Design Analysis of Chinese Classical Gardens
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Montreal Architectural Review
Montreal Architectural Review Between Dream and Shadow: The Aesthetic Change Embodied by the Garden of Lion Grove Hui Zou University of Florida Abstract During the late 18th century, the Chinese emperor Qianlong ordered the construction of the Garden of Lion Grove and the Western Garden within his garden complex of Yuanmingyuan in Beijing. His Garden of Lion Grove was an imitation of the original Garden of Lion Grove in Suzhou, which was well known for its rockery labyrinth. Comparing the original Lion Grove and its replicas through poetry and architectural representation, Qianlong sought for truth of the cosmic world. My previous research has uncovered the cross-cultural history regarding the design of the Western Garden within the Yuanmingyuan. This essay translates and interprets the poems and garden records of the Lion Grove in Suzhou to reveal the aesthetic change of the garden from the original Buddhist Chan (Zen) idea of the Yuan dynasty to the secular labyrin- thine ecstasy of the Qing dynasty. The labyrinthine theatricality of the Lion Groves, including the original one and its replicas, was well documented by Qianlong through his poems and his frequent reference to master painter Ni Zan’s painting scroll of the Lion Grove in Suzhou. The essay draws a conclusion that the MAR Volume 5, 2018 6 Hui Zou | Montreal Architectural Review : Vol. 5, 2018 aesthetic transition from Buddhist Chan (Zen) to labyrinthine ecstasy at the Lion Grove in Suzhou took place in a particularly historical age, namely the Ming dynasty, when the philosophical issues of dream and fantasy became trendy in Chinese gardens and garden literature. -
National China Garden Foundation
MEMORANDUM OF AGREEMENT AMONG THE U.S. DEPARTMENT OF AGRICULTURE, AGRICULTURAL RESEARCH SERVICE, THE DISTRICT OF COLUMBIA STATE HISTORIC PRESERVATION OFFICER, THE NATIONAL CAPITAL PLANNING COMMISSION, AND THE NATIONAL CHINA GARDEN FOUNDATION REGARDING THE NATIONAL CHINA GARDEN AT THE U.S. NATIONAL ARBORETUM, WASHINGTON, D.C. This Memorandum of Agreement (MOA) is made as of this 18th day of November 2016, by and among the U.S. Department of Agriculture’s (USDA) Agricultural Research Service (ARS), the District of Columbia State Historic Preservation Officer (DCSHPO), the National Capital Planning Commission (NCPC), and the National China Garden Foundation (NCGF), (referred to collectively herein as the “Parties” or “Signatories” or individually as a “Party” or “Signatory”) pursuant to Section 106 of the National Historic Preservation Act (NHPA), 16 U.S.C. §470f and its implementing regulations 36 CFR Part 800, and Section 110 of the NHPA, 16 U.S.C. § 470h-2. WHEREAS, the United States National Arboretum (USNA) is a research and education institution, public garden and living museum, whose mission is to enhance the economic, environmental, and aesthetic value of landscape plants through long-term, multidisciplinary research, conservation of genetic resources, and interpretative gardens and educational exhibits. Established in 1927, and opened to the public in 1959, the USNA is the only federally-funded arboretum in the United States and is open to the public free of charge; and, WHEREAS, the USNA, located at 3501 New York Avenue, NE, is owned by the United States government and under the administrative jurisdiction of the USDA’s ARS and occupies approximately 446 acres in Northeast Washington, DC and bound by Bladensburg Road on the west, New York Avenue on the north, and M Street on the south. -
Another World Lies Beyond Three Chinese Gardens in the US by Han Li
