REFLECTIONS on PEACE the VII Foundation
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Aurore Belkin Photographer Aurore Belkin Is a French and Canadian
Aurore Belkin Photographer Aurore Belkin is a French and Canadian photographer based in Dubai and Rome. Her career as a photojournalist is focused on the Middle East where she is represented by leading agency Arabianeye. She was trained by veteran war photojournalists Jack Picone and Philip Jones Griffiths with whom she developed a strength for reportage and portrait photography. She has shot reportage and features in UAE, Jordan, Oman, Yemen, Lebanon, North Korea, China, Laos, Nepal, Thailand, India, Paris and Germany. In 2008, along with renowned Art publisher Prestel, she has initiated and produced “In Their Hands, 21st Century Embroidery in India” and co-authored “Dubai Speed” by leading German book publisher DTV in 2009 (3rd edition Jan 2010, ( http://www.dubai-speed.de/index.php/lights-of-dubai/lights-of-dubai/2441/ ). The book is now available in English under the title “Dubai High” Her work has been awarded First Prize all categories at the GPP Middle East Photo Competition in 2007 and that same year she also has been exhibited in Nooderlicht Photofestival with her work on Bangkok Fortune Tellers (http://www.lightstalkers.org/galleries/slideshow/8710 ). While in Dubai, she has been regularly portraying international political figures and royals such as Benazir Buttho, Monica Belluci, HH Sheikha Mayassa of Qatar. Her clients include Time, Business Week, NYT, Vanity Fair,Vogue, Der Spiegel, Neue Zuercher Zeitung, Welt am Sonntag, Berliner Zeitung, Basler Zeitung, Weltwoche (Zurich), Cicero (Berlin), Welthungerhilfe, Business Weekly, Total, Abu Dhabi Formula One, Better Digital Australia, Al Shawati, Gulf Air Magazine, Oman Board of Tourism, Jumeirah Beach Magazine, Abn Amro. -
Thailand White Paper
THE BANGKOK MASSACRES: A CALL FOR ACCOUNTABILITY ―A White Paper by Amsterdam & Peroff LLP EXECUTIVE SUMMARY For four years, the people of Thailand have been the victims of a systematic and unrelenting assault on their most fundamental right — the right to self-determination through genuine elections based on the will of the people. The assault against democracy was launched with the planning and execution of a military coup d’état in 2006. In collaboration with members of the Privy Council, Thai military generals overthrew the popularly elected, democratic government of Prime Minister Thaksin Shinawatra, whose Thai Rak Thai party had won three consecutive national elections in 2001, 2005 and 2006. The 2006 military coup marked the beginning of an attempt to restore the hegemony of Thailand’s old moneyed elites, military generals, high-ranking civil servants, and royal advisors (the “Establishment”) through the annihilation of an electoral force that had come to present a major, historical challenge to their power. The regime put in place by the coup hijacked the institutions of government, dissolved Thai Rak Thai and banned its leaders from political participation for five years. When the successor to Thai Rak Thai managed to win the next national election in late 2007, an ad hoc court consisting of judges hand-picked by the coup-makers dissolved that party as well, allowing Abhisit Vejjajiva’s rise to the Prime Minister’s office. Abhisit’s administration, however, has since been forced to impose an array of repressive measures to maintain its illegitimate grip and quash the democratic movement that sprung up as a reaction to the 2006 military coup as well as the 2008 “judicial coups.” Among other things, the government blocked some 50,000 web sites, shut down the opposition’s satellite television station, and incarcerated a record number of people under Thailand’s infamous lèse-majesté legislation and the equally draconian Computer Crimes Act. -
Declaration of John Moore Witherow with Exhibit A
Case 1:16-cv-01423-ABJ Document 42-12 Filed 03/22/18 Page 1 of 72 UNITED STATES DISTRICT COURT FOR THE DISTRICT OF COLUMBIA CATHLEEN COLVIN et al., Civil No. 1:16-cv-01423 (ABJ) Plaintiffs, V. SYRIAN ARAB REPUBLIC, Defendant. Declaration of John Moore Witherow I, John Moore Witherow, of 1 London Bridge Street, London, SE1 9GF, declare as follows: 1. I am the Editor of The Times, a London newspaper which was first published in 1785. From 1995 to 2013 I was Editor of The Sunday Times, where I met and worked with Marie Colvin. The Sunday Times and The Times are owned by the same publisher but are formally separate newspapers. 2. I submit this declaration to describe to the Court the circumstances of Marie's last assignment to the Syrian Arab Republic and the reactions to her killing in the world of journalism; the breadth and success of her career; and my expectations about what more she might have done had she not been killed in Horns on February 22, 2012. 3. All of my statements are based on personal knowledge unless otherwise indicated. 1 Case 1:16-cv-01423-ABJ Document 42-12 Filed 03/22/18 Page 2 of 72 My background and career 4. I have been in journalism since I was 19. I started my career when I went to Namibia (then South West Africa) in 1970 hoping to teach in Ovamboland on the Angolan border, and ended up working on a development project and working freelance for the BBC Africa Service when I was denied the necessary entry permit. -
