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Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville
University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 8-2018 Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/etd Part of the Asian Studies Commons, Comparative Literature Commons, and the Literature in English, British Isles Commons Recommended Citation Maiti, Rashmila, "Mumbai Macbeth: Gender and Identity in Bollywood Adaptations" (2018). Theses and Dissertations. 2905. http://scholarworks.uark.edu/etd/2905 This Dissertation is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. Mumbai Macbeth: Gender and Identity in Bollywood Adaptations A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Comparative Literature and Cultural Studies by Rashmila Maiti Jadavpur University Bachelor of Arts in English Literature, 2007 Jadavpur University Master of Arts in English Literature, 2009 August 2018 University of Arkansas This dissertation is approved for recommendation to the Graduate Council. M. Keith Booker, PhD Dissertation Director Yajaira M. Padilla, PhD Frank Scheide, PhD Committee Member Committee Member Abstract This project analyzes adaptation in the Hindi film industry and how the concepts of gender and identity have changed from the original text to the contemporary adaptation. The original texts include religious epics, Shakespeare’s plays, Bengali novels which were written pre- independence, and Hollywood films. This venture uses adaptation theory as well as postmodernist and postcolonial theories to examine how women and men are represented in the adaptations as well as how contemporary audience expectations help to create the identity of the characters in the films. -
Company Title G-Technology WW Sr. Product Line Manager Microsoft
Company Title G-Technology WW Sr. Product Line Manager Microsoft Worldwide Managing Director, Media & Cable Contentbridge VP, Product Development GrayMeta VP Sales Practical Magic Visual Effects Artist Amazon Studios Video Workflow Manager Bloomberg Video Product Manager Bloomberg Video Product Manager Fox Broadcasting Video Producer Apple Video Partner Relations Technicolor Vice Presidept Technicolor Ltd Warner Bros. Vice President, Worldwide Theatrical Distribution, Marketing & Production Paramount Vice President, Worldwide Digital Business Development Dolby Vice President, Worldwide Content Relations Dolby Vice President, Technology Strategy NBCUniversal Vice President, Technology & Digital Platforms Pixelogic Media Vice President, Technology Premiere Digital Vice President, Technology Warner Bros. Entertainment Vice President, Technology ZOO Digital Vice President, Technical Services Fox Networks Group Vice President, Systems Development National Geographic Vice President, Systems Partners TNT/TBS Vice President, Studio Content Operations Synovos Vice President, Strategy & Business Development Disney Vice President, Strategy You.i TV Vice President, Strategic Accounts Cartesian Vice President, Security Sales MarkLogic Vice President, Sales, Americas Prime Focus Technologies Vice President, Sales and Account Management Crawford Media Services Vice President, Sales & Marketing You.i TV Vice President, Sales & Business Development Sony DADC NMS Vice President, Sales T2 Computing Vice President, Sales ZOO Digital Vice President, Sales -
Bollywood Lens Syllabus
Bollywood's Lens on Indian Society Professor Anita Weiss INTL 448/548, Spring 2018 [email protected] Mondays, 4-7:20 pm 307 PLC; 541 346-3245 Course Syllabus Film has the ability to project powerful images of a society in ways conventional academic mediums cannot. This is particularly true in learning about India, which is home to the largest film industries in the world. This course explores images of Indian society that emerge through the medium of film. Our attention will be focused on the ways in which Indian society and history is depicted in film, critical social issues being explored through film; the depicted reality vs. the historical reality; and the powerful role of the Indian film industry in affecting social orientations and values. Course Objectives: 1. To gain an awareness of the historical background of the subcontinent and of contemporary Indian society; 2. To understand the sociocultural similarities yet significant diversity within this culture area; 3. To learn about the political and economic realities and challenges facing contemporary India and the rapid social changes the country is experiencing; 4. To learn about the Indian film industry, the largest in the world, and specifically Bollywood. Class format Professor Weiss will open each class with a short lecture on the issues which are raised in the film to be screened for that day. We will then view the selected film, followed by a short break, and then extensive in- class discussion. Given the length of most Bollywood films, we will need to fast-forward through much of the song/dance and/or fighting sequences. -
Paramount Pictures and Dreamworks Pictures' "GHOST in the SHELL" Is in Production in New Zealand
April 14, 2016 Paramount Pictures and DreamWorks Pictures' "GHOST IN THE SHELL" is in Production in New Zealand HOLLYWOOD, Calif.--(BUSINESS WIRE)-- Paramount Pictures and DreamWorks Pictures have announced that production is underway on "GHOST IN THE SHELL," starring Scarlett Johansson ("AVENGERS: AGE OF ULTRON," "LUCY") and directed by Rupert Sanders ("SNOW WHITE AND THE HUNTSMAN"). The film is shooting in Wellington, New Zealand. This Smart News Release features multimedia. View the full release here: http://www.businesswire.com/news/home/20160414005815/en/ Paramount Pictures will release the film in the U.S. on March 31, 2017. The film, which is based on the famous Kodansha Comics manga series of the same name, written and illustrated by Masamune Shirow, is produced by Avi Arad ("THE AMAZING SPIDER-MAN 1 & 2," "IRON MAN"), Ari Arad ("GHOST RIDER: SPIRIT OF VENGEANCE"), and Steven Paul ("GHOST RIDER: SPIRIT OF VENGEANCE"). Michael Costigan ("PROMETHEUS"), Tetsu Fujimura ("TEKKEN"), Mitsuhisa Ishikawa, whose animation studio Production I.G produced the Japanese "GHOST IN THE SHELL" film and television series, and Jeffrey Silver ("EDGE OF TOMORROW," "300") will executive produce. Scarlett Johansson plays the Major in Ghost in the Shell from Paramount Pictures Based on the internationally-acclaimed sci-fi and DreamWorks Pictures in Theaters March 31, 2017. (Photo: Business Wire) property, "GHOST IN THE SHELL" follows the Major, a special ops, one-of-a-kind human-cyborg hybrid, who leads the elite task force Section 9. Devoted to stopping the most dangerous criminals and extremists, Section 9 is faced with an enemy whose singular goal is to wipe out Hanka Robotic's advancements in cyber technology. -
Violators Soon, Says Kharji
Better living WEDNESDAY 6\Y4PZZPVU! MARCH 29, 2017 7YV]PKPUN/PNO8\HSP[` HUK:\Z[HPUHISL RAJAB 1, 1438 ,SLJ[YPJP[`HUK>H[LY MVYIL[[LYSP]PUNPU8H[HY VOL.11 NO. 3859 QR 2 FINE Fajr: 4:09 am Dhuhr: 11:39 am HIGH : 27°C Asr: 3:07 pm Maghrib: 5:50 pm LOW : 22°C Isha: 7:20 pm Nation 16 Sports 25 Chill Out QA gets ‘Airline of Uzbekistan beat Qatar, sink Afghan children tell of the Year’ recognition Al Anabi 2018 World Cup hopes their deepest fears Draft law on EMIR MEETS KING OF JORDAN domestic helps Crackdown specifies their rights & duties on ‘yellow box’ TRIBUNE NEWS NETWORK DOHA THE draft law on domestic violators soon, workers, which was approved by the Cabinet, clearly specifies their rights and duties as well as the process of recruitment, says Kharji salary payment, holidays and working hours. According to the law, the recruitment of domestic helps Over 100 radar cameras will be carried out through li- censed recruitment agencies installed to monitor in the country. The draft law includes a overtaking from right mechanism to regulate the re- lationship between sponsors The Emir HH Sheikh Tamim bin Hamad al Thani met King Abdullah II bin al Hussein of Jordan on Tuesday. They HISHAM AL-JUNDI and domestic helps and to ad- discussed bilateral relations and means to enhance them in all fields. The two leaders discussed subjects on the DOHA dress controversial issues be- schedule of the 28th Arab Summit. The Emir is in Jordan to participate in the 28th Arab Summit. -
Futureworks Delivers Quality Remote Colour Grading for Amazon Prime's
COLOUR GRADING RAHUL PURAV FUTUREWORKS DELIVERS QUALITY REMOTE COLOUR GRADING FOR AMAZON PRIME’S TANDAV WEB SERIES Remote Production is increasingly becoming prevalent in the post- production business. Tandav, an Amazon web series relied on FutureWorks Media to deliver remote production. Rahul Purav, Senior Colourist & Director of Imaging at FutureWorks Media Ltd and the team of artists delivered the colour grading for Tandav using FilmLight’s Baselight grading software and the monitoring was done using Dolby PRM 4200 monitor. BROADCAST AND FILM 15 JANUARY - FEBRUARY 2021 COLOUR GRADING Tandav is an Indian web series on Amazon Prime Video, directed by Ali Abbas Zafar. Saif Ali Khan portrays the role of a powerful politician in the series that started streaming from 15 January 2021 on Amazon Prime Video. This nine-episode series features Sunil Grover, Tigmanshu Dhulia, Dimple Kapadia, Mohammed Zeeshan Ayyub, Dino Morea, and Anup Soni. Rahul Purav, Senior Colourist & Director of Imaging at Future Works Media Ltd shares his insight on the challenges he faced on the colour grading Tandav and how he executed a seamless look for the whole series. “It was a challenging project with a specific teal and orange palette, travelling through elegant palaces down to the rustic dark neighbourhood exposing various environments and situations. Tandav depicts a strong visual language directed by Ali Abbas Zafar and captured by Karol Stadnik. One of the most notable feature of this project was that the entire grading was done remotely... Karol was in Warsaw and Ali was in his hometown. We could only achieve this with a carefully crafted and aligned visual workflow. -
Glenn-Garland-Editor-Credits.Pdf
GLENN GARLAND, ACE Editor Television PROJECT DIRECTOR STUDIO / PRODUCTION CO. WELCOME TO THE BLUMHOUSE: BLACK BOX Emmanuel Osei-Kuffour Amazon / Blumhouse Productions EP: Jay Ellis, Jason Blum, Aaron Bergman PARADISE CITY*** (series) Ash Avildsen Sumerian Films EP: Lorenzo Antonucci PREACHER (season 3) Various AMC / Sony Pictures Television EP: Sam Catlin, Seth Rogen, Evan Goldberg ALTERED CARBON** (series) Various Netflix / Skydance EP: Laeta Kalogridis, James Middleton, Steve Blackman STAN AGAINST EVIL (series) Various IFC / Radical Media EP: Dana Gould, Frank Scherma, Tom Lassally BANSHEE (series) Ole Christian Madsen HBO / Cinemax Magnus Martens EP: Alan Ball THE VAMPIRE DIARIES (series) Various CW / Warner Bros. Television EP: Julie Plec, Kevin Williamson Feature Films PROJECT DIRECTOR STUDIO / PRODUCTION CO. BROKE Carlyle Eubank Wild West Entertainment Prod: Wyatt Russell, Alex Hertzberg, Peter Billingsley THE TURNING Floria Sigismondi Amblin Partners 3 FROM HELL Rob Zombie Lionsgate FAMILY Laura Steinel Sony Pictures / Annapurna Pictures Official Selection: SXSW Film Festival Prod: Kit Giordano, Sue Naegle, Jeremy Garelick SILENCIO Lorena Villarreal 5100 Films / Prod: Beau Genot 31 Rob Zombie Lionsgate / Saban Films Official Selection: Sundance Film Festival Prod: Mike Elliot, Andy Gould THE QUIET ONES John Pogue Lionsgate / Exclusive Media LORDS OF SALEM Rob Zombie Blumhouse / Anchor Bay Entertainment LOVE & HONOR Danny Mooney IFC Films / Red 56 HALLOWEEN 2 Rob Zombie Dimension Films BUNRAKU* Guy Moshe Snoot Entertainment Official -
Movie Tv Sho Audio Radio
70 FILM REVIEWS MOVIES 71 NEW MOVIES ONBOARD 72 MOVIES TV SHOWS 74 TV SHOWS AUDIO Entertainment 76 AUDIO/RADIO RADIO © 2018 20TH CENTURY FOX. ALL RIGHTS RESERVED. BAD TIMES AT THE EL ROYALE FILM REVIEWS WANT HELP WITH WHAT TO WATCH THIS MONTH? FILMMAKER AND DIRECTOR KAM RASLAN MAKES THE CASE FOR THESE THREE MOVIES. THE INCREDIBLES Is The Incredibles the best animated movie ever? Yes. Yes, it is. It’s hilariously funny, exciting, moving and visually beautiful. A family of superheroes have to live in witness protection as normal people because superheroes have been deemed a menace to society. Naturally, Mr Incredible hates his boring life as an insurance salesman and his goingplacesmagazine.com children have to hide their superhero skills. But when an opportunity for a return to the old life comes knocking, Mr Incredible puts his entire family at risk, which sounds like a job LOGAN for Elastigirl. Is Logan the best superhero movie ever? EDGE OF TOMORROW Probably. A thunderous Hugh Jackman Because it was made all the way back in Is Edge of Tomorrow the best science fiction | 70 is Wolverine one last time as he plays a 2004, the animation for The Incredibles may movie ever? Maybe not, but it’s definitely | January 2019 January | reluctant father figure to the stunningly not seem quite as plush as, say, Zootopia, the best science fiction movie starring Tom intense young actress Dafne Keen. On a but director Brad Bird (who made his name Cruise, and when it comes to big-budget desperate journey from Mexico to the far with The Simpsons) created such a complete action Hollywood movies, nobody delivers north, the pair are perfectly matched as universe that you instantly forget. -
Representation of Sikh Character in Bollywood Movies:A Study on Selective Bollywood Movies
PJAEE, 17(6) (2020) REPRESENTATION OF SIKH CHARACTER IN BOLLYWOOD MOVIES:A STUDY ON SELECTIVE BOLLYWOOD MOVIES Navpreet Kaur Assistant Professor University Institute of Media Studies, Chandigarh University, Punjab, India [email protected] Navpreet Kaur, Representation Of Sikh Character In Bollywood Movies: A Study On Selective Bollywood Movies– Palarch’s Journal of Archaeology of Egypt/Egyptology 17(6) (2020), ISSN 1567-214X. Keywords: Bollywood, Sikh, Sikh Character, War, Drama, Crime, Biopic, Action, Diljit Dosanhj, Punjab Abstract Sikhs have been ordinarily spoken to in mainstream Hindi film either as courageous warriors or as classless rustics. In the patriot message in which the envisioned was an urban North Indian, Hindu male, Sikh characters were uprooted and made to give entertainment. Bollywood stars have donned the turban to turn Sikh cool, Sikhs view the representation of the community in Bollywood as demeaning and have attempted to revive the Punjabi film industry as an attempt at authentic self-representation. But with the passage of time the Bollywood makers experimented with the role and images of Sikh character. Sunny Deol's starrer movie Border and Gadar led a foundation of Sikh identity and real image of Sikh community and open the doors for others. This paper examines representation of Sikhs in new Bollywood films to inquire if the romanticization of Sikhs as representing rustic authenticity is a clever marketing tactic used by the Bollywood. Introduction Bollywood is the sobriquet for India's Hindi language film industry, situated in the city of Mumbai, Maharashtra. It is all the more officially alluded to as Hindi film. The expression "Bollywood" is frequently utilized by non-Indians as a synecdoche to allude to the entire of Indian film; be that as it may, Bollywood legitimate is just a piece of the bigger Indian film industry, which incorporates other creation communities delivering films in numerous other Indian dialects. -
Bollywood Boycott Dulls Indian Screens
Bollywood boycott dulls Indian screens MUMBAI, India (AP) — The dispute between Bollywood producers and Indian multiplexes over revenue sharing hardened this week, with no end in sight to the monthlong boycott of new releases. Indian movie fans — who spend an estimated 63 billion rupees ($1.27 billion) each year at theaters — were again presented with a tepid array of aging Hollywood blockbusters and regional films Friday, the night usually reserved for new releases. Richa Bose, a 23-year-old software engineer, stood out front of Inox cinema in south Mumbai, looking unhappily at his ticket for "Fast and Furious 4." "We don't want to see it, but we don't have a choice," he said. The stand off, which began April 4, has so far delayed the release of at least 6 major Bollywood films and two Hollywood movies, Angels & Demons and X-Men Origins, producers say. Analysts estimate the boycott has already cost multiplexes 300 million rupees ($6 million). Talks between producers, who want a larger share of box office revenues, and multiplex owners collapsed Monday, prompting Mumbai's largest movie studios to vow to release new movies at single screen and non-chain theaters, beginning at the end of this month. Multiplex owners shot back Thursday with a plan to jointly acquire distribution rights to a film to screen on their own. Movie producers complain that India's seven national multiplex chains, which account for half of ticket sales by revenue, have acted as a "cartel," negotiating revenue sharing agreements on a per- film basis which puts individual producers at a disadvantage. -
Robert Downey Jr
PVR MOVIES FIRST VOL. 27 YOUR WINDOW INTO THE WORLD OF CINEMA JANUARY 2018 20 LITTLE-KNOWN THINGS ABOUt…. GUEST RVIEW ROBERT INTE DOWNEY JR. RAJ NEE EY PAND THE BEST NEW MOVIES PLAYING THIS MONTH: MUKKABAAZ, THE POST, 1921, 12 STRONG, PITCH PERFECT 3 GREETINGS ear Movie Lovers, We rewind to “ Scent of a Woman, “ the 1992 film that earned Al Pacino his first Oscar for his portrayal of a Here’s the January edition of Movies First, your exclusive cantankerous colonel. window to the world of cinema. T race the fast-rising career graph of American writer- Th e year kickstarts with “ Paddington 2”, a fabulous follow director Alex Garland , and join us in wishing superstar up to Paul King’s superhit animation comedy. Watch Nicholas Cage a Happy Birthday. out for Hugh Grant’s scene-stealing turn as an appalling villain, and the non-stop side-splitting gags. We really hope you enjoy the issue. Wish you a fabulous month of movie watching. Neeraj Pandey’s much awaited “Aiyaary” arrives on screen, and we have the man himself telling us what to Regards expect from this intense patriotic thriller. Akshay Kumar plays “ Pad Man ,” which tackles a bold and beautiful Gautam Dutta social subject. CEO, PVR Limited USING THE MAGAZINE We hope youa’ll find this magazine easy to use, but here’s a handy guide to the icons used throughout anyway. You can tap the page once at any time to access full contents at the top of the page. PLAY TRAILER SET REMINDER BOOK TICKETS SHARE PVR MOVIES FIRST PAGE 2 CONTENTS This January everyone’s favourite bear is back for seconds. -
INVESTOR PRESENTATION February 2018 Disclaimer
R-City Ghatkopar, Mumbai INVESTOR PRESENTATION February 2018 Disclaimer This presentation and the following discussion may contain “forward looking statements” by Inox Leisure Limited (“ILL” or “the Company”) that are not historical in nature. These forward looking statements, which may include statements relating to future state of affairs, results of operations, financial condition, business prospects, plans and objectives, are based on the current beliefs, assumptions, expectations, estimates, and projections of the management of ILL about the business, industry and markets in which ILL operates. These statements are not guarantees of future performance, and are subject to known and unknown risks, uncertainties, and other factors, some of which are beyond ILL’s control and difficult to predict, that could cause actual results, performance or achievements to differ materially from those in the forward looking statements. Such statements are not, and should not be construed, as a representation as to future performance or achievements of ILL. In particular, such statements should not be regarded as a projection of future performance of ILL. It should be noted that the actual performance or achievements of ILL may vary significantly from such statements. Due to rounding-off, figures presented throughout this document may not add up precisely to the totals provided and percentages may not precisely reflect the rounded-off figures. All financial figures, upto and including FY15 are as per IGAAP and for FY16 and thereafter are as per IND-AS. Revenues for FY13 to FY15 are shown net of entertainment tax, to be consistent with the revenues under IND-AS for FY16 and FY17 2 Atria, Worli, Mumbai DISCUSSION SUMMARY .