl Lindsay pencil and beeswax on paper, 5 sheets [Western Front] 1917 Peter Nicholson Purchased with funds from the Colin conte, chalk and watercolour on paper Group of twenty works Hicks Caldwell Bequest, 2013 Gift of Isobel and Austin Dowling, 2013 [the cattle trade] 2011 [go back...] 2011 Barry Gillard [didn’t get the memo] 2009 Love laughs at locksmiths [Captain Emad’s Travel Agency] 2012 ink on paper [marketing Tony Abbott] 2009 Gift of the artist, 2013 New boat sighted 2012 [golden goose] 2012 Image: FP Nodder after Sydney Parkinson; Livingston Hopkins A concise history of immigration 2010 G Sibelius, engraver; Joseph Banks, patron; Group of two works Hotel Turismo, not dated Alecto Historical Editions, publisher Protection—in one sense, circa 1890 Closing ceremony 2008 Claoxylon tenerifolium (detail) original plate produced 1775 after drawing from 1770, ink on card [Geoffrey Tozer] 1997 plate 305 from Banks’ Florilegium 1983 colour Milking time—A Pastoral 1919 The Pied Piper of Canberra 2009 engraving on paper. Purchased with funds ink & wash on paper on board Reconciliation 2004 from the Hilton White Bequest, 2012 © Alecto Purchased with funds from the Hilton [NRMA?] 2009 Historical Editions and the Natural History Museum, London White Bequest, 2012 Moving forward 2011

14 15 pencil on paper Marion Borgelt David Davies AW Howitt Gift of the artist, 2012 Liquid Light: 73 degrees 2012 Friendly Societies Gardens 1888 Group of four works acrylic on canvas, pins oil on canvas Sources of the Dargo River from the High Fred Williams Purchased from the artist with funds Purchased with funds from the Colin Plains, circa 1875 Group of seven drawings from the Lois Valerie Sheldon Bequest, Hicks Caldwell Bequest, 2012 Sources of the Cobungra River from near [figure studies] 1952–53 2012 White’s claim, circa 1875 ink, conte on paper William Ford Bogong High Plains and Sources of the Gift of Professor AGL Shaw in memory Stan Ostoja-Kotkowski Yarra Flats 1874 Bundarrah River, circa 1875 of Peggy Shaw, 2013 Dodecahedron 2 1983 oil on canvas View across the Mitchell River Valley from enamel on galvanised iron Purchased with funds from the Colin near Grant, circa 1875 Noela Stratford Purchased with funds from the Colin Hicks Caldwell Bequest, 2012 lithographs on paper Cataract 2012 Hicks Caldwell Bequest, 2013 Gift of Tom Darragh, 2013 charcoal on paper Purchased with funds from public Deanne Gilson Prints Australian CS Wilkinson, R Shepherd donation, 2012 Bunjil, not dated Cliffs and Islets west of Princetown, Cape oil on canvas Wendy Black Otway District, circa 1875 Purchased from the artist with funds Declare Antarctica a World Park 1984 lithograph on paper from the Elinor Morcom Bequest, 2012 screen print on paper Gift of Tom Darragh, 2013 Paintings Australian Purchased with funds from the Lois Marlene Gilson Valerie Sheldon Bequest, 2013 Livingston Hopkins James R Jackson Mt Warrenheip, Bunjil and his creations Self portrait 1894 Early morning after rain at the Spit, [Reile] acrylic on canvas John Power etching on paper, red ink Bay, not dated Purchased from the artist with funds L’homme calculateur 1938 Gift of Day Fine Art, 2013 oil on canvas on board [free trade] 2011 Purchased with funds from the Colin from the Elinor Morcom Bequest, 2012 linocut on paper Field positions 2001 Hicks Caldwell Bequest, 2013 Donated through the Australian Gift of Robert Cunningham in memory Pam Debenham, Tin Sheds/Lucifoil [school reunion] 2009 Government’s Cultural Gifts Program Charles Basing of Greg Binns, 2013 Posters [No! No!] 2012 Don Namundja by Australian Securities Exchange (ASX group of four paintings No nukes in the Pacific 1984 [Julia and the Wiggles] 2012 Palm trees Limited), 2012 [cows in landscape] circa 1915 AW Howitt, R Shepherd screen print on paper digital drawings on paper ochre on paper see image left Group of seven works Purchased with funds from the Lois Gift of the artist, 2012 Purchased with funds from the Colin George Gittoes [houses in trees] circa 1915 Junction of the Wongungarra and Valerie Shedlon Bequest, 2013 Hicks Caldwell Bequest, 2013 War on Terra 2002 [trees] circa 1915 Wonnangatta Rivers, not dated Gavin Namarnyilk oil on canvas [river in snow-covered landscape] circa1915 Cliff - Snowy Bluff, not dated Unknown artist Man hunting namardakka and Ron Quick Donated through the Australian oil on artist’s board Cliff at the Wongungarra River, c.1875 Certificate, circa 1860 namarnkol Apsara #14, 2012 Government’s Cultural Gifts Program Purchased with funds from the Joe Valley of the Wentworth River seen from lithograph on card ochre & acrylic on paper pencil on paper by Michael Betar, 2012 White Bequest, 2013 Mt.Birregun circa 1875 Purchased, 2013 Purchased with funds from the Colin Purchased with funds from public Valley of the Upper Dargo River seen from Hicks Caldwell Bequest, 2013 donation, 2012 David Davies Unknown artist near Mt.Birregun, circa 1875 Leslie van der Sluys Bruges circa 1910 Portrait of Andrew Forbes, circa 1860 Snowy Bluff seen from the North, circa1875 A Lily of : The Gymea Kalarriya ‘Jimmy’ Namarnyilk Andrew Seward oil on canvas oil on canvas View of fault Murendel Creek, circa 1875 1985 Ubarr ceremony Ecklonia radiata, Marine algae study Purchased with funds from the Colin Gift of the descendants of Andrew lithographs on paper colour linocut on paper acrylic, ochre & charcoal on paper 2010 Hicks Caldwell Bequest, 2012 Forbes, 2013 Gift of Tom Darragh, 2013 Donated through the Australian

16 17 Government’s Cultural Gift Program by Harriet Scott, Government Printer Purchased with funds from public Government’s Cultural Gifts Program screen print on paper Michael Elliott, 2013 Group of two works NSW, Gerard Krefft, Victor Prout donation, 2013 by Mandy Martin, 2013 Purchased with funds from public France’s Day, not dated Group of four works donation, 2013 Michael Callaghan, Earthworks Poster 1917 France’s Day Kamaraderie 1917 The Australian Hedgehog 1869–1871 Edward Minchen Mandy Martin Collective printed postcards The Native Bear 1869–1871 Group of five works Group of three works Carol Porter, Red Planet Group of two works Gift of Peter Lindsay, 2012 The Kangaroo 1869–1871 Eucalyptus capitellata 1882 Stop Omega 1975 Group of three works Give Fraser the Razor 1977 The Ring-Tailed Opossum 1869–1871 Backhousia myrtifolia 1882 The drive of the US is to replace Beautifully slim 1992 If the unemployed are dole bludgers, lithographs on paper Tristania conferta 1893–97 traditional status values of the village Some men will do anything to avoid such as writing great poetry ... with new what the fuck are the idle rich? 1979 An Argus Advertisement, not dated Purchased with funds from the Lois Eucalyptus piperita 1882 washing the dishes 1992 ones like owning a TV set 1975 screen prints on paper printed postcard Valerie Sheldon Bequest, 2013 Ceratopetalum gummiferum; Christmas Our Lady of Perpetual Cash Flow 1992 Iron Ore Baron 1977 Purchased with funds from the Art Gift of Peter Lindsay, 2012 bush 1882 screen prints on paper screen prints on paper Gallery of Ballarat Foundation, 2013 Paul Garbett, Naughtyfish Design chromolithographs on paper Purchased with funds from public Donated through the Australian David Low, NSW Bookstall Company Group of three works Purchased with funds from the Hilton donation, 2013 Slick 2010 White Bequest, 2013 Government’s Cultural Gifts Program Michael Callaghan, Alison Alder, The Billy Book, Hughes Abroad 1918 by Mandy Martin, 2013 Redback Graphix printed publication Them/Us Nicholas Chevalier, Frederick Grosse, Beat the Grog 1986 Purchased with funds from public Global warning 2009 Deborah Kelly, Tina Fiveash William Blandowski digital prints on paper Hey, Hetero! 2001 Nicholas Mau Nineteen different fish living in the screen print on paper donation, 2013 Group of two works Purchased with funds from public laminated poster Murray and Billabong (4 plates) 1857 Purchased with funds from the Art Dominator 2010 donation, 2013 Purchased with funds from the Lois engraving on paper Gallery of Ballarat Foundation, 2013 Unknown maker China Plate Mate 2008 Valerie Sheldon Bequest, 2013 Purchased, 2013 Waratah 1930s serigraph prints on paper Paul Garbett, Naughtyfish Design Michael Callaghan, Marie Mcmahon, printed postcard, pencil Purchased with funds from public Aids is fucking Africa 2009 Chips MacKinolty Samuel Calvert, Melbourne Punch Paul Cockram, Redback Graphix Gift of Peter Freund, 2013 donation, 2013 screen print on paper Group of two works Our engraver as he appears through the Condoman says: Don’t be shame, be Gift of the artist, 2013 Our Land Our Law 1997 week, Our engraver as he appears on game, use condoms! 1988 Helena Forde, Victor Prout, David McDiarmid Road signs we should have 1998 Rainbow Aphorisms 1994–2012 Thursday evening 1856 screen print on paper Government Printer NSW, Gerard Peter Georgakis screen prints on paper engraving on paper Purchased with funds from the Art Krefft inkjet prints on rag paper Group of three works Gift of the artist, 2013 Purchased with funds from the Purchased with funds from the Hilton Gallery of Ballarat Foundation, 2013 Group of two works Lateral thinking for Enemies, circa 2012 White Bequest, 2012 The Common Opossum (Phalangista Robert Salzer Foundation and public Safe Word, circa 2012 Julie Shiels, Colin Russell, Another donation, 2013 Michael Callaghan, Peter Curtis, Vulpina) 1869–1871 Shedding 35,000 Teeth in a Lifetime Planet Posters Tom Carrington, Melbourne Punch Redback Graphix Australian water-rats 1869–1871 digital prints on paper ...and the American Warship sailed into Ann Newmarch Group of four works Stop the Killing Times 1988 lithographs on paper Purchased with funds from public the sunset & never returned 1986 Group of three works Bird’s eye view of Albert Park 1885 screen print on paper Purchased with funds from the Lois donation, 2013 screenprint on paper, twelve sheets Women hold up half the sky 1978 ‘Education’ of the Berry 1876 Purchased with funds from the Art Valerie Sheldon Bequest, 2013 Gift of Peter Mares, 2013 Colour me Bold, Queen of Hearts 1977 All things to all men 1870s Gallery of Ballarat Foundation, 2013 Inkahoots Colour me Out, The Death Card 1979 A Thing of Beauty 1877 Harriet Scott, Government Printer Group of four works Chips Mackinolty, Toni Robertson, screen prints on paper wood engravings on paper Percy Lindsay NSW, Gerard Krefft Unsettled 2007 Earthworks Poster Collective Purchased with funds from public Purchased with funds from the Hilton Programme of Sports, Brighton Ladies’ The sea leopard 1869–1871 It’s not a crisis it’s a creed Daddy, what did YOU do in the Nuclear donation, 2013 White Bequest, 2013 Swimming Club 1909 lithograph on paper Boundless plains to share 2010 War? 1977 printed brochure Purchased with funds from the Lois Call a spade a spade 2009 screenprint on paper Mary Lou Pavlovic Julie Shiels, Jenny Anwaya Gift of Nancee and Ted Millett, 2012 Valerie Sheldon Bequest, 2013 digital prints on paper Donated through the Australian Liar! 2004 Revealing the face of change 1988