Telling Stories to a Different Beat: Photojournalism As a “Way of Life”
Bond University DOCTORAL THESIS Telling stories to a different beat: Photojournalism as a “Way of Life” Busst, Naomi Award date: 2012 Link to publication General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal. Telling stories to a different beat: Photojournalism as a “Way of Life” Naomi Verity Busst, BPhoto, MJ A thesis submitted in total fulfilment of the requirements of the degree of Doctor of Philosophy School of Media and Communication Faculty of Humanities and Social Sciences Bond University February 2012 Abstract This thesis presents a grounded theory of how photojournalism is a way of life. Some photojournalists dedicate themselves to telling other people's stories, documenting history and finding alternative ways to disseminate their work to audiences. Many self-fund their projects, not just for the love of the tradition, but also because they feel a sense of responsibility to tell stories that are at times outside the mainstream media’s focus. Some do this through necessity. While most photojournalism research has focused on photographers who are employed by media organisations, little, if any, has been undertaken concerning photojournalists who are freelancers. -
My War Gone By, I Miss It So Is His Memoir of That Conflict
ANTHONY LOYD is an award-winning foreign correspondent who has reported from numerous conflict zones including the Balkans, Afghanistan, Syria, Libya, Iraq and Chechnya. A former infantry officer, he left the British army after the First Gulf War and went to live in Bosnia, where he started reporting for The Times. My War Gone By, I Miss It So is his memoir of that conflict. Praise for My War Gone By, I Miss It So ‘An extraordinary memoir of the Bosnian War … savage and mercilessly readable … deserves a place alongside George Orwell, James Cameron and Nicholas Tomalin. It is as good as war report- ing gets. I have nowhere read a more vivid account of frontline fear and survival. Forget the strategic overview. All war is local. It is about the ditch in which the soldier crouches and the ground on which he fights and maybe dies. The same applies to the war reporter. Anthony Loyd has been there and knows it’ Martin Bell, The Times ‘A truly exceptional book, one of those rare moments in jour- nalistic writing when you can sit back and realise that you are in the presence of somebody willing to take the supreme risk for a writer, of extending their inner self. I finished reading Anthony Loyd’s account of his time in the Balkans and Chechnya only a few days ago and am still feeling the after-effects … I read his story of war and addiction (to conflict and heroin) with a sense of gratitude for the honesty and courage on every page’ Fergal Keane, Independent ‘Not since Michael Herr wrote Dispatches has any journalist written so persuasively about -
Motivation Explained a Study of War Reporters
The Department of International Environment and Development Studies, Noragric, is the international gateway for the Norwegian University of Life Sciences (NMBU). Eight departments, associated research institutions and the Norwegian College of Veterinary Medicine in Oslo. Established in 1986, Noragric’s contribution to international development lies in the interface between research, education (Bachelor, Master and PhD programmes) and assignments. The Noragric Master thesis are the final theses submitted by students in order to fulfil the requirements under the Noragric Master programme “International Environmental Studies”, “International Development Studies” and “International Relations”. The findings in this thesis do not necessarily reflect the views of Noragric. Extracts from this publication may only be reproduced after prior consultation with the author and on condition that the source is indicated. For rights of reproduction or translation contact Noragric. © Maikki Fonneløp, December 2015 [email protected] Noragric Department of International Environment and Development Studies P.O. Box 5003 N-1432 Ås Norway Tel.: +47 64 96 52 00 Fax: +47 64 96 52 01 Internet: http://www.nmbu.no/noragric 1 2 Acknowledgement First I want to thank my supervisor, Associate Professor Stig Jarle Hansen, for his help with the structural and theoretical framework. With his expertise in international relations he has been a source for inspiration, and I want to thank him for his patience and trust. I am grateful for the openhearted discussions I had with author Geir Angell Øygarden about the many topics surrounding war reporters. Thanks to him I was able to get an overview of the vast subject which ultimately led me to decide the objectives I wanted to follow. -
My War Gone By, I Miss It So Free
FREE MY WAR GONE BY, I MISS IT SO PDF Anthony Loyd | 320 pages | 22 Apr 2014 | Grove Press / Atlantic Monthly Press | 9780802122322 | English | New York, United States My War Gone by, I Miss it So by Anthony Loyd | Waterstones Born to a distinguished family steeped in military tradition, raised on stories of wartime and ancestral heroes, Anthony Loyd longed to experience war from the front lines. He left England at the age of twenty-six to document the conflict in Bosnia, and for the following years he witnessed the killings of one of the most callous and chaotic clashes on European soil. Addicted to the adrenaline of armed combat, he returned home to wage a longstanding personal battle against substance abuse. Shocking and violent, yet lyrical and ultimately redemptive, this book is a breathtaking feat of reportage and an uncompromising look at the terrifyingly seductive power of war. The fear and confusion of battle are I Miss It So vivid that in places, they rise like acrid smoke from the page. Some of the finest writing to come out of the Bosnian conflict. His prose can be both beautiful and disturbing. Strassel, The Wall Street Journal. This may just be flat-on-your-belly grittiest coverage to come out of those tormented killing zones thus far. This is pure war reporting. Loyd waxes eloquent on the backblast of his war time, a heroin addiction that begins before his arrival and becomes the only way he can survive his breaks from the fighting. Or it takes someone like Anthony Loyd. -
Vicious Circle: the Dynamics of Occupation and Resistance in Iraq Part One
Vicious Circle: The Dynamics of Occupation and Resistance in Iraq Part One. Patterns of Popular Discontent Project on Defense Alternatives Research Monograph #10 Carl Conetta 18 May 2005 Project on Defense Alternatives Commonwealth Institute, 186 Hampshire Street Cambridge, Massachusetts, USA 02139 (617) 547-4474 Vicious Circle: The Dynamics of Occupation and Resistance in Iraq. Part One. Patterns of Popular Discontent Project on Defense Alternatives Research Monograph #10 18 May 2005 INDEX 1. Introduction: Iraqi public sentiments regarding the occupation ............. 2 2. What drives popular oppositional sentiment? ............................ 2 2.1 The power of nationalism ............................................. 3 2.2 War-related fatalities: their extent and significance ......................... 4 2.3 Coercive practices of the occupation: their extent and effect .................. 6 2.3.1 House raids....................................................... 6 2.3.2 Street patrols...................................................... 9 3. From anger to insurgency ............................................ 11 4. The fog and friction of occupation ..................................... 12 5. Variations in Iraqi public opinion by region and community ............... 15 5.1 Is life better? ...................................................... 15 5.2 Foreign troop presence and behavior ................................... 17 6. Foundation of Kurdish opinion ....................................... 18 7. Foundation of Shiite ambivalence -
Timeline of UK Media and GUTTMAN Pubjun2021 Vor
King’s Research Portal Document Version Publisher's PDF, also known as Version of record Link to publication record in King's Research Portal Citation for published version (APA): Guttmann, A., & Karimi, B. (2021). Timeline of UK Media and Middle East Experts’ Anticipation of the rise of ISIS and UK government reactions. Citing this paper Please note that where the full-text provided on King's Research Portal is the Author Accepted Manuscript or Post-Print version this may differ from the final Published version. If citing, it is advised that you check and use the publisher's definitive version for pagination, volume/issue, and date of publication details. And where the final published version is provided on the Research Portal, if citing you are again advised to check the publisher's website for any subsequent corrections. General rights Copyright and moral rights for the publications made accessible in the Research Portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognize and abide by the legal requirements associated with these rights. •Users may download and print one copy of any publication from the Research Portal for the purpose of private study or research. •You may not further distribute the material or use it for any profit-making activity or commercial gain •You may freely distribute the URL identifying the publication in the Research Portal Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. -
A Foreign Correspondent's Retrospective On
ABSTRACT Title: "THERE WILL ALWAYS BE ANOTHER WAR": A FOREIGN CORRESPONDENT’S RETROSPECTIVE ON REPORTING FROM AROUND THE WORLD Sharon Maria Behn, Master of Arts, 2014 Directed By: Associate Dean Ira Chinoy, Philip Merrill College of Journalism Every day, hundreds of journalists risk their lives to cover news developments in volatile areas of the world. They have been beaten, kidnapped, tortured, and killed. Yet they continue to do their jobs, and new reporters join the fray. Their work as foreign correspondents in challenging environments carries a high price that is not fully recognized by news organizations, the public, and often not even by the correspondents themselves. This thesis helps provide an understanding of that human cost. The methodology is autobiography, which allows for an intimate look at the behind-the- scenes experiences and personal toll during a 30-year career in journalism. Salient themes include employment status – staffer vs. freelancer or stringer – as well as gender, ethics, and fear and its consequences. The need for such understanding has become increasingly relevant as many media organizations, under budgetary pressure, ask reporters to deliver more and ever faster from a dangerous world. "THERE WILL ALWAYS BE ANOTHER WAR": A FOREIGN CORRESPONDENT’S RETROSPECTIVE ON REPORTING FROM AROUND THE WORLD Sharon Maria Behn Thesis submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Master of Arts 2014 Advisory Committee: Associate Dean Ira Chinoy, Chair Professor Maurine Beasley Associate Professor Christopher Hanson © Copyright by Sharon Maria Behn 2014 Dedication To my children. -
Dossier Presse IMAGINE EN.Indd
Imagine. Reflections on peace musée international avenue de la paix 17 de la croix-rouge ch-1202 Genève et du croissant-rouge +41 22 748 95 11 2. From 16 September 2020 to 10 January 2021, the In- ternational Red Cross and Red Crescent Museum will be running Imagine. Reflections on Peace, a photo exhibition that looks at peace-building and how it is experienced in everyday life. What does peace look like, apart from the images we make of it? VII Foundation The exhibition, developed in collaboration with the , invites us to imagine an ideal peace that exists outside the headlines. What form – or forms – does peace take in everyday life in places where combatants have laid down arms after years of conflict? Some of the world’s leading photojournalists set out to explore this question by returning to the places where they carried outDon their McCullin first assignments, sometimesBeirut more than 20 years ago. Nichole Sobecki • gives us a glimpse of in the grip of civil war, while takes us back to the city’s streetsRoland as Neveuit attempts to heal despite the scars left by conflictPhnom – a journey Penh made all the more relevant byGary recent Knight events. • witnessed the Khmer Rouge takeover of in 1975. Forty-five years later, ’s photographsRon Haviv show Cambodians still grapplingBosnia-Herzegovina with the conflict’s aftermath. • coveredGilles thePeress civil warStephen in Ferry and later returned to reportNorthern on the situation Ireland there today. Colombia • Reporting by and sheds light on the peace process in two decades after the signing of the Good Friday Agreement, and in , where the 2016 peace deal remains little more than a promise. -
Gemma Andreone Editor Bridging Gaps Between National, Individual
Gemma Andreone Editor The Future of the Law of the Sea Bridging Gaps Between National, Individual and Common Interests The Future of the Law of the Sea Gemma Andreone Editor The Future of the Law of the Sea Bridging Gaps Between National, Individual and Common Interests Editor Gemma Andreone Institute for International Legal Studies Italian National Research Council Rome, Italy ISBN 978-3-319-51273-0 ISBN 978-3-319-51274-7 (eBook) DOI 10.1007/978-3-319-51274-7 Library of Congress Control Number: 2017936385 © The Editor(s) (if applicable) and The Author(s) 2017. This book is an open access publication Open Access This book is licensed under the terms of the Creative Commons Attribution- NonCommercial 4.0 International License (http://creativecommons.org/licenses/by-nc/4.0/), which permits any noncommercial use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made. The images or other third party material in this book are included in the book’s Creative Commons license, unless indicated otherwise in a credit line to the material. If material is not included in the book’s Creative Commons license and your intended use is not permitted by statutory regulation or exceeds the permitted use, you will need to obtain permission directly from the copyright holder. This work is subject to copyright. All commercial rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed.