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THE FRY ART GALLERY TOO When Bardfield Came to Walden Artists in Saffron Walden from the 1960S to the 1980S 2 December 2017 to 25 March 2018
THE FRY ART GALLERY TOO When Bardfield Came to Walden Artists in Saffron Walden from the 1960s to the 1980s 2 December 2017 to 25 March 2018 Welcome to our new display space - The Fry Art Gallery Too - which opens for the first time while our main gallery at 19a Castle Street undergoes its annual winter closure for maintenance and work on the Collection. The north west Essex village of Great Bardfield and its surrounding area became the home for a wide range of artists from the early 1930s until the 1980s. More than 3000 examples of their work are brought together in the North West Essex Collection, selections of which are displayed in exhibitions at The Fry Art Gallery. Our first display in our new supplementary space focuses on those artists who lived at various times in and around Saffron Walden in the later twentieth century. Edward and Charlotte Bawden were the first artists to arrive in Great Bardfield around 1930, along with Eric and Tirzah Ravilious. After 30 years at Brick House, Charlotte arranged in 1970 that she and Edward would move to Park Lane, Saffron Walden for their later years. Sadly, Charlotte died before the move, but Edward was welcomed into an established community of successful professional artists in and around the town. These included artists Paul Beck and John Bolam, and the stage designers Olga Lehmann and David Myerscough- Jones. Sheila Robinson had already moved to the town from Great Bardfield in 1968, with her daughter Chloë Cheese, while the writer and artist Olive Cook had been established here with her photographer and artist husband Edwin Smith for many years. -
25Th Anniversary of the Battle of Britain Date of Issue: 13 September 1965
SPECIAL STAMP ISSUE 25th Anniversary of the Battle of Britain Date of issue: 13 September 1965 ‘Never in the field of human conflict was so much owed by so many to so few.’ With these words Winston Churchill paid tribute to the men of the Royal Air Force who defended Britain against the German air assault in the autumn of 1940. Only months after the retreat from Dunkirk, Britain faced perhaps the darkest days of the entire war as the Luftwaffe launched an all-out bombardment intended to pave the way for a German invasion. For the first time in the history of warfare, an entire battle was fought in the air: the Battle of Britain took place between 10 July and 31 October 1940, reaching its climax in mid-September when the German bombers began to blitz London. By the end of the battle, the RAF had lost 911 aircraft with 414 pilots killed; Luftwaffe losses totalled 1,733 aircraft. REQUEST FOR A SPECIAL STAMP ISSUE September 1965 marked the 25th anniversary of the Battle of Britain, and the Royal Air Forces Association (RAFA) planned a special commemoration during Battle of Britain Week, an event that had been held annually since the war. On 11 May 1964 L G Johnson, a holder of the Distinguished Flying Cross and Deputy General Secretary of the Royal Air Forces Association, wrote to the Postmaster General (PMG), Reginald Bevins MP, with a request that the Post Office issue special stamps to mark the anniversary. He wrote: ‘This turning point in our history ... should not be allowed to pass uncommemorated, and one very appropriate way which would bring the occasion to the minds of people both at home and overseas would be the issue of a special postage stamp or stamps as is customary on similar anniversaries of national importance or interest.’ Despite Johnson’s assertion that stamps commemorating ‘similar anniversaries’ were the norm, D H Beaumont of the Postal Services Department replied that a Battle of Britain issue would not be possible, based on the Post Office’s policy regarding special stamps. -
Edward Bawden and His Circle Ebook, Epub
