Movie Trivia Questions #48
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Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
Ficha-Interfaces-Imaginadas-Robocop.Pdf
Proyecto de Innovación Docente Interacción Persona-Ordenador 3º Grado en Ingeniería Informática 2017 Universidad de Salamanca RoboCop (1987) Robocop (título original) Análisis realizado por: Víctor Barrueco Gutiérrez Datos de producción Director: Paul Vernoeven Guionista: Edward Neumeier & Michael Miner Tipo: Película Duración: 103min Ficha en IMDB: http://www.imdb.com/title/tt0093870/ Sinopsis [Breve descripción de la historia que se cuenta] se propone un futuro no muy lejano en la ciudad de Detroit, una ciudad llena de delincuencia. Murphy un agente de policía muere en acto de servicio. Para acabar con el crimen se aprueba la creación de un nuevo agente híbrido entre humano y maquina para el cual se usa los restos de Murphy. Necesidades [Análisis de las necesidades de usuario que propician la propuesta de las interfaces] En la película se ven una gran cantidad de tecnologías mayormente orientadas al uso militar y formas de acabar con la delincuencia de forma agresiva. En ella vemos varias necesidades tanto en forma física (hardware) como software. A continuación, se enumeran los principales dispositivos (tecnología ¡/interfaz) que aparecen en la película junto a las tareas de usuario que permiten realizar. Primera Necesidades aparición Controles visuales y sonido 0:10:30 En la película aparece un robot militar cuyo fin es repeler la resistencia. Al detector una amenaza (de foma visual) lanza una advertencia al objetivo. En la película se muestra como falla el reconocimiento de sonido al no ser capaz de reconocer el ruido que Enlace al clip: hace la pistolaal caer. https://www.youtube.com/watch?v=TstteJ1eIZg 2 Primera Necesidades aparición Sintetizador de voz 0:10:45 Al igual que en el gadget anterior, este aparece por primera vez en el ED 209. -
Full Text (PDF)
Document generated on 09/29/2021 9:46 a.m. Séquences La revue de cinéma Quand ER est visité par QT Sylvie Gendron L’État du cinéma en salles au Québec Number 179, July–August 1995 URI: https://id.erudit.org/iderudit/49640ac See table of contents Publisher(s) La revue Séquences Inc. ISSN 0037-2412 (print) 1923-5100 (digital) Explore this journal Cite this review Gendron, S. (1995). Review of [Quand ER est visité par QT]. Séquences, (179), 56–57. Tous droits réservés © La revue Séquences Inc., 1995 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ Télévision qualités qu'il avait perdues sur cassette. Sur la bande-son, les fréquences aiguës sont mieux cali brées, tandis que les basses retrouvent leur impact premier (on peut parfaitement distinguer chacun des pas pneumatiques de RoboCop et on s'étonne de vant la puissance effrayante de son rival, ED-209). Sur les pistes analogiques, on peut entendre tout au long du film les commentaires du réalisateur Paul Verhoeven, du scénariste Edward Neumeier et du producteur Jon Davison. Les anecdotes racontées par Neumeier se révèlent fascinantes et enri chissantes, mais il faut entendre le charmant accent de Verhoeven (il est hollandais d'origine, RoboCop étant son premier film américain) qui s'enthousiasme et s'excite encore aujourd'hui pour le projet. -
SEMESTER MOVIE TITLE CHARACTER ACTOR Sum 2007 "V
SEMESTER MOVIE TITLE CHARACTER ACTOR Sum 2007 "V" for Vendetta "V" Hugo Weaving Fall 2006 13 Going on 30 Jenna Rink Jennifer Garner Sum 2008 27 Dresses Jane Nichols Katherine Heigl ? 28 Days Gwen Gibbons Sandra Bullock Fall 2006 2LDK (Two Lethal Deadly Killers) Nozomi Koike Eiko Spring 2006 40 Year Old Virgin Andy Stitzer Steve Carell Spring 2005 50 First Dates Henry Roth Adam Sandler Sum 2008 8½ Guido Anselmi Marcello Mastroianni Spring 2007 A Beautiful Mind John Nash Russell Crowe Fall 2006 A Bronx Tale Calogero 'C' Anello Lillo Brancato / Francis Capra Sum 2008 A Bronx Tale Sonny LoSpeecchio Chazz Palmenteri Fall 2006 A Clockwork Orange Alexander de Large Malcolm McDowell Fall 2007 A Doll's House Nora Helmer Claire Bloom ? A Few Good Men Lt. Daniel Kaffee Tom Cruise Fall 2005 A League of Their Own Jimmy Dugan Tom Hanks Fall 2000 A Perfect Murder Steven Taylor Michael Douglas ? A River Runs Through It Paul Maclean Brad Pitt Fall 2005 A Simple Plan Hank Mitchell Bill Paxton Fall 2007 A Streetcar Named Desire Stanley Marlon Brando Fall 2005 A Thin Line Between Love and Hate Brandi Lynn Whitefield Fall 2007 A Time To Kill Carl Lee Haley Samuel L. Jackson Spring 2007 A Walk to Remember Landon Carter Shane West Sum 2008 A Walk to Remember Jaime Mandy Moore ? About Schmidt Warren Schmidt Jack Nickleson Fall 2004 Adaption Charlie/Donald Nicholas Cage Fall 2000 After Hours Paul Hackett Griffin Dunn Spring 2005 Al Capone Al Capone Rod Steiger Fall 2005 Alexander Alexander Colin Farrel Fall 2005 Alice in Wonderland Alice Voice of Kathryn Beaumont -
Film, Philosophy Andreligion
FILM, PHILOSOPHY AND RELIGION Edited by William H. U. Anderson Concordia University of Edmonton Alberta, Canada Series in Philosophy of Religion Copyright © 2022 by the authors. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Vernon Art and Science Inc. www.vernonpress.com In the Americas: In the rest of the world: Vernon Press Vernon Press 1000 N West Street, Suite 1200, C/Sancti Espiritu 17, Wilmington, Delaware 19801 Malaga, 29006 United States Spain Series in Philosophy of Religion Library of Congress Control Number: 2021942573 ISBN: 978-1-64889-292-9 Product and company names mentioned in this work are the trademarks of their respective owners. While every care has been taken in preparing this work, neither the authors nor Vernon Art and Science Inc. may be held responsible for any loss or damage caused or alleged to be caused directly or indirectly by the information contained in it. Every effort has been made to trace all copyright holders, but if any have been inadvertently overlooked the publisher will be pleased to include any necessary credits in any subsequent reprint or edition. Cover design by Vernon Press. Cover image: "Rendered cinema fimstrip", iStock.com/gl0ck To all the students who have educated me throughout the years and are a constant source of inspiration. It’s like a splinter in your mind. ~ The Matrix Table of contents List of Contributors xi Acknowledgements xv Introduction xvii William H. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
No More Secrets Movie Night List OCT. 2003 – APR. 2020
No More Secrets Movie Night List OCT. 2003 – APR. 2020 1. About Time 2013 Domhnall Gleeson, 2. Adam 2010 Hugh Dancy 3 Addicted to Sex 1999 Documentary 4. Antwone Fisher 2002 Denzel Washington 5. An Unfinished Life 2005 Robert Redford 6. August: Osage County 2013 Meryle Streep 7. Ben is Back 2019 Julia Roberts 8 The Boost 1988 James Woods 9. Bye Bye Love 1995 Paul Rieser,Quade 10 Burnt 2015 Bradley Cooper 11 Clean & Sober 1998 Michael Keaton 12 Courage To Love 2115 Documentary 13 Crimes & Misdemeanors 1969 Woody Allen 14 Days of Wine & Roses 1962 Jack Lemmon 15 Dean [ZOOM Apr 2020] 2016 Kevin Klein 16 Don’t Think Twice 2016 Improv NYC- Peel 17 Drop Dead Fred 1991 Carrie Fisher 18 Drunks 1996 Richard Lewis 19 Dummy 2002 Adrien Brody 20 End of the Tour 2015 Jessie Eisenberg 21 Eve’s Bayou 1997 Samuel L Jackson 22 Everybody’s Fine 2009 Robert De Niro 23 Everything Must Go 2011 Wil Farrell 24 The Family Fang 2015 Christopher Walken 25 Fences 2016 Denzel Washington 26 Five Friends [Documentary] 2011 No Actors 27 Forty-Five Years 2015 Charlotte Rampling 28 Gaslight 1944 Ingrid Bergman 29 Girl, Interrupted 1999 Wynona Rider 30. Good Will Hunting 1997 Matt Daman 31 Harold & Maud 1971 Ruth Gordon 32 He Loves Me, He Loves Me Not 2002 Audrey Tautou 33. If I were You 2012 Marcia Gay Harden 34 I’ll Cry Tomorrow 1955 Susan Haywood 35. I’m Dancing As Fast As I Can 1982 Jill Clayburgh 36 In A World 2013 Lake Bell 37. -
Human' Jaspects of Aaonsí F*Oshv ÍK\ Tke Pilrns Ana /Movéis ÍK\ É^ of the 1980S and 1990S
DOCTORAL Sara MarHn .Alegre -Human than "Human' jAspects of AAonsí F*osHv ÍK\ tke Pilrns ana /Movéis ÍK\ é^ of the 1980s and 1990s Dirigida per: Dr. Departement de Pilologia jA^glesa i de oermanisfica/ T-acwIfat de Uetres/ AUTÓNOMA D^ BARCELONA/ Bellaterra, 1990. - Aldiss, Brian. BilBon Year Spree. London: Corgi, 1973. - Aldridge, Alexandra. 77» Scientific World View in Dystopia. Ann Arbor, Michigan: UMI Research Press, 1978 (1984). - Alexander, Garth. "Hollywood Dream Turns to Nightmare for Sony", in 77» Sunday Times, 20 November 1994, section 2 Business: 7. - Amis, Martin. 77» Moronic Inferno (1986). HarmorKlsworth: Penguin, 1987. - Andrews, Nigel. "Nightmares and Nasties" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney: Ruto Press, 1984:39 - 47. - Ashley, Bob. 77» Study of Popidar Fiction: A Source Book. London: Pinter Publishers, 1989. - Attebery, Brian. Strategies of Fantasy. Bloomington and Indianapolis: Indiana University Press, 1992. - Bahar, Saba. "Monstrosity, Historicity and Frankenstein" in 77» European English Messenger, vol. IV, no. 2, Autumn 1995:12 -15. - Baldick, Chris. In Frankenstein's Shadow: Myth, Monstrosity, and Nineteenth-Century Writing. Oxford: Oxford Clarendon Press, 1987. - Baring, Anne and Cashford, Jutes. 77» Myth of the Goddess: Evolution of an Image (1991). Harmondsworth: Penguin - Arkana, 1993. - Barker, Martin. 'Introduction" to Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Media. London and Sydney: Ruto Press, 1984(a): 1-6. "Nasties': Problems of Identification" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney. Ruto Press, 1984(b): 104 - 118. »Nasty Politics or Video Nasties?' in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Medß. -
Men's Ministry/Spiritual Transformation Resources & References
MEN’S MINISTRY/SPIRITUAL TRANSFORMATION RESOURCES & REFERENCES Rev. Dr. Paul Koch, Regional Ministry Team 636-221-7065, [email protected] Small Group Resources and Discussion Books An asterisk (*) indicates that Paul Koch has published a set of discussion guides for this book, under the series title: “Conversations at the Core.” They are available to download through the Chalice Pages tab at ChalicePress.com. Each was well received in his Wild Wise Men group. For more information on Men’s Ministries, please visit my website, www.BeABetterBrother.org *Albom, Mitch. Have a Little Faith. New York: Hyperion, 2009. *_____. Tuesdays with Morrie: An Old Man, a Young Man, and Life’s Greatest Lesson. New York: Broadway Books, 1997. *Grisham, John. Calico Joe. New York: Doubleday, 2012. Groff, Kent Ira. Journeymen: A Spiritual Guide for Men. Nashville: Upper Room Books, 1999. *Hillenbrand, Laura. Unbroken: A World War II Story of Survival, Resilience, and Redemption. New York: Random House, 2010. *Hugo, Victor. Les Miserables.1863 (various translations; abridged versions or watching a live or filmed stage production or the movie will work). Koch, Jr., Paul B. Conversations at the Core. St. Louis: Chalice Pages / Chalice Press, 2014. *Marx, Jeffrey. Season of Life: A Football Star, a Boy, a Journey to Manhood. New York: Simon & Schuster, 2003. *Miller, Donald. A Million Miles in a Thousand Years: How I Learned to Live a Better Story. Nashville: Thomas Nelson, 2009 Nouwen, Henri J.M. The Return of the Prodigal Son: A Story of Homecoming. New York: Image Books, 1994. Rohr, Richard O.F.M. Falling Upward: A Spirituality for the Two Halves of Life AND Companion Journal. -
Film Locations in San Francisco
Film Locations in San Francisco Title Release Year Locations A Jitney Elopement 1915 20th and Folsom Streets A Jitney Elopement 1915 Golden Gate Park Greed 1924 Cliff House (1090 Point Lobos Avenue) Greed 1924 Bush and Sutter Streets Greed 1924 Hayes Street at Laguna The Jazz Singer 1927 Coffee Dan's (O'Farrell Street at Powell) Barbary Coast 1935 After the Thin Man 1936 Coit Tower San Francisco 1936 The Barbary Coast San Francisco 1936 City Hall Page 1 of 588 10/02/2021 Film Locations in San Francisco Fun Facts Production Company The Essanay Film Manufacturing Company During San Francisco's Gold Rush era, the The Essanay Film Manufacturing Company Park was part of an area designated as the "Great Sand Waste". In 1887, the Cliff House was severely Metro-Goldwyn-Mayer (MGM) damaged when the schooner Parallel, abandoned and loaded with dynamite, ran aground on the rocks below. Metro-Goldwyn-Mayer (MGM) Metro-Goldwyn-Mayer (MGM) Warner Bros. Pictures The Samuel Goldwyn Company The Tower was funded by a gift bequeathed Metro-Goldwyn Mayer by Lillie Hitchcock Coit, a socialite who reportedly liked to chase fires. Though the tower resembles a firehose nozzle, it was not designed this way. The Barbary Coast was a red-light district Metro-Goldwyn Mayer that was largely destroyed in the 1906 earthquake. Though some of the establishments were rebuilt after the earthquake, an anti-vice campaign put the establishments out of business. The dome of SF's City Hall is almost a foot Metro-Goldwyn Mayer Page 2 of 588 10/02/2021 Film Locations in San Francisco Distributor Director Writer General Film Company Charles Chaplin Charles Chaplin General Film Company Charles Chaplin Charles Chaplin Metro-Goldwyn-Mayer (MGM) Eric von Stroheim Eric von Stroheim Metro-Goldwyn-Mayer (MGM) Eric von Stroheim Eric von Stroheim Metro-Goldwyn-Mayer (MGM) Eric von Stroheim Eric von Stroheim Warner Bros. -
Build the T-800 1:2 Scale
PACK 4 BUILD THE T-800 1:2 SCALE The Most Legendary cyborg In Science Fiction History! T1, THE TERMINATOR, ENDOSKELETON, and any depiction of Endoskeleton are trademarks of Studiocanal S.A.S. All Rights Reserved. © 2020 Studiocanal S.A.S. ® All Rights Reserved. BUILD THE T-800 PACK 4 CONTENTS T-800 ASSEMBLY: STAGES 31– 40 STAGE 31: FIT LEFT SHOULDER ACCESSORIES AND ADD JOINT FOR THE RIGHT SHOULDER ................................................................................... 3 STAGE 32: COMPLETE A HINGE JOINT ON THE RIGHT SHOULDER ......................... 7 STAGE 33: LEFT SHOULDER DETAILS ...................................................................... 11 STAGE 34: THE FIRST VERTEBRA ............................................................................ 15 STAGE 35: WORKING ON THE THORACIC VERTEBRA ........................................... 19 STAGE 36: BUILDING THE NEXT THORACIC VERTEBRA ...............................................23 STAGE 37: COMPONENTS FOR THE THORACIC CAGE JOINT AND VERTEBRA .... 27 STAGE 38: COMPONENTS FOR THE THORACIC CAGE JOINT AND VERTEBRA .... 31 STAGE 39: CONNECTING THE RIGHT AND LEFT SHOULDERS ............................... 35 STAGE 40: CREATING THE THORACIC CAGE ......................................................... 39 SCI-FI CINEMA: CYBORGS AND ROBOTS .............................43 REAL-WORLD SCIENCE .........................................................46 IDENTIFYING YOUR COMPONENTS: Each of your Terminator packs is divided into stages. Each stage contains a number of components, -
SHSU Video Archive Basic Inventory List Department of Library Science
SHSU Video Archive Basic Inventory List Department of Library Science A & E: The Songmakers Collection, Volume One – Hitmakers: The Teens Who Stole Pop Music. c2001. A & E: The Songmakers Collection, Volume One – Dionne Warwick: Don’t Make Me Over. c2001. A & E: The Songmakers Collection, Volume Two – Bobby Darin. c2001. A & E: The Songmakers Collection, Volume Two – [1] Leiber & Stoller; [2] Burt Bacharach. c2001. A & E Top 10. Show #109 – Fads, with commercial blacks. Broadcast 11/18/99. (Weller Grossman Productions) A & E, USA, Channel 13-Houston Segments. Sally Cruikshank cartoon, Jukeboxes, Popular Culture Collection – Jesse Jones Library Abbott & Costello In Hollywood. c1945. ABC News Nightline: John Lennon Murdered; Tuesday, December 9, 1980. (MPI Home Video) ABC News Nightline: Porn Rock; September 14, 1985. Interview with Frank Zappa and Donny Osmond. Abe Lincoln In Illinois. 1939. Raymond Massey, Gene Lockhart, Ruth Gordon. John Ford, director. (Nostalgia Merchant) The Abominable Dr. Phibes. 1971. Vincent Price, Joseph Cotton. Above The Rim. 1994. Duane Martin, Tupac Shakur, Leon. (New Line) Abraham Lincoln. 1930. Walter Huston, Una Merkel. D.W. Griffith, director. (KVC Entertaiment) Absolute Power. 1996. Clint Eastwood, Gene Hackman, Laura Linney. (Castle Rock Entertainment) The Abyss, Part 1 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss, Part 2 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss. 1989. (20th Century Fox) Includes: [1] documentary; [2] scripts. The Abyss. 1989. (20th Century Fox) Includes: scripts; special materials. The Abyss. 1989. (20th Century Fox) Includes: special features – I. The Abyss. 1989. (20th Century Fox) Includes: special features – II. Academy Award Winners: Animated Short Films.