Miranda—The Tempest
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Silencing the Sirens: Patronage and the New World in Spenser, Daniel, and Shakespeare A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF THE UNIVERSITY OF MINNESOTA BY John Christian Sievers IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Professor John Watkins, Advisor October 2011 © John Christian Sievers 2011 Acknowledgements This dissertation owes its existence to a steady stream of people in my life who have encouraged me to read and to think carefully about what I read. It started with my parents Dennis and Celeste, and continued through important High School teachers like Mr. Handlen, and life-changing undergraduate professors like Dr. Jesse Swan. It culminated with the insights and invaluable support of my dissertation committee: John Watkins, Shirley Nelson Garner, Gordon Hirsch, and Kelley Harness. Thanks for your guidance in my life and the part you played in helping me complete this project. As I have worked on this dissertation, I have become the proud father of two lovely daughters, Eleanor and Abigail. Even as they have learned their first words, they‘ve helped me think about sirens, or as Eleanor prefers mermaids, in new ways. Thank you Eleanor and Abigail for making the best of the times that I couldn‘t take you to the park, play dress up, or eat your imaginary culinary delights. For her encouragement, her patience, and her unwavering faith in me, I thank my wife, Beth. Though certainly not a siren, you are, after all, the only temptation I shall ever pursue. i Dedication To Beth, Eleanor, and Abigail: the inspirations for my songs. -
Pocahontas Alias Matoaka, and Her Descendants Through Her
POC A H O N TAS S T O ALIA MA AKA, A N D H ER DESC EN DA NTS T H R OUGH H ER MARR IAGE AT am esto w n Vir inia in A ril 1 6 1 J , g , p , 4 , WITH OH N R OLFE GEN T LEMAN J , ; I N C LUDING TH E N AM‘ES O F ALFR IEN D E B E LE BE B L BOLL B , ARCH R , NT Y , RNARD , AND, ING, RANCH , B E LL LE I E I' "O O L ' V L CA , CAT TT , CARY, DANDR DG , D N , D UG AS , DU A , E L E E LLE E O IE L LE M GAY O DRIDG , TT , F RGUS N , F D , F ING , , GORD N, F S O I O B LEW LO M K GRI FIN , GRAY N , HARR S N , HU ARD , IS , GAN , AR H AM M E DE M C E M E O E RA N , A , RA , URRAY, PAG ], P YTHR SS , OL OBE O N K W ST ANA R D TAZEWELL D PH , R RTS , S IP ITH , , , W LK WE W A N D T S E LE O E . A , ST , HITT H R WIT H Biographical Sketch es N D O SO WY H AM R BERT N , AN ’D I L L U ST R AT IV E H IST OR I CA L N OT ES A B K . R . R O O D w . O G S J . -
“Savage and Deformed”: Stigma As Drama in the Tempest Jeffrey R
“Savage and Deformed”: Stigma as Drama in The Tempest Jeffrey R. Wilson The dramatis personae of The Tempest casts Caliban as “asavageand deformed slave.”1 Since the mid-twentieth century, critics have scrutinized Caliban’s status as a “slave,” developing a riveting post-colonial reading of the play, but I want to address the pairing of “savage and deformed.”2 If not Shakespeare’s own mixture of moral and corporeal abominations, “savage and deformed” is the first editorial comment on Caliban, the “and” here Stigmatized as such, Caliban’s body never comes to us .”ס“ working as an uninterpreted. It is always already laden with meaning. But what, if we try to strip away meaning from fact, does Caliban actually look like? The ambiguous and therefore amorphous nature of Caliban’s deformity has been a perennial problem in both dramaturgical and critical studies of The Tempest at least since George Steevens’s edition of the play (1793), acutely since Alden and Virginia Vaughan’s Shakespeare’s Caliban: A Cultural His- tory (1993), and enduringly in recent readings by Paul Franssen, Julia Lup- ton, and Mark Burnett.3 Of all the “deformed” images that actors, artists, and critics have assigned to Caliban, four stand out as the most popular: the devil, the monster, the humanoid, and the racial other. First, thanks to Prospero’s yarn of a “demi-devil” (5.1.272) or a “born devil” (4.1.188) that was “got by the devil himself” (1.2.319), early critics like John Dryden and Joseph War- ton envisioned a demonic Caliban.4 In a second set of images, the reverbera- tions of “monster” in The Tempest have led writers and artists to envision Caliban as one of three prodigies: an earth creature, a fish-like thing, or an animal-headed man. -