EDWARD BAWDEN AND HIS CIRCLE PDF, EPUB, EBOOK Malcolm Yorke | 272 pages | 15 Dec 2007 | ACC Art Books | 9781851495429 | English | Woodbridge, United Kingdom Edward Bawden and His Circle PDF Book He told an interviewer from House and Garden: No cat will suffer being lifted up and dropped into an empty space intended for her to occupy; that procedure led inevitably to Emma, tail up, walking away at once, so I had to wait patiently until Emma had enjoyed a good meal of Coley and was ready to choose her daily. The Last Painting. Dust Jacket Condition: Very Good. Available in shop from just two hours, subject to availability. Edward Bawden and His Circle. Copiously illustrated with material from every period of Bawden's working life, "Edward Bawden and His Circle" illustrates all aspects of his creative output, and that of his Great Bardfield contemporaries, in its great variety. Slipcase in near fine condition. No Jacket. Christopher Wood. The Inward Laugh Edward Bawden and his circle. At first he left a space in the painting into which he would fit her, but soon found it easier to paint the cat first and arrange the room around her. Starting to Collect Antique Jewellery. If you have changed your email address then contact us and we will update your details. Of course that mattered little when you were a bachelor of frugal tastes, but that was soon to change. Prospectus only. He carried tiny sketch books and used them to make several imaginative watercolours on his return. New Hardcover Quantity Available: 1. Oliver Hellowell. -
A Christmas Carol
LOUGHEED HOUSE PRESENTS A CHRISTMAS CAROL Written by Charles Dickens Performed by Steven Méthot INTRODUCTION Hello and Happy Holidays! On behalf of the Lougheed House Conservation Society thank you so much for your donation and for showing your support for the work that we do in our community. For many years during the holiday season we have had the pleasure of presenting the gorgeous and heartfelt performances of Steven Méthot, Natalie Manzer, and Karen and Michael Pollock in our Drawing Room. For many, watching this performance has become a treasured annual family tradition and despite our needing to adapt to our current circumstances, we are so thrilled that we are able to share their performance in a new way this holiday season. For years, Steven, Natalie, Karen, and Michael have shared their version of this classic tale in order to help raise funds and awareness for community organizations that they support and believe in. It’s always been very clear to us at Lougheed House that this show and their collective performances were created in the same spirit and with the same values that inspired Charles Dickens to write A Christmas Carol - values of fellowship, community, giving, resilience and the importance of love. We are beyond grateful that they have worked with us again this year, especially while navigating the new risks, challenges and protocols that have all come to all our own doorsteps during 2020. Our wish for you this holiday season is that this radio play allows you to relax, recharge and connect with those closest to you. -
The William Shipley Group for RSA HISTORY
the William Shipley group FOR RSA HISTORY Newsletter 32: March 2012 Forthcoming meetings Wednesday 21 March 2012 at 12.00pm. The WSG AGM which will be followed by the Chairman’s Annual Address at 12.30pm: From Devonshire Colic to Bladder Stone: Benjamin Franklin and Medicine by Dr Nicholas Cambridge at Benjamin Franklin House, London WC2N 5NF Wednesday 18 April 2012 at 2pm. “Long may they Reign”: Royal Jubilees from George III to Elizabeth II by Dr David Allan. This meeting is held under the auspices of the Richmond-upon- Thames U3A and will be held in the Clarendon Room, York House, Richmond Road, Twickenham TW1 3AA. Tickets available at the door £3. On direct bus route from Richmond station or a short walk from Twickenham station. Letter from HM The Queen on the ceremony to mark the 150th anniversary of death of Prince Albert After the ceremony at the Albert Memorial on 14 December the wreath was taken to John Adam Street, where it was placed on the marble bust commissioned from William Theed (1804-1891) by the members as part of the [R]SA’s own memorial to Prince Albert. 1 Imperial College rings out Imperial College and the Royal Commission for the Exhibition of 1851 arranged for the bells in the Queen’s Tower at Imperial College to be rung on 14 December to commemorate the 150th anniversary of the death of Prince Albert. The Archivist at Imperial College has produced an eight page souvenir booklet on the tower and its bells. This is available on application to Susan Bennett, Honorary Secretary, William Shipley Group for RSA History, 0790 5273293 or email: [email protected] RCA/V&A/WSG conference: Internationality on Display Over 100 delegates attended the WSG/RCA/V&A conference ‘Internationality on Display’ held in the Sackler Centre at the V&A Museum, on Friday 3 February 2012. -
Mid-Century Design
Mid-Century Design - Live Online (A889) Tue, 23rd Jun 2020 Viewing: Due to government guidelines at the current time, we will not be able to offer viewing at the Stansted Mountfitchet saleroom. However, please revisit our website to check for any changes. REMOVAL OF LOTS All lots should be removed by 5pm on Friday 3 July 2020. Furniture lots remaining after this date will be removed to: Perry Removals, Chapel End, Broxted, Essex CM6 2BW. Removal will be at a cost of £20 per lot and storage will be charged at £2 per lot, per day. Lot 72 Estimate: £300 - £500 + Fees *Barbara Jones (1912-1978) *Barbara Jones (1912-1978) a sketchbook, containing sixty-eight pages, twenty-six watercolour, pen and ink and pencil sketches, with pencil notes and a poem, some pages blank 25.5 x 20.5cm Barbara Jones (1912-1978) studied mural decoration at the Royal College of Art and was part of the circle of artists associated with Eric Ravilious and Edward Bawden. Various shipping companies, including P&O, hotels and restaurants commissioned her designs, and she worked on many important exhibitions. James Gardner requested her involvement over several decades, with 'Design Fair' for the Council of Industrial Design in the late 1940s, the Festival of Britain in 1951, and the Commonwealth Institute, London in 1962. Graphic designer, writer and broadcaster, Jones championed the popular arts. Her exhibition 'Black Eyes and Lemonade' for the Whitechapel Art Gallery in 1951, and her book, 'The Unsophisticated Arts', of the same year, remain landmarks in the appreciation of vernacular English culture. -
To Illustration
Rough Index to Illustration. Up to and including issue 59 Spring 2019 (Abbasi) Wajeeha Abbasi: Graduate. 53, Winter 2017, 43. (Acheson) Inform and Inspire. Illustration in early modern printed books, by Katherine Acheson. 37, Autumn 2013, 30-35. (Acreman) Hayley Acreman: Graduate. 15, Spring 2008, 41. (Adams) Sarah Adams: Graduate. 7, Spring 2006, 40. (Aesop) Creature Constructs: illustration of Aesop, by Chiara Nicolini, 21, Autumn 2009, 30-35. (Ahmed) Revolution. Soviet Children’s Books, by Olivia Ahmed. 49, Autumn 2016, 16-23. (Akyuz) Sam Akyuz: Illustrator’s Notebook. 46, Winter 2015, 6-7. (Alcorn) Traditional Innovator: John Alcorn, by Marta Sironi. 40, Summer 2014, 24-30. (Aleda) Lara Aleda: Graduate, 66, Spring 2018, 44. (Alembic Press) Fold and New: Alembic Press, by David Bailey, 9, Autumn 2006, 42-44. (Alice) Chasing the White Rabbit: Alice in Internetland, by Chiara Nicolini. 17, Autumn 2008, 46-47. (Alice) After Tenniel. Illustrators of Alice, by Selwyn Goodacre and other articles on Alice in Wonderland. 17, Autumn 2008, 8-18 (Alice) After Tenniel – Michael Foreman. 17, Autumn 2008, 12 (Alice) After Tenniel – Arthur Rackham, by Robin Greer, 17, Autumn 2008, 13. (Alice) After Tenniel – John Vernon Lord. 17, Autumn 2008, 14 (Alice) After Tenniel – Rodney Matthews. 17, Autumn 2008, 15 (Alice) Found in Translation, Alice in foreign languages, by Mark Richards. 17, Autumn 2008, 16-18 (Alice) Curiouser and Curiouser. Russian Alices. By Ella Parry-Davies. 35, Spring 2013, 14-19. (Alice) More than meets the Eye. Ella Parry-Davies talks to Tatiana Ianovskaia. 37, Autumn 2013, 36- 39. (Alice) Colouring in Dreams. Colouring Carroll’s original illustrations, by Ian Beck. -
First Editions: Redrawn
