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Me and Orson Welles Press Kit Draft
presents ME AND ORSON WELLES Directed by Richard Linklater Based on the novel by Robert Kaplow Starring: Claire Danes, Zac Efron and Christian McKay www.meandorsonwelles.com.au National release date: July 29, 2010 Running time: 114 minutes Rating: PG PUBLICITY: Philippa Harris NIX Co t: 02 9211 6650 m: 0409 901 809 e: [email protected] (See last page for state publicity and materials contacts) Synopsis Based in real theatrical history, ME AND ORSON WELLES is a romantic coming‐of‐age story about teenage student Richard Samuels (ZAC EFRON) who lucks into a role in “Julius Caesar” as it’s being re‐imagined by a brilliant, impetuous young director named Orson Welles (impressive newcomer CHRISTIAN MCKAY) at his newly founded Mercury Theatre in New York City, 1937. The rollercoaster week leading up to opening night has Richard make his Broadway debut, find romance with an ambitious older woman (CLAIRE DANES) and eXperience the dark side of genius after daring to cross the brilliant and charismatic‐but‐ sometimes‐cruel Welles, all‐the‐while miXing with everyone from starlets to stagehands in behind‐the‐scenes adventures bound to change his life. All’s fair in love and theatre. Directed by Richard Linklater, the Oscar Nominated director of BEFORE SUNRISE and THE SCHOOL OF ROCK. PRODUCTION I NFORMATION Zac Efron, Ben Chaplin, Claire Danes, Zoe Kazan, Eddie Marsan, Christian McKay, Kelly Reilly and James Tupper lead a talented ensemble cast of stage and screen actors in the coming‐of‐age romantic drama ME AND ORSON WELLES. Oscar®‐nominated director Richard Linklater (“School of Rock”, “Before Sunset”) is at the helm of the CinemaNX and Detour Filmproduction, filmed in the Isle of Man, at Pinewood Studios, on various London locations and in New York City. -
Mary, Queen of Scots
PATHÉ FILMS PRESENTS MAQUEEN OF SCOTSRY AN OKOFILM PRODUCTION A THOMAS IMBACH FILM BASED ON «MARIA STUART» BY STEFAN ZWEIG WITH CAMILLE RUTHERFORD • MEHDI DEHBI • SEAN BIGGERSTAFF ANEURIN BARNARD • EDWARD HOGG • TONY CURRAN BRUNO TODESCHINI • ROXANE DURAN • JOANA PREISS WRITTEN AND DIRECTED BY THOMAS IMBACH CO-WRITERS ANDREA STAKAˇ EDUARD HABSBURG SCRIPT EDITOr CATHERINE SCHELBERT PRODUCED BY ANDREA STAKAˇ THOMAS IMBACH EXECUTIVE PRODUCERS EMILIE BLÉZAT SIBYLLE SARAH IMBACH CO-PRODUCERS SRF SWISS RADIO AND TELEVISION SRG SSR ARTE SCIAPODE CINEMATOGRAPHER RAINER KLAUSMANN S.C.S. MUSIC BY SOFIA GUBAIDULINA EDITED BY TOM LA BELLE COSTUME DESIGNER RUDOLF JOST PRODUCTION DESIGNER GERALD DAMOVSKY MAKE UP AND HAIR RONALD FAHM and MARTINE FELBER CASTING BY MARIE DE LAUBIER and LISA OLAH WITH THE SUPPORT OF BUNDESAMT FÜR KULTUR • ZÜRCHER FILMSTIFTUNG • SUISSIMAGE MEDIA PROGRAMME OF THE EUROPEAN UNION • KANTON LUZERN URI FILM LOCATION RIVIERA • YVERDON-LES-BAINS • FOCAL: STAGE POOL VALERIO BONADAI PATHE FILMS AG OKOFILM TEL +41 (0) 79 653 65 03 [email protected] [email protected] LOGLINE Eine Königin, die drei Königreiche verlor. Eine Ehefrau, die drei Männer verlor. Eine Frau, die den Kopf verlor. SYNOPSIS Kurze Version: Die schottische Königin Mary Stuart verbringt ihre Jugend in Frankreich. Sie soll auch die französische Krone tragen, doch jung verheiratet, stirbt ihr kränklicher Gemahl. Mary kehrt alleine in das vom Krieg versehrte Schottland zurück. Zur selben Zeit wird Elisabeth Königin von England. Für Mary ist sie wie eine Zwillingsschwester, der sie sich offenherzig anvertrauen kann. Sie heiratet erneut und gebärt einen Thronfolger. Ihr Mann, Lord Darnley, entpuppt sich als Schwachkopf. Als Mary ihre große Liebe im Earl of Bothwell findet, lässt sie Darnley meucheln und heiratet Bothwell. -