18 19 screen print on paper George Cooke, Conrad Loddiges & Son Purchased with funds from public Mimosa myrtifolia 1795 Phalanger grisonnant, Fem et son petit, Mills, Benjamin Maund Purchased with funds from the Lois Group of three works donation, 2013 Styphelia tubiflora 1795 Nob not dated Anthocercis viscosa not dated Valerie Sheldon Bequest, 2013 Oxylobium cordifolium not dated Mimosa hispidula 1795 engraving on paper, hand coloured engraving on paper, hand coloured Pultenaea mucronata not dated Rouyer, Charles Maurand engravings on paper, hand coloured with gum arabic Purchased with funds from the Hilton Julie Shiels, Another Planet Posters Gompholobium pedunculare not dated Group of two works Purchased with funds from the Joe Purchased with funds from the Joe White Bequest, 2013 Your racism affects us 1988 engravings on paper, hand coloured Banksia latifolia not dated White Bequest, 2012 White Bequest, 2012 screenprint on paper Purchased with funds from public Metrosideros speciosa not dated Mrs Withers, Nevitt, Benjamin Maund Purchased with funds from the Lois donation, 2013 engravings on paper Charles Lesueur, Jacques-Gerard J-C Werner, Louis Le Breton, A Scottia dentata not dated Valerie Sheldon Bequest, 2013 Purchased with funds from public Milbert, Frères Lambert, François Dumenil engraving on paper, hand coloured Edouard Riou, Alphonse Francois donation, 2013 Péron Phoque carcinophage, Phoca Purchased with funds from the Hilton James Cant, Clive Turnbull Pannemaker Casoar de la Nouvelle Hollande not carcinophaga 1842 White Bequest, 2013 Folio with six signed artist’s prints—The Title page—Souvenirs d’un Squatter Rouyer, Manini dated engraving on paper, hand coloured Francais en Australie (Colonie de Victoria) Fleurs et fruits du Metrosideros speciosa engraving on paper, hand coloured William Dickes, WH Lizars Fish, The Reptile, The Bird, The Struggle Purchased with funds from the Hilton 1861 not dated Purchased with funds from the Joe group of three engravings on paper, for Life, The Lust for Power, Adam Eve and White Bequest, 2013 Cain 1948 engraving & text on paper engraving on paper White Bequest, 2012 hand coloured Purchased with funds from public Purchased with funds from public Dasyurus maugei, Native of Van Diemens cliche-verre prints on paper John Gould, Henry Richter donation, 2013 donation, 2013 Peter Mazell, John Stockdale Land 1845 Gift of Ernest Smith, 2012 group of two works Casuarius australis 1840s Petaurus pygmaeus 1845 Edouard Riou, P Maurand Thomas Rowlandson, R Ackermann [shells] 1792 lithograph on paper, hand coloured, Echidna hystrix, native of New South Arlene TextaQueen Indigenes australiens (province de Group of two works [shells] 1792 with gum arabic Wales 1845 We don’t need another hero: series of 8 Victoria) 1861 The Banns Forbidden 1820 engravings on paper Purchased with funds from the Joe Purchased with funds from the Hilton posters 2011 engraving on paper Dr Syntax and the foundling 1821 Purchased with funds from the Hilton White Bequest, 2012 White Bequest, 2013 offset lithograph on paper Purchased with funds from public engravings on paper, hand coloured White Bequest, 2013 Purchased with funds from public donation, 2013 Gift of Peter Freund, 2012 Pancrase Bessa, Jean Joseph William Dickes, WH Lizars, William donation, 2013 L´Abbé Prévost, Jean Coutant Mougeot, Arthur Bertrand Jardine Edouard Riou Thomas Rowlandson Group of two works La Busseuillie de Botany-Bay 1837 Macropus penicillatus 1845 Dianna Wells, Another Planet Posters Danse des indigenes australiens 1861 Dr Syntax at the funeral of his wife not Kangourou oualabat, Kangurus engraving on paper, hand coloured engraving on paper, hand coloured We all have a right to .... feel safe 1988 engraving on paper dated ualabatus 1826 Purchased with funds from public Purchased with funds from the Hilton screenprint on paper Purchased with funds from public engraving on paper, hand coloured Sericule Prince-Regent 1826 donation, 2012 White Bequest, 2013 Purchased with funds from the Lois donation, 2013 Gift of Peter Freund, 2012 engravings on paper, hand coloured Valerie Sheldon Bequest, 2013 Purchased with funds from the Hilton JN Fitch, L Reeve & Co, Vincent Brooks Edward Lear, WH Lizars Edouard Riou, J Gauchard Unknown artist White Bequest, 2013 Moraea robinsoniana 1867–98 Group of four works Camp d’un indigenes australiens 1861 Australie - Vue generale du Palais de lihtograph on paper Palaeornis barrabandi, Barraband Ring Prints Other engraving on paper l’Exposition universelle de Melbourne not J-C Werner, Borromee, Eugene Giraud Purchased with funds from the Hilton Parrakeet 1845 Purchased with funds from public dated Koala brun, Male not dated White Bequest, 2013 Plyctolophus leadbeateri, Tricolour- T Boys, George Cooke, Conrad donation, 2013 engraving on paper engraving on paper, hand coloured crested Cockatoo 1845 Loddiges & Son Purchased with funds from public with gum arabic Miss Maund, Nevitt, Benjamin Maund Microglossus aterrimus, Goliath Aratoo 1845 Chorizema nana not dated Rouyer, Manini donation, 2013 Purchased with funds from the Joe Candella cunninghamii not dated Pezoporus formosus, Ground Parrot 1845 engraving on paper, hand coloured Feuillage et cone du Banksia latifolia not White Bequest, 2012 engraving on paper, hand coloured engravings on paper, hand coloured Purchased with funds from public James Sowerby J-C Werner, Louis Le Breton, Purchased with funds from the Hilton dated Purchased with funds from the Hilton donation, 2013 engraving on paper Group of three works Borromee, B Baron White Bequest, 2013 White Bequest, 2013 20 21 Henry Moon, Guillaume Severeyns, engraving on paper T Prattent, John Stockdale engraving on paper William Robinson Gift of Peter Freund, 2012 A Stone Ax, A Basket of the Bark of a Tree, Gift of Peter Freund, 2012 Clianthus dampieri marginatus (Glory A Wooden Sword 1789 Pea) 1890 Victor Danvin, Marc Monnin engraving on paper Unknown artist chromolithograph on paper Entrevue avec les Sauvages not dated Gift of Peter Freund, 2012 Campement de defricheurs Australiens Purchased with funds from public engraving on paper not dated donation, 2012 Gift of Peter Freund, 2012 Prior, AW Warren photogravure on paper, hand coloured A Man of Cape Dieman in New Holland Gift of Peter Freund, 2012 Unknown artist, Guillaume Victor Danvin, St. Cholet not dated Severeyns, William Robinson Vue du Torrent de Glen brook creek not engraving on paper Lt Watts, T Medland group of three chromolithographs on dated Gift of Peter Freund, 2012 Views of Curtis’s Islands 1789 paper engraving on paper, hand coloured engraving on paper Hibiscus hugeli not dated Gift of Peter Freund, 2012 John Skinner Prout, E Brandard, Gift of Peter Freund, 2012 Beaufortia splendens not dated Edwin Carton Booth, Virtue & Co Jules-Sebastien-César Dumont Callistemon rigidus not dated Victor Danvin, Lf Lejeune group of two works d’Urville Purchased with funds from public Vue de Sidney not dated Port Arthur, 1870s group of eighty-two natural history donation, 2012 engraving on paper, hand coloured Maria Island, Tasmania 1870s prints from Voyage de l’Astrolabe Gift of Peter Freund, 2012 steel engravings on paper not dated Unknown artist, Harrison & Co Gift of Peter Freund, 2012 engravings on paper Great Black Cockatoo, Greater Cockatoo, Gld de Rienni, Marc Monnin Purchased with funds from the Joe White Red-vented Cockatoo, White Famille de Sauvages not dated Rennoldson, Alexander Hogg White Bequest, 2013 Yellow-crested Cockatoo 1785 engraving on paper A Remarkable Animal found on one of see image detail right engraving on paper, hand coloured Gift of Peter Freund, 2012 the Hope Islands in Captain Cook’s first Purchased with funds from the Hilton Voyage; The Vari, or Macauco, a native of Antoine-Germain Bevalet, Victor, White Bequest, 2013 Louis Auguste de Sainson, Dunaime Madagascar not dated François Péron La chaloupe de l’Astrolabe pechant une engraving on paper Maquereau loo not dated Unknown artist, WH Lizars des ancres de laperouse not dated Gift of Peter Freund, 2012 engraving on paper group of seven works engraving on paper, hand coloured Purchased with funds from the Joe Macropus parryi 1845 Gift of Peter Freund, 2012 Royce White Bequest, 2012 Macropus bennettii 1845 A man of Van Diemen’s Land, A Woman Purchased with funds from the Joe jeune male, Celebes 1834 Macropus ualabatus 1845 Illustrated London News and Child of Van Diemen’s Land not CE Blanchard, Borromée White Bequest, 2012 engraving on paper Macropus derbianus 1845 group of two works dated [insects] not dated Purchased with funds from the Joe Phalangista vulpina 1845 Depot at Birkenhead, for the reception of engraving on paper engraving on paper, hand coloured Nicolas Huet, H Legrand, Remond White Bequest, 2013 Petaurus taguanoides 1845 Government Emigrants to Australia: with Gift of Peter Freund, 2012 with gum arabic Babiroussa male, Celebes 1834 Halmaturus rutilans 1845 a vessel alongside the wharf preparing Purchased with funds from the Joe engraving on paper, hand coloured, Hullmandel & Walton, T & W Boone engravings on paper, hand coloured for the voyage 1852 Taylor, Alexander Hogg White Bequest, 2012 laid on paper group of four works Purchased with funds from the Hilton The Female Emigrant’s Home, at Hatton A young Sea Otter found off the North Purchased with funds from the Joe Avicula lata, Spatangus elongatus 1845 White Bequest, 2013 Garden —The Chief Room; Cabin of the West Coast of America; An Opossum, Borromée, Victor White Bequest, 2013 Petasida ephippigera, Chrysopa ‘Madagascar’ and Female Emigrants 1853 a quadruped of Van Diemen’s Land; A Lithode antarctique not dated maculipennis, Eurybrachys laeta, Edward William Cooke engravings on paper White Bear found in the Pacific Ocean engraving on paper, hand coloured Nicolas Huet, E Talbaux Tettigarcta tomentosa, It’s pupa case [convict hulk ‘York’] not dated Gift of Peter Freund, 2012 near Icy Cape not dated with gum arabic Babiroussa femelle adulte, Babiroussa, 1845

22 23 Thridopteryx nigrescens, Ch. fuscinula, dated Purchased with funds from the Hilton Hovea pungens 1840s Friedrich Guimpel, Friedrich Gottlob after William Strutt, Illustrated Callimorpha selenaea, Acontia pulchra, engraving on paper, hand coloured White Bequest, 2012 Chorozema dicksonii, C. ovatum, C. Hayne London News Chelonia pallida 1845 with gum arabic henchmanni, C. varium, C. spartioides Eucalyptus resinifera circa 1820 The Golden Point, Ballarat 1852 Astacus franklinii, As. bicarinatus, As. Purchased with funds from the Joe F deTollenaere, P Vervoort, Charles 1840s engraving on paper, hand coloured wood engraving on paper quinquecannatus 1845 White Bequest, 2012 Morren Callistemon macrostachyum, Purchased with funds from the Hilton Purchased with funds from the Hilton lithographs on paper Disemma coccinea 1865 Angophora cordifolia, Metrosideros White Bequest, 2012 White Bequest, 2012 chromolithograph on paper Purchased with funds from the Joe J-C Werner, Borromée, A Dumenil speciosa 1840s Purchased with funds from the Hilton Harrison & Co White Bequest, 2013 Phalanger de Cook? (G.Cuv.) male not Purchased with funds from public Unknown artist White Bequest, 2012 Banksia shrub 1801 dated donation, 2012 group of two works Paul Louis Oudart, Borromée, Coupe engraving on paper, hand coloured engraving on paper, hand coloured Dasyurus and Honey Possums 1861 Lalage ornata, Scortia dentata, Centropriste tasmanien, Therapon de with gum arabic Unknown artist, Charles Morren Purchased with funds from the Hilton Lyre bird 1861 Templetonia retusa, Crotalaria purpurea, dubouzet not dated Purchased with funds from the Joe Stenocarpus cunninghami 1851–85 White Bequest, 2012 engravings on paper, hand coloured Aspalathus chenopoda 1840s engraving on paper, hand coloured White Bequest, 2012 chromolithograph on paper Purchased with funds from the Hilton with gum arabic Purchased with funds from the Hilton lithographs on paper, hand coloured Harrison Cluse & Co White Bequest, 2013 Purchased with funds from the Joe J-C Werner, Borromée, Mme Egasse White Bequest, 2012 Gift of Panteek Antique Prints, 2012 Group of four works White Bequest, 2012 Plée Yellow fragile flower 1799 Unknown artist, Mangioni Koala brun not dated Johann Stephan Capieux Anton Hartinger Rock-flower of New South Wales 1800 Ta-ta-bahi-bah, circa 1839 group of three works Banksia serrata 1799 Paul Louis Oudart, Borromée, engraving on paper, hand coloured group of four works lithograph on paper Die gelbe gummi pflanze 1790 Fern Pine of New South Wales 1799 Jazerand Purchased with funds from the Joe Burtonia sessilifolia 1844–60 Purchased with funds from the Hilton Fliegendes eichhorn.v.d.insel Nordfolck engravings on paper, hand coloured [birds] not dated White Bequest, 2012 Lechenaultia biloba 1844–60 White Bequest, 2013 (flying ‘squirrel’, Norfolk Island) 1790 Purchased with funds from the Hilton engraving on paper, hand coloured Telopea speciosissima 1844–60 Schwarzes fliegendes opossum 1790 White Bequest, 2013 with gum arabic J-C Werner, Borromée, Oudet Unknown artist, Charles d’Orbigny engravings on paper Tremandra verticillata 1844–60 Purchased with funds from the Joe Douyong des Indes (mouth of dugong) Leschenaultia formosa 1849 Purchased with funds from the Joe chromolithographs on paper, hand Peter Mazell, Lt Watts not dated lithograph on paper, hand coloured, White Bequest, 2012 White Bequest, 2012 coloured, with gum arabic New Holland Cassowary 1789 engraving on paper, hand coloured Purchased with funds from the Joe engraving on paper gum arabic Jean Gabriel Pretre, Jean Massard Purchased with funds from the Joe NM Petit, B Roger, Jacques-Gerard White Bequest, 2012 Purchased with funds from the Hilton Purchased with funds from the Joe Kanguroo d’aroe not dated White Bequest, 2012 Milbert, François Péron White Bequest, 2013 White Bequest, 2012 engraving on paper, hand coloured group of three works Bryan Poole J-C Werner, Louis Le Breton, George Baxter Purchased with funds from the Joe Oui-Re-Kine 1803–24 Banksia serrata not dated Major Thomas Mitchell, A Picken, Day White Bequest, 2012 Borromée, Mme Egasse Plée News from Australia 1853 Gnoung-A-Gnoung-A, Mour-Re-Mour- etching on paper, a la poupee, hand & Haghe, T & W Boone Dauphin a museau court, Dauphin a wood engraving & etching on paper, Ga 1803–24 coloured Breccia Cave, at Wellington Valley 1839 J-C Werner, Borromée, A Dumenil ventre rose not dated Baxter print Bara-Ourou 1803-24 Purchased from the artist with funds lithograph on paper Rousette insulaire (Nob.) femelle not engraving on paper, hand coloured engravings on paper Purchased with funds from the Joe Purchased with funds from public from the Joe White Bequest, 2013 dated with gum arabic Purchased with funds from the Joe White Bequest, 2013 donation, 2013 engraving on paper, hand coloured Purchased with funds from the Joe White Bequest, 2012 Purchased with funds from the Joe White Bequest, 2012 W Berthoud, W Panormo W Panormo, AA Park, Thomas Kelly George Baxter White Bequest, 2012 Jane Loudon The Emeus, in the Royal Menagery Tower The Kangaroos. In the Collection of Earl News from Home 1853 James Gillray, H Humphrey group of four works of London 1829 Darnley, Cotham Park 1829 wood engraving & etching on paper, J-C Werner, Louis Le Breton, The great South Sea Caterpillar, Oxylobium retusum, Brachysema engraving on paper engraving on paper Baxter print, on paper backing Borromée, B Baron transform’d into a Bath Butterfly 1795 latifolium, Euchilus obcordatus, Purchased with funds from the Hilton Purchased with funds from the Hilton Purchased with funds from the Hilton Stenorhynque aux petits ongles not engraving on paper, hand coloured Dillwynia parvifolia, Eutaxia pungens, White Bequest, 2013 White Bequest, 2013 White Bequest, 2013

24 25 Various artists Purchased with funds from the Lois Greg Daly Purchased with funds from the Ballarat Ruby Lindsay, Charles Barrett, George Joseph Paxton, John Lindley, Walter Collection of 152 prints covering Valerie Sheldon Bequest, 2013 Platter not dated glazed with gold leaf Fine Art Gallery Association in memory Robertson & Co Pty Ltd Fitch emigration and shipping to Australia, enamel of Greg Binns, 2012 From Range to Sea. A Bird Lover’s Ways Paxton’s Flower Garden 1882 exploration in Australia and the Pacific, John Dermer 1907 lithographed plates & text, indigenous contact, goldfields, fauna, Bowl not dated glazed ceramic printed cover, photographically handcoloured, tooled decorative caricatures and cartoons. Andrew Halford Furniture printed pages binding Gift of Ted & Gina Gregg, 2012 William Ricketts Large bowl not dated glazed ceramic Purchased with funds from the Joe Gift of Ian and Wendy Sharp, 2013 [head] circa 1950 Brian Keyte Robert Lindsay White Bequest, 2013 terracotta with ochre highlights Bowl not dated glazed porcelain Fire screen not dated Norman Lindsay oil on canvas, wooden frame WatercoloUrs Australian Gift of the Morrison family in memory Susie McMeekin JE Brown, JW Love, E Spiller A Curate in Bohemia circa 1913 Gift of Julien Sutton, 2013 bound publication, cloth cover of Jim and Christine Morrison, 2013 Bowl not dated wood fired, tin glaze A Practical Treatise on Tree Culture in Gift of St Andrews Uniting Church, Lauren Black Chris Myers 1881 Hypopterygium didictyon - Umbrella Peter Nicholson Lidded jar not dated enamelled ceramic Bacchus Marsh, 2013 Books bound publication with lithographed moss 2012 Maquette: Bob Hawke not dated Lidded jar not dated enamelled ceramic illustrations Russell Grimwade, Angus and watercolour on paper plaster, applied colour Christopher Sanders Purchased with funds from public Commissioned by the Ballarat Fine Art John Button not dated Large lidded jar 1989 glazed Tom Durkin, JC McDonald, Ingram Robertson Ltd Sydney Co, Weekly Times donation, 2013 Gallery Association in memory of Greg bronze, stone porcelainous earthenware An Anthography of the Eucalypts 1930 Ingram’s Cartoons from the Weekly Times Binns, 2013 Gift of the artist, 2012 Lidded jar not dated porcelain printed publication with photographic 1873–1900 after Sydney Parkinson, John Lidded jar not dated porcelain plates bound publication, lithographs & Cleveley, JF Miller, FP Nodder, Joseph David Davies Peter Nicholson, Meridian Sculpture Barry Singleton Purchased, 2012 photographic prints on paper Banks, Wilfrid Blunt, William T Stearn, Feeding the chickens circa 1910 Founders Bowl 2005 glazed porcelain Transfer from the Ballarat Library, 2013 Lion & Unicorn Press watercolour on paper Neville Wran not dated Kirk Winter WH Nicholls, Georgian House Captain Cook’s Florilegium 1775-1973 Orchids of Australia 1951–58 Purchased with funds from the Colin bronze Lidded pot not dated wood fired glazed S Curtis, William Jackson Hooker, printed publication, engraved plates printed publication with photographic Hicks Caldwell Bequest, 2012 Gift of the artist, 2012 stoneware Swan with tissue inserts plates Vase not dated wood fired glazed Curtis’s Botanical Magazine, Vol 5 1831 Purchased with funds from the Sir Purchased with funds from the Hilton Fred Williams Bronwyn Razem stoneware printed publication, engraved plates, Wilfred Brookes Bequest, 2012 White Bequest, 2012 group of two works Eel traps 2013 Donated through the Australian hand coloured [figures] not dated phormium tenax Government’s Cultural Gifts Program Purchased, 2012 Jules-Sebastien-César, Dumont Leatherhead 1953 Purchased from the artist with funds by Michael Elliott, 2013 Norman Lindsay, Angus and d’Urville, Furne et Cie gouache on paper from the Lois Valerie Sheldon Bequest, Chester Nealie Robertson Ltd Sydney Voyage Autour Du Monde 1848 Gift of Professor AGL Shaw in memory 2013 Bottle 2011 The Flyaway Highway 1936 printed publications, engraved plates of Peggy Shaw, 2013 artist blend stoneware, wood fired, printed publication with tissue inserts feldspathic glaze, ash deposits Gift of Nicole Bodman, 2012 May Grigg Ceramics Australian Purchased with funds from the Eileen Purchased with funds from public [landscape] 1929 Lowther Bequest and an anonymous Norman Lindsay, ES Emerson, George donation, 2012 watercolour on paper Group of fourteen ceramic objects by donation, 2012 Robertson & Co Pty Ltd Gift of Helen Davies, 2013 various artists An Australian Bird Calendar 1909 RD Fitzgerald, Landsdowne Press Kevin Boyd Owen Rye printed cover, photographically Australian Orchids - facsimile edition Maria Antoinetta Taenzl von Tratzberg Vase 2005 etched raku stoneware Feldspar pot circa 1996 printed pages 1978 Dracophyllum secundum circa 1850 Alexandra Copeland stoneware, potash feldspar glaze, Purchased with funds from the Joe printed publication, leather bound watercolour on paper Platter 1994 earthenware with tin glaze wood fired White Bequest, 2013 Gift of Terry Searle, 2012

26 27 The Jenny Zimmer Collection The Art School Press Jenny Zimmer Retired book publisher Jenny Zimmer The Pera Palas Hotel Istanbul, 1994, ed. has given the Gallery her personal 12/20 collection of artists’ books and limited paper covered slip case, folded paper editions. These are books which she cover folded paper sheets with text has designed, edited, written and and images, 16.6 x 12.7 x 1.8 cm, 14 produced, either through her own pages press or in collaboration with artists binding: Norbert Herold and through Macmillan Publishers. Any book she did not commission The Art School Press, The Johnson personally were gifts to her because of Society of Australia her involvement with book-making. David Fleeman Memorial Lecture, 1994 The Death of the Author and the Lives of The collection has many connections the Poet, Ian Donaldson, AP 5/5 to the Gallery’s existing holdings: sewn binding, folded card cover twenty artists already in the Collection binding: Norbert Herold are presented in a new way, either as formal publications about them or via David Fleeman Memorial Lecture, 1995 their hands-on involvement in making Samuel Johnson in Paris in 1775, Wallace the book. Eighteen artists are new to Kirsop the Collection, along with many new sewn binding, folded card cover, 21.2 names involved with publishing and x 15.4 cm the book bindings. binding: Norbert Herold

This outstanding donation is as much The Art School Press about connoisseurship — in this case Kevin Hart of a very important figure in Australian Losing the Power to say ‘I’, 1996, ed. art publishing — as it is about 26/100 the individual component books. cloth bound book, 21.1 x 15.4 x 0.8 cm, Connoisseurship is central to the 38 pages collecting of any major art museum binding: Norbert Herold and this is an excellent example. Lyre Bird Press, , Zimmer Editions, Melbourne Sydney Ball, 1997, 5/20 paper covered boards and cloth spine, 15.3 x 14.3 x 1.9 cm, 100 pages

28 29 editioned from the artist’s series of 40 Print Workshop Drawing, 1994, ed. 9/45 cloth and paper bound slip case and paper and cloth bound slip case, cloth 21.3 x 0.5 cm, 27 pages monoprints combining Henry Chopin paper covered presentation box, book, 27.5 x 20.6 x 2.3 cm, 40 pages bound book, 15.6 x 14.7 x 2.3 cm includes 9 wood engravings by and painting techniques The Rich Hours for the Abecedarian, folded paper cover, separate folded separate folded sheets, text Tate Adams & 1 drawing by George binding: Norbert Herold 1993, ed. 3/20 sheets with text & images, 23.0 x 17.8 screenprinted by Larry Rawling Lyrebird Press, Melbourne, Tate Baldessin as offset lithographs paper bound slip case and book, 39.0 x x 2.0 cm suite of 6 poems by Chris Wallace- Adams Bashir Baraki 22.3 x 2.3 cm etchings, aquatints and chine-colle by Crabbe, 9 monoprints by Bruno Leti Diary of a vintage, 1981, ed: 160/375 Lyre Bird Press, Townsville Rococo Recollections, 1995, ed: AP 2 folded paper cover with separate Bruno Leti publication with cloth bound case and Fred Williams, Music hall etchings, 1954- cardboard & cloth binding, ribbon, 30.2 folded sheets, includes 6 original Centre for the Development of cover, 21.6 x 21.1 x 1.8 cm, 60 pages 65, 1998, ed. H.C.2 x 21.7 x 1.4 cm etchings by Henry Chopin Centre for the Development of Artists’ Books and Limited Editions 26 wood engravings, printed directly paper covered presentation box and loose sheets in folded paper envelope, Artists’ Books and Limited Editions Monash University from artist’s blocks book, 27.6 x 26.9 x 3.0 cm 24 original colour prints Centre for the Development of Monash University Jacqueline Riva includes 5 bound prints from original Artists’ Books and Limited Editions George & Louis Johnson, Painter & poet, Place…Trace…, 1995, ed. 12/20 Lyrebird Press, Melbourne, Tate plates Centre for the Development of Monash University at the Australian 1995, ed. 11/40 paper and cloth covered presentation Adams Artists’ Books and Limited Editions Print Workshop paper & cloth covered presentation box, folded paper cover on sewn Port of Pearls, 1989, ed: 65/275 Lyre Bird Press, Townsville, Zimmer Monash University at the Australian Travesare 2, 1993, ed. 17/20 box and cover, 26.4 x 22.3 x 2.0 cm, 75 booklet, 25.4 x 24.6 x 1.8 cm, 16 pages publication with cloth bound slip case Editions, Melbourne Print Workshop cardboard pizza/presentation box, pages contains 6 original photographs and cover, 25.2 x 24.7 x 2.0 cm, 65 Choi Kyu-il, Sydney Ball, Robert Gottfried Benn, Graeme Peebles inner cover printed, 25.5 x 26.0 x 3.6 poems: Louis Johnson, paintings by editioned under Riva’s supervision, pages Baines Monologues, 1992, ed. 18/20 cm, 68 pages George Johnson reproduced as laser 1993 40 wood engravings and text by Tate Traces, A Book of Paintings, Prints and cloth bound slip case with ribbons, poems: Miroslav Holub, aquatints: prints editioned by Bashir Baraki binding: Norbert Herold Adams Calligraphies by Choi Kyu-il and Sydney 25.4 x 24.1 x 1.9 cm, 32 pages Geoffrey Ricardo binding: Nick Doslov Ball, with seal-stone carved by Choi Kyu-il folded paper cover with separate colour laser prints: Jiri Kolar, Peter Ellis, Centre for the Development of The Dolmen Press, Dublin and set in stainless steel by Robert Baines, folded sheets, includes 8 sequential Louise Weaver, Bashir Baraki Artists’ Books and Limited Editions Tate Adams Lyre Bird Press, Townsville 2001, ed. 20/20 mezzotints by Graeme Peebles original photographs: John Reid, Monash University The Soul Cages, An Irish legend retold Off the Wall: catalogue of Lyre Bird Press, cloth covered presentation box, steel Warren Breninger, Regis Lansac George & Louis Johnson, Spirit of Place in 20 wood engraving and some words, circa 1994, no.43 plate and carving on top of 3 folders, Centre for the Development of Painter & poet, 1996, second edition, ed. 1958, ed. 162/450, very rare sewn publication with folded paper 32.7 x 29.5 x 5.0 cm, 32 pages Artists’ Books and Limited Editions Centre for the Development of 16/40 hard cover book with paper dust cover, 19.9 x 30.0 x 0.5 cm folders include 2 prints by Choi Kyu-il, Monash University at the Australian Artists’ Books and Limited Editions cloth covered presentation box and jacket, 18.8 x 11.5 x 0.6 cm 2 paintings and calligraphic mark by Print Workshop Monash University at the Australian book, 28.9 x 22.3 x 3.1 cm, 75 pages Lyre Bird Press, Townsville Sydney Ball and studio photographs of Travesare 1, 1992, ed. 4/25 Print Workshop includes bound original gouache Bruno Leti Ron McBurnie three artists dedicated to Neil Leveson On the Soul (Aristotle, De Anima), 1993, painting by George Johnson in Studio emblems, Twenty lithographs, The boy who tried to kiss himself, 1994, binding: Norbert Herold cardboard pizza/presentation box, ed. 2/15 glassine envelope 1994, ed. 47/95 ed. 8/25 outer book cover string & handmade Perspex slip cover, folded paper cover, poems: Louis Johnson cloth and paper bound slip case, paper covered book, 29.2 x 21.8 x 1.0 Lyre Bird Press, Zimmer Editions, paper, inner cover printed, 25.5 x 26.0 x folded paper sections of text, 19.4 x paintings by George Johnson folded paper cover to book, 17.5 x 12.0 cm, 20 pages Melbourne 3.6 cm, 82 pages 19.0 x 5.0 cm reproduced as laser prints editioned by x 1.5 cm all text and images are hand printed Tate Adams artworks: Jennifer Hawkins, Allan includes 4 original prints by Frances Bashir Baraki 20 original lithorgraphs and 1 linocut etchings by Ron McBurnie Gesture, 2005, ed. 7/15 Mitelman, Gary Poulton, Xiang Yi, Petr Rhodes cloth bound book, paper dust jacket, Herel Centre for the Development of Bruno Leti Lyre Bird Press, James Cook 52.4 x 42.4 x 2.5 cm Centre for the Development of Artists’ Books and Limited Editions The Neilson Lines, Poetry by Shaw University, Townsville original gouache works on folded Centre for the Development of Artists’ Books and Limited Editions Monash University Neilson, Drawings by Bruno Leti, 1997, The Lyrebird speaks, 1994, H.C., edition pages of graduating dimensions Artists’ Books and Limited Editions Monash University Bruno Leti, Chris Wallace-Crabbe ed. 16/50 250 plus 5 hors commerce copies binding: Norbert Herold Monash University at the Australian Bruno Leti, Chris Wallace-Crabbe Apprehensions, 1994, ed. 2/15 dedicated to Chris Wallace-Crabbe sewn publication in paper folder, 21.7 x see image pages 28–29

