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Late Breaking Posters
LATE BREAKINGS POSTER SESSION 1 AEROSOL PHYSICS LB1 ON THE CAUSALITY BETWEEN MICROPARTICLE DETACHMENT AND BURST-SWEEP EVENTS Abdelmaged Ibrahim*, Raymond Brach, Patrick Dunn, University of Notre Dame AEROSOLS AND MATERIALS LB2 ALLOY NANOPARTICLES PRODUCED FROM LASER ABLATION OF ELEMENTAL MICROPARTICLE AEROSOLS Daniel O'Brien*, Gokul Malyavanatham, Desiderio Kovar, Michael Becker, John Keto, University of Texas at Austin LB3 GENERATION OF MONODISPERSE NICKEL NANOPARTICLES AS CATALYST FOR DIAMETER-CONTROLLED CARBON NANOTUBES Shintaro Sato, Akio Kawabata, Mizuhisa Nihei, Yuji Awano, Fujitsu Limited LB4 KINETIC MEASUREMENTS OF ALUMINUM NANOPARTICLE OXIDATION USING SINGLE PARTICLE MASS SPECTROMETRY Kihong Park, Ashish Rai, Department of Mechanical Engineering and Chemistry; University of Minnesota; Dong Geun Lee, School of Mechanical Engineering; Pusan National University; Michael Zachariah, Department of Mechanical Engineering and Chemistry; University of Minnesota HEALTH-RELATED AEROSOLS LB5 THE POTENTIAL OF INHALATION METHOD FOR VACCINATION AGAINST INFLUENZA Vladimir Sigaev, RCT&HRB LB6 CAPTURE OF VIRAL PARTICLES IN SOFT X-RAY ENHANCED CORONA SYSTEMS: CHARGE DISTRIBUTION AND TRANSPORT CHARACTERISTICS Pratim Biswas, Washington University in St. Louis; Christopher Hogan*, Cornell University; Myonghwa Lee, Washington Univ. in St. Louis INSTRUMENTATION AND METHODS LB7 A CONTINUOUS, LAMINAR FLOW, WATER-BASED CONDENSATION PARTICLE COUNTER Susanne V. Hering, Mark R. Stolzenburg, Aerosol Dynamics Inc.; Frederick R. Quant, Derek Oberreit, Quant -
William Morris & Andy Warhol
MODERN ART EVENTS OXFORD THE YARD TOURS The Factory Floor Wednesday 7 January, 1pm Wednesday to Saturday, 12-5pm, weekly Sally Shaw, Head of Programme at Modern Art Oxford For the duration of Love is Enough, the Yard will discusses the development of the exhibition and be transformed into a ‘Factory Floor’ in homage to introduces key works. William Morris and Andy Warhol’s prolific production techniques. Each week a production method or craft Wednesday 21 January, 1pm skill will be demonstrated by a specialist. Ben Roberts, Curator of Education & Public Programmes at Modern Art Oxford discusses The Factory Floor is a rare opportunity to see creative education, collaboration and participation in relation to processes such as metal casting, dry stone walling, the work of Morris and Warhol. bookbinding, weaving and tapestry. LOVE IS Wednesday 4 February, 1pm These drop-in sessions provide a chance to meet Paul Teigh, Production Manager at Modern Art Oxford makers and craftspeople working with these processes discusses manufacturing and design processes today. Please see website for further details. inherent in the work of Morris and Warhol. TALKS Wednesday 18 February, 1pm Artist talk Ciara Moloney, Curator of Exhibitions & Projects Saturday 6 December, 6pm Free, booking essential at Modern Art Oxford discusses key works in the ENOUGH Jeremy Deller in conversation with Ralph Rugoff, exhibition and their influence on artistic practices Director, Hayward Gallery, London. today. Perspectives: Myth Thursday 15 January, 7pm BASEMENT: PERFORMANCE A series of short talks on myths and myth making from Live in the Studio the roots of medieval tales to our collective capacity December 2014 – February 2015 for fiction and how myths are made in contemporary A short series of performance projects working with culture. -
Calwater Field Studies Designed to Quantify the Roles of Atmospheric Rivers and Aerosols in Modulating U.S
CALWATER FIELD STUDIES DESIGNED TO QUANTIFY THE ROLES OF ATMOSPHERIC RIVERS AND AEROSOLS IN MODULATING U.S. WEST COAST PRECIPITATION IN A CHANGING CLIMATE BY F. M. RALPH, K. A. PRATHER, D. CAYAN, J. R. SPAckmAN, P. DEMOTT, M. DETTINGER, C. FAIRALL, R. LEUNG, D. ROSENFELD, S. RUTLEDGE, D. WALISER, A. B. WHITE, J. COrdEIRA, A. MARTIN, J. HELLY, AND J. INTRIERI A group of meteorologists, hydrologists, climate scientists, atmospheric chemists, and oceanographers have created an interdisciplinary research effort to explore the causes of variability of rainfall, flooding and water supply along the U.S. West Coast. alWater is a multiyear program of field cam- air pollution, aerosol chemistry, and climate. The paigns, numerical modeling experiments, and purpose of the CalWater workshop was threefold: 1) to C scientific analysis focused on phenomena that discuss key science gaps and the potential for lever- are key to the water supply and associated extremes aging long-term Hydrometeorology Testbed (HMT) (drought, flood) in the U.S. West Coast region. Table 1 data collection in California (Ralph et al. 2013), 2) to summarizes CalWater’s development timeline. The explore interest in the potential impacts of anthropo- results from CalWater are also relevant in many genic aerosols on California’s water supply, and 3) to other regions around the globe. CalWater began as build on the Suppression of Precipitation (SUPRECIP) a workshop at Scripps Institution of Oceanography experiment from 2005 to 2007 (Rosenfeld et al. 2008b) (SIO) in 2008 that brought -
The Postdoc Spring 2013 Table of Contents Saharan & Asian Dust End
http://www7.national-academies.org/rap NRC Research Associateship Programs Newsletter Autumn 2011 RESEARCH ASSOCIATESHIP PROGRAMS The Postdoc Spring 2013 Table of Contents Saharan & Asian dust end Super Science Saturday in Boulder…….2 global journey in California Tabletop Molecular Movies …….... 3-4 Nigerian Technical Conference ….. 5 Radiation Res. Society Annual Mtg …. 6 Saharan & Asian Dust ………...…. ... 7 Raman Spectroscopy …………...…... 8 Better Watch Schedules for Navy..…... 9 Record-Setting X-Ray Jet ……....…... 10 Exploring Optics with iPad ..…… 11-12 Leatherback Sea Turtle Mysteries 13-14 Workshop at Sri Lanka University ….15 Super Science continued ………... 16 Nanoaluminosilicates ………….. 17-18 Turbulence & Ocean Optics …………. 19 Review Dates, Facebook, LinkedIn ….. 20 NOAA’s Hydrometeorology Testbed Project at Sugar Pine Dam continued on page 7 Turbulence, Ocean Optics & Future UNOLS Chief Scientist Optical properties of coastal and open ocean water and their impact on underwater optical signal transmis- sion are important for a wide range of practical and scientific applications. Un- derwater optics are known to be affected by particles in the water, i.e. the turbidity, but less is known about the effect of so-called “optical turbu- lence". Local changes in the index of refraction caused by small-scale tem- perature and salinity microstructure in the water can impact underwater electro- optical (EO) signal transmission. The phenomenon is similar to the "Schlieren" effect seen in air wavering over a hot candle or asphalt road. the UNOLS Figure 2: Dr. Silvia Matt, NRC Associate, looks on as instruments are deployed o٦ research vessel R/V New Horizon. continued on page 19 “The Postdoc” highlights research and activities of NRC Associates and Advisers in participating federal government agency laboratory programs with the NRC. -
ANDY WARHOL's LIFE and DEATH Miková, a Slowly Dying-Out Rusyn
ENG ANDY WARHOL’S LIFE AND DEATH Miková, a slowly dying-out Rusyn village in Eastern Slovakia, is a birthplace of Andrej Warchola and Julia Zavacka. The man and the woman who gave life to the most characteristic personage of the world of art of the second half of the 20th century – Andy Warhol. Why do we mention Miková? As a matter of fact, we’re talking about a place which doesn’t stand out among other Rusyn or Slovak villages of the Prešov region of Slovakia, slowly dying out due to lack of workplaces. The original old Greek Catholic church there is a silent witness to the events and the history of Miková. Julia Warchola went to America with her husband after their wedding in the Greek Catholic church in Miková in 1909. Her trip to America led through Poland, towards the Baltic sea; she covered most of the trip with her best friend on foot, and then, from Gdansk, by ship, to New York. They settled down in Pittsburgh, in the city of miners and industry. They were driven away by poverty, only to find the same, poverty, in the foreign land. Hard work of the father weakened his health so much that he died (1942). Sickly little Andy spent whole days in the company of his mother. His older brothers, John and Paul had to go to work to fill their father’s role so that the family could survive. John recalled: ‘We were very poor. Mum made extra money cleaning, at home, at night she sewed and made various souvenirs that she sold afterwards. -
Ag En Da Mai Fév
AG EN DA MAI FÉV. 2015 2016 EXPOSITIONS, DANSE, THÉÂTRE, PERFORMANCES, MUSIQUE, CINÉMA, CONFÉRENCES, ATELIERS JEUNES PUBLICS TANIA MOURAUD. EXPOSITION 04.03 > 05.10.15 Galerie 2 UNE RÉTROSPECTIVE du Centre Pompidou-Metz > Tania Mouraud. Une rétrospective 27.06 05.10.15* Parcours dans la Ville constitue la première monographie de Metz d’envergure dédiée à cette artiste française contemporaine. Pensée à l’échelle de Metz *sauf Arsenal : jusqu’au 27.09.15 et de son agglomération, cette exposition inédite dans sa forme et son ampleur #TaniaMouraud a débuté au Centre Pompidou-Metz, pour se poursuivre 4 mois plus tard dans Les 19.09 & 20.09, à l’occasion des Journées européennes toute la ville en partenariat avec du patrimoine, l’entrée aux neuf sites culturels de Metz. expositions est gratuite ! Refusant d’être rattachée à un courant ou à un dogme, Tania Mouraud n’a cessé de faire évoluer son œuvre depuis la fin des années 1960, explorant toutes sortes de disciplines : peinture, installation, photographie, performance, vidéo, son. La première partie de la rétrospective retrace l’ensemble de sa carrière, depuis l’acte radical de l’autodafé en 1968, au cours duquel Tania Mouraud brûle l’ensemble de ses peintures, jusqu’à ses œuvres vidéo les plus actuelles, Page de gauche : Tania Mouraud, Initiation Room N°2, 1971, Vue d’installation (détail), Galleria LP 220, Turin © ADAGP, Paris 2015 © Gianni Berengo Gardin / Courtesy Fondazione Forma per la Fotografia 03 en passant par les chambres de méditation 49 NORD 6 EST – VITRINES DES GALERIES EXPOSITION qu’elle conçoit au début des années 1970. -
AAAR '04 Annual Conference
AAAR ’04 Annual Conference SUNDAY, OCTOBER 03, 2004 5:00 PM – 9:00 PM Registration TBA Student Orientation MONDAY, OCTOBER 04, 2004 7:00 AM – 8:00 PM Registration 8:00 AM – 9:40 AM Tutorials 1-4 10:00 AM – 11:40 AM Tutorials 5-8 12:00 PM – 5:00 PM Exhibitor Set Up 12:00 PM – 5:00 PM Poster #1 Set-Up 1:00 PM – 2:40 PM Tutorials 9-12 3:00 PM – 4:40 PM Tutorials 13-16 6:00 PM – 8:00 PM Exhibits & Poster #1 Sneak Peek & Welcome Reception TUESDAY, OCTOBER 05, 2004 7:00 AM – 6:30 PM Registration 8:00 AM – 9:00 AM Plenary Session #1 RECENT ASPECTS OF INHALED PARTICLES DOSIMETRY, Wolfgang G. Kreyling, GSF-National Research Center for Environment & Health, Institute for Inhalation Biology, Network Focus Aerosols and Health, Neuherberg- Munich, Germany. 9:00 AM – 6:30PM Exhibits and Posters Open TUESDAY, OCTOBER 05, 2004 9:20 AM – 10:50 AM Platform Session 1 9:20 AM – 10:50 AM 1A. Special Symposia: Microdosimetry & Targeting of Inhaled Particles and Drug Aerosols, Microdosimetry Assessment: mathematical and computational models 1A1 MICRODOSIMETRIC COMPARISONS FOR PARTICLES IN ANIMALS AND HUMANS: AN OVERVIEW OF CURRENT KNOWLEDGE AND FUTURE NEEDS, F. Miller, CIIT Centers for Health Research. 1A2 MICRODOSIMETERY IN A RHYTHMICALLY EXPANDING 3-DIMENSIONAL ALVEOLAR MODEL, AKIRA TSUDA, Physiology Program, Harvard School of Public Health, Boston, MA; Shimon Haber, Department of Mechanical Engineering, Technion, Haifa, Israel. 1A3 COMPUTATIONAL ANALYSIS OF MICRO- AND NANO- PARTICLE DEPOSITION IN HUMAN TRACHEOBRONCHIAL AIRWAYS, ZHE ZHANG, Clement Kleinstreuer, Department of Mechanical and Aerospace Engineering, North 1 AAAR ’04 Annual Conference Carolina State University, Raleigh, NC; Chong S. -
Andy Warhol's Exploding Plastic Inevitable
Jean Wainwright Mediated Pain: Andy Warhol’s Exploding Plastic Inevitable ‘Warhol has indeed put together a total environment. But it is an assemblage that actually vibrates with menace, cynicism and perversion. To experience it is to be brutalized, helpless…The Flowers of Evil are in full bloom with the Exploding, Plastic, Inevitable’.1 The ‘Exploding Plastic Inevitable’ (EPI) was Andy Warhol’s only foray into a total inter-media experience.2 From 1966 to 1967 the EPI, at its most developed, included up to three film projectors3, sometimes with colour reels projected over black and white, variable speed strobes, movable spots with coloured gels, hand-held pistol lights, mirror balls, slide projectors with patterned images and, at its heart, a deafening live performance by The Velvet Underground.4 Gerard Malanga’s dancing – with whips, luminous coloured tape and accompanied by Mary Woronov or Ingrid Superstar – completed the assault on the senses. [Fig.9.1] This essay argues that these multisensory stimuli were an arena for Warhol to mediate an otherwise internalised interest in pain, using his associates and the public as baffles to insulate himself from it. His management of the EPI allowed Warhol to witness both real and simulated pain, in a variety of forms. These ranged from the often extreme reactions of the viewing audience to the repetition on his background reels, projected over the foreground action.5 Warhol had adopted passivity as a self-fashioning device.6 This was a coping mechanism against being hurt, and a buffer to shield his emotional self from the public gaze.7 At the same time it became an effective manipulative device, deployed upon his Factory staff. -
Impact of Interannual Variations in Sources of Insoluble Aerosol Species on Orographic 2 Precipitation Over California’S Central Sierra Nevada 3 4 J
1 Impact of interannual variations in sources of insoluble aerosol species on orographic 2 precipitation over California’s central Sierra Nevada 3 4 J. M. Creamean1,2†, A. P. Ault2,††, A. B. White1, P. J. Neiman1, F. M. Ralph3,†††, Patrick Minnis4, 5 and K. A. Prather2,3* 6 7 1NOAA Earth System Research Laboratory, Physical Sciences Division, 325 Broadway St., 8 Boulder, CO 80304 9 10 2Department of Chemistry and Biochemistry, University of California, San Diego, 9500 Gilman 11 Dr., La Jolla, CA 92093 12 13 3Scripps Institution of Oceanography, University of California, San Diego, 9500 Gilman Dr., La 14 Jolla, CA 92093 15 16 4NASA Langley Research Center, 21 Langley Blvd., Hampton, VA 23681 17 18 †Now at: Cooperative Institute for Research in Environmental Sciences, University of Colorado at 19 Boulder, Box 216 UCB, Boulder, CO 80309 20 21 ††Now at: Department of Environmental Health Sciences and Department of Chemistry, University 22 of Michigan, 500 S State St., Ann Arbor, MI 48109 23 24 †††Now at: Scripps Institution of Oceanography, University of California, San Diego, La Jolla, CA 25 26 *Corresponding author: 27 Kimberly Prather 28 Department of Chemistry and Biochemistry 29 Scripps Institution of Oceanography 30 University of California at San Diego 31 9500 Gilman Dr. 32 La Jolla, CA 92093 33 858-822-5312 34 [email protected] 1 35 Abstract 36 Aerosols that serve as cloud condensation nuclei (CCN) and ice nuclei (IN) have the potential to 37 profoundly influence precipitation processes. Furthermore, changes in orographic precipitation 38 have broad implications for reservoir storage and flood risks. -
Understanding Andy Warhol's Relationship with the Visual Image
Graduate Theses, Dissertations, and Problem Reports 2011 The Sacred in the Profane: Understanding Andy Warhol's Relationship with the Visual Image Linda Rosefsky West Virginia University Follow this and additional works at: https://researchrepository.wvu.edu/etd Recommended Citation Rosefsky, Linda, "The Sacred in the Profane: Understanding Andy Warhol's Relationship with the Visual Image" (2011). Graduate Theses, Dissertations, and Problem Reports. 749. https://researchrepository.wvu.edu/etd/749 This Thesis is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. The Sacred in the Profane: Understanding Andy Warhol’s Relationship with the Visual Image Linda Rosefsky Thesis submitted to the College of Creative Arts at West Virginia University in partial fulfillment of the requirements for the degree of Master of Arts in Art History Examining Committee: Kristina Olson, M.A., Chair, -
On Art & Artists Sunday, September 18, 2 Pm Tuesday
OFFICE 934 SW SALMON ST MAIL 1219 SW PARK AVE PORTLAND, OR 97205 TEL 503.221.1156 VISIT NWFILM.ORG On Art & Artists Sunday, September 18, 2 pm Tuesday, September 20, 7 pm Eva Hesse, US/Germany, 2015 Dir. Marcie Beglieter (105 mins., Documentary, DCP) One of the few women artists of influence in the 1960’s New York art scene, German- American artist Eva Hesse’s (1936-1970) pioneering flowing sculptures—using materials such as latex, fiberglass, steel, and plastic—were key in establishing post-minimalism. Hesse’s complicated personal life encompassed not only a chaotic 1930s Germany, but also illness and the lively Jewish immigrant culture of New York in the 1940s. Her artistic career, despite its brevity, resulted in works that have grown in resonance as time has passed. Beglieter’s affectionate appreciation of Hesse’s life draws on the artist’s journals, correspondence with friend and mentor Sol LeWitt, and interviews with artists such as Richard Serra, Nancy Holt, Carl Andre, Robert Mangold, and Dan Graham, who recall her influence and genius. "Eva Hesse pays a gratifying amount of attention to the thinking and the techniques that produced her art, and invites viewers to contemplate it further. It’s like a comprehensive exhibition catalog or a thorough critical essay—an indispensable aid to understanding and appreciating a fascinating artist."— A. O. Scott, The New York Times. Sunday, September 25, 2 pm Tuesday, September 27, 7 pm Argentina, Spain/Argentina/France, 2015 Dir. Carlos Saura (80 mins., Documentary, DCP) Famed for his celebrated “flamenco trilogy,” (Blood Wedding, Carmen, El Amour Brujo) Saura returns to the dance celebrated in his Academy Award-nominated Tango. -
University of California San Diego
UNIVERSITY OF CALIFORNIA SAN DIEGO Novel techniques and applications in single particle mass spectrometry A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Chemistry by John Francis Cahill Committee in Charge: Professor Kimberly Prather, Chair Professor Lihini Aluwihare Professor Timothy Bertram Professor Robert Continetti Professor James Whitesell 2014 Copyright John Francis Cahill, 2014 All rights reserved. SIGNATURE PAGE The Dissertation of John Francis Cahill is approved, and it is acceptable in quality and form for publication on microfilm and electronically Chair University of California, San Diego 2014 iii DEDICATION To my family and friends who make everything worthwhile iv EPIGRAPH “Shoot for the moon, even if you miss you’ll land among the stars” -Les Brown “Statistics are like a bikini, they show a lot but not everything” -Lou Piniella v TABLE OF CONTENTS SIGNATURE PAGE ..................................................................................................... iii DEDICATION .............................................................................................................. iv EPIGRAPH ..................................................................................................................... v TABLE OF CONTENTS .............................................................................................. vi LIST OF ABBREVIATIONS ...................................................................................... xv LIST OF FIGURES ....................................................................................................