1 Nominations Announced for the 19Th Annual Screen Actors Guild
Nominations Announced for the 19th Annual Screen Actors Guild Awards® ------------------------------------------------------------------------------------------------------------------------------ Ceremony will be Simulcast Live on Sunday, Jan. 27, 2013 on TNT and TBS at 8 p.m. (ET)/5 p.m. (PT) LOS ANGELES (Dec. 12, 2012) — Nominees for the 19th Annual Screen Actors Guild Awards® for outstanding performances in 2012 in five film and eight primetime television categories as well as the SAG Awards honors for outstanding action performances by film and television stunt ensembles were announced this morning in Los Angeles at the Pacific Design Center’s SilverScreen Theater in West Hollywood. SAG-AFTRA Executive Vice President Ned Vaughn introduced Busy Philipps (TBS’ “Cougar Town” and the 19th Annual Screen Actors Guild Awards® Social Media Ambassador) and Taye Diggs (“Private Practice”) who announced the nominees for this year’s Actors®. SAG Awards® Committee Vice Chair Daryl Anderson and Committee Member Woody Schultz announced the stunt ensemble nominees. The 19th Annual Screen Actors Guild Awards® will be simulcast live nationally on TNT and TBS on Sunday, Jan. 27 at 8 p.m. (ET)/5 p.m. (PT) from the Los Angeles Shrine Exposition Center. An encore performance will air immediately following on TNT at 10 p.m. (ET)/7 p.m. (PT). Recipients of the stunt ensemble honors will be announced from the SAG Awards® red carpet during the tntdrama.com and tbs.com live pre-show webcasts, which begin at 6 p.m. (ET)/3 p.m. (PT). Of the top industry accolades presented to performers, only the Screen Actors Guild Awards® are selected solely by actors’ peers in SAG-AFTRA. -
Thorragnarok59d97e5bd2b22.Pdf
©2017 Marvel. All Rights Reserved. CAST Thor . .CHRIS HEMSWORTH Loki . TOM HIDDLESTON Hela . CATE BLANCHETT Heimdall . .IDRIS ELBA Grandmaster . JEFF GOLDBLUM MARVEL STUDIOS Valkyrie . TESSA THOMPSON presents Skurge . .KARL URBAN Bruce Banner/Hulk . MARK RUFFALO Odin . .ANTHONY HOPKINS Doctor Strange . BENEDICT CUMBERBATCH Korg . TAIKA WAITITI Topaz . RACHEL HOUSE Surtur . CLANCY BROWN Hogun . TADANOBU ASANO Volstagg . RAY STEVENSON Fandral . ZACHARY LEVI Asgardian Date #1 . GEORGIA BLIZZARD Asgardian Date #2 . AMALI GOLDEN Actor Sif . CHARLOTTE NICDAO Odin’s Assistant . ASHLEY RICARDO College Girl #1 . .SHALOM BRUNE-FRANKLIN Directed by . TAIKA WAITITI College Girl #2 . TAYLOR HEMSWORTH Written by . ERIC PEARSON Lead Scrapper . COHEN HOLLOWAY and CRAIG KYLE Golden Lady #1 . ALIA SEROR O’NEIL & CHRISTOPHER L. YOST Golden Lady #2 . .SOPHIA LARYEA Produced by . KEVIN FEIGE, p.g.a. Cousin Carlo . STEVEN OLIVER Executive Producer . LOUIS D’ESPOSITO Beerbot 5000 . HAMISH PARKINSON Executive Producer . VICTORIA ALONSO Warden . JASPER BAGG Executive Producer . BRAD WINDERBAUM Asgardian Daughter . SKY CASTANHO Executive Producers . THOMAS M. HAMMEL Asgardian Mother . SHARI SEBBENS STAN LEE Asgardian Uncle . RICHARD GREEN Co-Producer . DAVID J. GRANT Asgardian Son . SOL CASTANHO Director of Photography . .JAVIER AGUIRRESAROBE, ASC Valkyrie Sister #1 . JET TRANTER Production Designers . .DAN HENNAH Valkyrie Sister #2 . SAMANTHA HOPPER RA VINCENT Asgardian Woman . .ELOISE WINESTOCK Edited by . .JOEL NEGRON, ACE Asgardian Man . ROB MAYES ZENE BAKER, ACE Costume Designer . MAYES C. RUBEO Second Unit Director & Stunt Coordinator . BEN COOKE Visual Eff ects Supervisor . JAKE MORRISON Stunt Coordinator . .KYLE GARDINER Music by . MARK MOTHERSBAUGH Fight Coordinator . JON VALERA Music Supervisor . DAVE JORDAN Head Stunt Rigger . ANDY OWEN Casting by . SARAH HALLEY FINN, CSA Stunt Department Manager . -
Pledge Allegiance”: Gendered Surveillance, Crime Television, and Homeland
This is a repository copy of “Pledge Allegiance”: Gendered Surveillance, Crime Television, and Homeland. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/150191/ Version: Published Version Article: Steenberg, L and Tasker, Y (2015) “Pledge Allegiance”: Gendered Surveillance, Crime Television, and Homeland. Cinema Journal, 54 (4). pp. 132-138. ISSN 0009-7101 https://doi.org/10.1353/cj.2015.0042 This article is protected by copyright. Reproduced in accordance with the publisher's self-archiving policy. Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Cinema Journal 54 i No. 4 I Summer 2015 "Pledge Allegiance": Gendered Surveillance, Crime Television, and H o m e la n d by Lindsay Steenber g and Yvonne Tasker lthough there are numerous intertexts for the series, here we situate Homeland (Showtime, 2011—) in the generic context of American crime television. Homeland draws on and develops two of this genre’s most highly visible tropes: constant vigilance regardingA national borders (for which the phrase “homeland security” comes to serve as cultural shorthand) and the vital yet precariously placed female investigator. -
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The Presence of Performance and the Stakes of Serial Drama: Accrual, Transience, Companionship Elliott Logan MPhil (University of Queensland, 2013) BA, Hons (University of Queensland, 2009) BA (University of Queensland, 2007) A thesis submitted for the degree of Doctor of Philosophy at The University of Queensland in 2018 School of Communication and Arts Abstract This thesis shows how performance is a critically neglected but crucial aspect of serial television drama as an art form. One of serial drama’s obvious storytelling attractions is its ability to involve viewers in relationships between characters over long periods of time. Such involvement takes place through a recurring structure of episodes and seasons, whose unfolding reflects the extensive, ongoing history through which interpersonal bonds form and develop, deepen and decay. The characters we watch onscreen are embodied and performed by actors. Television studies, however, has persistently overlooked screen performance, hampering appreciation of serial drama’s affinity with long-term relationships as a resource for aesthetic significance. Redressing such neglect, this thesis directs new critical attention to expressive stylistic relationships between serial form, screen performance, and the subject of companionship in some recent US serial dramas. The focus of that attention is a particular aesthetic quality: the provisional, which emerges through serial drama’s distinctive tension between permanence and transience. In the first chapter, I argue that the provisional is central to an affinity between screen performance, seriality in television drama, and companionship as an aspect of human life. Chapters Two and Three then show how the art of the provisional in particular series has been underappreciated due to television studies’ neglect of performance and expressiveness as dimensions of serial form in television fiction. -
Ginny Kopf Stage Manager Roy Johns*
Mainstage Playbill Richard Hopkins, Producing Artistic Director by John Patrick Shanley Gil Brady and Claire Warden. Photo by Matthew Holler. Sponsored in part by the State of Florida, Department of State, Division of Cultural Affairs and the Florida Council on Arts and Culture. OUTSIDE MULLINGAR by John Patrick Shanley CAST (in alphabetical order) Anthony Reilly.......................... Gil Brady* Tony Reilly................................ George Tynan Crowley* Aoife Muldoon.......................... Louisa Flaningam* Rosemary Muldoon................... Claire Warden* Scenic Designers Costume Designer Lighting Designer Moriah & Isabel Curley-Clay Gregory A. Poplyk Richard T. Chamblin III Sound Designer Dialect Coach Joe Goepfrich Ginny Kopf Stage Manager Roy Johns* Directed by Kate Alexander Season Underwriters Gerri Aaron, Georgia Court, Gulf Coast Community Foundation, Bob & Bonny Israeloff, Ernie Kretzmer in loving memory of Alisa Kretzmer, Dennis & Graci McGillicuddy, Anne Nethercott, Dorothy Waldron Show Co-Producers David & Ellen Flatow, Alfred & Jean Goldstein, Ruth Gorton, Barbara Lupoff, Jim Roque - SunTrust Private Wealth Management, Lois Stulberg, Thomas B. Wilson & Patrick J. Crimmings, SCENE MAGAZINE Originally commissioned by Manhattan Theatre Club (Lynne Meadow, Artistic Director; Barry Grove, Executive Producer) with funds provided by U.S. Trust, and received its world premiere there on January 3, 2014. Outside Mullingar is presented by special arrangement with Dramatists Play Service, Inc., New York. The videotaping or other video or audio recording of this production is strictly prohibited. * Denotes member Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. ARTIST PROFILES GIL BRADY (Anthony Reil- LOUISA FLANINGAM (Ao- ly) Just finished his second ife Muldoon) A career span- run of Shear Madness at The ning 48 years including Kennedy Center in D.C. -
MINYAN Directed by Eric Steel
MINYAN Directed by Eric Steel World Premiere Panorama 2020 Berlin Film Festival Festival Screenings Saturday, 2/22 at 3:30PM - Cubix 7- Premiere Sunday, 2/23 at 10:00PM - Cubix 5 Thursday, 2/27 at 9:30PM - Cinemaxx 7 Friday, 2/28 at 4:15PM - Zoo Palast 2 Saturday, 2/29 at 10:00PM - Cubix 7 Sunday, 3/1 at 1:00PM - Cubix 9 2020 / USA / 118 mins US Press Contact - Cinetic Marketing Int’l Press Contact - ClaudiaTomassini & Associates Charlie Olsky, +1 917-545-7260 Claudia Tomassini, +49 173 205 5794 [email protected] [email protected] US Sales Contact - ICM Partners Int’l Sales Contact - Visit Films Jessica Lacy, +1 310-550-4316 +1 718-312-8210 [email protected] [email protected] SHORT SYNOPSIS A young Russian Jewish immigrant in Brighton Beach, caught up in the tight constraints of his community, develops a close friendship with his grandfather’s new neighbors, two elderly closeted gay men who open his imagination to the possibilities of love and the realities of loss — and explores the East Village where he finds a world teeming with the energy of youth, desire and risk. Set in the late 1980s, as AIDS hammered New York City, MINYAN is a powerful story of rebellion and self-discovery, sexual and spiritual awakening — and survival. LONG SYNOPSIS David (Samuel H. Levine) is a teenager at a strict yeshiva in Brighton Beach at the height of the 1980s. While helping his grandfather (Ron Rifkin) settle into a retirement facility in the tight-knit Russian Jewish enclave he calls home, he meets Itzik and Herschel, two elderly closeted gay men who open him up to the possibility of connection, community — and love. -
Undertow Presskit
A Film By JAVIER FUENTES-LEÓN Peru’s Official Submission to the 83rd Academy Awards® for Best Foreign Language Film 2010 Sundance Film Festival World Cinema Dramatic Audience Award A production of PERU – COLOMBIA – FRANCE - GERMANY 100 MIN – 35mm – DOLBY – COLOR – 2009 UNDERTOW (CONTRACORRIENTE) Page 2 of 19 AWARDS Sebastiane Award for Best LBGT Film — San Sebastian Int'l Film Festival 2009 Audience Award in World Dramatic Competition — Sundance 2010 Audience Award in Official Competition — Cartagena Int'l Film Festival 2010 Audience Award in Iberoamerican Competition — Miami Int'l Film Festival 2010 Audience Award in Festivalissimo — Montreal Latin American Film Festival 2010 NAHCC Award to Best Hispanic Director — Nashville Film Festival 2010 Special Award for Originality of Vision — Miami Gay and Lesbian Film Festival 2010 Audience Award — Chicago Latino Film Festival 2010 Latin Angel Audience Award — Utrecht Latin American Film Festival 2010 Latin Angel Youth Award — Utrecht Latin American Film Festival 2010 Jury Award for Best Film — Festival La Chimenea Verde 2010, Villaverde, Madrid Audience Award, Best Narrative Feature — Provincetown Int'l Film Festival 2010 Mayor of Trencin Honorary Award — Slovakia ArtFilmFest 2010 Outstanding First Feature Jury Award — Frameline34, The San Francisco LGBT International Film Festival, 2010 Audience Award for Best First Feature — Galway International Film Festival 2010, Ireland Special Programming Award for Artistic Achievement — OUTFEST 2010, Los Angeles Jury Award for Best Feature Film — Qfest -
PRESS Graphic Designer
© 2021 MARVEL CAST Natasha Romanoff /Black Widow . SCARLETT JOHANSSON Yelena Belova . .FLORENCE PUGH Melina . RACHEL WEISZ Alexei . .DAVID HARBOUR Dreykov . .RAY WINSTONE Young Natasha . .EVER ANDERSON MARVEL STUDIOS Young Yelena . .VIOLET MCGRAW presents Mason . O-T FAGBENLE Secretary Ross . .WILLIAM HURT Antonia/Taskmaster . OLGA KURYLENKO Young Antonia . RYAN KIERA ARMSTRONG Lerato . .LIANI SAMUEL Oksana . .MICHELLE LEE Scientist Morocco 1 . .LEWIS YOUNG Scientist Morocco 2 . CC SMIFF Ingrid . NANNA BLONDELL Widows . SIMONA ZIVKOVSKA ERIN JAMESON SHAINA WEST YOLANDA LYNES Directed by . .CATE SHORTLAND CLAUDIA HEINZ Screenplay by . ERIC PEARSON FATOU BAH Story by . JAC SCHAEFFER JADE MA and NED BENSON JADE XU Produced by . KEVIN FEIGE, p.g.a. LUCY JAYNE MURRAY Executive Producer . LOUIS D’ESPOSITO LUCY CORK Executive Producer . VICTORIA ALONSO ENIKO FULOP Executive Producer . BRAD WINDERBAUM LAUREN OKADIGBO Executive Producer . .NIGEL GOSTELOW AURELIA AGEL Executive Producer . SCARLETT JOHANSSON ZHANE SAMUELS Co-Producer . BRIAN CHAPEK SHAWARAH BATTLES Co-Producer . MITCH BELL TABBY BOND Based on the MADELEINE NICHOLLS MARVEL COMICS YASMIN RILEY Director of Photography . .GABRIEL BERISTAIN, ASC FIONA GRIFFITHS Production Designer . CHARLES WOOD GEORGIA CURTIS Edited by . LEIGH FOLSOM BOYD, ACE SVETLANA CONSTANTINE MATTHEW SCHMIDT IONE BUTLER Costume Designer . JANY TEMIME AUBREY CLELAND Visual Eff ects Supervisor . GEOFFREY BAUMANN Ross Lieutenant . KURT YUE Music by . LORNE BALFE Ohio Agent . DOUG ROBSON Music Supervisor . DAVE JORDAN Budapest Clerk . .ZOLTAN NAGY Casting by . SARAH HALLEY FINN, CSA Man In BMW . .MARCEL DORIAN Second Unit Director . DARRIN PRESCOTT Mechanic . .LIRAN NATHAN Unit Production Manager . SIOBHAN LYONS Mechanic’s Wife . JUDIT VARGA-SZATHMARY First Assistant Director/ Mechanic’s Child . .NOEL KRISZTIAN KOZAK Associate Producer . -