30 31 Lyre Bird Press, Townsville, Zimmer painted by Tate Adams Macmillan Art Publishing, Melbourne ed. 14/30 cloth bound slip case and book, 31.0 x etching on paper by Bruno Leti Editions, Melbourne binding: Norbert Herold Graeme Fransella: Figures and cloth bound presentation box, 29.0 x 3.2 cm binding: Paul Schubert Jan Senbergs Landscapes, paintings and prints – 1984- publication with dust jacket, 25.2 x includes loose original print by Jason In the Studio, original lithographs by Jan Lyre Bird Press, Townsville, Zimmer 2002, 2002, ed. 34/50 24.0 x 3.8 cm Benjamin Macmillan Art Publishing, Melbourne Senbergs, 1998, ed. 20/30 Editions, Melbourne cloth bound presentation box, 43.6 x includes bound original matted Ken McGregor, Marie Geissler, cloth covered book, paper dust jacket, John Olsen: The Kiss, 2009, ed. 14/30 35.0 x 3.9 cm, 128 pages miniature painting on paper by Marilyn Macmillan Art Publishing, Ken translator: Flore Gregorini 52.4 x 41.8 x 1.7 cm cloth and leather binding, 29.5 x 39.0 publication with dust jacket, includes Peck McGregor Yanima Pikarli Tommy Watson, Ngayuku includes 2 bound large foldout studio x 1.9 cm folder with original etching on paper binding: Norbert Herold Fred Cress: Whispers, Drawings 1958- Ngura My Country, 2010, ed. 50/50 drawings made directly onto the publication, facsimile of sketchbook by Graeme Fransella 2007, 2007, ed. 22/75 cloth bound slip case, publication with lithographic plate, editioned: John by giclee process, plus artist binding: Norbert Herold Macmillan Art Publishing, Melbourne, cloth bound slip case and cover, 35.5 x dust jacket, 25.7 x 32.3 x 3.5 cm, 208 Robinson embellishments facing every picture Lyre Bird Press, Townsville 25.5 x 3.5 cm, 256 pages pages binding: Norbert Herold page, includes bound original etching Macmillan Art Publishing, Melbourne Robert Jacks – His Bloomsday Book, includes original colour etching by includes original painting by Tommy on paper by John Olsen Leigh Astbury 2004, ed. 8/100 Fred Cress Watson Lyre Bird Press, Townsville, Zimmer binding: Paul Schubert Earth to Sky, The Art of Victor Majzner, cloth bound presentation box, 37,1 x binding: Paul Schubert Editions, Melbourne 2002, ed. 45/50 27.3 x 2.9 cm, 48 pages Macmillan Art Publishing, David A Family of Forms, a book of original Lyre Bird Press, Townsville cloth bound slip case with ribbon, publication with dust jacket Thomas Macmillan Art Publishing, Melbourne serigraphs by Robert Jacks, 1999, ed. Kate Maconachie publication with dust jacket, 32.0 x 25.8 includes bound original serigraph and Cris Canning, The Pursuit of Beauty, 2007, Ken McGregor, Jeffrey Makin, John 3/30 The Pink Spotted Leopard who lost her x 3.0 cm, 240 pages, includes loose book plate printed by Larry Rawlings ed. 4/75 Olsen cloth bound book with folded paper spots, 1996, ed. 1/17 original etching by Victor Majzner binding: Norbert Herold cloth bound slip case and cover, 32.6 x John Olsen: Teeming with Life. His cover, 52.6 x 42.0 x 1.7 cm, 18 pages fabric covered slip case, sewn 25.5 x 2.7 cm Complete Graphics 1955-2011, 2011 images created by Jacks, images and publication, 22.0 x 17.0 x 2.0 cm Macmillan Art Publishing, Macmillan Art Publishing, Melbourne includes original etching by Criss (second edition, first published 2005), text screenprinted by Larry Rawlings Melbourne, Perc Tucker Regional Rudi Krausmann, Gary Shead Canning ed. 14/70 binding: Norbert Herold Macmillan Art Publishing, Melbourne Gallery, Townsville News: Fast Flowers, Long Journeys, Cold cloth bound slip cover and book, 25.7 Klaus Zimmer, Glass Artist, 2000, ed. Robert Preston: Communion to the Trees, Funerals, 2006, ed. 26/50 Macmillan Art Publishing, Melbourne, x 35.5 x 4.0 cm, 304 pages Lyre Bird Press, Townsville, Zimmer 18/55 2002/3, ed. 119/200, 24 pages paper and cloth bound book, 20.3 x Heide Museum of Modern Art publication, includes bound original Editions, Melbourne cloth bound slip case with ribbon and cloth bound slip case and book, 23.0 x 17.5 x 1.8 cm, 128 pages Les Kossatz, The Art of Existence, 2008, etching on paper by John Olsen Allan Mitelman book, 27.0 x 25.3 x 3.8 cm, 240 pages 47.8 x 2.0 cm publication, includes bound original ed. 12/35 Ko-Ko, 2000, ed. 15/30, 24 pages includes an original collage and a binding: Norbert Herold etching on paper by Gary Shead cloth bound slip case and book, 32.8 x Macmillan Art Publishing, Melbourne cloth covered book, paper dust jacket, gouache by Klaus Zimmer binding: Norbert Herold 25.4 x 3.2 cm Ken McGregor, Greg Weight 52.4 x 41.8 x 1.7 cm binding: Norbert Herold Macmillan Art Publishing, Melbourne includes loose original etching by Les Artists of the Western Desert: Portraits includes 7 original prints by Allan Tate Adams and the Crossley Gallery Macmillan Art Publishing, Melbourne Kossatz, with hand colouring 2006-11, 2011, ed. 23/50 Mitelman plus frontispiece Macmillan Art Publishing, Melbourne 1966-1980, 2003, ed. 43/50 Rudi Krausmann, Gary Shead cloth bound slip case and cover, 23.1 x binding: Norbert Herold Grahame King, Jim Allen cloth bound slip cover and book, 25.6 News: Fast Flowers, Long Journeys, Cold Macmillan Art Publishing, State 28.7 x 3.2 cm, 200 pages An Australian Bird Watcher’s Pocket Book, x 27.1 x 3.0 cm, 240 pages Funerals, 2006 Library of Victoria, Melbourne includes original painting by Mrs Lyre Bird Press, Townsville, Zimmer 2001, ed. 10/25 publication, includes original print on cloth bound book, 20.3 x 17.5 x 1.8 cm, The Matrix, Remembering Giorgio Bennett Editions, Melbourne cloth bound slip case, publication with paper by Tate Adams, Palm landscape 128 pages Morandi: equilibrium and strength, 2010, binding: David Pool Tate Adams dust jacket, 14.8 x 12.9 x 1.8 cm, 96 binding: Norbert Herold ed. 18/20 Gestures No.2, 2004, ed. 7/20 pages Macmillan Art Publishing, Melbourne cloth bound presentation box and Macmillan Art Publishing, State cloth covered presentation box, folded includes loose original lithograph by Macmillan Art Publishing, Marilyn Ken McGregor book spine, 27.3 x 31.8 x 3.0 cm, 148 Library of Victoria, Melbourne, paper sheets, 54.1 x 43.0 x 3.7 cm Grahame King in separate envelope, Peck Jason Benjamin, What binds us, 2007, pages Bodleian Library, Oxford includes 10 large gouaches hand 20.7 x 15.3 cm Marilyn Peck, The wasteland suite, 2004, ed. 4/75 publication, includes original drypoint Love and Devotion: From Persia and

32 33 Beyond, 2012 Bashir Baraki from original paintings photographs & watercolours by Jenny binding: Norbert Herold unique, from set of 8 Zimmer Editions, Melbourne & cloth bound slip case and cover, 24.4 x using Canon Laser Colour Copier Zimmer in Syria & Turkey cloth covered box with lid, 11.5 x 25.5 Townsville 32.8 x 3.3 cm binding: Norbert Herold Klaus Zimmer, Jenny Zimmer x 25.5 cm Andrew Christofides binding: David Pool Pan Macmillan, Sydney Colour, light, glass, a folio of prints from paper folder includes original Passage, a book of drawings by Andrew Anne Latreille Jenny Zimmer, Melbourne works in glass, 1995, ed. 5/20 watercolours, 5 glass panels Christofides, 2005, ed. 15/30 Macmillan Publishing, Garden of a lifetime, Dame Elizabeth at Recollections: Words and Images, 1995, cloth bound presentation box, binding: Norbert Herold paper and cloth bound presentation Art Gallery Cruden Farm, 2007 ed. 2/20 separate sheets held between cloth box, 34.3 x 27.3 x 3.7 cm Margo Neale cloth bound slip case, book bound in cloth bound folio with ribbon ties, bound boards with ribbons, 30.2 x 22.6 Zimmer Editions, The Johnson includes 8 drawings in watercolour, ink Emily Kame Kngwarreye, Alhalkere, Japanese papers and cloth (Thai silk) folded paper envelope with loose x 3.1 cm, 90 pages Society of Australia and acrylic Paintings from Utopia, 1998 publication, 24.8 x 30.6 x 3.2 cm, 192 sheets, text & images, 22.0 x 19.6 x 1.6 artist’s folio, edition of 20 folios and David Fleeman Memorial Lecture, binding: Norbert Herold publication with dust jacket, 30.7 x pages cm, 40 pages 20 books (see next entry), plus 10 1997, published 1998 25.5 x 2.2 cm binding: Paul Schubert reserved copies Pall Mall and the Wilderness of New Zimmer Editions, Melbourne binding: Norbert Herold Jenny Zimmer, Melbourne 80 images editioned from South Wales: Samuel Johnson, Watkin Grahame King, Ann Rado, Jim Allen Ann Rado, Edwin Rado John de Mansfield Absolon, A journey to photographic details in works in Tench and ‘Six’ Degrees of Separation, Midnight Meditation, 2000, ed. 2/12 Macmillan, Don Watson, Col Esther, 2001, ed. 4/10 , 1995, ed. 25/30 stained glass by Klaus Zimmer 1975- Clive Probyn, ed. 15/50 cloth covered presentation box, Madigan, Jan Senbergs, Jenny cloth bound presentation box, folded cloth and paper cover, 19.0 x 15.0 x 1.1 1995 sewn binding, folded card cover, 21.2 printed sheets of text, 48.8 x 35.2 x 2.9 Zimmer paper cover, folded sheets with text & cm, 54 pages binding: Norbert Herold x 15.4 cm cm Armidale 42, Memory and Imagination, images, 38.4 x 44.6 x 2.0 cm, 24 pages, binding: Norbert Herold original 6-panel lithograph folded into A survivor’s account, 1999 7 original lithographs by Ann Rado, in Klaus Zimmer, Jenny Zimmer Zimmer Editions, Melbourne, Various box cloth bound slip case and book, 24.6 x separate paper folders Jenny Zimmer, Melbourne Colour, light, glass, a folio of prints from artists binding: Norbert Herold 24.9 x 2.1 cm, 96 pages binding: Norbert Herold On the desk, 1996, ed. 1/2 works in glass, 1995, ed. 2/20 Collage, 1999, ed. 50/50 Zimmer Editions, Melbourne includes bound original pencil cloth bound book, 12.5 x 15.3 x 1.1 cm cloth bound presentation box and cloth and paper covered presentation Tate Adams drawing, The doomed raft, 1999 Jenny Zimmer, Monash University book, 30.2 x 22.6 x 2.9 cm, 90 pages box, folded paper cover, separate Tropical Wood-Engravings, 1997, ed. tipped-in black & white photographs From Membij to Bayburt, Travels in Syria Jenny Zimmer, Melbourne different coloured binding to folio folded sheets with one papiers colle H.C. 7 and colour prints of artworks by Jan and Turkey 1981-1991, 1994, ed. 10/30 The Fox Art Academy, 1997, ed. 2/40 version work by each artist, signed & dated printed paper covered presentation Senbergs cloth bound presentation box, book cloth bound book, Volumes 1 & 2, 26.0 80 images editioned from (pencil), 25.0 x 23.8 x 3.1 cm, 36 pages box, sewn folded paper with text, bound in handmade paper, 30.0 x 22.2 x 21.4 x 2.1 cm photographic details in works in artists: Sydney Ball, Andrew paper folder with images, 36.5 x 38.1 x Macmillan, Melbourne, The Age, x 2.8 cm, 75 pages binding: Norbert Herold stained glass by Klaus Zimmer 1975- Christofides, Robert Jacks, George 3.1 cm, 16 pages Melbourne images reproduced as laser prints, 1995 Johnson, , Allan Mitelman includes 4 original engravings plus R.A.Simpson editioned by Bashir Baraki from Jenny Zimmer, Melbourne binding: Norbert Herold binding: Norbert Herold frontispiece The Midday Clock, Selected Poems and photographs & watercolours by Jenny Elton Fox, Cinematographer, The Fox Art Drawings, 1999, ed. 29/100 Zimmer in Syria & Turkey Academy, 1997, ed. 2/40 Klaus Zimmer Zimmer Editions, Melbourne publication with dust jacket, 19.4 x binding: Norbert Herold cloth bound book, Volume 2, 26.0 x Essence, 1997, ed. 8 Inge King: What we talk about when 14.8 x 2.0 cm, 128 pages 21.4 x 1.2 cm cloth bound presentation box, 16.0 x we talk about love - A book of Cut-outs, includes bound original screenprint Jenny Zimmer, Monash University binding: Norbert Herold 11.3 x 5.4 cm 2000, ed. 8/15 From Membij to Bayburt, Travels in Syria original glass panel, stained and cloth bound presentation box and Ross Moore and Turkey 1981-1991, 1994, ed. 15/30 Jenny Zimmer, Melbourne collaged: etched Klaus Zimmer 97 book, 38.3 x 28.6 x 3.3 cm, 44 pages The prison was silent, 1995, ed. 3/50 cloth bound book, 28.5 x 20.9 x 1.5 cm, Taj Mahal: A wig-wam for a Goose’s binding: Norbert Herold 10 folded paper cut-outs, from original painted lidded paper box, spiral bound 75 pages Bridle, 1997, ed. 2/20 works by Inge King book, box: 12.0 x 8.8 x 4.2 cm images reproduced as laser prints, cloth and paper cover, 2 cloth and Klaus Zimmer binding: Norbert Herold images: proofed by artist, editioned by editioned by Bashir Baraki from paper folios, 42.2 x 30.2 x 2.6 cm Glass Book VII – the Damaged One, 2001,

