VIEWS FROM THE

SUMMER 2018

© Maurice Sendak, All Rights Reserved WheRe the Wild ThIngs Are Maurice Sendak: The Memorial Exhibition 50 Years, 50 Works, 50 Reasons DIRECTOR’S CORNER

We tend to think of museums as storehouses where price- less artworks reside in perfect climatic conditions, available for viewing under the watchful eyes of curators and security guards, never venturing out of their safe cocoons. But many artworks travel across the country and the world, and the Figge is increasingly a stop on these itineraries. A few years ago, the landmark exhibition Self-Taught Genius: Treasures from the American Folk Art Museum made the first stop of its VIEWS FROM THE FIGGE national tour at the Figge. And this fall, French Moderns: Monet to Matisse, 1850-1950, from SUMMER 2018 • Issue 32 the collection of the Brooklyn Museum, will come to Davenport on a tour that has included Published four times a year at no charge for San Antonio, Wichita and Winnipeg. members, friends and people interested in the These exhibitions make the artworks available to much larger audiences, who may not museum. Postage paid at Davenport, 52802 and additional [ mailingLOGO - COLOR offices. ] be able to travel to major metropolitan museums, and foster collaborative scholarship and programming within the museum community. Each venue for French Moderns has planned special lectures and events to celebrate this exceptional exhibition. At the Figge, we have three 225 West Second Street Davenport, Iowa 52801-1804 months’ worth of special French-inspired events, and we are partnering with organizations 563.326.7804 across the to spread the excitement. Watch for details in the mail and online! www.figgeartmuseum.org[ LOGO - INVERSE ] The Figge is not just a stop for art from other museums; works from our collections also hit the road as part of traveling exhibitions. In February I attended the preview reception for Grant Home of the art collection. Wood: and Other Fables, the retrospective organized by the Whitney Museum of American Art in New York. Key works from the City of Davenport Art Collection are in the exhibition including Wood’s Self Portrait, important drawings and studies, and the armchair is the exclusive[ LOGO -hospitality BW ] sponsor and ottoman he designed for his home in Cedar Rapids. As curator Barbara Haskell notes in the for the Figge Art Museum exhibition catalogue (available in the Figge Museum Store), Wood “created hypnotic works that HOURS simultaneously address American identity and the loneliness and alienation of modern life,” and 10 a.m.–5 p.m. Tuesday, Wednesday, this major exhibition reaffirms his importance, and the significance of the City’s collection. Friday and Saturday In February, the Columbus Museum of Art in Ohio opened William L. Hawkins: An 10 a.m.–9 p.m. Thursday Imaginative Geography, a traveling exhibition of over 60 works by the self-taught painter, Noon-5 p.m. Sunday who lived most of his life there. The exhibition was organized by the Figge through the hard Café hours Tuesday-Friday, 11 a.m.-2 p.m. work of Andrew Wallace, our director of collections and exhibitions, and Guest Curator Café reservations 563.345.6647 Susan M. Crawley, a well-known scholar of American self-taught and folk art. It will travel Facility rentals 563.823.5187 to San Diego this summer before coming to the Figge this fall, and it will make its final ADMISSION stop in Columbus, Georgia in early 2019. The exhibition catalogue—with Hawkins’ painting FREE ADMISSION for all from Prudential, from the Figge collection, on the cover—will be distributed internationally by JULY 5–AUGUST 12 SKIRA, one of the foremost publishers of art books. The logistics of bringing this large group $7 adults; $6 seniors and students with ID; of fragile works together, shipping them across the country and back, photographing them, $4 children ages 4–12 and creating the catalogue, has required five years of planning. The project is our contribution to the ongoing scholarship and understanding of American art, and its importance has been FREE ADMISSION Children under age 4 recognized with a generous grant from the Henry Luce Foundation. Museum members Tim Schiffer, Executive Director Thursday evenings from 5–9 p.m. All Seniors first Thursday of the month Active U.S. Armed Forces and their families FIGGE BOARD OF TRUSTEES REDUCED ADMISSION Executive Committee Ken Koupal Vice President Tara Barney At Large AAA members save $2 Dee Bruemmer President Hunt Harris Treasurer Kay Hall At Large on a full-priced admission Cindy Carlson Past President Don Doucette, Ph.D. Secretary Debby Stafford At Large Dana Wilkinson At Large BOARD MEMBERS

To have additional copies of the newsletter Dr. Amir Arbisser Dr. William Langley Sue Quail Mark Schwiebert delivered to your business or organization, Nancy Danico Richard Lynn Kay Runge Aleeza Singh please call 563.345.6642. Jerry Jones Delia Meier Wynne Schafer Sam Skorepa 2 WheRe the Wild ThIngs Are Maurice Sendak: The Memorial Exhibition 50 Years, 50 Works, 50 Reasons

MAY 12–AUGUST 12, 2018 • KATZ GALLERY

Published in 1963, Maurice Sendak’s Where the During his long career, Wild Things Are is a childhood classic. The tale Sendak illustrated over one of Max’s journey into another world has been hundred children’s books lovingly recited by countless parents to their that continue to thrill and children. Known for a variety of characters and fascinate children all over the picture books, Sendak initially illustrated other world. The fifty works of authors’ books before starting to write his own in art in the exhibition will be the 1950s. This exhibition celebrates his career, accompanied by quotes from including original illustrations as well as drawings fellow illustrators, friends, and others, made for friends and fans featuring characters sharing their thoughts on Sendak and from Where the Wild Things Are, Little Bear and In the ways in which he inspired the Night Kitchen, among other books. Theatrical them. As Stephen Colbert production designs created by Sendak, animation stated, “His art gave us a cels, and sketches in a variety of mediums will fantastical but un-roman- also be included. ticized reminder of what Sendak created a visual language that has childhood truly felt like.” captivated generations of children. Although he sometimes crafted lighthearted plots, his picture The exhibition is organized books often have menacing elements: fanged by Opar, Inc. with special thanks to the monsters, baby stealing goblins, and young lenders of the exhibition and to the AFA protagonists placed in dangerous situations. Gallery in New York City for their support. Sendak gave children the opportunity to engage with ethical dilemmas, to feel afraid as well as COMPANION EVENT joyful, and to take part in imaginative play. As he Thursday, May 17 stated, “Children do live in fantasy and reality; they 5:30 p.m. Opening Reception move back and forth very easily in a way we no 6:30 p.m. Curator Talk longer remember how to do.” See page 8

SPONSORED BY:

KK Runge Associates Andy and Debi Butler © Maurice Sendak, All Rights Reserved

Bettendorf Davenport Moline Rock Island Media Sponsor Public Library Public Library Public Library Public Library WQPT-TV www.figgeartmuseum.org 3 Alois Kronschlaeger: Polychromatic Contemplations

JUNE 9–SEPTEMBER 16, 2018 • 3RD FLOOR

“My work deals with space, light, color, how you intervene and activate a space, and how a space can be a combination of both interior and exterior.” —Alois Kronschlaeger

New York-based Austrian artist Alois design and the civic grid on which it is Kronschlaeger combines weaving, sculpting sited. In his Figge exhibition, he seeks to and painting in intricate sculptures whose remind visitors of the historic division of geometries and colors appear to change the Midwestern landscape into squares that as the viewer moves through the gallery. form the boundaries of townships, farms Kronschlaeger’s works explore his fasci- and homesteads in the process. nation with architectural forms and their relationship to the surrounding landscape. COMPANION EVENTS When visiting the Figge in the fall of 2016, Sunday, June 3 • 5 p.m. Kronschlaeger recognized an immediate Friends of the Figge Preview Party synergy between his geometric sculptures Thursday, June 14 • 6:30 p.m. Artist Talk and architect ’s building See page 8 and 14

Steve Banks: Pop Culture Palimpsest

JUNE 9–SEPTEMBER 2, 2018 • 4TH FLOOR

Great art has dreadful manners. The greatest paintings grab you in a headlock, rough up your composure, and then proceed, in short order, to re-arrange your reality. —Simon Schama

This June, the Figge Art Museum will present text or image is effaced and replaced by a a comprehensive installation by Quad Cities new one, leaving a trace of the original and a artist Steve Banks. Like an archaeologist digging record of layered information. Incorporating through layers of pop culture ash, Banks overlapping layers of painted, collaged, and uncovers iconic examples of high and low art carved elements, Banks’s constructions are the which he then rearranges and re-covers in artist’s attempt to assert his identity against complex and entertaining constructions. the mass media’s barrage on our senses. In a visual mash-up of the familiar icons of As Banks has stated, our “search for identity art history and the TV shows, comic books often turns into commentaries about how we and movies of his youth, Banks’s constructions miraculously form meaningful… interpersonal acknowledge, for better and worse, the mass relationships while our souls… bob haplessly on media’s headlock-like influence on our tastes. an isolating sea of cultural white noise.” Through his use of pungent color schemes and a distinct iconographic style, Banks creates COMPANION EVENTS a palimpsest of personal memories revealing Thursday, May 31 • 6:30 p.m. Artist Talk through its layers a wry social commentary. Thursday, July 12 • 6:30 p.m. Artist Talk The exhibition’s title, Pop Culture Palimpsest, See page 8 refers to Medieval manuscripts in which one

4 \

Laurel Farrin: No Particular Order

JULY 14–SEPTEMBER 9, 2018 • THOMAS AND MARY GILDEHAUS GALLERY

“How do we glean information and make meaning?” —Laurel Farrin

Iowa City artist Laurel Farrin mixes are documented in videos which show the elements of hard edge painting with assemblages being thrust into motion by references to pop culture in her humorous the wind. The same breeze which allowed paintings, drawings and videos. By pulling these figures to move inevitably thwarts inspiration and techniques from various their struggle by blowing them over, leading sources, Farrin explores how viewers to an endless cycle of fruitless gestures. relate to abstract forms. Farrin’s paintings Similar abstract figures inhabit seemingly confound the viewer with visual riddles, empty frames in Farrin’s paintings. When contradictions, and comic juxtaposi- these frames are combined they seem to Laurel Farrin is an associate professor of tions, while convincing the viewer to feel form a comic strip which the viewer must painting and drawing at the School of Art and sympathy for abstract shapes. piece together. Viewers are led to believe Art History at the . She In Farrin’s work geometric forms take that if the frames are assembled correctly splits her time between Iowa City and New on a humanlike presence while performing the punchline to the joke will be revealed, if York City. Sisyphean tasks. Some of these struggles there is one.

Rufino Tamayo From the Dennis L. and Patricia A. Miller Collection

JULY 7–DECEMBER 30, 2018 • LEWIS GALLERY

Rufino Tamayo (1899-1991) was one of process—which he helped develop. Mixografia the first Latin American painters to receive involves pressing a sheet of damp paper pulp international recognition. He was influenced onto an inked metal plate which has raised by modern art, by pre-Colombian imagery, areas of design. As the inked plate and the and by his Zapotec heritage to create a pulp are compressed together, the water is highly individualistic body of work that squeezed out and the pulp is molded to the includes prints, paintings, and sculptures. surface. The prints have sculptural qualities Unlike many of his contemporaries, such that enhance the rich color embedded into as Diego Rivera—who created murals with the paper. themes of social reform—Tamayo viewed This grouping of seven prints is an subject matter as subordinate to color and outstanding representation of Tamayo’s form. Early in his career, he lived in New York large graphic works. It was gifted to the City where he was influenced by the work Figge as a bequest from Dennis L. and of modern artists like and Patricia A. Miller, who were well-known Rufino Tamayo, Niña, 1981, Mixografia on handmade paper, 39 1/2 × 30 inches, Gift of Dennis L. and Patricia A. Miller, . Tamayo’s work is distinguished supporters of Quad City Arts, Quad 2017.21.6, © Tamayo Heirs/Mexico/Licensed by VAGA, by its mythical quality, astute use of color, Cities, and many other organizations. New York, NY abstracted figures, Surrealist imagery, and SPONSORED BY: Dr. Charles and Deborah bold compositions. COMPANION EVENT Cassel • Dr. William and Deborah Irey • Matt Tamayo completed his prints utilizing Thursday, August 9 • 6:30 p.m. Scholar Talk and Tracy Lindaman • Drs. Joseph and Carolyn numerous techniques, including lithography, See page 9 Martin • Dr. Richard Ripperger • William and etching, aquatint, and the Mixografia Kay Whitmore

www.figgeartmuseum.org 5 French Moderns: Monet to Matisse, 1850-1950

OCTOBER 9, 2018–JANUARY 6, 2019 • ORGANIZED BY THE BROOKLYN MUSEUM

In October, the Figge will open the trav- drawn to Paris in the early 20th century, eling exhibition French Moderns, featuring the exhibition shows how expressionist 60 works drawn from the collection of and non-objective art evolved from the Brooklyn Museum that chronicle one the experiments of the 19th century. of the most dynamic and beloved eras In addition, works by Rodin, Degas, and in the history of art. Divided by subject other artists show how the freeing of into four themes—Landscape, Still Life, form in painting extended into sculpture Portraits and Figures, and the Nude—the as well. exhibition shows how the basic concep- The Figge has planned a full schedule tion of artmaking changed over the of lectures, tours, and events to celebrate course of a century. It begins with the French Moderns and to give our visitors academic painters, such as Gerôme and insights into the works on view. We are Bouguereau, whose meticulous realism partnering with a host of other orga- and traditional subjects conformed to nizations in the Quad Cities, including the artistic canons of the 19th century. the Quad City Symphony Orchestra, the It includes the generation of painters, Putnam, and libraries, including Millet and Boudin, who used colleges and universities to present other looser brushwork to depict less conven- French-centric programs through the tional subjects—such as the beaches with hostility and scorn, they are now run of the exhibition. A full schedule will of Normandy and peasants with their among the best-known artists of all time. be available in print and online. Member flocks in the environs of Paris. The The generation that followed the preview days for the exhibition will be Impressionists—led by Monet, Renoir, Impressionists pushed the boundaries offered on Saturday, October 6 and Cezanne, Degas, and Manet—exploded of art even further, allowing color, form, Sunday, October 7, prior to the public the conventions of both subject matter and brushstroke to take precedence opening on Tuesday, October 9. For and style by depicting everyday scenes over subject matter as the focus of their information on membership, contact with bright color and expressive brush art. With works by Matisse, Bonnard, Tessa Pozzi at 563.345.6638 or tpozzi@ strokes. While their work was initially met Chagall and many others who were figgeartmuseum.org.

The presentation of French Moderns at the Figge is made possible by the donors to the Major Exhibitions Endowment, and by our sponsors: The Hunt and Diane Harris Family Foundation, Genesis Health System, Mark and Rita Bawden, Debby and Hugh Stafford, Kay and John Hall, Cynthia Carlson and Scott and Raelene Pullen, and media sponsors KWQC-TV6 and the Quad-City Times.