Navid Negahban
Navid Negahban Schlag Agentur Vivian Steinfath Phone: +49 30 327 79351 Email: [email protected] Website: http://www.schlag-agentur.de/ © Kraus & Perino Information Acting age 48 - 58 years Nationality American Year of birth 1964 Languages German: medium Height (cm) 183 Arabic: basic Eye color brown English: fluent Hair color Black Turkish: basic Stature athletic-muscular Persian (Farsi/Dari): native- Place of residence Los Angeles language Accents Arabic English Sport Handball, Soccer, Basketball Profession Actor Film 2021 Dark Corners Director: Richard Parry Producer: Secret Channel Films Distribution: Conduit Presents 2021 The first goodbye Director: Ali Mashayekhi Producer: Landed Entertainments See 2019 London Arabia Director: Daniel Jewel Producer: Daniel Jewel Film 2019 The Divorce Director: Lindsy Campbell Producer: ElDeCa Productions, Romany Road Pictures, VueQ Teleproductions 2019 Aladdin Director: Guy Ritchie Producer: Walt Disney Pictures Distribution: Walt Disney Studios 2019 In full bloom Director: Reza Ghassemi, Adam VillaSenor Producer: Cinesia Pictures Distribution: Dozo 2018 Operation: 12 Strong Director: Nicolai Fuglsig Producer: Alcon Entertainment Distribution: Concorde 2017 Price for Freedom Director: Dylan Bank Producer: Justice for All Productions Distribution: Lidoma Production 2017 American Assassin Director: Michael Cuesta Producer: CBS Films Distribution: Lionsgate 2017 Damascus Cover Director: Daniel Zelik Berk Producer: Cover Films Distribution: Vertical Entertainment Vita Navid Negahban by www.castupload.com -
So You Want a Job in Film and Television? There Are Huge Numbers of Young People Competing for Very Few Jobs. It Is Difficult To
So you want a job in film and television? There are huge numbers of young people competing for very few jobs. It is difficult to stress exactly how competitive film and television work is, but a good guide is that 9 out of 10 actors are out of work at any given time. Up until recently you had to be a member of the actor’s union Equity to get a professional acting job– and you were allowed an Equity Card only after you had worked professionally for some time. Thankfully this catch 22 situation no longer exists, although the film and television industry remains a very closed shop to all but the most dedicated and well connected. Only 6% of actors earn more than £30,000 per year. A recent survey found that nearly half of those working in the UK film and television industry earned less than £6,000 a year from the profession. Many actors and film makers work for very little, especially at the beginning of their careers. Most jobs are short term. Many experienced actors and film makers need to do other work to supplement their income. If you are you still interested in film and television work after reading the above information, then you clearly have the strong commitment necessary to begin a career in film and TV. However, commitment on its own is not enough. How can I get a career in film and television? You need specific training and experience in film and TV. Most of the careers below require formal training, usually in the form of academic courses.