34 35 Exhibitions

Recent Acquisitions: Ceramics and Works on Paper Marlene and Deanne Gilson: Welcome to our Country 30 June 2012 - Sunday 29 July 2012 (Ngardang baap yarrang) — Mother and Daughter — Ian Potter Foundation Gallery Wathaurung (Wadawurrung) Dreaming An Art Gallery of Ballarat exhibition 4 August – 9 September 2012 Timken Gallery Ballarat Society of Artists: A Touch of Gold Art Gallery of Ballarat: suppporting local artists 30 June – 29 July 2012 Gypsy Pennefeather: Joyful Harmony — yorokobi chouwa Timken Gallery 11 August 2012 – 9 September 2012 Art Gallery of Ballarat: suppporting local artists Mars Gallery Art Gallery of Ballarat: suppporting local artists Bunjil’s Nest 1 July – 31 July 2012 Ancestral Power and the Aesthetic: Arnhem Land paintings Hugh DT Williamson Gallery and objects from the Donald Thomson Collection An Art Gallery of Ballarat project & exhibition A Museum Victoria touring exhibition 11 August – 16 September 2012 Justine Cooper: Havidol Ian Potter Foundation Gallery 5 July – 19 August 2012 Project Window Catherine E Bell: This Little Piggy...Fades to Pink 23 August – 7 October 2012 Marion East and Lars Stenberg: Aurora Project Window 7 July – 5 August 2012 Mali the elephant Mars Gallery 3 September – 8 October 2012 An Art Gallery of Ballarat exhibition Education Window

Ron Quick: Seeking Nirvana Capturing Flora: 300 years of Australian botanical art 7 July – 16 September 2012 25 September – 2 December 2012 Gordon Victor King Gallery Ian Potter Foundation, Mars and Timken galleries An Art Gallery of Ballarat exhibition An Art Gallery of Ballarat exhibition see image opposite “Map” graffiti project 20 July 2012 – 17 August 2012 Spring Carnival: Hats and horses from the collection Education Window 6 October – 28 November 2012 “Third visit to the Flora exhibition. Victor Gordon King Gallery Amazing each time!” An Art Gallery of Ballarat exhibition 36 37 Ash Keating: A New Lifelong Landscape Eamon O’Toole: Big Boys Toys 7 April – 26 May 2013 Goldfields Printmakers: Borders and Crossings 11 October – 18 November 2012 15 December 2012 – 24 February 2013 Timken Gallery 25 May – 7 July 2013 Project Window Ian Potter Foundation Gallery Art Gallery of Ballarat: suppporting local artists Gordon Victor King Gallery. An Art Gallery of Ballarat exhibition Art Gallery of Ballarat: suppporting local artists Lily Mae Martin: Far from home see image above Guirguis New Art Prize 19 November 2012 – 7 January 2013 In partnership with the University of Ballarat The Art of Science: Scientific illustrations from Museum The Window Sally Rees: Ectoplasmic 13 April – 19 May 2013 Victoria 3 January - 1 February 2013 Mars, Gordon Victor King Galleries and Project Window A Museum Victoria touring exhibition Dena Ashbolt: Green Car on the Freeway Project Window 1 June -–21 July 2013 22 November – 30 December 2012 Living Traditions: The Art of Belief Mars and Timken galleries Project Window Next Gen 2013: VCE Art and Design A National Gallery of Victorian touring exhibition 2 February – 24 March 2013 27 April – 30 June 2013 ART GALLERY OF BALLARAT TOURING EXHIBITIONS 44th Ballarat National Photographic Exhibition Mars, Timken, Gordon Victor King galleries, Project Window Ian Potter Foundation Gallery 8 December 2012 – 20 January 2013 Art Gallery of Ballarat: suppporting local artists Michael Shannon: A romantic realist Timken Gallery Tiny Towns 30 June – 12 August 2012 Art Gallery of Ballarat: suppporting local artists Got the message? 50 years of political posters 9 May – 9 June 2013 2 March – 14 April 2013 Education Window Made to Last: the conservation of art Ian Potter Foundation Gallery Capturing Flora: 300 years of Australian botanical art A NETS Victoria touring exhibition An Art Gallery of Ballarat exhibition Tarry Gill & Pilar Mata Dupont: Ever Higher 15 February – 17 March 2013 12 December 2012 – 20 January 2013 23 May – 7 June 2013 SH Ervin Gallery, Sydney Mars Gallery and Gordon Victor King Gallery Barry Gillard: Help! I Feel a Strong Weakness Selkirk Family Gallery and Project Window Drawings in the Spirit of Dante Alighieri and Others see image above For a report on the touring exhibitions see pages 42–45

38 39 spine Capturing flora: 300 years of Australian botanical art

Perpetual Art Gallery of Ballarat presented a suite of education programs and artist’s MERCHANDISE Diary 25 September – 2 December 2012 workshops as well as publishing a teacher’s resource and children’s trails. For a full report see page 55. A range of merchandise was developed using images from the exhibition and included the catalogue, 2013 calendar, Comprising more than 480 examples of images of Australian IN THE MEDIA perpetual diary, magnets, coasters, microfibre glass cleaning plants dating from 1703 to the present day, this exhibition cloths, pocket mirrors, boxed card sets, cards and postcards. Art Gallery of Ballarat

spine on this theme ever to have been attempted in this country. • Jane Edmanson, 3AW 7 October VISITOR COMMENTS • Hilary Harper, 774 ABC Melbourne, 13 October Over 350 of these works came from the Art Gallery of • Marg Burin, ABC online “Beautifully done, bigger than I expected. Not too crowded, Ballarat’s own collection, with the remainder being sourced Press stories staff very friendly/helpful. The exhibits were stunning.” directly from practising botanical artists and from leading • Voyeur (Virgin Australia newsletter) September “Even better than we thought – as the exhibition was very public collections, including State and National Galleries, edition – listing and photo extensive. Well set out and easy to view” Libraries and Herbaria. In preparation for the exhibition, • The Weekly Times Country Living, 12 September – “Loved the historical context of the exhibition. Truly the Art Gallery of Ballarat devoted a percentage of its article and photos educational and beautiful” acquisitions budget to purchasing historical botanical art, in • The Age Life & Style, 29 September – article and “Varied fascinating display” the process building up one of the largest holdings of this photos. Widely syndicated and was reprinted in genre in the nation. numerous Fairfax regional publications • Herald Sun Weekend, 29 September – feature It would be fair to say that this was the most ambitious listing and photo and the most successful exhibition ever to be presented at • Herald Sun Entertainment, 1 October – Article and the Art Gallery of Ballarat. In terms of themed exhibitions it three photos has set a benchmark which will be difficult to outdo. Total • Art Monthly Australia, November edition – front visitation to the exhibition was 18,888. cover, article, poems and pics • The Weekend Australian, 10 November – Article ECONOMIC IMPACT and photos • Editorial in a range of niche publications in the Day visitors gardening, botanical and naturalist sector 16,236 visitors @ $99 per person $1,607,364.00 Online Card Pack Card Pack 12 cards with envelopes Overnight visitors • numerous listings and articles 2,813 visitors @ $150 per person $421,950.00 • coverage in several blogs.

PUBLIC PROGRAMS The media collection service Media Monitors collected a total of 141 media reports reaching a potential cumulative The exhibition was the focus for public programs in addition audience of 11,137,667 and with an overall advertising to the range of public lectures and concerts, the Art Gallery space rate (ASR) evaluation of $782,335.00. 2013 Calendar 40 41 MICHAEL SHANNON: Touring exhibitions A ROMANTIC REALIST

Newcastle Art Gallery PUBLIC PROGRAMS VISITATION 15,996 30 June – 12 August 2012 Adults 14,884; Children 1,112 Exhibition Talk This exhibition of works by Michael Saturday 30 June Shannon, including his compelling with Gordon Morrison, Director AGB WORKS ON LOAN: cityscapes, surveys the process and evolution of Shannon’s signature Guided tours, free Collection: Art Gallery of Ballarat aesthetic. An artist largely overlooked Saturdays and Sundays by the mainstream since his death in Urban panorama circa 1958 oil on 1993, this exhibition focuses on the Quick draw, free composition board works of a vital artist documenting the Tuesday — Fridays see image detail left changing face of Australian suburbia. 9-13 July Workshops for those over 14 years Moments out of time: studio interior Newcastle Art Gallery, Australia’s first circa 1973 oil on canvas purpose built regional gallery, was Education Focus tours, free opened in1977. Today the Gallery Untitled [open bushland, Central Victoria] has 6100 works of art in its collection 1985 conte & pastel on paper and it is considered as one of the IN THE MEDIA most significant public collections ABC 1233 Newcastle Institution and Private Collections: in Australia. Newcastle is the second 2NURFM radio, ‘Spotlight on the Arts’ oldest and sixth largest city in Australia. Newcastle Herald 30 June, 7 July, 21 Newcastle Art Gallery: two paintings July, 11 August 2012 exhibition listing Other lenders: nineteen paintings, five drawings and twelve sketchbooks

42 43 CAPTURING FLORA: PASSION FOR THE EXOTICK

SH Ervin Gallery, Sydney IN THE MEDIA VISITATION 1,511 15 February – 17 March 2013 Print: Art Almanac, Art Month Sydney, Australian Art Guide, Fine Music FM This major exhibition examines the Radio: East Side FM Arts Thursday WORKS ON LOAN: way in which Australia’s amazing presented by Maisy Stapleton and diverse flora has been recorded, Websites & Blogs: Art Guide Australia, 289 works on paper — engravings, interpreted and popularized by ABC The Big Dairy, City of Sydney, lithographs and watercolours botanical artists, in particular the Live Guide, StreetCorner, The Rocks, 4 bound publications period associated with the promotion TimeOut Sydney, Creative Efforts Collection: Art Gallery of Ballarat of these new ‘exotick’ plants in Britain and Europe. New printing techniques allowed prints to be coloured PUBLIC PROGRAMS FURTHER VENUES: mechanically, resulted in a boom in botanical art which lasted into the The Lady Amateurs Customized versions of Capturing flora 20th century. with Julie Collett, Art Gallery of Ballarat will tour to New Regional Art Sunday 24 February Museum, Armidale NSW, in 2013 and SH Ervin Gallery is one of Sydney’s to Cairns Regional Art Gallery, Cairns leading public art institutions housed Botanical Illustration QLD, in 2014. in the historic National Trust Centre with Lesley Elkan, Royal Botanic on Observatory Hill, The Rocks. The Gardens, Sydney Image left: F deTollenaere, P Vervoort, Charles Morren Disemma coccinea (detail) 1865 Gallery’s program explores the richness Sunday 10 March chromolithograph on paper. Purchased with and diversity of Australian art. funds from the Hilton White Bequest, 2012

