Filmkatalog 2018/2019

Total Page:16

File Type:pdf, Size:1020Kb

Filmkatalog 2018/2019 FILMKATALOG 2018/2019 Mysteriet ved Slack Bay Frantz SAMMENSLUTNINGEN AF DANSKE FILMKLUBBER FILMKATALOG 2018 / 2019 DCP · Blu-ray · dvd Redaktion: Lonni Gelsdorf SAMMENSLUTNINGEN AF DANSKE FILMKLUBBER FILMKATALOG 2018/2019 © 2018 Sammenslutningen af Danske Filmklubber Sammenslutningen af Danske Filmklubber (SDF) Ørnevej 45 st, 2400 København NV Telefon 33 21 41 76, telefax 33 21 41 60 E-mail: [email protected] Web: www.danskefilmklubber.dk Danske Børne- og Ungdomsfilmklubber (DaBUF) Ørnevej 45 st, 2400 København NV Telefon 33 21 41 76, telefax 33 21 41 60 E-mail: [email protected] Web: www.dabuf.dk Layout og tryk: Johansen Grafisk, Holstebro FILMKATALOG 2018/2019 er udgivet med støtte fra: Det Danske Filminstitut Billeder forside: Frantz (Camera Film) • Mysteriet ved Slack Bay (Another World Entertainment) INDHOLDSFORTEGNELSE Filmkatalog – nye titler. 7 Filmkatalog – øvrige titler . 37 Fortegnelse over filmudlejere . 63 KATALOGETS BRUG FILMKATALOG udsendes hvert forår og indeholder en fortegnelse over de digitale film, der i den følgende sæson vil kunne lejes af filmklubber, som er medlem Sammenslut- ningen af Danske Filmklubber (SDF). Filmene er udvalgt af SDFs Katalogudvalg. Det første Filmkatalog udkom i 1985. Filmene anføres i alfabetisk rækkefølge efter deres danske udlejningstitel. I dette års katalog er bestemte og ubestemte artikler – f.eks. den, det eller a og the – taget med i opslagsordet, som nu er blevet almindeligt, dvs. filmen ”Den skaldede frisør” skal sø ges under den og ikke under skaldede. For hver film anføres udlejningsselskabet og de vigtig- ste credits. ”Længde” angiver filmens spilletid i minutter. ”Premiere” angiver datoen for filmens første offentlige forevisning i Danmark, hvor der ses bort fra snigpremierer o.l. ”Format” eller medie angiver om filmen er i 3D, DCP (= 2D digital), bd (= blu-ray disc) eller dvd. Til hver film følger en kort omtale, som i sagens natur er subjektiv, men dog gerne skulle fortælle, hvad filmen drejer sig om og egner sig til. Filmomtalerne er skrevet af: Lonni Gelsdorf (LG), Annette Hørdahl Jensen (AJ), Frans Pærregaard (PÆ), Peter Breinholt (PB) og Ruth Krog (RK) Nye titler Filmkatalog 7 [1] 3 TING [2] ABERNES PLANET: OPGØRET Prem: 16.2.2017 Format: DCP Udlej: 20th Danmark 2017 USA 2017 Century Fox. Instr: Jens Dahl Manus: Jens Dahl Medvk: Instr: Matt Reeves Manus: Matt Reeves, Nikolaj Coster-Waldau, Birgitte Hjort Sø- Mark Bomback Medvk: Andy Serkis, Woo- Er man til gyserfilm, så er The Cure for Wel- rensen, Lærke Winther og Jakob Ulrik Loh- dy Harrelson, Karin Konoval Længde: 140 lness lige noget. Det siges, at instruktø- mann. Længde: 89 min Prem: 18.5.2017 min Prem: 13.7.2017 Format: DCP Udlej: ren er inspireret af film som The Shining Format: DCP Udlej: Scanbox. 20th Century Fox. og Rosemary`s Baby. Men filmen har ikke disse films gyserdimensioner. Der er el- Det er en sen debutfilm fra den dygtige Det hele startede I 1968, hvor filmen Aber- lers uhyggeligt nok på det skønne hotel kortfilminstruktør Jens Dahl, og han har nes Planet kom. Charlton Heston spillede i alperne, hvor filmen foregår. Tilsynela- dristigt valgt en interessant genre. Det er en astronaut, der lander på en fjern pla- dende kan man på hotellet få en rensen- en thriller, en krimi med en aura af skæb- net, hvor primitive mennesker lever som de kur, der kurerer alt, men selvfølgelig er nedrama. Vi møder Mikael, der har begået slaver for højtudviklede aber. Det viser det kun på overfladen. Handlingens tråd et virkelig stort bankrøveri med også et sig at være jorden. Sympatien her lå hos er, at en forsikringsdirektør er taget til ho- drab til følge, og han bliver så tilbudt at de mennesker, der var tilbage her, men i tellet for at blive kureret, men beordres vidne mod de andre bandemedlemmer. denne sidste film er det helt anderledes. hentet hjem af firmaet repræsenteret af Han kan så få vidnebeskyttelse og en ny Det er aberne ledet af den kloge Caesar, den unge ambitiøse Lochardt. Men og- identitet. Men Mikael vil have 3 ting: et der skal føre aberne ud af tyranniet un- så han indfanges af hotellets gruopvæk- møde med en tidligere kæreste, en lille der den apokalypse-søgende menneske kende eksperimenter. Snart ved han ikke, kasse med personlige ejendele samt en oberst, der både er ond og umenneske- hvem han er: normal eller syg? Er det han særlig ret fra en indisk restaurant. Hele fil- lig. Filmen trækker på mange mytologier: oplever virkeligt, eller har han hallucina- men er optaget på een location, et brun- den jødiske exodus historie om Moses, der tioner? Filmen er meget smukt fotografe- ligt neutralt hotelværelse, hvor kammer- fører jøderne ud af Egypten til det forjæt- ret, så den visuelt bliver en spektakulær spillet mellem Mikael og de to politimænd tede land og også Conrads Mørkets Hjer- oplevelse. Men selvom den stiller væsent- og anklager udspiller sig. Man ser aldrig te, filmatiseret som Apocalypse Now med lige spørgsmål om vores ”syge” samfund, forbrydelsen, men hører kun om den. Der Marlon Brando som den onde Kurz er med så siger den slet ikke noget om kuren, som tales og tales, og det er i replikkerne, i in- i denne film. Visuelt er filmen helt fanta- desuden er alt for lang. LG tensiteten mellem aktørerne, at filmens stisk, ja det er som Ringenes Herre, og for- skæbnedrama udfolder sig. Filmen har tællingen er vedkommende og relevant. mindelser om The Usual Suspects fra 95, Aberne er klogere end menneskene og [4] A GHOST STORY og fungerer fint rent dramatisk. Måske tror har et stærkere sammenhold. En anmel- USA 2017 man ikke helt på, at Mikael vil være, som der ser endda også Caesar, den stolte le- Instr: David Lowery Manus: David Lowery han siger ”et bedre menneske”, da han er dende abe som en mulig Kristusskikkel- Medvk: Casey Affleck, Rooney Mara, Will en snu rad, der både er koldblodig og ky- se. Der er krig på planeten, og vi håber, at Oldham Længde: 92 min Prem: 1.2.2018 nisk, men samtidig har en blød kerne. Der aberne vinder. LG Format: DCP, men til filmklubber kun er også mange symboler – bl. a en flak- DVD som man selv anskaffer Udlej: UIP. sende ravn, som vi godt ved, hvad bety- der. Der er også godt med klichéer, men [3] A CURE FOR WELLNESS Musikeren C (Casey Affleck) dør i et det er alligevel en troværdig thriller, hvor USA, Tyskland 2016 biluheld og vågner