Another World Lies Beyond Three Chinese Gardens in the US By Han Li Moon door entrance to the Astor Court garden in New York’s Metropolitan Museum of Art. Source: Wikimedia Commons at https://tinyurl.com/y6w8oggy, photo by Sailko. The Astor Court fter more than a decade in the making, a groundbreaking ceremo- Located in the north wing of the Metropolitan Museum of Art, the Astor ny took place for a grand classical Chinese garden in Washington, Court is the smallest yet arguably the most exquisite Chinese garden in DC, in October 2016. The US $100 million project, expected to be the US. The garden project was initiated for practical purposes. In 1976, Acompleted by the end of this decade, will transform a twelve-acre site at the Met purchased a set of Ming dynasty (1368–1644) furniture and con- the National Arboretum into the biggest overseas Chinese garden to date. templated a proper “Chinese” place to exhibit the new collection. This idea Interestingly, the report allures that the garden project is meant to implant of building a garden court was enthusiastically endorsed by Mrs. Brooke “a bold presence” of China near the US Capitol and “achieve for Sino-US Astor (1902–2007), a Metropolitan trustee and Astor Foundation chair- relations what the gift of the Tidal Basin’s cherry trees has done for Japa- person, who spent part of her childhood in Beijing due to her father’s nese-American links.”1 It is clear that such overseas Chinese gardens, in ad- naval posting. Thus, the genesis of the Astor Court project stems from dition to showcasing Chinese artistic and cultural expressions, also reflect the convergence of an institutional maneuvering and a sense of personal the particular social-historical circumstances under which they were con- nostalgia.2 The project was delegated to two Chinese architectural expert structed. -
Suzhou Museum
江 苏 Culture Scenery Gourmet Useful Info © Xie Guanghui Introduction & Map 苏州简介&地图 of SUZHOU Cultural Suzhou is one of the oldest cities in China. Canglang Pavilion, Lion Grove 历史文化 History Garden, Humble Administrator's Garden and Lingering Garden are iconic cultural sites built in the Song, Yuan, Ming and Qing dynasties respectively. Small bridges and running brooks at the ancient towns of Luzhi, Tongli and Humble Administrator's Garden Zhouzhuang spell out exquisiteness for the city. The Tianping Mountain in the southwest Suzhou is one of the four major Being one of then famous landscaped gardens in Suzhou, built in Ming maple viewing attractions in the country. dynasty, this garden is designed base on a waterbody, surrounded by pavilions, rock sculpture, and lush greenery which resemble the Southern Chinese’s fond of appreciating the natural splendours. N LIANYUNGANG Night Tour in Master of the Nets Garden XUZHOU Built since the Southern Song dynasty, the highly notable garden introduced night SUQIAN tour to tourists since year 1990, which is now HUAI'AN highly recommended by UNESCO as one of the must-visit tourist product ones should YANCHENG not miss. During the night tour, tourists will be able to listen to ancient operas and experience themselves the thoughtfully planned landscapes. © Chu Kit YANGZHOU NANJING TAIZHOU Zhouzhuang Water Town NANTONG ZHENJIANG Built since the Northern Song dynasty, the water town now features 60% WUXI CHANGZHOU architecture from the Ming and Qing Beijing dynasties. Canals run through the town SUZHOU and bridges connect the neighbourhood Shanghai Jiangsu from one end to another. Its beautiful Province SHANGHAI sceneries are a testament to the town's fame as the 'Venice of the East'. -
China's 1911 Revolution
www.hoddereducation.co.uk/historyreview Volume 23, Number 1, September 2020 Revision China’s 1911 Revolution Nicholas Fellows Test your knowledge of the 1911 Revolution in China and the events preceding it with these multiple-choice questions. Answers on the final page Questions 1 When did the First Opium War start? 1837 1838 1839 1840 2 What term was used to describe the agreements China was forced to sign with the West following its defeat? Unfair Treaties Unequal Treaties Concession Treaties Compromise Treaties 3 Which dynasty ruled china at the time of the Opium Wars? Ming Qing Yuan Song 4 When did the Second Opium War start? 1856 1857 1858 1859 5 What event started the war? Macartney incident Beijing affair Dagu Fort clash Arrow Incident 6 Which country destroyed a Chinese fleet in Fuzhou in 1884? Britain Germany France Spain 7 Which country took Korea from China in 1894? France Japan Britain Russia 8 Which country occupied much of Manchuria? Russia Japan Britain France 9 Which country took the port of Weihaiwei? Russia Japan Britain France 10 When did the Boxer rising start? 1899 1900 1901 1902 11 What provoked the start of the Boxer Rising? Loss of land Increase in the opium trade Western missionaries Development of railways Hodder & Stoughton © 2019 www.hoddereducation.co.uk/historyreview www.hoddereducation.co.uk/historyreview 12 Whose ambassador was shot at the start of the rising? German French British Russian 13 Who wrote 'The Revolutionary Army' in 1903 Sun Yat-sen Zou Rong Li Hongzhang Lu Xun 14 Who organised the Revolutionary -
Singapore Airlines Flies
JOURNALS china A N E T Following in M O the footsteps of China’s ancient P U roving royalty, TOM O’MALLEY E R discovers how the inspection R tours of old helped establish a O O template for travel in the Middle R’ F Kingdom today. S C H I N A A pedestrian bridge over West Lake cuts A a fine silhouette against a backdrop of stormy skies and undulating mountains in Hangzhou. 70 | SILVERKRIS.COM SILVERKRIS.COM | 71 JOURNALS china nlookers in scroll painting. Qianlong sacrifices and generally fine robes line was the sixth emperor of remind the provinces the edge of the the Qing Dynasty, ruling who’s boss. water as the from 1735 to 1796 in what Strictly speaking, a tourist magnificent was considered a golden is defined as one who travels Obarge cuts through the canal. age, where he beefed up for pleasure, but Qianlong In the background I spy grand China’s economy, expanded clearly had plenty of business pagodas and walled gardens its borders, and enhanced to take care of on route. And overhung by native ornamental cultural and intellectual life. yet, both Kangxi and Qianlong scholar trees. Elaborate He’s also, to my mind, China’s commissioned a set of 12 theatrical performances unfold greatest tourist. humongous scrolls – surely on stages along the shore, Qianlong and his the 18th century equivalent and the great Chang Gate in grandfather Kangxi revived of travel photography – to Suzhou, the Venice of the East, an Imperial tradition that recount the story of this stands ready to receive its most had fallen out of favour with ultimate pleasure cruise. -
Classical Gardens Adorn the City Nine of Suzhou’S Gardens Inscribed on UNESCO World Heritage List, Xu Xiao Reports
Friday, May 1, 2015 CHINA DAILY 2015 Suzhou 18 Suzhou special World Table Tennis Championships Classical gardens adorn the city Nine of Suzhou’s gardens inscribed on UNESCO World Heritage list, Xu Xiao reports. he classical gardens of Suzhou, Liu Shu, an official during Emperor Qian- Jiangsu province, which were for- long’s reign in the Qing Dynasty. After exten- mer private estates, represent the sive renovation, he renamed the estate Cold T highest level of China’s traditional Green Village. gardening and have set a benchmark for In 1873, the garden was bought by retired Chinese classical garden design. Qing Dynasty official Sheng Kang and was The Suzhou gardens, which are renowned renamed Liu Yuan — or Lingering Garden. for their rich landscaping in a limited space, Sheng Kang’s son Sheng Xuanhuai, a span thousands of years. senior official in the ministry of industry Historical documents said locals began to during the late Qing Dynasty who was hon- build gardens when the city, which was then ored by later generations as the “father of known as Gusu, became the capital of the Wu China’s modern industries”, inherited the Kingdom some 2,500 years ago. garden. During his ownership, the garden The local gardening design matured in the became the best known of all Suzhou’s gar- Song Dynasty (960-1279) and flourished in dens. the Ming (1368-1644) and Qing (1644-1911) In 1957, Lingering Garden was opened to Dynasties. the public. In 1964, it was listed by the State Today, there are more than 60 well-pre- Council as one of China’s four most famous served classical gardens in Suzhou, 19 of classical gardens. -
Zen out in Suzhou on National Garden Meditation Day, May 3 Achieve Total Relaxation Amidst the Natural Beauty of Suzhou’S Classical Gardens
