GOLEM: Generator of Life Embedded Into Mmos
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Minecraft: Builders & Biomes Rulebook
EN For 2-4 players Ages 10+ In Minecraft: Builders & Biomes, players explore the Overworld, mine blocks, and build spectacular structures. Plan your builds carefully and defeat dangerous mobs to win! Setup Shuffle the 64 building “Shuffle the 16 colorless Place the block base next to the grid in easy 1 and mob tiles and divide 2 weapon tokens and place 3 reach of all players. Assemble the support them into 16 face-down stacks of one, face down, at the ends of structure and place it on the block base. Fill it with the four tiles each. Lay them out in each column and row to form a 64 blocks (16 wood, 14 sand, 12 stone, 10 obsidian, a 4 by 4 grid, with enough space six by six grid. (Leave the corners and 12 emerald) in random order. Gently shake until between the rows for your game empty.)“ the blocks form a big cube. Then remove the support pieces to move between them. structure by lifting it up on its flaps. 4 Each player chooses a color (red, blue, yellow, or green) and takes the player board and game materials of the same color. Game materials include one game piece base, one experience counter, and five colored weapon tokens (one stone sword, one wooden sword, and three poisonous potatoes). Place your experience counter on space 0 of the experience point track that runs along the edge of your player board. Shuffle your 5 weapon tokens and put them in a face-down pile. Choose a player skin (character appearance) and push it into your game piece base. -
Onlinemanual, V.8.Qxd
MANUAL Table of Contents Part I: Getting Started................................................................2 Book I: Of the World and Its Denizens............................................................................2 Book II: Of Succor in Times of Need..............................................................................2 Book III: Herein You Create a Noble..............................................................................2 Book IV: Of the Scenarios You Can Play..........................................................................3 Part II: The Battle Level...............................................................4 Book I: On the Main Window.......................................................................................4 Book II: Herein the Army Display is Revealed...................................................................5 Book III: Of the Mini-Map and Its Uses............................................................................5 Book IV: Valiant Actions and How They Are Performed........................................................5 Book V: Knights and the Companies Under Their Command.................................................6 Book VI: The Soldiers of the Realms.............................................................................7 Book VII: How a Noble Moves and Faces His Units............................................................15 Book VIII: The Wise Noble Organizes His Men..................................................................16 Book -
Finding Golem
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Senior Thesis Projects, 2003-2006 College Scholars 2005 Finding Golem Elizabeth Abbot Follow this and additional works at: https://trace.tennessee.edu/utk_interstp3 Recommended Citation Abbot, Elizabeth, "Finding Golem" (2005). Senior Thesis Projects, 2003-2006. https://trace.tennessee.edu/utk_interstp3/3 This Project is brought to you for free and open access by the College Scholars at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Senior Thesis Projects, 2003-2006 by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. ,i 1 FORMC COLLEGE SCHOlARS PROJECT APPROVAL EhzabettA. Abbo-\-\ Scholar Mentor r; (\ d d\ 3 <; D \e VV\ Project Title COMMITTEE MEMBERS (Minimum 3 Required) Name Signature .~~ 2J7{0I¥J k~ PLEASE ATTACH A COpy OF THE SENIOR PROJECT TO THIS SHEET AND RETURN BOTH TO THE PROGRAM DIRECTOR. THIS PAGE SHOULD BE DATED AND COMPLETED ON THE DATE THAT YOUR DEFENSE IS HELD . ..-:1' i I /" DATE COMPLETED ----.t-S."../-!2-..\0.1 ....... / L_'?_~_ Finding Golem 1 Finding Golem Elizabeth Abbott University of Tennessee Finding Golem 2 Letter to the Reader In our society, we often focus entirely on producing a desired result without taking the process of creation into account. This project, however, is more about the journey taken than the product achieved. Behind all of my research on Golem, personal questions about the roles of language and creativity have motivated my work. The four separate parts of the following project are intended to highlight the distinct paths I have taken over the last two years to get to this point. -
Cyber-Synchronicity: the Concurrence of the Virtual
Cyber-Synchronicity: The Concurrence of the Virtual and the Material via Text-Based Virtual Reality A dissertation presented to the faculty of the Scripps College of Communication of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Jeffrey S. Smith March 2010 © 2010 Jeffrey S. Smith. All Rights Reserved. This dissertation titled Cyber-Synchronicity: The Concurrence of the Virtual and the Material Via Text-Based Virtual Reality by JEFFREY S. SMITH has been approved for the School of Media Arts and Studies and the Scripps College of Communication by Joseph W. Slade III Professor of Media Arts and Studies Gregory J. Shepherd Dean, Scripps College of Communication ii ABSTRACT SMITH, JEFFREY S., Ph.D., March 2010, Mass Communication Cyber-Synchronicity: The Concurrence of the Virtual and the Material Via Text-Based Virtual Reality (384 pp.) Director of Dissertation: Joseph W. Slade III This dissertation investigates the experiences of participants in a text-based virtual reality known as a Multi-User Domain, or MUD. Through in-depth electronic interviews, staff members and players of Aurealan Realms MUD were queried regarding the impact of their participation in the MUD on their perceived sense of self, community, and culture. Second, the interviews were subjected to a qualitative thematic analysis through which the nature of the participant’s phenomenological lived experience is explored with a specific eye toward any significant over or interconnection between each participant’s virtual and material experiences. An extended analysis of the experiences of respondents, combined with supporting material from other academic investigators, provides a map with which to chart the synchronous and synonymous relationship between a participant’s perceived sense of material identity, community, and culture, and her perceived sense of virtual identity, community, and culture. -
Minutes of Meeting of the Board of Directors of Travis County Municipal Utility District No
MINUTES OF MEETING OF THE BOARD OF DIRECTORS OF TRAVIS COUNTY MUNICIPAL UTILITY DISTRICT NO. 2 June 3, 2020 THE STATE OF TEXAS § § COUNTY OF TRAVIS § A meeting of the Board of Directors of Travis County Municipal Utility District No. 2 was held on June 3, 2020 via telephone conference call pursuant to Section 551.125, Texas Government Code, as modified temporarily by Governor Greg Abbott, and the related guidance from the office of the Texas Attorney General, in connection with the Governor’s COVID-19 Disaster Proclamation. Notice of the meeting was given as required by the Texas Open Meetings Act. A copy of the Certificate of Posting of the notice is attached as Exhibit “A”. The meeting was open to the public via the toll-free dial-in telephone number provided in the meeting notice. An electronic agenda packet for the meeting was provided on-line via the link included in the meeting notice and the meeting was recorded and made available at the same link after the meeting. In order to facilitate the efficiency of the telephone proceedings, Director Roberts asked Mr. Bartram to moderate the meeting. There being no objections, Mr. Bartram called the telephone conference meeting to order at 12:03 p.m. The roll was called of the members of the Board: Wilmer Roberts - President Michael Moore - Vice President Debora Pickens - Secretary Ray Mura - Assistant Secretary Tracy T. Johnson - Assistant Secretary and all of the Directors were present, thus constituting a quorum. Also present on the call were Jeremy Sheard, a resident of the District; -
Jewish Renaissance
THE YIDDISHISTS OUR SERIES DELVES INTO THE TREASURES OF THE WORLD’S BIGGEST YIDDISH ARCHIVE AT YIVO INSTITUTE FOR JEWISH RESEARCH Left: Performance photo from the Habima production Sephardi of The Golem, 1925; Below: Drawing of the golem and the Maharal from the 1925 Habima production of H Leivick’s play RENAISSANCE wipes away the holy name of God from the golem’s forehead. In doing so, the golem falls on top of Elijah Ba’al Shem, leaving him cut and battered. In the early 20th century, the golem of Prague took on an added dimension that was entirely absent from earlier tellings. Thanks mainly to a fabricated story produced by a chasidic rabbi from Warsaw which he passed off as being written by the Maharal’s son-in-law, the golem now protected the Jewish community from a pogrom brought about by a blood libel accusation. This version coincided with 58 PHOTOGRAPHY Return to Lebanon an increase in anti-Jewish violence across 60 SEPHARDI VOICES Cultures connect over a Beirut bridge table Europe stemming from charges of blood libel and ritual murder. In 1920 H Leivick, an anti-Czarist SPONSORED BY DANGOOR EDUCATION activist who had fled Belarus in 1913, wrote the modernist play Der goylem: a THE LEGEND OF THE GOLEM dramatishe poeme in akht bilder (The Golem: a dramatic poem in eight acts), THE YIDDISHISTS The 19th-century story of the Prague golem is well known but tales which was popular in the Yiddish theatre repertoire worldwide. In the UK it was about the mythical clay creature reach back almost a thousand performed by Maurice Schwartz’s Yiddish years, says Stefanie Halpern Art Theatre, and Moscow’s Habima theatre showed it in a Hebrew translation. -
How the Golem Came to Prague EDAN DEKEL and DAVID GANTT GURLEY
T HE J EWISH Q UARTERLY R EVIEW, Vol. 103, No. 2 (Spring 2013) 241–258 How the Golem Came to Prague EDAN DEKEL AND DAVID GANTT GURLEY THE LEGEND OF THE G OLEM, the mute clay servant brought to life by Rabbi Judah Loew of Prague and who ran amok one Sabbath, is one of the most enduring and imaginative tales in modern Jewish folklore. Although its roots ultimately lie in late antique rabbinic literature, the story dilates somewhat dramatically in the nineteenth century.1 While 1. On the Golem tradition in general, see Elaine L. Graham, ‘‘Body of Clay, Body of Glass,’’ in Representations of the Post/Human: Monsters, Aliens, and Others in Popular Culture (Manchester, 2002), 84–108; Lewis Glinert, ‘‘Golem: The Making of a Modern Myth,’’ Symposium 55 (2001): 78–94; Peter Scha¨fer, ‘‘The Magic of the Golem: The Early Development of the Golem Legend,’’ Journal of Jewish Stud- ies 46 (1995): 249–61; Moshe Idel, Golem: Jewish Magical and Mystical Traditions on the Artificial Anthropoid (Albany, N.Y., 1990); Emily D. Bilski, Golem! Danger, Deliverance, and Art (New York, 1988); Byron L. Sherwin, The Golem Legend: Ori- gins and Implications (Lanham, Md., 1985); Gershom Scholem, ‘‘The Idea of the Golem,’’ in On the Kabbalah and Its Symbolism (New York, 1965), 158–204; Fred- eric Thieberger, The Great Rabbi Loew of Prague: His Life and Work and the Legend of the Golem (London, 1955); Hans L. Held, Das Gespenst des Golem (Munich, 1927); Chaim Bloch, Der Prager Golem (Berlin, 1920); Konrad Mu¨ ller, ‘‘Die Golemsage und die Sage von der lebenden Statue,’’ Mitteilungen der Schlesischen Gesellschaft fu¨r Volkskunde 20 (1919): 1–40; Nathan Gru¨ n, Der hohe Rabbi Lo¨w und sein Sagenkreis (Prague, 1885); and passim the various essays in Alexander Putik, ed., Path of Life: Rabbi Judah Loew ben Bezalel (Prague, 2009). -
The Name of God the Golem Legend and the Demiurgic Role of the Alphabet 243
CHAPTER FIVE The Name of God The Golem Legend and the Demiurgic Role of the Alphabet Since Samaritanism must be viewed within the wider phenomenon of the Jewish religion, it will be pertinent to present material from Judaism proper which is corroborative to the thesis of the present work. In this Chapter, the idea about the agency of the Name of God in the creation process will be expounded; then, in the next Chapter, the various traditions about the Angel of the Lord which are relevant to this topic will be set forth. An apt introduction to the Jewish teaching about the Divine Name as the instrument of the creation is the so-called golem legend. It is not too well known that the greatest feat to which the Jewish magician aspired actually was that of duplicating God's making of man, the crown of the creation. In the Middle Ages, Jewish esotericism developed a great cycle of golem legends, according to which the able magician was believed to be successful in creating a o ?� (o?u)1. But the word as well as the concept is far older. Rabbinic sources call Adam agolem before he is given the soul: In the first hour [of the sixth day], his dust was gathered; in the second, it was kneaded into a golem; in the third, his limbs were shaped; in the fourth, a soul was irifused into him; in the fifth, he arose and stood on his feet[ ...]. (Sanh. 38b) In 1615, Zalman �evi of Aufenhausen published his reply (Jii.discher Theriak) to the animadversions of the apostate Samuel Friedrich Brenz (in his book Schlangenbalg) against the Jews. -
Fafnir – Nordic Journal of Science Fiction and Fantasy Research Journal.Finfar.Org
Fafnir – Nordic Journal of Science Fiction and Fantasy Research journal.finfar.org Golems in the New World Matt Reingold Abstract: This essay considers the ways that the legend of the Jewish Golem has been used in two recent graphic novels. The original legends of the Golem presented him as a creature that would protect the Jews of Prague against anti- Semitism and persecution in the 16th century, while leaving open the possibility that he could return again in the future. Both James Sturm’s The Golem’s Mighty Swing and Jorge Zentner and Rubén Pellejero’s The Silence of Malka make use of many of the original tropes of the Golem narrative, but by making significant changes to the story including location, time period, and even what a Golem is, the texts offer new ways of understanding the Golem legend. These narratives suggest that despite immense progress for global Jewry since the 16th century, a Golem – albeit a new one – is still needed to protect Jews, sometimes even from themselves. Keywords: Golems, James Sturm, Golem’s Mighty Swing, The Silence of Malka, Jorge Zentner and Rubén Pellejero, graphic novels In a May 2009 article in the New York Times, reporter Dan Bilefsky identified a revival in Golem culture in Prague. In his visit to the city, he found Golem hotels, Golem figurines and action figures, a musical about the Golem, and even Golem-themed restaurants serving non-kosher foods like the “crisis special”, a roast pork and potato dish. In her analysis of the renewed interest in Prague’s legendary creature, Eva Bergerova, director of the Golem play, sees in the Golem a “projection of society’s … fears and concerns. -
135 REVIEWS FOLKLORICA 2013, Vol. XVII Baer, Elizabeth R. The
135 REVIEWS Baer, Elizabeth R. The Golem Redux: From Prague to Post- Holocaust Fiction. Detroit, MI: Wayne State University Press, 2012. Notes, Bibliography, Index, 229 pp. $27.95 (paper). ISBN 978-0-8143-3626-7. The golem is one of the most popular motifs in Jewish folklore. The tale of the clay statue given life by a holy man has many permutations in traditional use, ranging from salacious stories (such as when an unmarried rabbi creates a female creature to be his companion) to profound tales where the golem defends Jews against cruel pogroms. Elizabeth Baer’s book is an affectionate analysis of the golem motif in contemporary creative work, with examples ranging from novels to film to comic books. She takes the readers from legends compiled in the nineteenth and early twentieth centuries through high literature of the post- Holocaust era into the post-millennial period. Baer’s analysis addresses the golem’s increasing prominence in creative works, especially since 1980, and examines the meanings authors have created with this enduring motif. Baer’s work is built around the intertextuality of golem literature, especially as it relates to the Holocaust. Employing concepts from theorists like Julia Kristeva and Geoffrey Hartmann, Baer interrogates the discursive genealogy of the golem in post- Holocaust fiction. Viewed through an intertextual lens, each new text (or “hypertext”) builds on the “hypotext” preceding it, preserving the meaning of the hypotext while adding new interpretations. Baer explicitly places The Golem Redux in this intertextual paradigm, acknowledging that her study is a hypertext of scholarship by Gershom Scholem, Moshe Idel, and especially Arnold Goldsmith, whose monograph The Golem Remembered, 1901-1980 was the first scholarly treatment of golem literature in English. -
The Golem Project Crowdfunding Whitepaper
The Golem Project Crowdfunding Whitepaper final version November 2016 Table of contents Overview of the Golem Project Grand vision and core features Golem as an Ecosystem Supply of Infrastructure Demand for Computing Resources Software & Microservices The first use case: CGI rendering Long term vision: Golem as a building block of Web 3.0 Golem Network Token (GNT) Application Registry Transaction Framework Resilience Roadmap Brass Golem Clay Golem Stone Golem Iron Golem Future integrations Crowdfunding Crowdfunding summary Budget and levels of funding Golem Team Managers Key developers Developers Business development and communication Overview of the Golem Project Grand vision and core features ● Golem is the first truly decentralized supercomputer, creating a global market for computing power. Combined with flexible tools to aid developers in securely distributing and monetizing their software, Golem altogether changes the way compute tasks are organized and executed. By powering decentralized microservices and asynchronous task execution, Golem is set to become a key building block for future Internet service providers and software development. And, by substantially lowering the price of computations, complex applications such as CGI rendering, scientific calculation, and machine learning become more accessible to everyone. ● Golem connects computers in a peer-to-peer network, enabling both application owners and individual users ("requestors") to rent resources of other users’ ("providers") machines. These resources can be used to complete tasks requiring any amount of computation time and capacity. Today, such resources are supplied by centralized cloud providers which, are constrained by closed networks, proprietary payment systems, and hard-coded provisioning operations. Also core to Golem’s built-in feature set is a dedicated Ethereum-based transaction system, which enables direct payments between requestors, providers, and software developers. -
Is a Human Clone a Golem?
JOHN D. LOIKE Is a Human Clone a Golem? esearch in cloning technology is progressing so rapidly that many Rscientists believe that it is now possible to clone a human being. Nonetheless, most countries in the world have banned the cloning of human beings because it raises moral dilemmas which, as of yet, are unresolved. From a halakhic perspective as well, there are a variety of issues that should be explored. One issue that has been debated is whether Halakhah considers a cloned being to be a human or a golem (an artificial person or humanoid).1 Halakhic discussions concerning the permissibility of killing or having sexual relations with a golem may initially appear obscure and strange, yet they provide some of the few halakhic precedents for defining a human being and may shed light on characterizing the status of human clones. The first part of this article will explore several halakhic issues related to a golem. The second part will introduce and define two different types of human clones and will analyze whether or not each of these clones can be classified as a golem or instead should be classified as a human being. Background The Definition of a Human Being: There are relatively few halakhic sources that define a human being. One highly referenced source is a responsum of H. akham Z. evi (#93), which defines a human as someone formed within a woman.2 H. akham Z. evi bases his principle on Sanhedrin 57b, which quotes Genesis 9:6: “He who sheds the blood of man ba- JOHN LOIKE, Ph.D., is a Senior Scientist in the Department of Physiology and Cellular Biophysics at Columbia University, College of Physicians and Surgeons.