44 45 Outward Loans

Ararat Regional Art Gallery Cedric (Douglas Tainsh) 14 July - 23 September 2012 Big Time: Monumental Textile Art Group of thirteen works 2 May - 16 June 2013 Cripes! He’s just like one of the family, isn’t Hand balance 1973 oil on canvas Ewa Pachucka he? Body (Man) 1977 jute and hemp Now tell me sir, when did you first start Castlemaine Art Gallery & Historical imagining you were King Farouk? Museum Art Gallery of New South Wales Wake up Fred - here comes the soup! Barry Singleton: A survey… Australian Symbolism No manufacturing! We’ve designated this 16 March - 26 May 2013 11 May - 29 July 2012 as residential area! Barry Singleton Charles G D Roberts, Reginald Ward Careful, mate. I don’t think it has been Group of three works Sturgess used since the last flood! Large jar 2009 glazed stoneware The Feet of the Furtive 1916 hard bound First thing we have to do here is swap the Large vessel 2009 stoneware, shino book, watercolour & ink illustrations old billy for a bucket! glaze, window dip, iron brushwork Just trying to figure out whether I decoration Ballarat Town Hall should take my holidays before or after Vase date unknown, porcelain, talc Heritage Weekend Christmas! white glaze 11 - 12 May 2013 Break it down! What’ll the neighbours Kemsley think? Creswick Museum Bancks’ Ginger Meggs not dated, ink Hop in while the shower’s still nice and Victor Litherland and Springmount & correction fluid on paper, added hot Pottery printed title How’m I going? Oh I can’t grumble - I’ve 30 September - 9 December 2012 Vane Lindesay got a sore throat! Victor Litherland [Star gazing] not dated, ink, white Charlie always does things the hard way! Group of two works highlights & spatter on paper This is what comes from using tadpoles Ballarat Botanical Gardens 1948 oil on Ken Maynard for bait! canvas Group of two works I told you water skiing was dangerous, Lake at Creswick 1954 oil on canvas Ned and his Neddy... 1965 ink on paper 1952–97 ink & wash on card This is only the school pet’s day, son... not WEP Creswick Museum dated, ink & correction fluid on paper So you want to buy a house 1961 ink on [The Lindsay Family] Syd Nicholls paper 26 January - 12 May 2013 Fatty Finn 1974 Unk White Daryl Lindsay ink & pencil on card I’ll say it’s super boosted high octane The Colosseum 1922 1960 ink on paper watercolour on paper Isabel Lindsay Image left: Sydney Long Summer (detail) 1894 Bayside Arts & Cultural Centre Jane Elizabeth Lindsay oil on canvas on board. Purchased, 1966 Artist and mentor Seated girl playing violin

46 47 not dated, ink on paper [Album of Lindsay Family photographs] Museum of Contemporary Art Norman Lindsay selection of photographs and other Ken Whisson: As If Cats 1919 etching on paper papers from the Lindsay Family Archive 28 September - 25 November 2012 Leda 1929 etching on paper Ken Whisson The Pool not dated, charcoal & Gippsland Art Gallery Urban daytime 1977 oil on composition watercolour on card The Shock of the Nude board Percy Lindsay 6 April - 2 June 2013 Cleaning the race 1890s oil on board Norman Lindsay National Gallery of Australia Creswick landscape 1890s oil on canvas Benediction 1938 oil on canvas Sydney Long: the spirit of the land Ruby Lindsay 17 August - 11 November 2012 Dancing figures and cypress tree not McClelland Gallery & Sculpture Park Sydney Long dated, ink on paper Clifford Last Summer 1894 oil on canvas on board Seated woman not dated, watercolour Awakening Forms: Clifford Last and see image detail page 34 & crayon on paper Vincas Jomantas Spirit of the bushfire 1900 watercolour & attributed to Robert Lindsay 29 June - 28 September 2012 pencil on paper Cigar box not dated, painted wood, Clifford Last The old wreck 1905 watercolour on paper brass Lucis 1965 jarrah & slate National Gallery of Victoria Creswick Woollen Mills McClelland Gallery and Sculpture Austraian in France Creswick Lindsay Festival Park 15 June - 6 October 2013 3 - 17 May 2013 Clive Stephen Emanuel Phillips Fox Jane Lindsay 29 July - 28 October 2012 A love story 1903 oil on canvas Hair memento - plaited hair of Jane Clive Stephen Tudor St George Tucker Lindsay not dated, hair, paper & ink Maidens not dated, gouache on paper Study for ‘The First Communicant’ Ruby Lindsay Problem not dated, gouache on paper circa 1892 oil on canvas Cut-out doll and costumes in box not dated, paper, cardboard, pencil, Mornington Peninsula Regional Post Office Gallery, University of watercolour, pen & ink Gallery Ballarat The Life of Wilfred Vita Beati Wilfridi leather binding Henry F Stone and his Durham ox 1887 Unknown artist Vision Splendid: Landscapes of Phillip Wes Walters: Abstract Realist Episcopi - Beda. Historia Ecclesiastica see image above oil on canvas Perfume bottle not dated, glass, silver Island and Western Port Bay 19 December 2012 - 26 January 2013 ‘the life of the blessed bishop Wilfrid - the Unknown artist Unknown artist 13 December 2012 - 17 February 2013 Wes Walters Ecclesiastical History of Bede’ circa 1100 Calendar fifteenth century, vellum, Samstag Museum of Art Folding lorgnette circa 1890 brass, glass, Tom Roberts The children 1953 watercolour on paper vellum, initials illuminated in ink and illuminated in gold, ink & watercolour Master of Stillness: Jeffrey Smart tortoise shell, gold At Phillip Island 1886 etching on paper Landscape — for Nancy (1988) acrylic & watercolour, leather binding, satin cord Unknown artist 12 October - 14 December 2012 Prayer Book circa 1544 vellum, TarraWarra Museum of Art Unknown artist coloured pencils on canvas Unknown artist illuminated in gold, ink & watercolour, 21 December 2012 - 31 March 2013 Pill box not dated, brass and silver with Museum of Australian Democracy at Portrait of Joseph Brown AO OBE 1985 Pontifical 1350–1400 vellum, porcelain insert and mirror Eureka (M.A.D.E) leather binding Jeffrey Smart oil on canvas illuminated in gold, ink & watercolour, Unknown artist - United Kingdom incorporated into permanent display The listeners 1965 oil on canvas leather binding Perfume bottle not dated, silver, glass April - October 2013 State Library of Victoria State Library of Victoria Unknown artist Unknown artist - France Unknown maker digitisation of manuscripts Gusto! Book of Hours 1450–1500 vellum, Pill box not dated, brass, enamel Three fragments of the Flag of the 4 June – 17 August 2012 3 August 2012 - 28 April 2013 illuminated in gold, ink & watercolour, Various photographers Southern Cross 1854 wool Eadmer Thomas Flintoff

48 49 Capturing Flora: 300 years of Publications Australian botanical art Catalogue: 280-page hardcover, 310 x 250mm Education Resource 40-page, A4 Two Chilldren’s Trail double-sided A4 folded to A7 Flora Captured: New Writing 44-page, A4 ISBN: 978-0- Exhibition catalogues: 2011–12 56-page 205 x 205mm Exhibition invitations: 9872345-3-7 Eamon O’Toole: Big Boys Toys 28-page, ISSN:0726-5530 Marion East and Lars Stenberg: Aurora Capturing Flora Acquittal 12-page, A4 205 x 205mm ISBN: 978-0-9872345-4-4 Art Gallery of Ballarat Annexe: double-sided DL Exhibition flyer double-sided DL Next Gen 2013: VCE Art and Design Post Completion Report II Ron Quick: Seeking Nirvana double- Got the message? 50 years of political Adopt an Artwork 6-page DL sided DL With contributions from five different essayists, as posters 152-page (46 A3 folded to A5) Marlene and Deanne Gilson: Welcome well as a foreword from the eminent botanist Alex strawboard cover, A5 ISBN: 978-0- Membership publications to our Country (Ngardang baap George, this publication broke new ground in terms 9580239-5-5 association magazine of the ballarat yarrang) — Mother and Daughter — of its appraisal of the genre. It was received with fine art gallery association: Spring, Wathaurung (Wadawurrung) Dreaming great critical acclaim and was nominated for a prize Other publications: Summer, Winter 20-page, Autumn 28- double-sided DL for botanical excellence from the prestigious Hunt Bunjil’s Nest information flyer A4 page, 205 x 205mm Gypsy Pennefeather: Joyful Harmony — Institute, Harvard University. The first print run sold out Education poster Term 3 & 4 double- Ballarat Fine Art Public Gallery Associa- yorokobi chouwa double-sided DL and was reprinted in April 2013. sided A2 tion Annual Report of the 128th year Capturing Flora: 300 years of Australian Traditions Found: New Writing 52-page 2011–2012, 36-page 205 x 205mm botanical art Exclusive opening 6-page A4 ISBN: 978-09872345-6-8 ISSN: 0726-5530 A5 with added foldout Art Gallery of Ballarat Annual Report Capturing Flora: 300 years of Australian botanical art Member Exclusive 4-page A5

Eamon O’Toole: Big Boys Toys double- New Holland:

‘that country, so replete with novelty’ 1 Bowie sided DL Loudon in 1832, ‘that the labours ovelty! It drove someBowie half-mad. to John ‘The Claudius insatiate desire of novelty is so inherent in man’, wrote James Next Gen 2013: VCE Art and Design of individuals in all parts of the earth are insufficient to satisfy this craving’. and Loudon were ideally qualified to exchange such urgent sentiments, yet Bowie, a plant collector at the Cape of Good Hope, and Loudon, the polymathic horticultural

disseminator, were cogs in a much larger machine which embraced imperial ambition, above & opposite: the advancement of science and naked commerce. 3 double-sided DL Sydenham EDWARDS , or pitcher plants. ‘The plant we introduce to you Nepenthes Wales, b.1768, d.1819 engraver Francis SANSOM ‘Reader prepare for Wonder!’ warned the eccentric botanist John Hill in the 1750s, as he England, active 1780s–1815 described the tropical genus 2 Such wonderment suffused many plant introductions S. CURTIS publisher England Got the message? 50 years of political in this Place exceeds all else in Singularity; and they may well be excus’d who treated the Doryanthes excelsa plate published 1 first Notice of it as an idle Tale.’ Nov 1814 plate 1685A from Curtis’s Botanical especially those deserving, as Hill put it, of ‘the Attention of the Curious in Exoticks’. Magazine, Vol. 41, 1814 And the curious included gardeners as well as botanists. It was one thing to collect a engraving, hand coloured posters double-sided A3 folded to DL 24.6 x 31.6 cm [irreg] plant from foreign soil, another to grow and flower it in unfamiliar surrounds. Botanic Art Gallery of Ballarat, Purchased, 2011 gardening soon became the rage, with Hill himself proposing a national garden for England embodying four quarters of the earth, a concept dear to Renaissance garden ‘The present work must be considered only 7—so wrote botanist James opposite: Barry Gillard: Help! I Feel a Strong makers. ... a Specimen of the riches of this mine of Unknown artist botanical novelty’ Louis van HOUTTE publisher Linnaeus in Sweden, Edward Smith in 1793 of the influx of New Belgium, b.1810, d.1876 The new vogue arose from many sources but the confluence of reliable sea navigation, Xanthorrhoea hastile 1854 Holland ‘exoticks’ into European gardens, a colonial possessions, industrial revolution and enhanced classificatory systems for the plate 868 from Flore des Serres et des fascination which was sustained for many Jardins de l’Europe, Vol. 9, 1853–54 Weakness — Drawings in the Spirit of natural world gave new impetus to gardening with ‘exoticks’. In the botanical world, decades and tirelessly promoted by Curtis’s colour lithograph Enlightenment thought was exemplified by new systems in plant classification, notably Botanical Magazine, in which Doryanthes 24.5 x 16.4 cm was published in 1814. Art Gallery of Ballarat, Purchased with funds that of Tournefort in France, who proposed 4a natural system, and excelsa from public donation, 2011 who proposed a sexual system. The Linnaean system promoted the primacy of the flower, Dante Alighieri and Others double- as containing the sexual organs, and for the horticulturist, exotic botany thus formed a right: Unknown artist pleasing complement to botanic gardening. 5 The triumph of reason, and more over Louis van HOUTTE publisher French Belgium, b.1810, d.1876 Doryanthes palmeri 1874 Even the working gardener was not immune to the spirit of the age. Hill decried plate 2097–98 from Flore des Serres et des sided DL Jardins de l’Europe, Vol. 20, 1874 ‘unskilful Culture’ of exotic species, proposing what he believed was a better mode ‘not colour lithograph from Imagination, but such a one as is founded on Reason’. | 81 31.5 x 24.5 cm Art Gallery of Ballarat, Purchased with funds imagination, he Gardeners’. continued, The was botanic‘confirmed gardens by the of ParisExperience and Leiden, of the which 6traced their Dutch th from public donation, 2012 Living Traditions: The Art of Belief of the century, were much-praised exemplars, each with substantial plant roots to the early 17 Hand-coloured lithographs houses for the reception and acclimatisation of plants from colonial outliers. And it was superseded copperplate engr- avings in Curtis’s Botanical exotic plants that attracted the best minds of science. Hill deemed common flowers fit for Magazine during 1845 while the double-sided DL ‘Amusement of the Eye’, but ‘exotick Plants, for the Encrease of Knowledge’. Belgian botanical publications embraced chromolithography in the pages of L’Illustration NEW HOLLAND ‘EXOTICKS’ Horticole and Flore des Serres et des Jardins de l’Europe, seen here to bold effect in Xanthorrhoea hastile (now X. resinosa) and Doryanthes palmeri. NEW HOLLAND ‘EXOTICKS’