Zen Out in Suzhou on National Garden Meditation Day, May 3 Achieve total relaxation amidst the natural beauty of Suzhou’s classical gardens New York, New York (April 11, 2018) – The divine tranquility of Suzhou’s beautifully manicured classical gardens, nine of which have been collectively designated a UNESCO World Heritage Site, are must-see sites for any visitor to China. Due to their impeccable preservation, these graceful gardens have seemingly stood still for thousands of years and are the perfect place to unplug and find serenity on National Garden Meditation Day, May 3. Tour packages offer a variety of ways to experience the Zen of Suzhou’s classical gardens. Award-winning tour operator Audley Travel offers custom-designed vacation packages showcasing the best of the city’s UNESCO World Heritage Site gardens. “Our experienced travel specialists use their personal knowledge from either having lived or traveled extensively in Suzhou and throughout China to create personalized, one-of- a-kind journeys that let them experience this scenic region in a way that other travelers sometimes miss,” said Andrew George, Audley Travel. Suzhou’s Classical Gardens Classical Chinese gardens are created as flawless miniature landscapes and emphasize a profound harmony with nature. Regarded as masterpieces of this genre, Suzhou’s gardens are unique from other gardens around the world as they each contain five main characteristics: water, buildings, flowers, trees, and rocks. Suzhou’s elaborate private gardens, once owned by scholars and wealthy families, date back to the sixth century B.C., but it was not until the Ming (1368–1644) and Qing (1644– 1911) dynasties that Suzhou’s garden art reached its zenith. -
Sino-US Relations and Ulysses S. Grant's Mediation
Looking for a Friend: Sino-U.S. Relations and Ulysses S. Grant’s Mediation in the Ryukyu/Liuqiu 琉球 Dispute of 1879 Thesis Presented in Partial Fulfillment of the Requirements for the Degree Master of Arts in the Graduate School of The Ohio State University By Chad Michael Berry Graduate Program in East Asian Studies The Ohio State University 2014 Thesis Committee: Christopher A. Reed, Advisor Robert J. McMahon Ying Zhang Copyright by Chad Michael Berry 2014 Abstract In March 1879, Japan announced the end of the Ryukyu (Liuqiu) Kingdom and the establishment of Okinawa Prefecture in its place. For the previous 250 years, Ryukyu had been a quasi-independent tribute-sending state to Japan and China. Following the arrival of Western imperialism to East Asia in the 19th century, Japan reacted to the changing international situation by adopting Western legal standards and clarifying its borders in frontier areas such as the Ryukyu Islands. China protested Japanese actions in Ryukyu, though Qing Dynasty (1644-1912) leaders were not willing to go to war over the islands. Instead, Qing leaders such as Li Hongzhang (1823-1901) and Prince Gong (1833-1898) sought to resolve the dispute through diplomatic means, including appeals to international law, rousing global public opinion against Japan, and, most significantly, requesting the mediation of the United States and former U.S. President Ulysses S. Grant (1822-1885). Initially, China hoped Grant’s mediation would lead to a restoration of the previous arrangement of Ryukyu being a dually subordinate kingdom to China and Japan. In later negotiations, China sought a three-way division of the islands among China, Japan, and Ryukyu. -
DOMAIN of CHAUMONT-SUR-LOIRE Ans/Years INTERNATIONAL GARDEN FESTIVAL
DOMAIN OF CHAUMONT-SUR-LOIRE ans/years INTERNATIONAL GARDEN FESTIVAL 2016 2 1 APRIL 02 NOVEMBER GARDENS FROM THE COMING CENTURY WWW.DOMAINE-CHAUMONT.FR T. +33 (0) 254 209 922 FLAMIA Création DOMAIN OF CHAUMONT-SUR-LOIRE CENTRE OF ARTS AND NATURE 25TH ANNIVERSARY OF THE GARDEN FESTIVAL CONTENTS INTRODUCTION Page 3 I. 2016 EDITION - "GARDENS FROM THE COMING CENTURY" Page 5 II. THE "CARTES VERTES" Page 7 Jean-Claude Ellena - "le jardin du parfumeur" Mathieu Lehanneur - "le jardin du designer" Beijing’s Chinese Garden Museum "le jardin anglais" The tropical greenhouse metamorphosis III. THE 2016 JURY Page 15 Maryvonne Pinault Members of the 2016 Jury IV. THE FESTIVAL GARDENS Page 19 V. THE PERMANENT GARDENS Page 43 VI. THE DOMAIN OF CHAUMONT-SUR-LOIRE Page 47 1. A multifaceted mission 2. A range of objectives 3. The Domaine’s leading actors 4. Diary for 2016 VII. UNWAVERING COMMITMENT TO RESPECT FOR THE ENVIRONMENT Page 55 VIII. PARTNERS / CERTIFICATIONS AND NETWORKS Page 59 IX. USEFUL INFORMATION Page 67 X. SELECTION OF VISUALS AVAILABLE FOR THE PRESS Page 71 www.domaine-chaumont.fr 1 DOMAIN OF CHAUMONT-SUR-LOIRE CENTRE OF ARTS AND NATURE 25TH ANNIVERSARY OF THE GARDEN FESTIVAL INTRODUCTION Every year, more than 400,000 visitors flock to Domaine de Chaumont-sur-Loire, which has hosted the International Garden Festival since 1992. It will therefore be celebrating its 25th anniversary in 2016! This event paints a panoramic picture of landscape design from around the world every year. Over 25 seasons, more than 700 gardens have been designed in the Festival grounds – all prototypes of the gardens of tomorrow, for the Festival, as a trendsetter, treasure trove of ideas and breeding ground for talent, breathes fresh life into these "living works of art" that gardens represent, by constantly showcasing new plants, new materials, original approaches and innovative concepts. -
A Dimensional Comparison Between Classical Chinese Gardens And
Yiwen Xu, Jon Bryan Burley, WSEAS TRANSACTIONS on ENVIRONMENT and DEVELOPMENT Patricia Machemer, April Allen A Dimensional Comparison between Classical Chinese Gardens and Modern Chinese Gardens YIWEN XU, JON BRYAN BURLEY, PATRICIA MACHEMER, AND APRIL ALLEN School of Planning, Design and Construction Michigan State University 552 West Circle Drive, 302 B Human Ecology Building, East Lansing, MI 48824, USA [email protected] http:/www.msu.edu/%7Eburleyj/ Abstract: Garden designers and scholars are interested in metrics that define the differences and similarities between traditional design and modern designs. This investigation examines the similarities and differences of classical Chinese gardens and modern Chinese gardens. The comparison is accomplished by ordinating the design elements and basic normative planning and design principles for each garden. Three classical Chinese gardens in Suzhou, Jiangsu, China and five modern gardens in Xiamen, Fujian, China were selected for study. A mathematical method called Principal Component Analysis (PCS) was applied in this research. The objective of this method is to define the dimensions that characterize the gardens and plot these gardens along the dimensions/gradients. Seventy-five variables were selected from a literature review, site visits, and site photos. According to the results of the PCA, there are potentially seven meaningful dimensions suitable for analysis, which explain 100% of the variance. This research focused on studying the first three principal components, explaining 81.54% of the variance. The first two principal components reveal a clear pattern between the two sets of environments. The results indicate that the first principal component can be a way to identify the difference between classical Chinese gardens and modern Chinese gardens. -
Making the Palace Machine Work Palace Machine the Making
11 ASIAN HISTORY Siebert, (eds) & Ko Chen Making the Machine Palace Work Edited by Martina Siebert, Kai Jun Chen, and Dorothy Ko Making the Palace Machine Work Mobilizing People, Objects, and Nature in the Qing Empire Making the Palace Machine Work Asian History The aim of the series is to offer a forum for writers of monographs and occasionally anthologies on Asian history. The series focuses on cultural and historical studies of politics and intellectual ideas and crosscuts the disciplines of history, political science, sociology and cultural studies. Series Editor Hans Hågerdal, Linnaeus University, Sweden Editorial Board Roger Greatrex, Lund University David Henley, Leiden University Ariel Lopez, University of the Philippines Angela Schottenhammer, University of Salzburg Deborah Sutton, Lancaster University Making the Palace Machine Work Mobilizing People, Objects, and Nature in the Qing Empire Edited by Martina Siebert, Kai Jun Chen, and Dorothy Ko Amsterdam University Press Cover illustration: Artful adaptation of a section of the 1750 Complete Map of Beijing of the Qianlong Era (Qianlong Beijing quantu 乾隆北京全圖) showing the Imperial Household Department by Martina Siebert based on the digital copy from the Digital Silk Road project (http://dsr.nii.ac.jp/toyobunko/II-11-D-802, vol. 8, leaf 7) Cover design: Coördesign, Leiden Lay-out: Crius Group, Hulshout isbn 978 94 6372 035 9 e-isbn 978 90 4855 322 8 (pdf) doi 10.5117/9789463720359 nur 692 Creative Commons License CC BY NC ND (http://creativecommons.org/licenses/by-nc-nd/3.0) The authors / Amsterdam University Press B.V., Amsterdam 2021 Some rights reserved. Without limiting the rights under copyright reserved above, any part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise).