Connecting Content with Consumers Volume 7 Issue 23
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Read Ebook {PDF EPUB} Rumple Buttercup a Story of Bananas Belonging and Being Yourself by Matthew Gray Gubler ISBN 13: 9780525648444
Read Ebook {PDF EPUB} Rumple Buttercup A Story of Bananas Belonging and Being Yourself by Matthew Gray Gubler ISBN 13: 9780525648444. Rumple Buttercup: A Story of Bananas, Belonging, and Being Yourself. Gubler, Matthew Gray. This specific ISBN edition is currently not available. The #1 New York Times bestseller written and illustrated by Criminal Minds actor/director, Matthew Gray Gubler. This charming and inspiring story is the perfect gift for kids (and grown-up kids) alike! Rumple Buttercup has five crooked teeth, three strands of hair, green skin, and his left foot is slightly bigger than his right. Join him and Candy Corn Carl (his imaginary friend made of trash) as they learn the joy of individuality as well as the magic of belonging. "synopsis" may belong to another edition of this title. Matthew Gray Gubler is a storyteller from Las Vegas, Nevada, who directs, paints, writes, acts, and knows magic. He also loves to voice cartoon characters, look for ghosts, and wear soft pajamas. For more information, you can find him in a bathtub or at: matthewgraygubler.com Twitter: @GUBLERNATION Instagram: @gublergram. A Forbes Best Children's Book of the Year (so far) "Kids will love the weird, mythical and strangely cute character of Rumple Buttercup. It’s entertaining for all ages." — Forbes. Matthew Gray Gubler ID10T with Chris Hardwick. Matthew Gray Gubler (Criminal Minds, new book Rumple Buttercup: A Story of Bananas, Belonging, and Being Yourself) talks with Chris about how they handle busy schedules, the time he did @midnight and his love of magic. He also talks about directing, working on Criminal Minds for 15 years and his new children's book Rumple Buttercup: A Story of Bananas, Belongings, and Being Yourself! More Episodes © Chris Hardwick. -
Female Asian-Immigrant Representation in Guardians of the Galaxy Vol. 2
Female Asian-Immigrant Representation in Guardians of the Galaxy Vol. 2 From the Hollywood behemoth that is Marvel’s Cinematic Universe comes Guardians of Galaxy Vol. 2, a typical fun, action-packed superhero film that follows Peter Quill and the rest of the eponymous team as they discover the answer behind Peter’s elusive parentage. Written and directed by white American filmmaker, James Gunn, the film grossed more than $838 million worldwide, holds an 83% on Rotten Tomatoes, and was honored with an Academy Award nomination. Yet despite this widespread financial and critical success, Guardians of the Galaxy Vol. 2, which introduces to the big screen Marvel’s very first female Asian superhero, crafts a problematic character in Mantis (played by French-Korean actress, Pom Klementieff). Hidden behind the film’s kaleidoscopic visuals and zany humor lies an age-old subscription to orientalism, yellow peril, and lotus blossom stereotypes, all of which together culminate in perpetuating a ruling class ideology that Asian women are helpless perpetual foreigners whose sole purpose is to serve and be saved by white men. This film is science-fiction. It takes place in space. Nobody, not even Peter Quill, is entirely human. Characters consist of one green-skinned alien, three blue-skinned aliens, countless gold-skinned aliens, talking trees, talking raccoons, and a man with a fin on his head. Yet it is Mantis alone who speaks with a heavy, non-Western accent. From her very first appearance, Mantis is singled out as a perpetual foreigner, a term that harkens back to the keywords of orientalism and yellow peril. -
Sommario Rassegna Stampa