50 51 Public Programs

CONCERTS La Compañia: The Spanish Collection Last Sunday in August Concert: Wednesday 20 February Musicians of Ballarat High School Grigoryan Brothers: The Seasons Sunday 26 August Thursday 12 and Friday 13 July Portraits Series Concert: Adam Simmons with Steve Heather Piano for Pleasure: Shimana Portraits Series Concert: Wednesday 6 March Thevathasan Adam Simmons with Nick Tsiavos and Sunday 9 September Deborah Kayser Seraphim Trio: The Poet Wednesday 25 July Monday 18 March Last Sunday in September Concert: Goldfields String Quartet Trio Anima Mundi: Mother Russia Australian String Quartet Sunday 30 September Saturday 11 August Tuesday 16 April Piano for Pleasure: Peter Toohey Seraphim Trio: Midwinter Dream Seraphim Trio: The Illusionist Sunday 14 October Wednesday 5 September Thursday 2 May Last Sunday in October Concert: David Hobson at the Gallery Sandi Thom Quintesse String quartet Tuesday 18 September Sunday 5 May Sunday 28 October see image left Last Sunday in November Concert Portraits Series Concert: FREE SUNDAY CONCERTS St Cecilia Singers: In time for Christmas Adam Simmons with Tony Gould Sunday 24 November Wednesday 17 October First Sunday in July Concert: VOX Sunday 1 July Christmas concert: Kate Hill students Chris Duncan and Catherine Strutt Sunday 16 December Friday 19 October Piano for Pleasure Sunday 15 July Last Sunday of February Concert: Lior Westwind Sunday 28 October Last Sunday in July Concert: Ballarat Sunday 24 February and Ashbourne Quartet Big Winter Sunday 29 July Shaking the Tree Sunday 2 December Sunday 3 March Royal South Street Society Chopin & Damask and Singers of the Black Book: concerto concert The Con to Kabul Christmas concert Saturday 4 August Sunday 14 April Saturday 8 December

52 53 Piano for Pleasure: Bron Sozanski Richard Stringer UB ARTS ACADEMY SERIES students Wednesday 8 August Fergus Binns, conceptual painter Sunday 21 April Wednesday 1 May Dianna Wells Last Sunday of April Concert: Lana Wednesday15 August Darren Sylvester, multidisciplinary artist Zylan-Ford, soprano Wednesday8 May Sunday 28 April Prudence Flint, practicing artist Wednesday 22 August David Rosetzky, video and Last Sunday in May Concert: UB Third photographic artist Year Music Theatre students Steve and Melissa Proposch Wednesday 15 May Sunday 26 May Wednesday 29 August Toni Covino-Beehre, multidisciplinary Singers of the Black Book GALLERY SERIES artist Saturday 22 June Recent video works by UB students Wednesday 22 May Wednesday 5 September Piano for Pleasure: Bron Sozanski Assoc Prof Jennifer McKnight, print and students screen designer Sun 23 Jun Rose Hiscock, Executive Director Arts Development, Austrialia Council Wednesday 29 May Last Sunday in June Concert: students Wednesday 12 September Jennier McKnight, print and screen from the Ballarat Suzuki Violin Studio designer Sunday 30 June Gordon Morrison, AGB Director Wednesday 29 May Inaugural Greg Binns Memorial Lecture Wednesday 27 February GALLERY SERIES ART INSIGHTS – LUNCHTIME TALKS John Kean: The Art of Science Wheeler Centre – Anna Funder in Sponsors viewing of Eamon O’Toole: BALLARAT HERITAGE WEEKEND GALLERY SERIES Wednesday 12 June Conversation Big Boys Toys GALLERY SERIES Michael Nichols: Next Gen 2013 Thursday 26 July Thursday 21 February Ballarat National Theatre 75th see image above Marion East and Lars Stenberg: Wednesday 13 March Peter Perry, Director Castlemaine Art Anniversary Season: Radio Play Landscape artists Gallery and Historical Museum Ballarat National Theatre 75th Saturday 11 & Sunday 12 May Adopt a Frock Wednesday 11 July Wednesday 26 June Anniversary Season: 75 Years of BNT Geoff Wallis: Got the message? 50 years Wednesday 29 August of political posters Sunday 10 March Pictures and Stories — themed tours of the Gallery with Barry Breen, Poet in Lindy Allen: Ancestral Power and the Wednesday 27 March Adopt a Frock luncheon with Ballarat OTHER PUBLIC PROGRAMS Barry Breen, the poet is in — poet in residence Aesthetic and The Donald Thomson Grammar Residence programme Saturday 11 & Sunday 12 May Collection, Museum Victoria Sarah Gabriel, practicing artist Friday 19 October Wednesday 25 July Wednesday10 April Let’s Talk Poetry with Barry Breen each Wednesday, 20 March - 26 June Tuesday 10 July, 14 August, 11 Behind The Scenes Tour VOX at the Movies UB ARTS ACADEMY SERIES Carol Cains, Curator of Asian Art; and September, 9 October, 13 November, Mondays 25 July, 22 October, 15 April Bequests Campaign launch Saturday 11 May Geoff Wallis: Got the message? 50 years Dr Matthew Martin, Assistant Curator, 11 December, 12 March, 9 April, 14 Thursday 30 May of political posters Decorative Arts, National Gallery of May, 11 June Children’s Day festival The Gallery by Night Torchlight Tour Wednesday 1 August Victoria: Living Traditions: the art of belief Friday 26 October Ballarat National Theatre 75th Saturday 11 May Wednesday 24 April Association bus trip to Napoleon Anniversary Season: Party Pieces exhibition at National Gallery of Victoria Art Conservation Day Sunday 16 June Living Traditions poetry book launch Wednesday 25 July Monday13 January Sunday 12 May

54 55 Wednesdays 17 October – 12 LIFE and PORTRAIT DRAWING Junkyard Challenge with Carla Maxwell December Term 3 & 4, 2012 Monday 7 and Tuesday 8 January Wardian Cases with Carla Maxwell Thursday nights: Life Drawing Motor sport art with Pauline Thursday 18 October – 13 December Saturday mornings: Drawing Portraits O’Shannessy-Dowling Saturday afternoons: Life Drawing Wednesday 9 and Tuesday 22 January Felted Collage Pictures with Megan Term 1, 2013 Fromholtz Wednesday mornings: Life Drawing Make a car or racing outfit with Yvonne Mondays 11 February - 25 March Term 2, 2013 Jeganathan Get to Know your Gallery Saturday mornings: Portrait Drawing Thursday 10 January with Pauline O’Shannessy-Dowling Saturday afternoons: Life Drawing Get to know your gallery with Pauline Tuesdays 12 February - 26 March advanced O’Shannessy-Dowling Still Life Stories with Deanne Gilson Saturday afternoons: Life Drawing, Thursday 10 January Wednesday 6 February - 27 March beginners Hanging mobiles with Megan Screenprinting with Laura Day Fromholtz Thursdays 7 February - 28 March CAPTURING FLORA Monday 17 January Ballarat Tiny Town with Carla Maxwell PUBLIC PROGRAMS Louise Wilson, great-grandniece and SCHOOL HOLIDAY PROGRAM SCHOOL HOLIDAY PROGRAM Felting with Megan Fromholtz Thursdays 7 February - 28 March biographer of botanical artist Margaret Tuesday 18 January Bohemian Sketch Club - Saturday Art Flockton Botanical Illustration with Carla Maxwell Winter Wonderland with Carla Maxwell Made to Last with Pauline O’Shannessy- Cart, with Carla Maxwell CONCERTS Wednesday 10 October Monday 24 September Tuesday 3 and 10 July Dowling Saturdays 9 February - 23 March Botanical books with Pauline Futuristic Figures with Yvonne Wednesday 19 January Clarity quartet and pianist Bronwyn John Pastoriza-Piñol, contemporary O’Shannessy-Dowling Jeganathan Make a car or racing outfit with Yvonne Felted Collage Pictures with Megan Blaiklock: Musica Botanica realist botanical artist Tuesday 25 September Tuesday 3 and 10 July Jeganathan Fromholtz Wednesday 3 October Wednesday 24 October Hats and Headpieces with Pauline Drawing cartoons with Maggie Dannatt Thursday 20 January Mondays 22 April - 24 June O’Shannessy-Dowling Wednesday 4 and 11 July Punched tin with Carla Maxwell Art O’Clock with Chris Ellis VOX: Flower Songs Cecily Davis, local milliner Wednesday 26 September and Wet and dry felting with Megan Monday 21 January Tuesdays 23 April - 25 June Saturday 10 November Wednesday 14 November Wednesday 3 October Fromholtz Still Life Stories with Deanne Gilson Botanical collages with Pauline Wednesday 4 and 11 July Wednesdays 24 April - 26 June Westwind Ensemble: Reflections from OTHER PUBLIC PROGRAMS O’Shannessy-Dowling Pinch pot ceramics with Sophie Ward AFTER SCHOOL CLASSES The Technician with Mark Maxwell the Australian Bush Tuesday 2 October Thursday 5 and Friday 6 July Mythical creature with Sophie Thursdays 25 April - 27 June Sunday 4 November Guides preview Wearable art with Sylvia Nevistic Screen-printing techniques with Laura Ward Catch that Snack with Carla Maxwell Friday 21 September Wednesday 3 October Day Mondays 23 July - 17 September Fridays 26 April - 28 June PERFORMANCES & POETRY Rattan Garden with Eliza Jane Gilchrist Thursday 12 and Friday 13 July Wearable art with Yvonne Jeganathan Bohemian Sketch Club - Saturday Art Members only Preview Sunday 23 and Thursday 4 and Friday 5 October Tuesdays 7 August - 18 September Cart with Carla Maxwell Artists Inspire Artistry - poetry inspired Thursday 27 September Something for the Show with Maggie Creative Collage with Laura Day Saturdays 27 April - 29 June by works in Capturing Flora AFTER SCHOOL CLASSESS Dannatt Wednesda 25 July - 19 September Friday 9 November Tourism operators preview Tuesday 25 September Indigenous Identities with Carla Maxwell Monday 24 September Botanical Bookmaking Wearable art with Sylvia Nevistic Thursdays 26 July - 20 September ART INSIGHTS – LUNCHTIME TALKS with Pauline O’Shannessy-Dowling Wednesday 26 September Association Garden Party Tuesdays 16 October – 11 December Learn to screen print with Laura Day Stamping, printing and painting with Tom Darragh, former Head of Geology, Saturday 3 November Thursday 27 - Friday 28 September Laura Day Museum of Victoria see image above Wednesday 26 September

56 57 Education Report

The Art Gallery Education Programs opportunity to view work and support between Monday 27 May and Sunday are designed as a support for the folios by the previous year’s graduating 3 June 2013, nearly 500 students school curriculum and offer a unique students, giving them insights to the worked with two Indigenous artists, learning experience. Schools from year ahead. This exhibition is always two non-Indigenous artists and the Ballarat region and beyond impressive for the depth of skills and Gallery Education Officers on the are able to experience a range of artistic talents being developed by project Bunjil’s World, which was a designed tours and workshops based young artists under the guidance of development of the successful Bunjil’s around the Permanent Collection the region’s devoted secondary art Nest project from last year. Students and temporary exhibitions as well as teachers. were introduced to the story of Bunjil individual partnership programs which the Eagle, the creator spirit of the Kulin support student learning beyond the This year saw the production of an Nation, of which the local Wathaurung classroom. extensive Education Resource to people are a part. They then toured support the Capturing Flora exhibition, the Living Traditions exhibition of This year almost 10,000 students and supported by a generous donation art based on spiritual beliefs and teachers took part in Gallery Education from the Bjarne K Dahl Trust. This discussed traditional Indigenous programs. The Gallery is lucky to be publication will continue to be belief systems and the importance of able to enjoy a close relationship with available in hard copy and digitally connection to country before taking schools within the region and the as an ongoing resource for schools. part in an art workshop. All students number of regular users from across This major exhibition enabled the contributed towards the creation of the State and beyond also continues Education Officers to develop a large scale, three-dimensional art to grow. further links across the curriculum installation based on an eagle’s eye by offering science-based tours and view of the country of the Wathaurung The Gallery Education programs are workshops as supporting workshops. people, using a range of art-forms to promoted through a range of different Teachers also had the opportunity to create components of the landscape. media from the A2 posters to direct undertake workshops with two of the This program was supported by the email contact that regularly inform exhibiting artists. Over 1,500 students City of Ballarat through the Koorie teachers about ongoing and special and teachers visited Capturing Flora, Engagement Action Group (KEAG) and programs on offer. with 500 taking part in The Scientific the City’s People and Communities Eye workshops which were run in Division, by Highlands Local Learning The annual Next Gen exhibition conjunction with the exhibition. and Employment Network (LLEN), and continues to showcase the work of Most students were from schools in by GoldBus. young emerging artists in the broader the Ballarat region, however schools Kindergarten students from Ballarat Ballarat region. This exhibition provides from Melbourne also took part in the The Art Gallery has continued to Grammar being introduced to a valuable resource for students as well program. host the Eureka Education program Capturing Flora by Education Officer as an endorsement of their hard work. during the establishment of Musuem Michael Nichols, October 2012. Current students benefit from the During National Reconciliation Week, of Australian Democracy at Eureka

58 59 (M.A.D.E) and this has proved to be PROGRAMS AND WORKSHOPS Drawing Lab Art Years 9-10, VCE Art, a successful partnership program. Studio Arts and VCAL The Gallery will continue to offer a Asian Studies Monday 9 July - Friday 14 September Eureka-focused experience, including the popular Hall of Debate role-play Discovery Tour—highlights of the Joyful Harmony workshop activity, as part of our Early Ballarat Collection and history of the Gallery Wednesday 15 & Friday 17 August program. Energy Summit Special Event for Book Week 2012 Tuesday 21 August Pauline Doran Eureka ST Gill watercolour workshops Catholic Education Officer Cross curriculum perspectives

Goldfields — Early Ballarat, Eureka Thursday 30 August Michael Nichols Indigenous art DEECD Education Officer Resin Making Workshop with jewellery Landscape and the environment artist Sylvia Nevistic Saturdays 13, 20, 27 October MAJOR PROGRAMS Narratives in Art — from grand scale Bookbinding with local artist history paintings to modern art Maggie Dannatt Capturing Flora: 300 years of Australian Thursday 22 & 29 November botanical art Portrait and genre painting — portraits CAPTURING FLORA Prep to Year 11 History and scenes of everyday life Advanced Rendering workshop EDUCATION PROGRAMS · The Scientific Eye · Eucalyptus Art Postcard Bunjil’s World with Mark Wilkin Years 5 to 10, Visual Art, English, Prep to VCE Year 11 VCE Studio Arts — Behind the Scenes Saturday 16 March History and Science · Botanical sculptures with local artist Living Traditions: The art of Belief The making of Capturing Flora · The Scent of the Eucalypt Eliza-Jane Gilchrist Tuesday18 & Thursday 20 September Years 3 to 10 Arts, Science, Years 3 to 6 VELS Arts and Science VCE Studio Arts — Scientific Eye Looking at Art to Develop Deeper Next Gen 2013: VCE Art and Design Sustainability Perspectives in the see image above Thinking Workshop Capturing Flora Teachers’ Preview VELS · Drypoint printing The Art of Science: Scientific illustrations Friday 22 March OTHER EDUCATION PROGRAMS Friday 21 September · Change in Botanical art styles Years 5 to 8 VELS Arts and Science from Museum Victoria Year 11 Studio Arts, Unit 2 Area of · Botanical drawing Living Traditions: the art of belief VCAA Teachers Forum The Microscopic Realm study 2 Ideas and styles in artworks Years 3 to 8 VELS Arts, Science and Teachers Preview with Lauren Black · Art and Australian Culture History Thursday 13 September SPECIAL PROGRAMS Friday 24 April Friday 28 September Year 11 Art Unit 2 Area of study 1 · Leafy Encounters with local artist ‘Raark’ painting on bark Art and culture Kim Anderson ZART Professional Development Monday 13 August – Friday 14 Bunjil’s World installation – Drawing dissections Botanical Years 5 to 10 VELS Arts and Science September Reconciliation Week school activity Workshop with Mali Moir · Wearable botanicals Catholic Principals Conference 27 May to Friday 7 June Sunday 28 October Art Making Workshops Years 10 & 11 Bunjil the eagle and Waa the crow · The magic of the bush · Botanical Drawing Lab Next Gen 2013: VCE Art and Design Art, English and Humanities Years 4–10 The Art of Science Teachers Preview Exhibition tours offered throughout Prep to 4, The Arts and English Years 5 to 10 VELS Arts and Science Opening and Awards event Monday 20 August - Friday 7 Friday 31 May the exhibition: · Gum leaf explorers · Arts and Teachers Masterclass with September · A Forest of Eucalypts Years 4 to 8, The Arts, English and jeweller Vicki Mason

60 61 SCHOOL VISITATION St Columba’s Primary School Ringwood Heights Primary School Ballarat: Independent St Francis Xavier Primary School Sandringham Primary School Ballarat Clarendon College The making of Capturing Flora Government Schools 4,315 St James Parish School Weeden Heights Primary School Ballarat and Queen’s Anglican Loreto College Ballarat students 3,893 students, 422 teachers St Patrick’s PS Drummond Street Grammar School St Thomas More Primary School Metropolitan: Catholic Ballarat Christian College Catholic Schools 4,198 Emmanuel College, Altona North 3,772 students, 426teachers Ballarat: Independent St Philip’s Primary School, Ringwood Regional: Government Ballarat Steiner School Holy Trinity PS, Eltham North Beaufort Secondary College Independent Schools 543 Home Education Group Donald High School 457 students, 86 teachers Metropolitan: Independent Cobden Technical School Regional: Government St Peters College Gisborne Secondary College Total students 8,122, teachers 934 Clunes Primary School Hopetoun Secondary College GRAND TOTAL 9,056 Miner’s Rest Primary School Interstate Maryborough Education Centre Minyip Primary School Alberton Primary School, Queenstown SA Stawell Secondary College PRE SCHOOLS / EARLY LEARNING Newlyn Primary School Ascham School, Edgecliff NSW Terang College Pomonal Primary School Danebank Anglican School for Girls, Yea High School Ballarat Grammar Early Learning Centre Portland Primary School Hurstville NSW Clunes Kindergarten Sale Primary School Emanuel School, Ballina NSW Regional: Catholic Jubilee Kindergarten Skipton Primary School Green Hill Public School, Kempsey NSW St Joseph’s College, Warrnambool St Alipius Kindergarten Toolern Vale Primary School Holy Trinity, NSW St Brigid’s College, Horsham York Street Kindergarten Waubra Primary School Methodist Ladies College, Sydney NSW Wendouree Pre School Pomona Primary School, Pomona QLD Regional: Independent Regional: Catholic Seymour College, Glen Osmond SA Highview College, Maryborough PRIMARY SCHOOLS Emmanuel College, Warrnambool St Johns Primary School, Cobar NSW Holy Cross PS, New Gisborne Tooleybuc Central School, Tooleybuc NSW Metropolitan and Interstate Ballarat: Government St Augustine’s Primary School, Creswick Tumbarumba Primary School, Collingwood College, Collingwood Black Hill Primary School St Brendan’s Primary, Dunnstown Tumbarumba NSW Heatherwood School, Donvale Ballarat North Primary School St Brigid’s Primary School, Ballan Loxton High School, Loxton SA Ballarat Specialist School St Patrick’s Primary School, Gordon SECONDARY SCHOOLS University High School, Parkville Canadian Lead Primary School St Mary’s Primary School, Ararat Wesley College, Melbourne Dana Street Primary School St Mary’s Primary School, Clark’s Hill Ballarat: Government Little Bendigo Primary School St Michael’s Primary School, Springbank Ballarat High School TERTIARY Mount Clear Primary School Ballarat Secondary College Mount Pleasant Primary School Regional: Independent Mount Clear College Australian Catholic University, Ballarat Sebastopol Primary School Castlemaine Steiner School Phoenix P12 Community College BRACE Education & Training, Ballarat Girton Grammar School Bendigo Yuille Park P8 Community College , Burwood Ballarat: Catholic University of Ballarat, Arts Academy Emmaus Primary School Metropolitan: Government Ballarat: Catholic Visual Arts Lumen Christi Primary School Collingwood College Damascus College University of Ballarat, Human Our Lady Help of Christians PS Footscray West Primary School Loreto College Movement Students St Alipius Primary School Greenvale Primary School St Patrick’s College St Aloysius Primary School Malvern Primary School

62 63 Staff and Volunteers Visitation

PERMANENT STAFF Gallery visitation 124,709 Director Retail Manager Gordon Morrison Sue Jackson Touring visitation 17,507 Registrar Visitor Services Anne Rowland Mark Moravec Andi Simkin TOTAL VISITATION Marketing and Public Programs Officer Kiri Smart Peter Freund

Business Support Officer CASUAL STAFF 142,216 Kelly Briggs Visitor Services Exhibition Officers Emma Lorenzen Ben Cox Sam Thomas Brenda Wellman Exhibition Services Registration Assistant Dan Kelly Julie Collett Lars Stenberg Julia Young DEECD Education Officer Michael Nichols

Catholic Education Officer VOLUNTEERS Pauline Doran Research: Alison Steel, Alan Giles Eureka Education Officer Library: Helen Dehn Robert Allan And the many members of the Gallery Foundation, Gallery Association, Women’s Association, Gallery Guides and the community who readily give their time and energy to support the Image left: Marion Borgelt Liquid Light: Gallery. 73 degrees 2012 acrylic on canvas, pins. Purchased from the artist with funds from the Lois Valerie Sheldon Bequest, 2012

64 65 Board Members

As of 30 June 2013

Garry Taylor Dr Jennifer Jones-O’Neill Angela Carey Assoc Prof Gerard Flemming Cr Amy Johnson Prof Ruth Rentschler OAM Chair Deputy Chair Angela is Head of Content (Features) BA(Melb), BEd(LaTrobe), GradCertRE, Appointed December 2012 BA(Hons) Melb, GradDip Vic College, Past President Ballarat Fine Art PhD and Grad Dip Business Fairfax Media’s regional division. MEd, PhD(ACU), Campus Dean, Amy was elected to the Ballarat City PhD Monash Gallery Association, Past Chairman Administration (LaTrobe University), Angela’s background is in journalism Australian Catholic University (Ballarat Council in October 2012 and brings Ruth is Chair, Academic Board and - Art Gallery of Ballarat Foundation, Post Grad Dip Art Curatorial Studies and she has been general manager Campus) a passion for city activation, fiscal Professor, Arts and Entertainment National President - Business Educators and Grad Dip Library and Information of The Courier newspaper in Ballarat, Gerard (Joe) has a long standing responsibility, arts and events and Management, Deakin University. She is Australasia, Member of Community Studies (Melbourne University and its editor for five years. She is commitment to education and community health to the role. Amy is a widely published arts management Board - The Courier Newspaper, former Jennifer is Deputy Dean, Arts, involved in a number of community has taught in both primary and a passionate supporter of community academic and is an artist in her private Secondary College Principal Humanities and Social Sciences at the organisations, including membership secondary schools from 1973-1995 sports, racing and tourism, working life. Ruth is the author of a number of University of Ballarat. Jennifer is also on of the committee of management afterwards branching into leadership closely with Ballarat Regional Tourism. professional papers and the editor of the Art Association Council. Previously, of Leadership Ballarat and Western positions in education institutions, As the Council representative on books and consultancy reports and Jennifer has worked in management Region, the Sovereign Hill Foundation including lecturing at Australian Commerce Ballarat, she enjoys manuals. She is deputy chair of the and held a curatorial role at the and the St Patrick’s College Board. Catholic University. Associate Professor supporting and advocating for the board of Multicultural Arts Victoria. National Gallery of Victoria. She has Fleming has been awarded two major Ballarat business community and also been Deputy Head of Department international scholarships. The first continues to serve the community at Monash University. Cr Vicki Coltman scholarship was awarded in 2002 from through her involvement in the Colin Stephens GAICD MBA, B.Bus. the Bat Kol Institute in Jerusalem. Wendouree Rotary Club.. Colin is a Ballarat based antique and Vicki is a Councillor with the City Then in 2005 he was appointed the art collector. He is a past President of Peter Afford of Ballarat and a Trustee for the Cardinal Basil Hume Visiting Scholar the Association and a retired public Company Secretary Art Gallery Foundation. She has at the Margaret Beaufort Institute at Tunde Meikle servant and has served on many B Bus (Ballarat), CPA many years’ experience working Cambridge University. Joe previously BSc MA(Syd) GradDipEd(SydTeachColl) community organisations. Peter is a Tax and Accounting Partner in the business sector designing served on the Board of the Committee MAPS at the Ballarat based accounting and implementing IT systems and for Ballarat. Tunde is a principal of Pyschnational, practice, PPT. He is involved in a processes for small to large private a psychological consulting practice Derek White number of school and sporting and public organisations. Vicki is a past and also Chair of the Academic Board B Juris LLB (Monash), Barrister and organisations and currently chairs Director of Central Highlands Water Mayor, Cr Mark Harris at AMI Education. Tunde is on the Solicitor, Supreme Court of Victoria the finance sub-committee and is and a past board member of BRACE Resigned November 2012 Human Research Ethics Committees Derek is the General Counsel at a member of the Governance sub- and Lead On Ballarat. She has a strong MB BS (Melb), Dip RACOG of Ballarat Health Services, St John of the University of Ballarat. He was committee. commitment to her community and Mark works locally as a medical God as well as MCD University. Tunde previously a Tax Director at Deloitte has assisted many organisations with practitioner in the emergency is an associate researcher at CRIC at and a Senior Executive Officer in the business and governance support. departments of the city’s hospitals. the University of Ballarat, a member State Public Service. His community involvement includes of the Ballarat Society of Artists and a being a field emergency medical practising artist. officer with State Displan and an active reserve medical officer.

66 67 Budget Summary Budget Summary for the year ending 30 June 2012 for the year ending 30th June 2013

YTD ACTUALS YTD ACTUALS EXPENSE EXPENSE Collection Management 134,737 Collection Management 131,166 Public Programs 421,881 Public Programs 468,537 Gallery Operating Costs 1,427,289 General Gallery Operating Costs 1,320,455 Gallery Shop 161,885 Gallery Shop 138,849 TOTAL EXPENSE 2,145,792

TOTAL EXPENSE 2,059,007 REVENUE Collection Management* (717,612) REVENUE Public Programs (384,902) 1010 Collection Management* (433,717) Gallery Operating Costs (245,123) 1015 Public Programs (264,852) Gallery Shop (331,994) 1025 General Gallery Operating Costs (338,751) TOTAL REVENUE (1,679,631) 1030 Gallery Shop (251,928) TOTAL REVENUE (1,289,247) REPORT TOTAL 466,161

REPORT TOTAL 769,760 *includes art acquisitions valued at $699,672

* includes art acquisitions valued at $423,717

68 1211 1312 69