Ladies and Gentlemen ... the Circus I
6 REVIEW February 12, 2019 Ladies and gentlemen ... the circus is back in town No circus like Cirque du Soleil to hold its breath while watching one of the Cirque du Soleil, in its big blue and yellow goddesses as she balanced 13 palm leaf ribs. tent, opened a five-week run at Lone Star Park There is no music playing. The only sound in Grand Prairie. This time the circus presents is the heavy breathing of the artist as she the tale “Amaluna,” based on Shakespeare’s concentrates. “The Tempest.” The show opened Jan. 23 and One of the most touching acts involves a runs through March 3. scene between Miranda and her lover. Romeo “Amaluna” is the story of a magical island watched Miranda enjoy herself in choreogra- ruled by goddesses. Miranda, the daughter of phy that moved between playing in the water the Queen and shaman Prospera, is a happy bowl and displaying her strength skills in a dreamer and a romantic young girl who is difficult hand-balancing routine. The artists about to reach womanhood. also excel in their acting as the audience The queen creates a big storm that brings a watches the couple share a first kiss. group of young men to the island. The leader, “Amaluna” combines the theatrical story Prince Romeo and his men are trapped. with remarkable acrobatic acts. Watching the The show evolves into a love story between show likely gives viewers hope that dreams Romeo and Miranda. can come true. The couple confronts challenges to be The spectacle is one of more than 23 shows together, including dealing with the jealousy of by Cirque du Soleil. -
The History of the Jamestown Colony: Seventeenth-Century and Modern Interpretations
The History of the Jamestown Colony: Seventeenth-Century and Modern Interpretations A Senior Honors Thesis Presented in Partial Fulfillment of the Requirements for graduation with research distinction in History in the undergraduate colleges of the Ohio State University By Sarah McBee The Ohio State University at Mansfield June 2009 Project Advisor: Professor Heather Tanner, Department of History Introduction Reevaluating Jamestown On an unexceptional day in December about four hundred years ago, three small ships embarked from an English dock and began the long and treacherous voyage across the Atlantic. The passengers on board envisioned their goals – wealth and discovery, glory and destiny. The promise of a new life hung tantalizingly ahead of them. When they arrived in their new world in May of the next year, they did not know that they were to begin the journey of a nation that would eventually become the United States of America. This summary sounds almost ridiculously idealistic – dream-driven achievers setting out to start over and build for themselves a better world. To the average American citizen, this story appears to be the classic description of the Pilgrims coming to the new world in 1620 seeking religious freedom. But what would the same average American citizen say to the fact that this deceptively idealistic story actually took place almost fourteen years earlier at Jamestown, Virginia? The unfortunate truth is that most people do not know the story of the Jamestown colony, established in 1607.1 Even when people have heard of Jamestown, often it is with a negative connotation. Common knowledge marginally recognizes Jamestown as the colony that predates the Separatists in New England by more than a dozen years, and as the first permanent English settlement in America. -
The Tempest: Synopsis by Jo Miller, Grand Valley Shakespeare Festival Dramaturg
The Tempest: Synopsis By Jo Miller, Grand Valley Shakespeare Festival Dramaturg Long ago and far away, Prospero, the Duke of Milan, pursued the contemplative life of study while turning the administration of his Dukedom over to his brother [in our play a sister, Antonia], who, greedy for power, made a deal with the King of Naples to pay tribute to the King in exchange for help in usurping Prospero’s title. Together they banished Prospero from Milan, thrusting him out to sea in a rotten, leaky boat with his infant daughter, Miranda. Miraculously, the father and daughter survived and were marooned on an island where Sycorax, an evil witch who died after giving birth to Caliban, had also been exiled. Caliban is thus the only native inhabitant of the isle besides the spirit, Ariel, and his fellow airy beings. For twelve years now, Prospero and Miranda have lived in exile on this island, with Prospero as its de facto king, ruling over Caliban and all the spirits as his slaves, while he has nurtured Miranda and cultivated his powerful magic. At the moment play begins, that same King of Naples and his son Prince Ferdinand, along with the King’s brother [here a sister, Sebastiana], Prospero’s sister, Antonia, and the whole royal court, are sailing home from having given the Princess Claribel in marriage to the King of Tunis. Prospero conjures up a mighty tempest, which wrecks the King’s boat on the island, separating the mariners from the royal party, and isolating Ferdinand so that the King believes him drowned. -
Discord, Order, and the Emergence of Stability in Early Bermuda, 1609-1623
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1991 "In the Hollow Lotus-Land": Discord, Order, and the Emergence of Stability in Early Bermuda, 1609-1623 Matthew R. Laird College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the History Commons Recommended Citation Laird, Matthew R., ""In the Hollow Lotus-Land": Discord, Order, and the Emergence of Stability in Early Bermuda, 1609-1623" (1991). Dissertations, Theses, and Masters Projects. Paper 1539625691. https://dx.doi.org/doi:10.21220/s2-dbem-8k64 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. •'IN THE HOLLOW LOTOS-LAND": DISCORD, ORDER, AND THE EMERGENCE OF STABILITY IN EARLY BERMUDA, 1609-1623 A Thesis Presented to The Faculty of the Department of History The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by Matthew R. Laird 1991 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts Matthew R. Laird Approved, July 1991 -Acmy James Axtell Thaddeus W. Tate TABLE OP CONTENTS Page ACKNOWLEDGMENTS....................................... iv ABSTRACT...............................................v HARBINGERS....... ,.................................... 2 CHAPTER I. MUTINY AND STARVATION, 1609-1615............. 11 CHAPTER II. ORDER IMPOSED, 1615-1619................... 39 CHAPTER III. THE FOUNDATIONS OF STABILITY, 1619-1623......60 A PATTERN EMERGES.................................... -
A Jamestown Timeline
A Jamestown Timeline Christopher Columbus never reached the shores of the North American Continent, but European explorers learned three things from him: there was someplace to go, there was a way to get there, and most importantly, there was a way to get back. Thus began the European exploration of what they referred to as the “New World”. The following timeline details important events in the establishment of the fi rst permanent English settlement in America – Jamestown, Virginia. PRELIMINARY EVENTS 1570s Spanish Jesuits set up an Indian mission on the York River in Virginia. They were killed by the Indians, and the mission was abandoned. Wahunsonacock (Chief Powhatan) inherited a chiefdom of six tribes on the upper James and middle York Rivers. By 1607, he had conquered about 25 other tribes. 1585-1590 Three separate voyages sent English settlers to Roanoke, Virginia (now North Carolina). On the last voyage, John White could not locate the “lost” settlers. 1602 Captain Bartholomew Gosnold explored New England, naming some areas near and including Martha’s Vineyard. 1603 Queen Elizabeth I died; James VI of Scotland became James I of England. EARLY SETTLEMENT YEARS 1606, April James I of England granted a charter to the Virginia Company to establish colonies in Virginia. The charter named two branches of the Company, the Virginia Company of London and the Virginia Company of Plymouth. 1606, December 20 Three ships – Susan Constant, Godspeed, and Discovery – left London with 105 men and boys to establish a colony in Virginia between 34 and 41 degrees latitude. 1607, April 26 The three ships sighted the land of Virginia, landed at Cape Henry (present day Virginia Beach) and were attacked by Indians. -
Pocahontas's Two Rescues and Her Fluid Loyalty
言語・地域文化研究 第 ₂6 号 2020 103 Pocahontas’s Two Rescues and Her Fluid Loyalty Hiroyuki Tsukada ポカホンタスの二つの助命と忠誠心の揺らぎ 塚田 浩幸 要 旨 ポカホンタスは、二度、ジョン・スミスの命を救った。一度目は有名な助命で、1607 年 12 月、インディアンの首長パウハタンによる処刑の寸前に、ポカホンタスが捕虜スミ スに自分の体をなげうって助命をした。これは、スミスの死と生まれ変わりを象徴的に 意味し、入植者をインディアンの世界に迎え入れる儀式で、ポカホンタスはスミスを救 うというあらかじめ決められた役割を担った。この一度目の助命の真偽については長ら く論争が行なわれてきたが、スミスが 1608 年 6 月の報告書簡でポカホンタスを「比類な き人物」と高く評価できたという事実は、助命が実際に起きたことを示している。その 6 月の時点で、スミスは助命の他に、取引や物資の提供と人質解放交渉の場面でポカホ ンタスと会う機会を持っていたが、それらの場面においては、スミスが「比類なき人物」 と評価することができるほどの行動をポカホンタスがとっていなかったからである。そ して、スミスがその報告書簡でポカホンタスを紹介したのは、入植事業の宣伝のために インディアンとの平和友好をアピールするねらいがあった。つまり、スミスに批判的な 研究者が主張するように、スミスがポカホンタスの人気にあやかって自分の名声をあげ るために助命を捏造したのではなく、助命に感銘を受けたスミスがポカホンタスの人気 を作り上げたといえるのである。 パウハタンは、一度目の助命でポカホンタスをインディアンと入植者の平和友好のシ ンボルとして仕立て上げ、その後の平和的な外交の場面にもポカホンタスを同行させて いた。しかしながら、二度目の助命は、パウハタンの外交方針に逆らって、ポカホンタ ス自身の意思によって行なわれた。1609 年 1 月、インディアンと入植者の関係が悪化す るなか、パウハタンがスミスを本当に襲おうとしているところをポカホンタスがスミス に密告して救った。この二つの助命のあいだの期間、ポカホンタスは入植者と頻繁に会 うなかで理解を深め、パウハタン連合のインディアンとしての忠誠心に揺らぎを生じさ せていたのである。つまり、ポカホンタスは、単なるパウハタンの遣いとしての平和友 好のシンボルであることをやめ、自らを平和友好の使者として確立させるに至ったので ある。 本稿の著作権は著者が保持し、クリエイティブ・コモンズ表示 4.0 国際ライセンス(CC-BY)下に提供します。 https://creativecommons.org/licenses/by/4.0/deed.ja 104 論文 ポカホンタスの二つの助命と忠誠心の揺らぎ (塚田 浩幸) Table of contents 1. Introduction 2. A special relationship between Pocahontas and John Smith 3. Refutation of all existing theories 4. Demonstration of the veracity of the rescue 5. Conclusion 1. Introduction Pocahontas saved John Smith twice. The frst instance came in December 1607, when she symbolically ofered her own head to save Smith’s -
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THE TWENTY-FIFTH HOUR COMPOSER’S NOTE the same musical stuff, as if each were a THE CHAMBER MUSIC OF THOMAS ADÈS (b. 1971) different view through a kaleidoscope. ‘Six of Nearly twenty years separate the two string the seven titles’, he has noted, ‘evoke quartets on this record, and all I have been able various vanished or vanishing “idylls”. The Piano Quintet (2001) * to discover over this time is that music only gets odd-numbered are all aquatic, and would splice 1 I [11.43] more and more mysterious. I am very grateful if played consecutively.’ 2 II [4.35] for this enjoyable collaboration to Signum, Tim 3 III [3.00] Oldham, Steve Long at Floating Earth, and my In the first movement the viola is a gondolier friends the Calder Quartet. poling through the other instruments’ moonlit The Four Quarters (2011) World Premiere Recording 4 I. Nightfalls [7.06] water, with shreds of shadowy waltz drifting 5 II. Serenade: Morning Dew [3.12] Thomas Adès, 2015 in now and then. Next, under a quotation 6 III. Days [3.50] from The Magic Flute (‘That sounds so 7 IV. The Twenty-Fifth Hour [3.51] The Chamber Music delightful, that sounds so divine’ sing of Thomas Adès Monostatos and the slaves when Papageno Arcadiana (1993) plays his bells), comes a song for the cello 8 I. Venezia notturno [2.39] These three works are not only in classic under glistening harmonics. The music is 9 II. Das klinget so herrlich, das klinget so schon [1.22] genres but themselves becoming classics, with stopped twice in its tracks by major chords, 0 III. -
Hunt Club 23
Charles City County Business Directory County Guide Compiled September 1998 By: Charles City County Department of Planning January 2016 **Please contact the Department of Planning to report any incorrect information** Introduction Charles City County is a quiet, rural haven located in the east-central portion of the Commonwealth of Virginia. In 1634, the colonial General Assembly met at Jamestown and divided the Virginia Colony into eight shires, similar to those in England. These were Accomack, Charles River, Henrico, Elizabeth City, James City, Warwick River, Warrosquyoake and Charles City. The Charles City shire was named for the English King's son, Charles, who later became King Charles I. When first established, Charles City comprised a large area on both sides of the James River, but gradually it lost land area to the formation of other counties. Settlement in Charles City County began as early as 1613. Many of the famous estates were patented in these early years. Charles Carter built Shirley Plantation about 1769. It is believed to be the first Virginia plantation. Today the Carter family still owns Shirley Plantation. Benjamin Harrison, IV, built the Berkeley Plantation mansion in 1726. Berkeley was the birthplace of Benjamin Harrison, V, a signer of the Declaration of Independence and Governor of Virginia. Berkeley was also the home of William Henry Harrison, the ninth President of the United States. John Tyler, tenth President of the United States, purchased Sherwood Forest in 1842. William Byrd, III, a notable Virginia planter, author, and colonial official constructed Westover Plantation about 1730. Evelynton Plantation was originally part of William Byrd's expansive Westover Plantation. -
Tracts and Other Papers Relating Principally to the Origin, Settlement
Library of Congress Tracts and other papers relating principally to the origin, settlement, and progress of the colonies in North America from the discovery of the country to the year 1776. Collected by Peter Force. Vol. 3 TRACTS AND OTHER PAPERS, RELATING PRINCIPALLY TO THE ORIGIN, SETTLEMENT, AND PROGRESS OF THE COLONIES IN NORTH AMERICA, FROM THE DISCOVERY OF THE COUNTRY TO THE YEAR 1776. 2 219 17?? Oct13 COLLECTED BY PETER FORCE. Vol. III. WASHINGTON: PRINTED BY WM. Q. FORCE. 1844. No. 2 ? Entered according to Act of Congress, in the year 1844, By PETER FORCE, In the Clerk's Office of the District Court of the District of' Columbia. 7 '69 CONTENTS OF THE THIRD VOLUME. 3 390 ? 62 I. A Trve Declaration of the estate of the Colonie in Virginia, with a confutation of such scandalous reports as haue tended to the disgrace of so worthy an enterprise. Published Tracts and other papers relating principally to the origin, settlement, and progress of the colonies in North America from the discovery of the country to the year 1776. Collected by Peter Force. Vol. 3 http://www.loc.gov/resource/lhbcb.7018c Library of Congress by aduise and direction of the Councell of Virginia. London, printed for William Barret, and are to be sold at the blacke Beare in Pauls Church-yard. 1610.—[28 pages.] II. For the Colony in Virginea Britannia. Lavves Diuine, Morall and Martiall, &c. Alget qui non Ardet. Res nostrœ subinde non sunt, quales quis optaret, sed quales esse possunt. Printed at London for Walter Burre.