Sommario Rassegna Stampa Pagina Testata Data Titolo Pag. Rubrica Anica Web AGCULT.IT 10/12/2019 LEGGE CINEMA, FRANCESCHINI INCONTRA ANICA: DIALOGO E 3 CONFRONTO PROSEGUE PROSSIMA SETTIMANA Cinemaitaliano.info 11/12/2019 ANICA - IL MINISTRO FRANCESCHINI A DIALOGO CON LA FILIERA 5 DELL'AUDIOVISIVO Cineuropa.org 10/12/2019 TEN ITALIAN WORKS YET TO BE RELEASED IN FRANCE WILL BE 6 SHOWCASED IN DE ROME A' PARIS Espresso.Repubblica.it 10/12/2019 LA MINACCIA DEEPFAKE: QUANDO NON BASTA PIU' VEDERE PER 7 CREDERE Rai.it 10/12/2019 L'ARTE DEL COMPROMESSO NON E' IL MIO FORTE 10 Larecherche.it 11/12/2019 TUTTO IL CINEMA CHE VUOI... CINEUROPA NEWS :: 12 Spettacolomusicasport.com 10/12/2019 CONCLUSI GLI SDC DAYS 2019: IL PAPA PARLA AL MONDO DEL 19 CINEMA. OLTRE QUATTROCENTO PARTECIPANTI PER I Rubrica Cinema 1 Avvenire 11/12/2019 "PETRUNYA", UN FILM CONTRO IL MASCHILISMO (A.De Luca) 20 25 Avvenire 11/12/2019 DOCUFILM SUL PAPA FIGLIO DI MIGRANTI (T.Viola) 22 78/84 Chi 11/12/2019 FILM DELLE FESTE BUON NATALE AL CINEMA (M.Comolli) 23 1 Il Fatto Quotidiano 11/12/2019 Int. a J.Binoche: BINOCHE: "ECCO PERCHE' FUGGII DA 29 HOLLYWOOD" (F.Pontiggia) 22 Il Fatto Quotidiano 11/12/2019 TERTIO MILLENNIO FILM FESTIVAL 31 25 Il Messaggero 11/12/2019 IL NOSTRO PAPA, ARRIVA IN SALA IL DOCUFILM SU BERGOGLIO 32 (F.Giansoldati) 21 Il Tempo 11/12/2019 NUOVA VITA PER IL PICCOLISSIMO (L.Pri.) 33 19 La Gazzetta del Mezzogiorno 11/12/2019 UN "MIGRANTE" SUL SOGLIO DI PIETRO (D.Gallo) 34 21 La Repubblica - Cronaca di Roma 11/12/2019 GIOVANI ATTORI IN SALA RICORDANDO VOLONTE' 35 27 La Stampa 11/12/2019 GENERAZIONE "OK BOOMER" COSI' I GIOVANI REGISTI 36 RACCONTANO GLI OVER 50 (E.Santolini) 28 La Stampa 11/12/2019 Int. -
LOYALISTS CRUSH COUP Philippine Rebels Eppeared to Have Little Support
anrhrfitrrManchester — A City ol Village Charm Hrralft Saturday. Aug. 29.1987 LOYALISTS CRUSH COUP Philippine rebels eppeared to have little support MANILA, Philippines (AP) — Loyal troops backed by helicopter gunships and low-level bombing seized strongholds of mutineers Friday to crush the bloodiest coup attempt yet against President Corazon Aquino. Her only son was wounded. On Saturday morning, 500 rebel troops surrendered at Camp Aguinaldo, the military headquarters that was the scene of the heaviest fighting, themilitary said. On Friday night, it said other 402 rebels had been captured. Gen. Fidel V. Ramos, the military chief of staff, had told his subordinates Friday morning that only about 800 troops had taken part in the mutiny. It was not known how many still might be holding out. Ramos had said "mopping up operations” were under way aiid he expected full order to be restored in Manila by Saturday. ' The uprising centered in Manila but the commander of paramilitary national police in Cebu City, 350 miles southeast, backed the rebels, putting the mayor and provincial governor under house arrest. Military and hospital sources said at least 25 people had been killed and 275 wounded, including Benigno Aquino III. Mrs. Aquino, 54. said her 27:year-oId son was seriously hurt and three companions were killed when gunfire riddled their car near the presidential palace early Friday. The mutiny began at 1 a.m. Friday with attacks on the Malacanang presidential palace compound and other targets. The rebels did not appear to have widespread, popular support. When one group was chased away from the tall transmitter tower of government-run Channel 4 television station, hundreds of people poured into the streets, cheering the loyal defenders and shouting, “Cory! Cory! “ the nickname of the popular president. -
The Ideology of the Long Take in the Cinema of Alfonso Cuarón by BRUCE ISAACS
4.3 Reality Effects: The Ideology of the Long Take in the Cinema of Alfonso Cuarón BY BRUCE ISAACS Between 2001 and 2013, Alfonso Cuarón, working in concert with long-time collaborator, cinematographer Emmanuel Lubezki, produced several works that effectively modeled a signature disposition toward film style. After a period of measured success in Hollywood (A Little Princess [1995], Great Expectations [1998]), Cuarón and Lubezki returned to Mexico to produce Y Tu Mamá También (2001), a film designed as a low- budget, independent vehicle (Riley). In 2006, Cuarón directed Children of Men, a high budget studio production, and in March 2014, he won the Academy Award for Best Director for Gravity (2013), a film that garnered the praise of the American and European critical establishment while returning in excess of half a billion dollars worldwide at the box office (Gravity, Box Office Mojo). Lubezki acted as cinematographer on each of the three films.[1] In this chapter, I attempt to trace the evolution of a cinematographic style founded upon the “long take,” the sequence shot of excessive duration. Reality Effects Each of Cuarón’s three films under examination demonstrates a fixation on the capacity of the image to display greater and more complex indices of time and space, holding shots across what would be deemed uncomfortable durations in a more conventional mode of cinema. As Udden argues, Cuarón’s films are increasingly defined by this mark of the long take, “shots with durations well beyond the industry standard” (26-27). Such shots are “attention-grabbing spectacles,” displaying the virtuosity of the filmmaker over and above the requirement of narrative unfolding. -
Course Description, Class Outline and Syllabus Instructor: Peter Elman
Course description, class outline and syllabus Instructor: Peter Elman Title: “A Round-Trip Road Trip of Country Music, 1950-present: From Nashville to California to Texas--and back.” Course Description: An up close and personal look at the golden era of American country music, this class will explore key movements that contributed to the explosive growth of country music as an industry, art form and subculture. The first half of this course will focus on three major regions: Nashville, California and Texas, and concentrate on the period 1950-1975. The second half will look at the women of country, discuss the making of a country song and record, look at the work of five great songsmiths, visit the country music of the 1980’s, and end with an examination of Americana music. The course will do this through lectures, photographs, recorded music, film clips, question and answer sessions, and the use of live music. The instructor will play piano, guitar and sing, and will choose appropriate examples from each region, period and style. - - - - - - - - - - - Course outline by week, with syllabus; suggested reading, listening and viewing Week one: The rise of “honky-tonk” music, 1940-60: Up from bluegrass—the roots of country music. Roy Acuff, Ernest Tubb, Hank Williams, Kitty Wells, Lefty Frizzell, Porter Wagoner, Jim Reeves, Webb Pierce, Ray Price, Hank Lochlin, Hank Snow, and the Grand Old Opry. Reading: The Nashville sound: bright lights and country music Paul Hemphill, 1970-- the definitive portrait of the roots of country music. Listening: 20 of Hank Williams Greatest Hits, Mercury, 1997 30 #1 Country Hits of the 1950s, 3-disc set, Direct Source, 1997 Viewing: O Brother Where Art Thou, 2000, by the Coen brothers America's Music: The Roots of Country 1996, three-part, six episode documentary. -
Public Notices
Hawthorne Press Tribune The Weekly Newspaper of Hawthorne Herald Publications - Inglewood, Hawthorne, Lawndale, El Segundo, Torrance & Manhattan Beach Community Newspapers Since 1911 - Circulation 30,000 - Readership 60,000 (310) 322-1830 - May 3, 2018 Hawthorne High Volleys to Silver Inside This Issue Calendar of Events ............3 Certified & Licensed Professionals ......................7 Classifieds ...........................3 Entertainment .....................2 Hawthorne Happenings ...3 Food ......................................7 The Hawthorne High School boys volleyball team (pictured above) recently won the silver bracket at the Chadwick Tournament. The Cougars posted one-set playoff wins over both Marshall and Chadwick. Lawndale. .........................4,5 Photo: Hawthorne High School. Legals ................................4,6 Peter Burnett Team Presents to Wiseburn School Board Members By Duane Plank students and how they generated possible features.” Madsen added that the tentative As the 2017/18 school year enters its final solutions, with the students being allowed to grand opening of the El Segundo Aquatics months, the Wiseburn School Board met last “naturally solve” cognitive problems and not Center will be on Sept. 8, with the gym Thursday evening to witness a presentation rely on coaching from teachers to reach their tracking in a similar timeline and the soccer from Peter Burnett Elementary, helmed by final answers. One of the conclusions listed field completion slated afterwards. first-year principal Kim Jones. Jones was in the presentation: “Student confidence has Towards the end of the meeting, Director joined in the 40-plus-minute presentation soared because of becoming more account- of Psychological and Child Services Cathy Weekend by Cotsen math mentor Andrea Kwabasa, able for their learning.” Waller provided a quick update to the Board Cotsen fellow and fifth grade teacher Dorothy The impact of the school’s arts program on the progress made at the Wiseburn Child Forecast Sweeney, and arts instructor Tiffany Graham. -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
On Anamorphic Adaptations and the Children of Men
ISSN 1751-8229 Volume Eleven, Number Two On Anamorphic Adaptations and the Children of Men Gregory Wolmart, Drexel University, United States Abstract In this article, I expand upon Slavoj Zižek’s “anamorphic” reading of Alfonso Cuarón’s Children of Men (2006). In this reading, Zižek distinguishes between the film’s ostensible narrative structure, the “foreground,” as he calls it, and the “background,” wherein the social and spiritual dissolution endemic to Cuaron’s dystopian England draws the viewer into a recognition of the dire conditions plaguing the post-9/11, post-Iraq invasion, neoliberal world. The foreground plots the conventional trajectory of the main character Theo from ordinary, disaffected man to self-sacrificing hero, one whose martyrdom might pave the way for a new era of regeneration. According to Zižek, in this context the foreground merely entertains, while propagating some well-worn clichés about heroic individualism as demonstrated through Hollywood’s generic conventions of an action- adventure/political thriller/science-fiction film. Zižek contends that these conventions are essential to the revelation of the film’s progressive politics, as “the fate of the individual hero is the prism through which … [one] see[s] the background even more sharply.” Zižek’s framing of Theo merely as a “prism” limits our understanding of the film by not taking into account its status as an adaptation of P.D. James’ The Children of Men (1992). This article offers such an account by interpreting the differences between the film and its literary source as one informed by the transition from Cold War to post-9/11 neoliberal conceptions of identity and politics. -
Download February 2021
ALWAYS Mendocino Coast's FREE Lighthouse February 2021 Peddler The Best Original Writing, plus the Guide to Art, Music, Events, Theater, Film, Books, Poetry and Life on the Coast ValentinesValentines DayDay ArtArt toto Enjoy,Enjoy, 22 GalleriesGalleries toto VisitVisit We’re blessed here on the coast with a world of art that surrounds us. We can take a look at the art, spend a li!le time gazing upon it, read something into it or just enjoy the moment. "is month two of our local galleries will have new exhibits and both are worth a look. So we’ve planned a day for you. Start your day in Gualala at the Dolphin Gallery for their new opening “Hearts for the Arts. "en take an easy 15 minute drive north to Point Arena for a stop at the Coast Highway art Collective where members of the collective will present Valentines Art. And don’t forget to look at the ocean as you drive between the two galleries. Both galleries will welcome you, and you will be assured a delightful day. At the Dolphin Gallery the new exhibit, “Hearts for the Arts”, brings together three artists: Jane Head’s focus on clay, Walt Rush’s on jewels, and Leslie Moody Cresswell’s glass. Cont'd on Page 12 Coast Highway Art Collective in February • Valentines Art and Poetry Meet February 6 By Rozann Grunig !e members of the Coast Highway Art mechanically adept artist mother” and her Council to deliver creative arts instruction Collective are hosting their "rst opening “gregarious, disordered, audacious poet fa- in K-12 classrooms around the Northern reception of 2021 on Saturday, February 6 ther,” she says. -
Half Title>NEW TRANSNATIONALISMS in CONTEMPORARY LATIN AMERICAN
<half title>NEW TRANSNATIONALISMS IN CONTEMPORARY LATIN AMERICAN CINEMAS</half title> i Traditions in World Cinema General Editors Linda Badley (Middle Tennessee State University) R. Barton Palmer (Clemson University) Founding Editor Steven Jay Schneider (New York University) Titles in the series include: Traditions in World Cinema Linda Badley, R. Barton Palmer, and Steven Jay Schneider (eds) Japanese Horror Cinema Jay McRoy (ed.) New Punk Cinema Nicholas Rombes (ed.) African Filmmaking Roy Armes Palestinian Cinema Nurith Gertz and George Khleifi Czech and Slovak Cinema Peter Hames The New Neapolitan Cinema Alex Marlow-Mann American Smart Cinema Claire Perkins The International Film Musical Corey Creekmur and Linda Mokdad (eds) Italian Neorealist Cinema Torunn Haaland Magic Realist Cinema in East Central Europe Aga Skrodzka Italian Post-Neorealist Cinema Luca Barattoni Spanish Horror Film Antonio Lázaro-Reboll Post-beur Cinema ii Will Higbee New Taiwanese Cinema in Focus Flannery Wilson International Noir Homer B. Pettey and R. Barton Palmer (eds) Films on Ice Scott MacKenzie and Anna Westerståhl Stenport (eds) Nordic Genre Film Tommy Gustafsson and Pietari Kääpä (eds) Contemporary Japanese Cinema Since Hana-Bi Adam Bingham Chinese Martial Arts Cinema (2nd edition) Stephen Teo Slow Cinema Tiago de Luca and Nuno Barradas Jorge Expressionism in Cinema Olaf Brill and Gary D. Rhodes (eds) French Language Road Cinema: Borders,Diasporas, Migration and ‘NewEurope’ Michael Gott Transnational Film Remakes Iain Robert Smith and Constantine Verevis Coming-of-age Cinema in New Zealand Alistair Fox New Transnationalisms in Contemporary Latin American Cinemas Dolores Tierney www.euppublishing.com/series/tiwc iii <title page>NEW TRANSNATIONALISMS IN CONTEMPORARY LATIN AMERICAN CINEMAS Dolores Tierney <EUP title page logo> </title page> iv <imprint page> Edinburgh University Press is one of the leading university presses in the UK. -
Connecting Content with Consumers Volume 8 Issue 10
The Fast est Growing DVD, CD and Blu- ray Ret ail Cat alog Connecting Content with Consumers Volume 8 Issue 10 Turner Classic Movies dazzled film fans of all ages last week in Los Angeles with the ninth hosting of the TCM Classic Film Festival. Thousands of classic cinema passionate attendees were feted with over 80 films joined by celebrity hosts including Mel Brooks, Eve Marie Saint, Jeff Bridges, Buck Henry and casts from "Romeo and Juliet" and "Animal House'. Wowing the crowds, Martin Scorsese was awarded the first Robert Osborne Award by Leonardo DiCaprio, recognizing the directors commitment to the preservation of motion pictures. The TCM Classic Film Festival continues to be one of the most anticipated events in the year for watching the classic films as they were originally seen in the great movie theaters. I enjoy attending with my fellow film "geeks" for non-stop film, trivia and learning more about the creativity behind these movies. You will find a complete catalog of TCM classic films available in the AV MOD Collection, contact me for details! Richard Skillman Vice President Allied Vaughn [email protected] http://www.alliedvaughn.com AV MOD Studio Brochure AV MOD Gallery Title Library AV MOD Newsletter Archives Warner Archive May DVD and Blu-ray Releases 5/22/2018 888574646066 Bad Day at Black Rock DVD-5 "Folks in Black Rock have their own way of welcoming mysterious, one-armed stranger John J. Macreedy. He's welcome to leave. Or they'll make sure he leaves in a pine box. Two-time Academy Award® winner* Spencer Tracy (a 1955 Best Actor Oscar® nominee for this film) plays World War II veteran Macreedy, who keeps his own counsel about why he's come to Black Rock and who keeps his wits about him when confronted with threats and violence.