PARTNERSHIPS AND COLLABORATIONS DONORS TO THE MAJOR EXHIBITIONS ENDOWMENT

artsBASICS Moline Public Library Marsha and Sam Allen Mary Lou Kotecki Kay K. Runge Augustana Teaching Muscatine Arts Center John Anderson J. Randolf and Linda Lewis Debra and Randy Sergesketter Museum of Art Nahant Marsh Bill Barnes Brian and Diana Lovett John and Diane Slover Augustana College Andy and Debi Butler Lujack’s Glenn and Ruth Gaines Thomas Ballet Quad Cities Quad City Arts Community Foundation of the Mary Lujack Deann Thoms Bereskin Fine Art Gallery Quad City Botanical Center Great River Bend and Studio Pat and John Lujack Beth and Scott Tinsman Quad Cities CVB Don and Connie Decker Bettendorf Public Library Ann and Frank McCarthy In Memory of R. Hovey Tinsman Jr. Quad City Symphony Orchestra The Eirinberg Family Butterworth Center & The Henry Parkhurst Family Susan and Richard Vermeer Quad-City Times Deere-Wiman House The Family of John H. Danico Vickie Palmer Jane and George Vieth Creative Arts Academy Lynda and Jeff Eirinberg Bill Prichard Charles and Nancy Rock Island Public Library Frances Emerson and Quad City Bank & Trust Susan and Richard von Maur St. Ambrose University Davenport Schools Robert McClurg Catich & Morrissey Galleries Sue Quail Kim and Bob Waterman Isabel Bloom Jacki and Max Guinn St. Ambrose University Julie and Alan Renken Cathy Weideman and Jewish Federation Perry and Elise Hansen John Gardner Western University- Ruhl & Ruhl Realtors of the Quad Cities Quad Cities Marty and Sue Katz KWQC-TV6 WQPT-TV Living Proof Exhibit

6 College Invitational MAY 3–AUGUST 12, 2018 • COMMUNITY GALLERY

This year marks the tenth incarnation of the from each of the participating colleges were husband, Oscar, the Figge will award cash College Invitational. Students to be included in tasked with selecting the top works from prizes for first-, second- and third-place this exhibition hail from eight area colleges and their school to provide the framework for this winners. Winners will be selected by a panel universities, including Augustana College, Black year’s College Invitational. Students will dazzle of judges comprised of local artists. Hawk College, Clinton Community College, and amaze with well-crafted 2-D and 3-D Knox College, Monmouth College, Scott artworks in various media. COMPANION EVENT Community College, St. Ambrose University, Thanks to a generous scholarship from Thursday, May 3 and Western Illinois University. Art professors Barbara Leidenfrost in loving memory of her 5:30 p.m. Opening Reception • 6:30 p.m. Awards

Living Proof Exhibit: A Visualization of Hope

SEPTEMBER 6–DECEMBER 9, 2018

This exhibition will showcase the passion, courage and talent of cancer survivors who use art as a way to celebrate and reflect upon survival. It is in collaboration with the non-profit organization Living Proof Exhibit, whose mission is to enrich the lives of those impacted by cancer through the therapeutic benefits of the arts.

Learn to Look Gallery

MAY–SEPTEMBER Maurice Sendak is best known as a writer and illustrator whose stories reflect the imagi- native ways children cope and grow in a world shaped by grown-ups. This Learn to Look installation examines Sendak’s prose and fantastical illustrations, comparing them to similar images in the Figge’s collection by artist Matthew Sugarman.

AUGUST Student Self-Portraits from Around the World This summer, the Figge is teaming up with Students Rebuild to showcase a collection of student self-portraits from across the All Rights Reserved globe—and right here from our Quad Cities. Students Rebuild is a collaborative K-12 program that inspires young people worldwide to learn and take collective © Maurice © Sendak, Maurice action on critical global issues. This year, CARE and Search for Common Ground to Studio Students Rebuild challenged young people help youth on different sides of conflict 1 to explore topics such as race, gender, and build peace. MAY–JULY culture without bias, assumptions, or fear This exhibition was designed in collabo- Let the wild rumpus start! Enjoy hands-on by examining our unique identities and ration with students from Davenport activities inspired by Maurice Sendak’s wildly creating self-portraits. Community School’s Creative Arts Academy imaginative children’s books. In this space Each self-portrait submitted to Students you can roar your terrible roar, gnash your Rebuild was matched with a $3 donation terrible teeth, roll your terrible eyes, and sink from the Bezos Family Foundation, raising Opening Celebration on Family Day your terrible claws into artmaking! $600,000 to support programs run by 10 a.m.–2 p.m. Saturday, August 4

www.figgeartmuseum.org 7 FREE ADMISSION THURSDAY EVENINGS  BAR OPENS AND SPECIAL HAPPY HOUR MENU BEGINS AT 4 P.M.

Enjoy Thursdays at the Figge each week at the museum! Enjoy a drink at the bar or stroll through galleries. Enjoy a Indicates complimentary lecture, a workshop, a performance or a special activity. Meet friends or bring your family—every Thursday evening refreshments & cash bar offers a different experience, and admission is free.

THURSDAY, MAY 3 THURSDAY, MAY 24 THURSDAY, JUNE 21 5:30 p.m. Opening Reception 6 p.m. Musical Program Cinema at the Figge 6:30 p.m. Exhibition Remarks and The Quad City Symphony Orchestra will Presented by Ford Photography Awards Ceremony present its creative concept for a commis- 5 p.m. Social Hour and craft beer View the newly opened exhibition College sioned symphonic work by Chicago-based provided by WAKE Brewing Invitational, which features more than 50 Composer James Stephenson. Supplies will be (featured beers are brewed and named works of art by college students from provided for audience members to contribute to match the films) seven area colleges and universities, their own creative voices to the project, which 6 p.m. Barry Phipps presentation and including Augustana College, Black Hawk will come to full fruition in April of 2019. Q&A on his Iowa photographic book College, Clinton Community College, Knox Between Gravity and What Cheer College, Monmouth College, Scott Community THURSDAY, MAY 31 7 p.m. Feature Film College, St. Ambrose University and Western 6:30 p.m. Artist Talk Illinois University. Artist Steve Banks will take visitors behind THURSDAY, JUNE 28 the scenes during this special opportunity to 6 p.m. Reception THURSDAY, MAY 10 see his artistic process at work during the 7 p.m. Author Talk 5:30 p.m. Opening Reception installation of his exhibition, Steve Banks: The Midwest Writing Center presents its Performance by WIU President’s Pop Culture Palimpsest. keynote author as part of the annual David International String Quartet R. Collins Writers’ Conference. Visitors do not 6:30 p.m. Curator Talk: Vero Rose Smith THURSDAY, JUNE 7 need to register for the conference to attend Vero Rose Smith will speak about Resistance, 5 p.m. Reception QC Pride this event. For more information, please visit Resilience and Restoration, an exhibition on 6 p.m. Film: We Were Here www.mwcqc.org. display at the Figge April 14–August 12. 7:30 p.m. Film Discussion Smith is the assistant curator of the Legacies The Figge is partnering with QC Pride for this THURSDAY, JULY 5 for Iowa Collections-Sharing Project. event, which is part of the Quad Cities Unity 6 p.m. Artist Fashion Show Pride Week. For more information about this In conjunction with the Figgeo Video series event, and others events during this week, featuring fashion, Burundi fashion designer please visit www.qcunitypride.org. Justine Jay Jacque will debut her current work during this landmark fashion show. Seating is THURSDAY, JUNE 14 limited to 200, and is on a first-come basis. THURSDAY, MAY 17 6:30 p.m. Artist Talk 5:30 p.m. Opening Reception Artist Alois Kronschlaeger will introduce his THURSDAY, JULY 12 6:30 p.m. Curator Talk exhibition Polychromatic Contemplations 5:30 p.m. Opening Reception Figge Assistant Curator Vanessa Sage will and speak about his creative process when 6:30 p.m. Artist Talk introduce Where the Wild Things Are and developing installation art. Artist Steve Banks returns to Thursdays at talk about the curatorial choices made for the Figge to speak about his completed this installation. exhibition, Pop Culture Palimpsest.

8 THURSDAY, JULY 19 THURSDAY, AUGUST 23 SPECIAL Village in Bloom Art Fair 6:30 p.m. Author Talk 5 p.m. Reception 10 a.m.–4 p.m. Saturday, May 5 The Midwest Writing Center presents the 6 p.m. Azubuike Urban Exposure EVENTS Davenport’s East Village program “Young Emerging Writers Feature Film Festival Village in Bloom, a free arts festival in Reading.” For more information, please visit The Urban Exposure program provides a Davenport’s East Village, celebrates the www.mwcqc.org. creative channel allowing kids to express artistic legacy of Isabel and John Bloom. themselves constructively, non-violently and The festival will feature reused/recycled THURSDAY, JULY 26 with increased confidence. The program will sculptures made by QC schools, an art- No Program showcase their films, which were created making tent, performances in dance Museum open with free admission 5-9 p.m. based on the practice that storytelling is one and music, puppet shows and more. of the most powerful forms of communication. Spend a special art-filled day with THURSDAY, AUGUST 2 Sponsored by: Quad City Arts’ Arts Dollar$ Grant family and friends. More information 5:30 p.m. TASK Party at www.villageinbloom.org. A TASK Party is an experimental art party THURSDAY, AUGUST 30 created by artist Oliver Herring. There are 6:30 p.m. Panel Discussion: three rules: create tasks for the TASK pool, Remembering John and Isabel Bloom Beaux Arts Fair grab a task for yourself to interpret using Figge Executive Director Tim Schiffer will 10 a.m.–5 p.m. Saturday, May 12 the provided materials, and use your introduce the exhibition John Bloom: Close to 10 a.m.–4 p.m. Sunday, May 13 imagination! To learn more, visit Home (on view August 25, 2018-January 13, 10 a.m.–2 p.m. Spin Art on the Plaza oliverherringTASK.wordpress.com. 2019), and will lead a panel discussion with (free) community artists about the work and lives of Free museum admission all weekend! THURSDAY, AUGUST 9 John and Isabel Bloom. The fall Beaux Arts Fair will be Saturday, 6:30 p.m. Scholar Talk September 8 and Sunday, September 9. Dr. Monica Bravo will present a lecture on THURSDAY, SEPTEMBER 6 Mexican modernist photography, as part 5 p.m. Reception of the Figge’s examination of Mexican 6:30 p.m. Exhibition Opening artists during the exhibition Rufino Tamayo, Living Proof Exhibit invites contributing a tribute to Dennis and Pat Miller. Dr. Bravo is artists and community members to join in a lecturer for the History of Art and Ethnicity, celebrating this current exhibition, on view Race and Migration at Yale University’s from September 6-December 9, 2018. Department of the History of Art. Living Proof Exhibit provides the therapeutic benefits of the arts to those impacted by THURSDAY, AUGUST 16 cancer. This includes patients, survivors, 4-7 p.m. Book Sale families and caregivers. For more information, Flip through used books about art and art please visit www.livingproofexhibit.org. history at the Figge’s first used book sale. The books include past catalogues, as well THURSDAY, SEPTEMBER 13 Free Family Day as books donated by generous museum 3:30–7 p.m. Teacher Appreciation Saturday, August 4 members. To donate a book to the sale, Open House Activities 10 a.m.–1 p.m. please bring books to the museum store The Figge welcomes all educators to the Free admission all day by August 10. Proceeds benefit the Figge’s museum for an open house to show our Families and fans alike will dive into the educational programs. appreciation! current exhibitions with special activities throughout the museum. This family day Guided Mindfulness: Meditation in the Galleries will also Selected Sundays at 5:30 p.m. celebrate June 10, July 1, August 5, September 2, October 7, November 18, December 2 the opening Join us in the gentle practice of mindfulness meditation at the Figge Art Museum galleries. of a special Practitioners will be guided in ways to calm the mind and body, and to bring awareness Students Rebuild to the present moment. Meditations will be led by experienced meditation practitioners installation in from the Prairie River Sangha. All are welcome to join in, whether new to meditation or Studio 1. not. This is a free program, but advanced registration is required and is limited to 10 participants. To register, contact Brooke Wessel: [email protected]. © Maurice Sendak, All Rights Reserved www.figgeartmuseum.org 9 CALENDAR For more information on these or other programs, visit the calendar page at www.figgeartmuseum.org

7 THURSDAY 5 THURSDAY MAY Free Senior Day: FREE ADMISSION BEGINS AUGUST 1:30 p.m. Tour • 2:30 p.m. Film 10:30 a.m. Dance Me a Story 2 WEDNESDAY 6 p.m. Wine & Art 1 WEDNESDAY Free Senior Day: 1 p.m. Art Lovers Book Club 5 p.m. Reception for QC Pride 1:30 p.m. Tour • 2:30 p.m. Film 10:30 a.m. Big Picture in the House 6 p.m. Film followed by discussion 3 THURSDAY 6 p.m. Artist Fashion Show 1 p.m. Art Lover’s Book Club Free Senior Day: 8 FRIDAY 2:30 p.m. Big Picture in the House 1:30 p.m. Tour • 2:30 p.m. Film 6 FRIDAY Fridays at the Figge: Drawing 5:30 p.m. Opening Reception: Fridays at the Figge: Sculpture 2 THURSDAY College Invitational 10:30 a.m. Dance Me a Story 9 SATURDAY 7 SATURDAY 6:30 p.m. Remarks and Awards QC MUSEUMS WEEK BEGINS Free Senior Day: Exhibition Opens: Rufino Tamayo 1:30 p.m. Tour • 2:30 p.m. Film 6 p.m. Wine & Art Exhibition Opens: Alois Kronschlaeger 1:30 p.m. Highlights Tour 5:30 p.m. TASK Party Exhibition Opens: Steve Banks 5 SATURDAY 6 p.m. Wine & Art 5:30 p.m. Art at Heart Gala 8 SUNDAY 10 a.m. Village in Bloom Art Fair 9 p.m. Figge Underground 1:30 p.m. Highlights Tour 10 a.m. Paper Art: Scherenschnitte Class begins 4 SATURDAY Opening Celebration: Students Rebuild: 10 SUNDAY 10 TUESDAY 8 TUESDAY 10 a.m.–1 p.m. Free Family Day 1:30 p.m. Highlights Tour 11 a.m.–2 p.m. The cArt 6 p.m. Drawing: Land Lines Class begins 11 a.m.–2 p.m. The cArt 5:30 p.m. Mindfulness Meditation 11 WEDNESDAY 10 THURSDAY 1:30 p.m. Highlights Tour 12 TUESDAY Art in the Middle: Sculpture 5:30 p.m. Opening Reception: Resistance, 10:30 a.m. Big Picture in the House 5 SUNDAY Resilience, and Restoration 11 a.m.–2 p.m. The cArt 1 p.m. Art Lover’s Book Club 1:30 p.m. Highlights Tour 5:30 p.m. Performance: WIU President’s 13 WEDNESDAY 2:30 p.m. Big Picture in the House 5:30 p.m. Mindfulness Meditation International String Quartet Art in the Middle: Painting 6:30 p.m. Curator Talk: Vero Rose Smith 1:30 p.m. Highlights Tour 12 THURSDAY 7 TUESDAY 10:30 a.m. Dance Me a Story 11 a.m.–2 p.m. The cArt 11 FRIDAY 14 THURSDAY 5:30 p.m. Opening Reception: Steve Banks Summer Drawing Program applications due 6:30 p.m. Artist Talk: Alois Kronschlaeger 8 WEDNESDAY 6 p.m. Wine & Art 10:30 a.m. Big Picture in the House 12 SATURDAY 15 FRIDAY 6:30 p.m. Artist Talk 2:30 p.m. Big Picture in the House FREE ADMISSION Fridays at the Figge: Painting Exhibition Opens: Where the Wild Things Are 14 SATURDAY 9 THURSDAY 16 SATURDAY Exhibition Opens: Laurel Farrin 10 a.m. Beaux Arts Fair 6:30 p.m. Scholar Talk: Dr. Monica Bravo 10 a.m. Exploring Watercolor and Ink Workshop 10 a.m. Watercolor Wonders class 10 a.m.–2 p.m. Spin Art on the Plaza 11 SATURDAY 10:30 a.m. Yoga at the Figge 10:30 a.m. Yoga at the Figge 10 a.m. Young Artists at the Figge Day 1:30 p.m. Highlights Tour 11 a.m.–2 p.m. The cArt 11 a.m.–2 p.m. The cArt 13 SUNDAY 17 SUNDAY 1:30 p.m. Highlights Tour 12 SUNDAY FREE ADMISSION LAST DAY OF FREE ADMISSION QC MUSEUMS WEEK ENDS 15 SUNDAY 10 a.m. Beaux Arts Fair Exhibition Closes: Where the Wild Things Are Father’s Day – Free Admission 1:30 p.m. Highlights Tour 10 a.m.–2 p.m. Spin Art on the Plaza Exhibition Closes: College Invitational 20 WEDNESDAY 16 MONDAY 15 TUESDAY 1:30 p.m. Highlights Tour Art in the Middle: Cartooning Summer Drawing Program Begins 8:15 a.m. Guided Mindfulness Meditation 16 THURSDAY 21 THURSDAY 17 TUESDAY 17 THURSDAY 4–7 p.m. Book Sale Cinema at the Figge: 11 a.m.–2 p.m. The cArt 5:30 p.m. Opening Reception 5 p.m. Social Hour – Wake Brewing 18 SATURDAY Where the Wild Things Are 6 p.m. Barry Phipps Presentation 18 WEDNESDAY 10 a.m. Kiln-fired Clay Class 6:30 p.m. Curator Talk 7 p.m. Feature Film 10:30 a.m. Big Picture in the House 23 THURSDAY er's Boo 19 SATURDAY 24 SUNDAY 2:30 p.m. Big Picture in the House ov k C 5 p.m. Reception t L lu 10:30 a.m. Yoga at the Figge Exhibition Closes: Steve Sinner: 19 THURSDAY 6 p.m. Azubike Urban Exposure Film Festival r b Master Woodturner 10:30 a.m. Dance Me a Story A 20 SUNDAY 25 SATURDAY 22 FRIDAY 6:30 p.m. Midwest Writing Center: Author Talk Exhibition Closes: Rock Island Art Guild 10:30 a.m. Yoga at the Figge Exhibition Closes: Joseph Lappie: Fridays at the Figge Mixed Media 21 SATURDAY 26 SUNDAY Personal Mythologies 27 WEDNESDAY 11 a.m.–2 p.m. The cArt 11 a.m. Art off the Wall Auction 24 THURSDAY Art in the Middle: Printmaking 1:30 p.m. Highlights Tour 30 THURSDAY 6 p.m. Musical Program – QCSO 28 THURSDAY 22 SUNDAY 6:30 p.m. Panel Discussion: 6 p.m. Midwest Writing Center Reception 1:30 p.m. Highlights Tour 31 THURSDAY Remembering John and Isabel Bloom 7 p.m. Author Talk 6:30 p.m. Artist Talk – Steve Banks 24 TUESDAY 29 FRIDAY 11 a.m.–2 p.m. The cArt SEPTEMBER JUNE Fridays at the Figge Printmaking 25 WEDNESDAY 2 SUNDAY 10:30 a.m. Big Picture in the House 3 SUNDAY Exhibition Closes: Steve Banks JULY 2:30 p.m. Big Picture in the House 5 p.m. Friends of the Figge Preview Party 5:30 p.m. Mindfulness Meditation 26 THURSDAY 6 WEDNESDAY 1 SUNDAY 5 WEDNESDAY 10:30 a.m. Dance Me a Story Art in the Middle: Drawing 5:30 p.m. Mindfulness Meditation 1 p.m. Art Lover’s Book Club 1 p.m. Art Lover’s Book Club 3 TUESDAY 31 TUESDAY 6 p.m. Political Cartooning Class begins 5 p.m. Red, White & Boom! Watch Party 11 a.m.–2 p.m. The cArt 6 p.m. Watercolor Painting Class begins

FREE ADMISSION for all from July 5-August 12 • Sponsored by

10 CLASSES & WORKSHOPS FOR ADULTS

Make time for your creative side! Try a class or workshop in the museum Classes* fill studios. A variety of mediums can be explored, and all experience quickly levels are welcome. Registration options: complete a form online; so reserve early! mail the form to the museum; drop it off in the Museum Store; * or call us. For more details, contact Heather Aaronson at 563.345.6630 or [email protected] or Lynn Gingras-Taylor at 563.345.6635 or [email protected]. Wine Q Art! Platter Up! Kiln-fired Clay Enjoy a variety of studio classes paired with Instructor: Karen Brinson a glass of wine, light hors d’oeuvres and 10 a.m.–2 p.m. Saturday, August 18 Exploring Watercolor socializing during Wine & Art. Each session $40 member; $50 non-member and Ink Workshop features a different art medium. Sessions Materials fee of $25 payable to instructor; Instructor: Robyn Smith cost $20/student; supplies, snacks and wine includes all materials and clay firing 10 a.m.–3 p.m. Saturday, June 16 are provided. Pre-registration is required. Students should bring a sack lunch $65 member; $75 non-member Contact Heather Aaronson at 563.345.6630, and beverage [email protected] or Lynn All class materials are included Gingras-Taylor at 563.345.6635, lgtaylor@ with registration Political Cartooning figgeartmuseum.org. Students should bring a sack lunch Instructor: Jason Platt and beverage 6-8 p.m. Wednesdays, September 5–26 6-8 p.m. Thursday, June 7 $80 member; $95 non-member Painting – Watercolor Wonders Make Your Mark: Bookmarks Supply List Instructor: Ralph Iaccarino Instructor: Amy Nielsen 10 a.m.–2 p.m. Saturday, July 14 Watercolor Painting – Make eye-catching bookmarks for your $40 member; $50 non-member Summer’s Farewell reading pleasure or to give as gifts using a Students should bring a sack lunch Instructor: Ralph Iaccarino wide variety of materials and techniques, and beverage 6–8:30 p.m. Wednesdays including calligraphy, printing, painting, Supply List September 5–October 3 drawing and more. If you have a favorite $95 member; $110 non-member bookmark that you’re using now, bring it Supply List along and share it with the class! 6-8 p.m. Thursday, July 12 Supply lists and class descriptions at www.figgeartmuseum.org Art for Fun! Instructor: Marcia Moore ver's Book Have two times the fun in this light- t Lo Clu hearted art experience. Moore will share Ar b tips and techniques on painting with unexpected materials. Everyone will create two artworks using completely different painting formats for double the fun! Expand your understanding and apprecia- Upcoming DAtes 6-8 p.m. Thursday, August 2 tion of art by joining other art-loving Figge 1 p.m. Wednesday, June 6 When the Circus Came to Town Members in the Figge Board Room for lively Mad Enchantment: Claude Monet and the Instructor: Gloria Burlingame discussions about artists. Each program is Painting of Water Lilies by Ross King Elephants, lions, and tigers, oh my! Who comprised of a short introduction followed better to paint those images than French by a group discussion facilitated by Figge 1 p.m. Wednesday, July 11 artist Toulouse Lautrec? Using a Lautrec docents (volunteer tour guides). Because A Piece of the World by Christina Baker Kline work that was inspired by a Tiffany stained this program meets around the lunch hour, 1 p.m. Wednesday, August 1 glass, create wax-resist artwork using feel free to bring a sack lunch. This program Mona Lisa: A Life Discovered by Dianne Hale simple materials—crayon and watercolor. is free, and no registration is required, but Bring your love of color and design for an participants must be Figge members. 1 p.m. Wednesday, September 5 evening of creative fun! (Learn more about Figge membership at Art of Beatrix Potter by Emily Zach www.figgeartmuseum.org.) www.figgeartmuseum.org 11 EDUCATION

Summer Drawing Program Young Artists at the Figge Day 10 a.m.–4 p.m. Monday through Friday 10 a.m.–2 p.m. Saturday, May 12 July 16–20 In conjunction with the Beaux Arts Fair, join This fun and intensive drawing course will us for this special open house! Celebrate offer high school students a college-level student artists from eight local school art experience for one week in July. The SDP districts who displayed art in this year’s boosts students’ portfolios, allows individual Young Artist at the Figge exhibition series. time with top-notch professors from Western All students, teachers, and families are SUMMER ART Illinois University and enables interaction with welcome to join us for FREE admission and WORKSHOPS art students from area schools. special activities in the museum studios and FOR KIDS Program Cost: $50 galleries, as well as the plaza full of working Supplies: Students supply their own artists to explore! Mark your schedules now! The newsprint pad and portfolio; all other museum will once again offer supplies are provided. Teacher Appreciation popular all-day workshops for kids Open House this summer—Fridays at the Figge For more information, contact Heather 3:30–7 p.m. Thursday, September 13 classes for children completing at [email protected] or at The Figge welcomes all educators to the grades K–5, and Art in the Middle 563.345.6630, or visit figgeartmuseum.org. museum for an open house to show our classes for middle school students. appreciation! Teachers may explore the All workshops are held 9 a.m.–4 p.m. Dance Me a Story: Exploring museum’s education resources, and enjoy Sign up for a single session or for Literature through Ballet complimentary refreshments, door prizes the whole series. Each workshop is 10:30 a.m. Thursdays and activities. taught by a different instructor with July 5, 12, 19, 26 and August 2 new theme-related projects each Ballet Quad Cities is offering this fun, inter- year. Cost includes all supplies. active program for people of all ages which Kids should bring a sack lunch, encourages reading through the vehicle of beverage and snack to class. Details dance. Imaginations come to life as we read at www.figgeartmuseum.org. stories, turn on the music, grab a costume and learn the choreography! Meet in the

Fridays at the Figge John Deere Auditorium. Free! (for elementary students) 9 a.m.–4 p.m. Fridays Cost per class: $45 members/ BIG PICTURE: $55 non-members Drawing • June 8 IN THE HOUSE! Painting • June 15 Join the Figge Big Picture Outreach This is an excellent Mixed Media • June 22 Program for this special IN-HOUSE series! way for multiple ages to engage in Printmaking • June 29 The Big Picture is normally designed learning while having tons of fun! Suitable for Sculpture • July 6 for K–12 school classrooms to connect ages 5-12. Parents are welcome to join in or Art in the Middle curriculum with art: teaching “big picture” are free to explore the museum during each (for middle school students) ideas from a visual perspective. This summer, session. Meet in the museum lobby. 9 a.m.–4 p.m. Wednesdays these one-hour drop-in sessions will highlight No reservations needed; just choose Cost per class: $50 members/ a variety of art connections using Figge either the morning or the afternoon $60 non-members outreach lessons here in the museum studios. session. For more information, contact Laura Drawing • June 6 Each week the program is offered, partici- Wriedt at 563.345.6641 or Brian Allen at Painting • June 13 pants will learn a new art concept, share in 563.345.6654. art discussion, explore museum outreach Cartooning • June 20 Wednesdays, July 11–August 8 objects, and complete a fun activity to Printmaking • June 27 Morning Session 10:30–11:30 a.m. reinforce the theme of the day’s lesson. Sculpture • July 11 Afternoon Session 1:30–2:30 p.m.

12 EDUCATION

Collection and Exhibition Free Senior Day Highlights Tours Join us the first Thursday of each month Join our knowledgeable docents for a FREE for Free Senior Day, featuring a 1:30 p.m. guided tour this summer! Meet in the museum tour followed by a 2:30 film. museum lobby. Bringing a group? Contact Please meet your tour guide in the lobby; Heather Aaronson for a private group tour the film will be shown in the auditorium. at [email protected] or All seniors also receive a 10% member 563.345.6630. discount in the Figge Café and Museum 1:30 p.m. Saturdays Store on Free Senior Day. njoy this fun-filled week of celebra- July 7, 14, 21, August 4, 11 Upcoming Senior Days: Etion of our region's museums and 1:30 p.m. Sunday Thursday, May 3, June 7, July 5, August 2, participate in special activities, exhibits July 8, 15, 22, August 5, 12 September 6 and promotions. Visit our packed calendar for Museum Week activities, The cArt! and make sure visit the Museum Store Find our art cart in selected galleries and Figge Café for week-long specials throughout the summer for in-depth and sales! conversations about art! Books, objects, 9 p.m. Saturday, June 9 gallery games and information, along with a Figge Underground party trained docent, will be available for guests (ticketed event) to explore art topics in new ways. 11 a.m.–2 p.m. Saturday 1:30 pm Sunday, June 10 May 12, June 16, July 14, July 21, August 4 Museum Highlights tour 11 a.m.–2 p.m. Tuesday (free with admission) June 12, July 10, 17, 24, 31, August 7 Monday, June 11 Museum closed

11 a.m.–2 p.m. Tuesday, June 12 BRAND BOESHAAR The cArt (free with admission) SCHOLARSHIP 1:30 p.m. Wednesday, June 13 PROGRAM Museum Highlights tour (free with admission) The results are in for the recipients of this year’s prestigious $12,000 scholarships Thursday, June 14 for students majoring in art or in art 4 p.m. Figge Café Happy Hour education. The program is funded by the Thursdays at the Figge Brand Boeshaar Foundation Fund, managed Free admission after 5 p.m. by the Figge Education Department, and 6:30 p.m. Alois Kronschlaeger: administered by the Community Foundation Polychromatic Contemplations of the Great River Bend. 1:30 p.m. Friday, June 15 Museum Highlights tour 2018 Recipients (free with admission) Lillian L. Brand Scholarship • Gabriella Schadt, Homeschool 11 a.m.–2 p.m. Saturday, June 16 Isabelle M. Brand Scholarship • Emily Menke, Moline High School The cArt (free with admission) Lucille Brand Boeshaar Scholarship • Lindsey Abell, Rock Island High School Noon–5 p.m. Sunday, June 17 William Brand Boeshaar Scholarship • Isabelle Kern, Davenport Central High School Father’s Day (free admission) Don Heggen Memorial Scholarship Fund Honorable mentions, and recipients of $500 scholarships Rachel Hunt, Pleasant Valley High School • Katie Melville, Davenport West High School www.figgeartmuseum.org 13 MEMBERSHIP

The Figge is for Families! The Figge is fun for the whole family! Members kick off this summer with a wild rumpus in Where the Wild Things Are with Max and his monster friends, followed by the popular Red, White, and Boom! Fireworks Watch Party on Tuesday, July 3. Bring the family, skip Red, White and Boom! Fireworks Watch Party the crowds, and enjoy art and festivities. 5–9 p.m. Tuesday, July 3 • Galleries open until 9 p.m. • Free for members Our members experience the Figge in a special way—with unlimited days Celebrate Independence Day at the Figge grab a complimentary bowl of ice cream of adventure and art throughout the Art Museum! This popular member-only and top with your favorite toppings (while year, exclusive discounts, and access evening captures all the fun of the holiday supplies last). to member-only events. There are right here at the museum. Explore the Members may bring up to 4 non-member memberships for all, from individuals to summer exhibitions and view the best guests outside of their household for $2 households to grandparents! firework display in the Quad Cities on the per person. Members will be sent an invite For more information about membership, back terrace. to register through Eventbrite.com or you or to join or renew, call Tessa Pozzi at Come hungry! Enjoy an all-you-can-eat can contact Tessa Pozzi at 563.345.6638 563.345.6638, or visit the museum store. buffet of summer picnic staples along with or [email protected] to register. drink specials at the bar. Cost is $15 for Preregistration is required and limited to adults and $7 for children. Before fireworks, 400 attendees. Friends of the Figge Art Off the Wall Auction Want to have a private party during Red, White and Boom!? Be a sponsor! Bids, Bites and Bloody Marys The Nobis Boardroom and Elizabeth Haines Wintergarden are available for private Sunday, August 26 viewings for 20 guests each. For more information about sponsorship, call Tessa Pozzi, 11 a.m. Cocktails, Bites & Silent Auction annual giving coordinator, at 563.345.6638. Live auction to follow under the expert direction of a celebrity auctioneer $40 per ticket Friends of the Figge Preview Party for Figge donors at the $125 Benefactor Alois Kronschlaeger: Polychromatic Contemplations level and above are invited to the 3rd Art 5 p.m. Sunday, June 3 Off the Wall event! Socialize with fellow Friends over mimosas and delicious appe- Friends of the Figge members are invited to a preview party of Polychromatic tizers, while bidding on a selection of Contemplations. New York based Austrian artist Alois Kronschlaeger will discuss his art, antiques and collectibles site responsive array of polychromatic sculptures. In the museum’s third floor gallery, donated by area artists twenty-four geometric sculptures will accentuate the gallery’s horizontal space. and collectors. Proceeds Kronschlaeger intends the installation as a metaphor for man’s historic interventions will benefit the Figge into the Midwestern landscape. Art Museum. Become This event is open to all Figge members at the Benefactor level and above. a Friend of the Figge To join or upgrade your membership, please call Tessa Pozzi at 563.345.6638 today! Call Tessa Pozzi or email [email protected] to upgrade your membership. at 563.345.6638 for information. 14 Niveau Grotesk

“Let the wild rumpus start!”

In celebration of the Figge Art Museum’s upcoming Maurice Sendak exhibition, our theme for 2018 Gala Sponsors the 2018 Gala, supporting children’s art and educational outreach programs, is Where the Wild Things Are! For the last five years, this event has SOLD OUT! This year will be no exception. Figge PREMIER SPONSOR educators currently reach more than 30,000 students in their classrooms within a one-hour drive of the Figge. These programs have grown considerably to meet the demand of our school districts in Iowa and Illinois. These programs are completely FREE, in large part, because of this event and the many donors, business and community leaders who support our mission. The Singh Group

Saturday, June 9, 2018 SUPPORTING EVENT SPONSORS 5:30 p.m. Cocktails • 7 p.m. Dinner 8:30 p.m. Live Auction • 9 p.m. Figge Underground Where the Wild Things Are attire is encouraged!

Individual Ticket to the Gala and Figge Underground: $135 Figge Underground (only): $15 in advance • $20 at the door Table Sponsor: $2,100 All-inclusive for 10 Guests • $1,100 All-inclusive for 2 guests For more information or to make your reservation by May 18, please contact Raelene Pullen at 563.345.6637 or [email protected]. TABLE SPONSORS (as of March 30, 2018) DESIGN FURNITURE PROJECT MANAGEMENT FLOORING INSTALLATION Barry Anderson of Anderson, Lower, Whitlow, P.C. Delia and Dave Meier Paragon Commercial Interiors Quad City Bank & Trust

Susan Quail of Q10 Enterprises Deann Thoms U.S. Bank Cathy Weideman and John Gardner Wells Fargo Xenotronics Company Mark and Barbara Zimmerman

UNDERGROUND FIGGE UNDERGROUND PREMIER SPONSOR Environmental Services, Inc WaterMark Corners 210 Emerson Place • Davenport, Iowa 52801 A Trimble Point Company 563.326.1611 • www.paragoninteriors.com 210 Emerson Place • Davenport, Iowa 52801 Sam Skorepa and 563.326.1611 • www.paragoninteriors.com Abbey Furlong

www.figgeartmuseum.org 15 MUSEUM STORE

Easy Access to Art: The Museum Store provides accessibility to art for our customers. We carry art inspired by great artists and museum exhibitions for you to incorporate into your own home A Win-Win Proposition décor. In addition to artist-themed merchandise, the Museum Store provides art straight from the source. By arranging consignment agreements with various artists, the fabulous artwork that you love can literally go home with you (or you can start wearing it immediately!)

The upcoming Maurice Sendak exhibition inspired the Museum Store to carry some “Wild Things” made from socks that may not brighten up a wall but a child’s face instead! Jean Lake makes whimsical and huggable monsters. New 2018 consignors include Veronica Starcevich’s collection of cuff bracelets that preserve the cultural Native American tradition of beaded loom work and Elizabeth Boggess‘ raku-fired tiny ceramic houses in three sizes and colors.

By becoming a consignor, the artist benefits by having an addi- tional place for you to find his/her work and the Figge benefits by receiving a portion of the consignment proceeds. What a grand idea to take a stroll in the store after visiting a new exhibition or a favorite work of art—new discoveries always await you at the Figge Museum Store.

Cell: 563.370.8990 Fax: 563.388.8171

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www.figgeartmuseum.org 17 MUSEUM GIVING

GRANT WOOD CIRCLE Don Doucette and Lynn Drazinski Molyneaux Insurance Inc Shawna Graham Todd and Sharon Staples Brock and Carol Earnhardt John and Linda Molyneaux Philip and Greta Habak David and Sherry Staub $25,000 + Sara and Nathan Fierce Kimberly and Tim Montgomery Erik and Tessa Hahn William and Carmen Stout Anonymous John and Lisa Figge Greg and Roberta Noe Catherine Halligan Marge Stratton William Barnes Stephen Figge Jacqueline O'Donnell Jerry and Barb Hansen Joan and Jim Sweeney Birdies For Charity Major General Yves and Kathy Fontaine John Parkhurst Linda and Gerald Hardin Jim and Linda Tank Andrew and Debi Butler Bonnie Fox Per Mar Security Services Jim and Rose Ann Hass Phyllis Thede Jeff Eirinberg Bill and Christine Gallin Jeff and Jana Peterson Nancy and William Hass Deann Thoms John Gaines Global Partners Alliance LLC. Peggy Pierce Daniel and Judy Hazelton Stuart Thoms Kenneth Casey Gaines Alan and Kristina Harris Mel Piff and Sara Holtz Connie Heckert John Thorson and Zaiga Minka Thorson J. Randolph and Linda Lewis Robert and Susan Hartung Dan Portes and Judy Shawver Debbie Hegwein W. Scott and Barbara Tinsman Brian and Diana Lovett Janice Hartwig Paul and Janet Rafferty Gene Hellige and Loren Shaw Hellige John and Kathleen Tritt Lujack's James Havercamp Peter and Merriam Rink Judy Herrmann and Jorge Cruz Patricia Walkup Delia and Dave Meier E.R. Hofmann Bruce and Sherry Ristau Marjorie Hier Patrick Walton and Theresa Jantzi Jill Moon and Richard Seehuus Young B. Huh Marie Rolling-Tarbox and Jerome Tarbox John Higgins Dana and Faye Waterman Will and Renee Moon John and Patty Johannesen Thomas and Jennifer Rowe Jim and Judy Hilgenberg Ida and Jim Weibel Vickie Palmer Johnson Watkins Family Foundation Domenic and Charlene Ruccolo Ann Hochhausen and Marlin Whitmer Matthew Welty Priscilla Parkhurst Jan Jurgens Harper Dan and Marysue Salmon James and Carol Horstmann Donavon K. Weston and Kathleen Christensen- Bill Prichard George and June Kalemkarian Lew and Debbie Sanborne Ralph and Mary Ellen Horton Weston Quad City Bank & Trust Co. Caroline Kimple Rick and Nancy Seidler Harry Hoyt, Jr. Pamela White Susan Quail George and Charlotte Koenigsaecker Aleeza Singh Doug and Nancy Hultquist Joe and Angela Woodhouse Ruhl & Ruhl Realtors Kevin and Jane Koski Sam Skorepa and Abbey Furlong Ann Hutchinson Susanne and Rock Woodstock Glenn Thomas* Kenneth Koupal and Thomas Kersting Steven and Paula Spain Steve and Maggie Jackson Lance Young Senator Maggie Tinsman Richard and Judith Kreiter Dan and Gayna Stadelman Thomas C. Jackson and Joanne Stevens Karin Youngberg Scott and Elizabeth Tinsman, Jr. William and Kathy Langley Tom and Brooke Terronez Lois Jecklin Susan and Richard Vermeer Mary Lind and Tom Lytton Gwen Tombergs and Dave Wayne Judy and Jerry Johansen George and Jane Vieth BENEFACTOR Robert and Sherry Lindsay Chris and Trish Townsend J. Paul and Joyce Johnston C.R. and Nancy von Maur Richard and Barbara Lynn Amy Trimble Jeanne Jurgens $125 + Susan and Richard von Maur, Jr. Kirsten and Dan Adams Joseph and Carolyn Martin Larry and Jane Tschappat Ann and Jim Kappeler Kimberly and Robert Waterman, Jr. Steve and Anne H. Adler Robert and Janet McCabe Twin State, Inc. Matthew Katz and Stephen Sokany Naurin Ahmad M.D. Glenn and Kathleen Medhus Leanne Tyler Russ and Linda Kennel Barbara Alexander DIRECTOR CIRCLE Tom and Lorie Melchert Rusty and Doris Unterzuber Aaron and Dorole King Richard and Lucinda Anderson Larry and Carol Minard Paul and Donna VanDuyne Marjorie Kinsler $10,000 + Randy and Kenna Augsburger John H. Anderson Daniel and Jennifer Molyneaux Douglas and Jean Vickstrom John and Jane Klinkner Ralph Baechle Beaux Arts Fund Committee Dave and Charlotte Morrison Andrew and Elizabeth Wallace Donna Knickrehm Michael and Noreen Bailey Rick Bowers and Ahn Spence Mumford Family Foundation Tom and Maria Waterman Wolf and Linnea Koch Gerald and Patricia Barenthin Don A. and Connie Decker Bernadette Murphy Patricia Watkins Kent and Cheryl Kolwey Stephanie Barrick and Geoffrey Campbell John Gardner and Catherine Weideman Richard D. and Rita R. Nelson Don and Lanora Welzenbach Barbara Korbelik Michael Batz and Margaret Morse Perry and Elise Hansen Leo and Renate Peck Cal and Jill Werner Harold and Rosanne Krubsack Lisa and Byron Becker Bill and Shirley Homrighausen Susan Perry and Stanley Goodyear Wessels Charitable Endowment Yvonne Krysztofiak Honey and Daniel Bedell Kay Kretschmar Runge Jeffrey Porter Gary and Becky Whitaker Gary and Gerda Lane Tom and Carol Beeks Deb and Randy Sergesketter Steven and Bonna Powell Martin and Celeste Wilkinson Mark and Marie Latta Karen Beetham and Palmer Steward John and Diane Slover, Jr. Ed and Bobbi Rogalski Todd and Heidi Woeber Robert and Barbara Lipnick Corey Bennett William and Marie Wise Family Foundation Royal Neighbors of America Dale and Marie Ziegler Catherine and William Litwinow Patrick and Christie Berryhill Jim and Michelle Russell Mark and Barbara Zimmerman Clayton and Jan Lloyd Ashley Bivin Linda M. Schneider Donald and Janet Luethje CURATOR CIRCLE Bob and Julie Blew Larry and Marilyn Schreiber Carmen and Bill Lundie INVESTOR Harlow and Lila Blum $5,000 + Paul and Emily Scranton Curtis Lundy Donald Boelens Samuel and Marsha Allen Steve and Anne Sinner $250 + Geoffrey and Helen Macalister Carol and Jack Albrecht Ingrid Bogdanowicz Peter and Kim Benson George and Sue Staley Barbara Manlove Mary Joy Allaert-Feeney Elizabeth Bouslough BITCO Insurance Companies Donald and Ardell Staub Alan C. Marin Robin and Mary Jane Andrews Norm and Linda Bower Don and Dee Bruemmer Thomas and Mary Ann Stoffel Marlene Marolf Ascentra Credit Union Betsy Brandsgard Cynthia Carlson Dick Taber and Brad Mumm Brad and Lillian Martell Paul and Kimberly Baresel Terry and Melisa Breheny John and Nancy Danico US Bank Robert and Mona Martin Robert and Priscilla Bass Karolyn Britt Martha Easter-Wells Joanne Updegraff Wayne and Susan Marzolph J. Michael and Barbara Bauswell Karen Brooke Frances Emerson and Robert McClurg Dana and Mark Wilkinson Tim and Karen Maves Matt Beck and Scott VanDeWoestyne Dave and Margy Bush Patricia Figge William and Patricia Wohlford Paul and Sue McDevitt Judith Belfer Pleshette Butler Ralph Gibson and Mary Junck Tom and Erin McKay Leslie and Sara Bell Caroline and Jerald Bybee Patricia Hanson Amanda and Rodney McNeill PATRON William and Judy Benevento Roland Caldwell Richard Kleine and Jane Rouse Craig Meincke Eileen Benson Heather Calvert Brian J. and Elizabeth Lemek $500 + John Menninger AAA - The Auto Club Group Robert and Suzanne Benson Alan Campbell Daniel A. Molyneaux, Sr. Teresa and James Mesich Barry Anderson A. 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HOME IN A d AY Outpatient total joint replacement Rock Island native Tim Carlin’s family history of for osteoarthritis and persistent pain in his le hip wasn’t going to stop him from the activities he enjoys most, “I love to hike, power walk, golf, and li weights.” what Tim’s active lifestyle brought him to ORA Orthopedics. He

met Total Joint Surgeon, Dr. Matthew Lindaman, who determined Tim had end-stage degenerative joint disease. moves anks in part to advancements in surgical techniques and because Tim is a healthy, active person, he was an excellent candidate for outpatient joint surgery.

you Dr. Lindaman is one of 11 ORA surgeons performing total joint replacement at Crow Valley Surgery Center. eir entire approach and design is built around patient-centered, customized care with a short overnight stay, resulting in less expensive healthcare costs and less exposure to infections.

“From the beginning, I felt supported and at-ease, and thanks to the team, I am back doing the activities I enjoy most.” Learn more about Tim’s journey at qcora.com.

IMAGES cover: Maurice Sendak, Wild Thing & Max, circa 1970, ink, watercolor and colored pencil on paper, Private Collection, © Maurice Sendak, All Rights Reserved; p. 3: Maurice Sendak, Max, circa 1970, ink and watercolor on paper, Private Collection, © Maurice Sendak, All Rights Reserved; p. 4: Alois Kronschlaeger, Grid Structure #1: Configuration #3, 2015, basswood, ink, aluminum mesh, 95 1/4 x 50 3/4 x 51 5/8 inches (241.9 x 128.9 x 131.1 cm), photo by John Muggenborg; Steve Banks, Mystaphorical Parfait, mixed media on canvas, Courtesy of the artist; p. 5: Laurel Farrin, Bi-Polar Spin, 2002, oil and acrylic on canvas, Courtesy of the Artist; p. 6: Berthe Morisot (French, 1841-1895), Madame Boursier and Her Daughter, circa 1873, oil on canvas, 29 5/16 x 22 3/8 in. (74.5 x 56.8 cm), Brooklyn Museum, Museum Collection Fund, 29.30, photo: Sarah DeSantis, Brooklyn Museum; p. 7: Maurice Sendak, Wild Thing, ink and watercolor on paper, circa 1970, Private Collection, © Maurice Sendak, All Rights Reserved; p. 9: Maurice Sendak, Illustration from Where the Wild Things Are, published 1963 by HarperCollins Publishers

Funded in part by the Iowa Arts Council, a division of the Iowa Department of Cultural Affairs and the National Endowment for the Arts.