FIRST EDITIONS: REDRAWN LONDON 8 DECEMBER 2014 FRONT COVER HOUSE OF ILLUSTRATION LOGO ILLUSTRATION © JEFF FISHER THIS PAGE LOT 15 THIS PAGE LOT 22 FIRST EDITIONS: REDRAWN AUCTION IN LONDON 8 DECEMBER 2014 SALE L14910 7.30 PM !DOORS OPEN AT 7.15 PM" EXHIBITION Friday 5 December 9 am-4.30 pm Sunday 7 December 12 noon-5 pm Monday 8 December 9 am-4.30 pm 34-35 New Bond Street London, W1A 2AA +44 (0)20 7293 5000 sothebys.com THIS PAGE LOT 16 SPECIALISTS AND AUCTION ENQUIRIES For further information on lots in this auction please contact any of the specialists listed below. SALE NUMBER SALE ADMINISTRATOR There is no buyer’s commission L14910 “ILLUSTRATION” Lukas Baumann charged for this sale. [email protected] BIDS DEPARTMENT +44 (0)20 7293 5287 Please note that all payment for +44 (0)20 7293 5283 !"# +44 (0)20 7293 5904 this sale must be made directly !"# +44 (0)20 7293 6255 with House of Illustration. [email protected] CATALOGUE PRICE £25 at the gallery Payment can be made on the Telephone bid requests should evening of sale or within 28 days Dr. Philip W. Errington be received 24 hours prior FOR SUBSCRIPTIONS CALL of the sale by contacting Director to the sale. This service is +44 (0)20 7293 5000 +44 (0)20 7293 5302 o$ ered for lots with a low estimate for UK & Europe Lucy Plaskett [email protected] of £2,000 and above. +1 212 606 7000 USA Head of Development and Communications PRIVATE CLIENT GROUP House of Illustration +44 %0&20 7293 6429 2 Granary Square [email protected] King’s Cross HEAD OF DEPARTMENT -
The-David-Gentleman-Album.Pdf
attempt to depart from our policy we should either have a great increase in the number of special issues or, alternatively, be faced with ERHAPS the greatest influence on British the invidious task of discriminating between stamp design was the Album of experi- the many important historical events and Pmental designs commissioned by Tony Benn as notable personalities.” Postmaster General from David Gentleman in 1965. In that, Gentleman vastly expanded the Benn proceeded to sweep this old-fashioned think- choice of possible subject matter and created a new ing aside. He announced, first to astonished postal shape for pictorial stamps. He also suggested that officials, and then to the House of Commons, the Queen’s head might be replaced by the royal dramatically new criteria: coat of arms or a crown, but this was not accepted. However, Gentleman then created a small cameo “to celebrate events of national or interna- head of the Queen instead of the awkward Wilding tional importance, to commemorate appropri- portrait, and this became standard. These revolu- ate anniversaries and occasions, to reflect Brit- tionary designs were to influence British stamp ain’s unique contribution to the arts and world design for over 20 years. affairs, to extend public patronage of the arts by promoting philately and to raise revenue.” Background ONY Benn was appointed Postmaster General in October 1964. One of his first Taims was to broaden the British Post Office’s crite- ria for issuing stamps which, at the time, was very conservative. Until then, only 20 commemorative issues had been made in the 12 years of Queen Elizabeth’s reign, of which 11 had been in the previ- ous two years. -
Fttfe MUSEUM of MODERN1 ART
jr. ,•&-*- t~ V* *«4* /C^v i* 41336 - 2Z f± **e y^^A-^-^p, fttfE MUSEUM OF MODERN1 ART P WEST 53RD STREET, NEW YORK -uEPHONE: CIRCLE 5-89CO FOE IMMEDIATE RELEASE (Note* Photographs of paintings available) BRITAIN DELIVERS WAR PAINTINGS TO MUSEUMxOF MODERN ART. LORD HALIFAX TO OPEN EXHIBITION. On Thursday evening, May 22, Lord Halifax, Great Britain's Ambassador to the United States, will formally open at the Museum of Modern Art an exhibition of the Art of Britain At War, designed to show the wartime roles England assigns to her artists and de signers. It will be composed of oils, watercolors, drawings, prints, posters, cartoons, films, photographs, architecture and camouflage of the present war as well as work of British artists during the first World War. The exhibition will open to the public Friday morning, May 23, and will remain on view throughout the summer. It will then be sent by the Museum to other cities in the United States and Canada, The nucleus of the exhibition opening in May will be the group of paintings, watercolors and prints which the Museum expected to open as a much smaller exhibition in November 1940. After several postponments the Museum was finally forced to abandon it as, due to wartime shipping conditions, the pictures did not arrive although word had been received that the shipment had left London early in November. The Museum received the shipment late in January. After weeks of further negotiation with British officials in this country and by cable with London the Museum decided that it would be possible to augment the material already received with other work done by British artists since the first material was sent. -
Alphabet B Ooks Book Beautiful Cambridge Dodgson
a l phabet b ooks the b ook beautiful ambridge c odgson d from the library of christopher hogwood BERNARD QUARITCH LTD 40 SOUTH AUDLEY STREET, LONDON W1K 2PR +44 (0)20 7297 4888 [email protected] www.quaritch.com For enquiries about this catalogue, please contact: Anke Timmermann ([email protected]) or Mark James ([email protected]) Bankers: Barclays Bank PLC, 1 Churchill Place, London E14 5HP Sort code: 20-65-82 Swift code: BARCGB22 Sterling account IBAN: GB98 BARC 206582 10511722 Euro account IBAN: GB30 BARC 206582 45447011 US Dollar account IBAN: GB46 BARC 206582 63992444 Mastercard, Visa and American Express accepted. VAT number: GB 840 1358 54 Cheques should be made payable to: Bernard Quaritch Limited. List 2016/17 © Bernard Quaritch Ltd 2016 christopher hogwood cbe (1941- 0114 Throughout his 50-year career, conductor, musicologist and keyboard player Christopher Hogwood applied his synthesis of scholarship and performance with enormous artistic and popular success. Spearheading the movement that became known as ‘historically-informed performance’, he promoted it to the mainstream through his work on 17th- and 18th-century repertoire with the Academy of Ancient Music, and went on to apply its principles to music of all periods with the world’s leading symphony orchestras and opera houses. His editions of music were published by the major international houses, and in his writings, lectures and broadcasts he was admired equally for his intellectual rigour and his accessible presentation. Born in Notingham, Christopher was educated at Notingham High School, The Skinners' School, Royal Tunbridge Wells, and Pembroke College, University of Cambridge, where he read Classics and Music. -
Oak Knoll Books
OAK KNOLL spring SALE LARGE DISCOUNTS ON Antiquarian & Publishing BOOKS ABOUT BOOKS 1-4 BOOKS 20% OFF 5-9 BOOKS 30% OFF 10-25 BOOKS 40% OFF 26-99 BOOKS 45% OFF 100+ BOOKS 50% OFF CATALOGUE M562 Titles may be combined for discount. Thus, by ordering one copy each of five differ- ent titles you will receive a 30% discount. This applies equally to the trade as well as to our private and library customers. We have multiple copies of some of these items, so if interested, please ask. All books are subject to prior sale and must be ordered at the same time. These discounts will only be offered through JULY 15, 2009. For mailing within the United States please add $7.50 for the first book and $1.00 for each additional volume. Canada- First item $8.00, additional items by weight and ser- vice. All other- First item $9.00, additional items by weight and service. We accept Visa, MasterCard, American Express, and Discover. Orders are regularly shipped within seven working days of their receipt. OAK KNOLL BOOKS . 310 Delaware Street, New Castle, DE 19720, USA Phone: 1-(800) 996-2556 . Fax: (302) 328-7274 [email protected] . www.oakknoll.com ANTIQUARIAN 1. (Abbey, J.R.) CATALOGUE OF HIGHLY IMPORTANT MODERN FRENCH ILLUSTRATED BOOKS AND BINDINGS FORMING PART V OF THE CELEBRATED LIBRARY OF THE LATE MAJOR J.R. ABBEY. London: Sotheby & Co., 1970, small 4to., stiff paper wrappers. 179 pages. $ 55.00 S-K 1184. Foldout frontispiece and 62 other full-page plates. Some plates in color.