op i sygehuskapellet man spændt venter på slutningen. Og Ni- Instr: Gore Verbinski Manus, Justin som spøgelse, komplet med hvidt lagen kolaj Coster-Waldau og Birgitte Hjort Sø- Haythe Medvk: Dane Dehaan, Jason over hovedet og sorte øjenhuller som i rensen er overbevisende. LG Isaacs og Mia Goth Længde: 146 min. en tegneserie. Det hinsides, en lysende 3 ting, udl. Scanbox 8 Filmkatalog Nye titler Aminas breve, udlej. Scanbox firkant på hospitalsvæggen, ignoreres af hos sine nærmeste, børn og koner. Det er som har en fest med at slagte forsvarsløse vores spøgelse, der drager hjem, blot for kort fortalt handlingen i Erik Clausens nye kolonister. Det er effektivt lavet, men også at opdage, at livet forsætter uden ham. Nu, film. Clausen laver naturligt nok film, der ret kedsommeligt. AJ hvor alt, hvad der gjorde ham menneske- følger hans biologiske alder. Sidst var han lig, er forsvundet, er der kun kærligheden ældre dement i ”Mennesker bliver spist”. og længslen tilbage. Men han kan end ik- Nu spiller han død. Men hvor den forrige [7] ALL THE MONEY IN THE ke trøste sin kone M (Rooney Mara), der film delvist stadig kunne ses som skarp og WORLD sørger, tvangsspiser, langsomt bliver hel sjov, er den nye film sentimental og kede- USA 2017 igen, møder andre mænd og flytter, frem- lig. Ja, som gammel Clausen-fan, der langt Instr: Ridley Scott Manus: David Scarpa mede flytter ind i huset og lever deres liv, hen ad vejen kunne bære over med de op- Medvk: Michelle Williams, Mark Wahl- altsammen med spøgelset som tavs, sørg- lagte mangler i hans film, er jeg ked af at berg, Christopher Plummer, Charlie Plum- modig tilskuer nu, hvor alt er for sent. Tabs- sige det. Men det synes jeg, den er. PB mer Længde: 133 min Prem: 1.2.2018 følelsen opleves ikke kun af de efterlad- Format: DCP Udlej: SF Studios. te, men kun de efterladte kan forarbejde tabet og komme videre. Dette udtrykkes [6] ALIEN: COVENANT Kan en mesterinstruktør som Ridley Scott måske bedst af det spøgelse, C møder, USA 2017 med så mesterlige film som Bladerunner som venter på svar på et spørgsmål, der Instr: Ridley Scott Manus: John Logan, og Alien lave en lidt kedelig og uinteres- forlængst er glemt. Tiden går, og han dri- Dante Harper Medvk: Michael Fassben- sant film? Svaret er ja – men det er svært ves ud på en rejse, hvor fortid, nutid og der, Catherine Waterston, Bill Crudup at forstå hvorfor. Historien er ellers spæn- fremtid væves sammen, men her mister Længde: 123 min. Prem: 17.5.2017 For- dende, for det er dokudramaet om kid- filmen lidt fokus. David Lowery bruger det mat: DCP Udlej: 20th Century Fox. napningen af John Paul Getty III i 1973, da gammeldags 4:3-format, kvadratisk med han er 16 år i Rom. Det er jo et dokudrama, afrundede hjørner som gulnede billeder Alien-film nr. 6 er instrueret af den op- og man husker måske mediefortællin- i et gammelt album, og lykkes trods det rindelige instruktør Ridley Scott og er en gen om det afskårne øre, som kidnapper- absurde plot med at skabe en smuk, me- sequel til hans 2012-epos Prometheus ne sender til familien. Men sagen er den, lankolsk allegori over tiden og forgænge- og prequel til hans første film i serien fra at farfaderen – den stenrige J.
Recommended publications
  • February 26, 2021 Amazon Warehouse Workers In
    February 26, 2021 Amazon warehouse workers in Bessemer, Alabama are voting to form a union with the Retail, Wholesale and Department Store Union (RWDSU). We are the writers of feature films and television series. All of our work is done under union contracts whether it appears on Amazon Prime, a different streaming service, or a television network. Unions protect workers with essential rights and benefits. Most importantly, a union gives employees a seat at the table to negotiate fair pay, scheduling and more workplace policies. Deadline Amazon accepts unions for entertainment workers, and we believe warehouse workers deserve the same respect in the workplace. We strongly urge all Amazon warehouse workers in Bessemer to VOTE UNION YES. In solidarity and support, Megan Abbott (DARE ME) Chris Abbott (LITTLE HOUSE ON THE PRAIRIE; CAGNEY AND LACEY; MAGNUM, PI; HIGH SIERRA SEARCH AND RESCUE; DR. QUINN, MEDICINE WOMAN; LEGACY; DIAGNOSIS, MURDER; BOLD AND THE BEAUTIFUL; YOUNG AND THE RESTLESS) Melanie Abdoun (BLACK MOVIE AWARDS; BET ABFF HONORS) John Aboud (HOME ECONOMICS; CLOSE ENOUGH; A FUTILE AND STUPID GESTURE; CHILDRENS HOSPITAL; PENGUINS OF MADAGASCAR; LEVERAGE) Jay Abramowitz (FULL HOUSE; GROWING PAINS; THE HOGAN FAMILY; THE PARKERS) David Abramowitz (HIGHLANDER; MACGYVER; CAGNEY AND LACEY; BUCK JAMES; JAKE AND THE FAT MAN; SPENSER FOR HIRE) Gayle Abrams (FRASIER; GILMORE GIRLS) 1 of 72 Jessica Abrams (WATCH OVER ME; PROFILER; KNOCKING ON DOORS) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEPPER) Nick Adams (NEW GIRL; BOJACK HORSEMAN;
    [Show full text]
  • Sundance Institute Presents Institute Sundance U.S
    1 Check website or mobile app for full description and content information. description app for full Check website or mobile #sundance • sundance.org/festival sundance.org/festival Sundance Institute Presents Institute Sundance The U.S. Dramatic Competition Films As You Are The Birth of a Nation U.S. Dramatic Competition Dramatic U.S. Many of these films have not yet been rated by the Motion Picture Association of America. Read the full descriptions online and choose responsibly. Films are generally followed by a Q&A with the director and selected members of the cast and crew. All films are shown in 35mm, DCP, or HDCAM. Special thanks to Dolby Laboratories, Inc., for its support of our U.S.A., 2016, 110 min., color U.S.A., 2016, 117 min., color digital cinema projection. As You Are is a telling and retelling of a Set against the antebellum South, this story relationship between three teenagers as it follows Nat Turner, a literate slave and traces the course of their friendship through preacher whose financially strained owner, PROGRAMMERS a construction of disparate memories Samuel Turner, accepts an offer to use prompted by a police investigation. Nat’s preaching to subdue unruly slaves. Director, Associate Programmers Sundance Film Festival Lauren Cioffi, Adam Montgomery, After witnessing countless atrocities against 2 John Cooper Harry Vaughn fellow slaves, Nat devises a plan to lead his DIRECTOR: Miles Joris-Peyrafitte people to freedom. Director of Programming Shorts Programmers SCREENWRITERS: Miles Joris-Peyrafitte, Trevor Groth Dilcia Barrera, Emily Doe, Madison Harrison Ernesto Foronda, Jon Korn, PRINCIPAL CAST: Owen Campbell, DIRECTOR/SCREENWRITER: Nate Parker Senior Programmers Katie Metcalfe, Lisa Ogdie, Charlie Heaton, Amandla Stenberg, PRINCIPAL CAST: Nate Parker, David Courier, Shari Frilot, Adam Piron, Mike Plante, Kim Yutani, John Scurti, Scott Cohen, Armie Hammer, Aja Naomi King, Caroline Libresco, John Nein, Landon Zakheim Mary Stuart Masterson Jackie Earle Haley, Gabrielle Union, Mike Plante, Charlie Reff, Kim Yutani Mark Boone Jr.
    [Show full text]
  • Teaching Social Issues with Film
    Teaching Social Issues with Film Teaching Social Issues with Film William Benedict Russell III University of Central Florida INFORMATION AGE PUBLISHING, INC. Charlotte, NC • www.infoagepub.com Library of Congress Cataloging-in-Publication Data Russell, William B. Teaching social issues with film / William Benedict Russell. p. cm. Includes bibliographical references and index. ISBN 978-1-60752-116-7 (pbk.) -- ISBN 978-1-60752-117-4 (hardcover) 1. Social sciences--Study and teaching (Secondary)--Audio-visual aids. 2. Social sciences--Study and teaching (Secondary)--Research. 3. Motion pictures in education. I. Title. H62.2.R86 2009 361.0071’2--dc22 2009024393 Copyright © 2009 Information Age Publishing Inc. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, microfilming, recording or otherwise, without written permission from the publisher. Printed in the United States of America Contents Preface and Overview .......................................................................xiii Acknowledgments ............................................................................. xvii 1 Teaching with Film ................................................................................ 1 The Russell Model for Using Film ..................................................... 2 2 Legal Issues ............................................................................................ 7 3 Teaching Social Issues with Film
    [Show full text]
  • Karin Franz Körlof + the Nile Hilton Incident, a Hustler’S Diary, up in the Sky and Much More
    Issue 1 • 2017 SHOOTING STAR Karin Franz Körlof + The Nile Hilton Incident, A Hustler’s Diary, Up in the Sky and much more A magazine from the Swedish Film Institute • sfi.se 25 years Welcome 1 000 co-productions Head of International Pia Lundberg Film i Väst 1992–2017 www.fi lmivast.com Phone: +46 70 692 79 80 [email protected] Festivals, features Petter Mattsson Phone +46 70 607 11 34 Film i Väst congratulates [email protected] its co-productions in Berlin! Festivals, documentaries Sara Rüster A fresh start Phone: +46 76 117 26 78 [email protected] Panta rhei. All things are in flux. They A Hustler’s Diary, a dramedy where a certainly are, and Sweden and the Swedish suburban small-time criminal clashes film industry is no exception. At the time with his past and the very elite of Stock- Festivals, shorts Theo Tsappos of writing we are only weeks into a new holm’s cultural life. We have Sami Blood Phone: +46 76 779 11 33 national film policy. We see it as a chance in Berlin and the TV series Midnight Sun [email protected] to go through the old film funding that’s in Rotterdam – and they both, in com- been around for decades, modernize it – pletely different ways, tell a story about and start afresh. We’re going cherry-pick- the Sami minority. Those are just a few Special projects ing, taking what’s worked for us and other examples of Swedish films that are Josefina Mothander countries before, and putting the pieces selected for various festivals in the first Phone +46 70 972 93 52 together to build something new.
    [Show full text]
  • Det Handlar Omatt Lyfta Varann
    NUMMER 2/2014 Barn- morskor hann inte läsa patient- journaler Lena Endre: Det handlar om att lyfta varann Vänstern EU-valet påverkar Möt Karlstads Solidaritet med i Gävle har Sverige mer än mest poetiska Grekland. Mer fördubblats. de flesta vet om. sotare. om insamlingen. EN TIDNING FRÅN VÄNSTERPARTIET EN TIDNING FRÅN VÄNSTERPARTIET, NR 2/2014 Kalle LarssonKalle Görgen Persson Görgen 24 Garcia Losita 10 18 Dags att välja Gävle växer Hur står det till? EUs nyliberala politik För två år sedan startade Varför saknas det barnmorskor orsakar kris i Europa. Men Vänsterpartiet Gävle upp sina och förlossningsplatser Vänsterpartiet vill gå en annan Röda Lördagar och Öppna på så många orter? väg. Välfärden kan räddas – torsdagar. Det har inte gått bra, RÖTT tog pulsen på både här hemma och i EU, det har gått över förväntan! Skånes Universitetssjukhus’ säger Malin Björk, V. Ändå är det ganska enkelt… förlossningsavdelning. Inte en enda gång hörde jag dem säga någonting om vad de gjorde inne på Metallen i Finspång. Lennart Lundquist, Krönikan sidan 15. 34 & 39 Eskilstuna 17 Valfordon? 14 Läkerol och Kalmar kan Plus: Kostar obe­ Läkerolfabriken har Både i Kalmar tydligt mer än en försörjt många famil­ 16 Bara RÖTT Landsting och i valstuga, kan flyttas jer genom åren. RÖTT rekommen­ Eskilstuna kommun snabbt, syns bra, lätt I hundra år faktiskt. derar tre intressanta har V fått igenom att få bemannad. Sedan kom en risk­ poddar. En, Lilla vänster politik utan Minus: Drivmedlet. kapitalist och köpte drevet, med skratt­ att vara särskilt stora. Vi pratar brandbil. upp den. garanti. Rött utges av Vänsterpartiet.
    [Show full text]
  • Televi and G 2013 Sion, Ne Graphic T 3 Writer Ews, Rad
    FOR IMMEDIATE RELEASE December 6, 2012 2013 WRITERS GUILD AWARDDS TELEVISION, NEWS, RADIO, PROMOTIONAL WRITING, AND GRAPHIC ANIMATION NOMINEES ANNOUNCED Los Angeles and New York – The Writers Guild of Ameerica, West (WGAW) and the Writers Guild of America, East (WGAE) have announced nominaations for outstanding achievement in television, news, radio, promotional writing, and graphic animation during the 2012 season. The winners will be honored at the 2013 Writers Guild Awards on Sunday, February 17, 2013, at simultaneous ceremonies in Los Angeles and New York. TELEVISION NOMINEES DRAMA SERIES Boardwalk Empire, Written by Dave Flebotte, Diane Frolov, Chris Haddock, Rolin Jones, Howard Korder, Steve Kornacki, Andrew Schneider, David Stenn, Terence Winter; HBO Breaking Bad, Written by Sam Catlin, Vince Gilligan, Peter Gouldd, Gennifer Hutchison, George Mastras, Thomas Schnauz, Moira Walley-Becckett; AMC Game of Thrones, Written by David Benioff, Bryan Cogman, George R. R. Martin, Vanessa Taylor, D.B. Weiss; HBO Homeland, Written by Henry Bromell, Alexander Cary, Alex Gansa, Howard Gordon, Chip Johannessen, Meredith Stiehm; Showtime Mad Men, Written by Lisa Albert, Semi Chellas, Jason Grote, Jonathan Igla, Andre Jacquemetton, Maria Jacquemetton, Brett Johnson, Janeet Leahy, Victor Levin, Erin Levy, Frank Pierson, Michael Saltzman, Tom Smuts, Matthew Weiner; AMC -more- 2013 Writers Guild Awards – TV-News-Radio-Promo Nominees Announced – Page 2 of 7 COMEDY SERIES 30 Rock, Written by Jack Burditt, Kay Cannon, Robert Carlock, Tom Ceraulo, Vali
    [Show full text]
  • Morgan Wallen's 'Dangerous' Spends Fourth Week at No. 1 on Billboard
    BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; ENTERTAINMENTBrett Young ‘Catc NEWSh UPDATE’-es Fifth AirplayFEBRUARY 8, 2021 Page 1 of 25 Leader; Travis Denning Makes History INSIDE Morgan Wallen’s ‘Dangerous’ Spends Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music GroupFourth Nashville), debuts at No. Week1 on Billboard’s lion at audience No. impressions, 1 upon 16%). Billboard Top Country• Olivia AlbumsRodrigo’s chart dated April 18. In its first week (ending April 9), it earned‘Drivers 46,000 License’ equivalent album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cordingLeads to Hot Nielsen 100 for Music/MRC 4th Data. 200 Albumsand total Country Airplay ChartNo. 1 as “Catch” (Big Machine Label Group) ascends SouthsideWeek, The marks Weeknd Hunt’s second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chart &and CJ fourth Hit Top top 10 10. It follows freshman LP BY KEITH CAULFIELD Young’s first of six chart entries, “Sleep With- Montevallo• Super ,Bowl which Synch arrived at the summit in No - out You,” reached No. 2 in December 2016. He vember 2014 and reigned for nine weeks. To date, followed with the multiweek No. 1s “In Case You Report: Sony/ATV Morgan Wallen’s Dangerous: The Double Album holds demand streams of the album’s songs), album sales Montevallo has earned 3.9 million units, with 1.4 Didn’t Know” (two weeks, June 2017), “Like I Loved Walking on Air at No.
    [Show full text]
  • SVT World Jul Nyar 2014 2015.Pdf
    Kultur, musik & nöje Aje Aje Mellin/SVT Knut Koivisto/SVT Koivisto/SVT Knut - © Björk/SVT Bo Tack för musiken Kim Anderzon till minne © Niklas Strömstedt är tillbaka som programledare och Två program till minne av nyligen bortgångna artisten träffar några av Sveriges absolut största och Kim Anderzon. Det första är en intervju som Anja folkkäraste artister. Vi får njuta av massor med skön Kontor gjorde när Kim Anderzon firade 30 år som musik, anekdoter och minnen. artist. Det andra är en kvinnofest från Cirkus i SVT World fre 12 dec kl 21.00 CET: Jill Johnson Stockholm där Kim Anderzon och Lottie Ejebrand är SVT World fre 19 dec kl 21.00 CET: Peter Jöback programledare. Bland de medverkande finns bl a SVT World fre 26 dec kl 22.00 CET: Sarah Dawn Margaretha Krook, Monica Zetterlund, Monica Finer Dominique och Stina Ekblad. SVT World fre 2 jan kl 21.00 CET: Mauro Scocco SVT World mån 22 dec kl 12.00 CET: Personligt SVT World mån 22 dec kl 23.15 CET: Kvinnofest En sång om glädje i juletid Nils Börge Gårdh återkommer även i år med folkkära artister som framför några av våra käraste julsånger tillsammans med kören Masters Voice. Med Sonja Aldén, Magnus Carlsson, Dogge Dogelito, Evelina Gard, Tommy Nilsson och Jan Johansen. SVT World mån 22 dec kl 18.15 CET - 1:2 SVT World tis 23 dec kl 23.15 CET - 2:2 SVT Foto: Mats Ek och Julia & Romeo I den publik- och kritikerhyllade dansföreställningen Julia och Romeo vänder koreografen Mats Ek på perspektivet och berättar historien utifrån Julias perspektiv.
    [Show full text]
  • The Life and Films of the Last Great European Director
    Macnab-05480001 macn5480001_fm May 8, 2009 9:23 INGMAR BERGMAN Macnab-05480001 macn5480001_fm May 19, 2009 11:55 Geoffrey Macnab writes on film for the Guardian, the Independent and Screen International. He is the author of The Making of Taxi Driver (2006), Key Moments in Cinema (2001), Searching for Stars: Stardom and Screenwriting in British Cinema (2000), and J. Arthur Rank and the British Film Industry (1993). Macnab-05480001 macn5480001_fm May 8, 2009 9:23 INGMAR BERGMAN The Life and Films of the Last Great European Director Geoffrey Macnab Macnab-05480001 macn5480001_fm May 8, 2009 9:23 Sheila Whitaker: Advisory Editor Published in 2009 by I.B.Tauris & Co Ltd 6 Salem Road, London W2 4BU 175 Fifth Avenue, New York NY 10010 www.ibtauris.com Distributed in the United States and Canada Exclusively by Palgrave Macmillan 175 Fifth Avenue, New York NY 10010 Copyright © 2009 Geoffrey Macnab The right of Geoffrey Macnab to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. Except for brief quotations in a review, this book, or any part thereof, may not be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the publisher. ISBN: 978 1 84885 046 0 A full CIP record for this book is available from the British Library A full CIP record is available from the Library of Congress Library of Congress
    [Show full text]
  • Ruth Prawer Jhabvala's Adapted Screenplays
    Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone.
    [Show full text]
  • Film Locations in San Francisco
    Film Locations in San Francisco Title Release Year Locations A Jitney Elopement 1915 20th and Folsom Streets A Jitney Elopement 1915 Golden Gate Park Greed 1924 Cliff House (1090 Point Lobos Avenue) Greed 1924 Bush and Sutter Streets Greed 1924 Hayes Street at Laguna The Jazz Singer 1927 Coffee Dan's (O'Farrell Street at Powell) Barbary Coast 1935 After the Thin Man 1936 Coit Tower San Francisco 1936 The Barbary Coast San Francisco 1936 City Hall Page 1 of 588 10/02/2021 Film Locations in San Francisco Fun Facts Production Company The Essanay Film Manufacturing Company During San Francisco's Gold Rush era, the The Essanay Film Manufacturing Company Park was part of an area designated as the "Great Sand Waste". In 1887, the Cliff House was severely Metro-Goldwyn-Mayer (MGM) damaged when the schooner Parallel, abandoned and loaded with dynamite, ran aground on the rocks below. Metro-Goldwyn-Mayer (MGM) Metro-Goldwyn-Mayer (MGM) Warner Bros. Pictures The Samuel Goldwyn Company The Tower was funded by a gift bequeathed Metro-Goldwyn Mayer by Lillie Hitchcock Coit, a socialite who reportedly liked to chase fires. Though the tower resembles a firehose nozzle, it was not designed this way. The Barbary Coast was a red-light district Metro-Goldwyn Mayer that was largely destroyed in the 1906 earthquake. Though some of the establishments were rebuilt after the earthquake, an anti-vice campaign put the establishments out of business. The dome of SF's City Hall is almost a foot Metro-Goldwyn Mayer Page 2 of 588 10/02/2021 Film Locations in San Francisco Distributor Director Writer General Film Company Charles Chaplin Charles Chaplin General Film Company Charles Chaplin Charles Chaplin Metro-Goldwyn-Mayer (MGM) Eric von Stroheim Eric von Stroheim Metro-Goldwyn-Mayer (MGM) Eric von Stroheim Eric von Stroheim Metro-Goldwyn-Mayer (MGM) Eric von Stroheim Eric von Stroheim Warner Bros.
    [Show full text]
  • Das Februar-Programm Im Kino Im Kesselhaus
    www.kinoimkesselhaus.at PRESSEINFORMATION DAS FEBRUAR-PROGRAMM IM KINO IM KESSELHAUS ⋅ FILMGESPRÄCHE: THE END OF MEAT (1.2. Kooperation mit Attac Krems), LIFE GUIDANCE (23.2. Regisseurin Ruth Mader zu Gast) ⋅ CINEZONE (15.2.) – Film/Live-Remix: TRAINS OF THOUGHTS / Konzert: SOFA SURFERS ⋅ MALEN IN DER FILMBAR nach der Kinderkino-Vorstellung (12.2.) ⋅ FILMFRÜHSTÜCK MIT DJ MARKY MUSHROOM (18.2.) ⋅ KINDERTHEATER: KLUPPE WÄSCHEKIND (25.2.) ⋅ SPIELFILME: DAS LEUCHTEN DER ERINNERUNG (31.1.-4.2. / 11.+25.2), WONDER WHEEL (7.-11.2.), DJANGO (8.-11.2.), DER ANDERE LIEBHABER (16.-18.2.), THREE BILLBOARDS OUTSIDE EBBING, MISSOURI (22.-28.2.), DIE DUNKELSTE STUNDE (21.-28.2.) u.v.m. Kino im Kesselhaus, Dr.-Karl-Dorrek-Straße 30, A-3500 Krems, Tickets/Informationen: Tel. 02732/90 80 00 www.kinoimkesselhaus.at → PRESSETEXT ALS PDF : http://www.kinoimkesselhaus.at/de/presse/1802_KINO_IM_KESSELHAUS_KREMS.pdf → PRESSEFOTOS : https://celum.noeku.at/pindownload/login.do?pin=9OHM6 Die SPIELFILME des Februarspielplans stehen ganz im Zeichen großen SchauspielerInnen-Kinos: Helen Mirren und Donald Sutherland reisen in DAS LEUCHTEN DER ERINNERUNG (31.1.-4.2. / 11.+25.2. Filmfrühstück) mit einem alten Wohnmobil durch ihre Vergangenheit. Paolo Virzì erzählt in seinem tragikomischen Roadmovie vom Ende eines erfüllten gemeinsamen Lebens. Gary Oldman ist die Rolle des Winston Churchill in Joe Wrights elektrisierendem politischen Thriller DIE DUNKELSTE STUNDE (21.-28.2.) förmlich auf den Leib geschrieben. Frances McDormand spielt in der klugen pechschwarzen Tragikomödie THREE BILLBOARDS OUTSIDE EBBING, MISSOURI (22.-28.2.) eine Frau, die den Tod ihrer Tochter rächen will. Sie wurde für ihre Darstellung mit dem Golden Globe ausgezeichnet.
    [Show full text]