|||FREE||| the Vickers-Maxim Machine
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
Exploring Discourses of Appropriation: Collecting Modern Canadian Cultural
COLLECTING MODERN CANADIAN CULTURAL IDENTITY M.A. Thesis – S. Little; McMaster University - English EXPLORING DISCOURSES OF APPROPRIATION: COLLECTING MODERN CANADIAN CULTURAL IDENTITY By: SARAH LITTLE, H.B.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfillment of the Requirements for the Degree Master of Arts McMaster University © Copyright by Sarah Little, September 2012 ii M.A. Thesis – S. Little; McMaster University - English McMaster University MASTER OF ARTS (2012) Hamilton, Ontario TITLE: Exploring Discourses of Appropriation: Collecting Modern Canadian Cultural Identity AUTHOR: Sarah Little, H.B.A. (McMaster University) SUPERVISOR: Dr. Lorraine York NUMBER OF PAGES: vii, 88. iii M.A. Thesis – S. Little; McMaster University - English Abstract: By applying Canadian literary theory, museum theory, and material culture theory to 20th and 21st century Canadian literature, I argue that physical objects reflect Canada‟s continued engagement in colonial practices and the nation‟s resistance to acknowledging these practices. The act of selecting and including (which is also necessarily an act of excluding) objects in personal and institutional collections speak to the anxiety of the Euro-Canadian settler that is produced by a conflicting sense of privilege and colonial complicity. Collecting is a means of negotiating self- and shared knowledge, and by re- collecting and repatriating those things that haunt us we come closer to recognizing ourselves. Re-reading ourselves through objects will allow us to confront this anxiety and its implications, to destabilize the Euro-Canadian settler-as-victim, and to move forward as a nation. iv M.A. Thesis – S. Little; McMaster University - English Acknowledgements To my supervisor Lorraine York – your supportive and insightful comments have been invaluable to this project. -
French Armour in Vietnam 1945–54
FRENCH ARMOUR IN VIETNAM 1945–54 SIMON DUNSTAN ILLUSTRATED BY HENRY MORSHEAD NEW VANGUARD 267 FRENCH ARMOUR IN VIETNAM 1945–54 SIMON DUNSTAN ILLUSTRATED BY HENRY MORSHEAD CONTENTS THE EMPIRE STRIKES BACK 4 THE ROLE OF FRENCH ARMOUR 6 • The battlefield and the enemy • Equipment • Tactics • Viet Minh anti-armour tactics EVOLUTION OF ARMOUR ORGANIZATION 14 • Amphibious units: 1er Régiment Étranger de Cavalerie • Armoured launches • Armoured train ‘La Rafale TB’ REPRESENTATIVE UNIT HISTORY: 1er RÉGIMENT DE CHASSEURS À CHEVAL 22 • Cochinchina and Tonkin, 1946 • Operations 1947–50 • 1951: ‘The Year of de Lattre’ • Diversification, and Operation Lotus • 1952: Operation Lorraine • 1953: reorganization, and Operation Mouette • 1954: The ‘Bisons’ of Dien Bien Phu THE FINAL BATTLES 45 FRENCH ARMOUR UNITS IN INDOCHINA 1945–54 46 INDEX 48 FRENCH ARMOUR IN VIETNAM 1945–54 When armoured units arrived THE EMPIRE STRIKES BACK in Indochina, most roads had disintegrated due to lack of In the aftermath of World War II the victorious European powers attempted maintenance during World to reassert dominion over their Asian colonies lost to the Japanese. The War II, and those few bridges French government of Gen Charles de Gaulle was determined to reclaim that survived were often inadequate for AFVs. Here, an French Indochina (Vietnam, Cambodia and Laos). M5A1 of Groupement Massu At the Potsdam conference in July–August 1945 between Prime Minister bypasses a destroyed bridge Winston Churchill, President Harry S. Truman and Marshal Joseph Stalin, it during Operation Moussac in had been agreed that responsibility for disarming and repatriating the Japanese October 1945, the reoccupation of Mytho in the Mekong Delta.