Bryan A. Marks Electrician [email protected] Bryanmarksdesign.Com (925) 360-7201

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Bryan A. Marks Electrician Bryanmarks360@Gmail.Com Bryanmarksdesign.Com (925) 360-7201

Bryan A. Marks Electrician [email protected] bryanmarksdesign.com (925) 360-7201 Experience Year Show Company Designer/Supervisor Master Electrician 2016-Present Carol Belk Theatre UNC Asheville Drama Dept. Rob Bowen Master Electrician 2017 The Producers Asheville Community Theatre Rob Bowen Master Electrician 2017 The Winter's Tale UNC Asheville Drama Dept. Rob Bowen Master Electrician 2016 TheatreUNCA: On the Road UNC Asheville Drama Dept. Rob Bowen Master Electrician 2016 Lipinsky Auditorium Retrofit UNC Asheville Facilities Michael Lowery Master Electrician 2015 Qtopia UNC Asheville Drama Dept. Katy Hudson House Electrician 2015-2016 Carol Belk Theatre UNC Asheville Drama Dept. Rob Bowen Electrician 2018 9 to 5 Asheville Community Theatre Rob Bowen Electrician 2017 Peter and the Starcatcher UNC Asheville Drama Dept. Rob Bowen Electrician 2016 Seussical Asheville Community Theatre Kayla Russel Electrician 2016 Twilight: Los Angeles,1992 UNC Asheville Drama Dept. Rob Bowen Electrician 2015 Fall Dance Sharing UNC Asheville Dance Program Various Electrician 2015 Wiley and the Hairy Man UNC Asheville Drama Dept. Deborah Lawrence Electrician 2015 The Muckle Man UNC Asheville Drama Dept. Janet Arias Electrician 2015 A Chorus Line Asheville Community Theatre Rob Bowen Electrician 2014 Dead Man's Cell Phone UNC Asheville Drama Dept. Rob Bowen Associated Credits Year Company Supervisor/Director Lighting Designer, The Diary of Anne Frank 2018 Asheville Community Theatre Adam Cohen Lighting Designer, Welcome Home, Jenny Sutter 2018 UNC Asheville Drama Dept. Lise Kloeppel Lighting Designer, The Nutcracker 2017 Brevard Ballet Tom Shoemaker Lighting Designer, Into The Woods 2017 UNC Asheville Drama Dept. Scott Walters Lighting Designer, The Ugly Duckling 2017 Brevard Ballet Tom Shoemaker Lighting Designer, Fall Dance Sharing 2016 UNC Asheville Dance Program Celia Bambara Lighting Designer, The Bacchae: Transformed 2016 UNC Asheville Drama Dept. Rob Berls Assistant Lighting Designer, A Streetcar Named Desire 2015 Asheville Community Theatre Jerry Crouch Production Stage Manager, Marat/Sade 2016 UNC Asheville Drama Dept. Rob Bowen Stagehand, Thomas Wolfe Auditorium & Asheville Arena 2016-Present Various (IATSE Local 278) Erik McDaniel Media Technician and Stagehand 2016-Present UNC Asheville Events & Conferences Chris Asbill Scenic Carpenter and Head Rigger, Carol Belk Theatre 2014-2016 UNC Asheville Drama Dept. Sylvia Pierce Scenic Carpenter, Roosters Productions 2015 Rooster Productions, Martinez CA Tim Barnhart Stagehand 2013-2015 Center Rep, Walnut Creek CA Jeff Colister Education B.A. in Drama from the University of North Carolina Asheville; Minor in Mathematics, Minor in Physics Expected Graduation Date: May 2018 Skills and Knowledge ETC Eos Family Programing, ETC Express Family Programing, Rigging, AutoCAD, Soldering, Incandescent Fixture Maintenance, Electronics and Circuitry, MIG Welding, Stage Management, Basic Q Lab, Basic Video Project Tool, SFX, Scenic Carpentry, Modern Optics Theory, Electricity and Magnetism Theory, Valid North Carolina Drivers License, Valid United States Passport References Robert Bowen Sylvia J. Pierce Erik McDaniel Professor of Design & Technology Program Coordinator Business Agent Chair, Drama Department, UNC Asheville Events and Conferences, UNC Asheville IATSE Local 278 Asheville, North Carolina (828) 251-6650 [email protected] (828) 250-3848 [email protected] (828) 545-0641.

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Copyright of the Theatrical Stage Design Elements in a Changing Theater Industry
Journal of Intellectual Property Law Volume 28 Issue 2 Article 3 October 2020 Exit stage, Enter Streaming: Copyright of the Theatrical Stage Design Elements in a Changing Theater Industry Mark Bailey University of Georgia School of Law Follow this and additional works at: https://digitalcommons.law.uga.edu/jipl Part of the Intellectual Property Law Commons Recommended Citation Mark Bailey, Exit stage, Enter Streaming: Copyright of the Theatrical Stage Design Elements in a Changing Theater Industry, 28 J. INTELL. PROP. L. 365 (2020). Available at: https://digitalcommons.law.uga.edu/jipl/vol28/iss2/3 This Notes is brought to you for free and open access by Digital Commons @ Georgia Law. It has been accepted for inclusion in Journal of Intellectual Property Law by an authorized editor of Digital Commons @ Georgia Law. Please share how you have benefited from this access For more information, please contact [email protected]. Exit stage, Enter Streaming: Copyright of the Theatrical Stage Design Elements in a Changing Theater Industry Cover Page Footnote J.D. Candidate, 2022, University of Georgia School of Law. Before coming to law school, I spent ten years working as a lighting designer and technician in the theatre and entertainment industry. My past professional credits include: Light Board Programmer at the Yale Repertory Theatre and Yale School of Drama, Assistant Master Electrician at Point Park University's Conservatory of Performing Arts, and various design credits around the country. I dedicate this note to all the talented theatre professionals I have worked with that have faced down unique challenges the pandemic brought to the industry.
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These Definitions Are Provided Courtesy of Altman Stage Lighting, Inc
LIGHTING TERMS GLOSSARY A B C D E F G H I J K L M N O P Q R S T U V W X Y Z A Accent Light Illumination used to make something stand out. It may be done with intensity and/or color. A luminaire that provides such illumination. Amp an abridged version of Ampere. Amperage (A) The measure of electrical current in amperes. Ampere(A) A unit of measurement for Electrical Current. AMX Abbreviation for Analog Multiplex. Analog Multiplex (AMX) A system that simultaneously transmits more than one analog signal. Analog Signal A continuous communication signal where the amplitude or frequency of the voltage and/or current takes any value within a range of values. ANSI Abbreviation for American National Standards Institute. ANSI Code A three letter system that has been devised to describe lamps of different manufacture but the same application. The letters have no relationship to lamp description, but the same letters always designate the same type of lamp. Some of the application parameters they define are wattage, base type, envelope size, and light center length. Arc The light caused by an electrical discharge between two electrodes in a gas such as xenon, argon, or air. The first usable arc as a practical light source was developed in 1809 by Sir Humphrey Davy. Automated Light A luminaire that is robotic, i.e., certain functions such as panning, tilting, focusing, dimming, beam shaping and coloring, etc., are motorized and remotely operated from a control console. Axial A term used to describe a luminaire whose lamp is mounted on the same axis as its optical system.
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Resume Examples
RÉSUMÉ TEMPLATES The following examples are provided to help you create your first résumé. There are six templates: 1) actor 2) designer/technician 3) stage manager 4) director 5) playwright 6) first-time résumé for someone just out of high school, combined with a general theatre résumé covering multiple areas of experience Length: An actor’s résumé should be a single page in length. When attached to a headshot, it should be trimmed to 8” x 10”. Résumés for other areas do not need to be limited to one page. There are many possible variations in style and format, and each template has a slightly different approach. Look over all of the samples for formatting ideas, even those that do not apply to your specific area of interest. You are also encouraged to contact faculty for advice and feedback on your drafts. Please note, résumés for graduate schools in theatre, professional theatres, and theatre internships are different from your typical business résumés. The sample résumés provided by the Center for Community Engagement and Career Education <http://www.csub.edu/cece/students/who_method.shtml> are useful if you are applying for a position outside of theatre, but their formats should not be used for jobs or graduate school applications within the theatre field. ACTOR TEMPLATE DAVID DRAMA [email protected] Height: 5’ 11” (661) 123-5678 Hair: Brown Tenor Theatre Death of a Salesman Biff Anita DuPratt Bakersfield Community Theatre Lend Me a Tenor Max Zoe Saba CSU Bakersfield Antigone in New York Sasha * Maria-Tania Becerra CSUB Evita Magaldi Mandy Rees CSUB Richard III Hastings Peter Brook Empty Space “Wiley and the Hairy Man” Wiley Kamala Kruszka CSUB and on tour “Unwrapped” (premiere) John Jessica Boles CSUB * Kennedy Center American College Theater Festival Irene Ryan Acting Scholarship nominee Education/Training B.A.
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Master Electrician
MASTER ELECTRICIAN Position Description Position Title: Circle Theatre Master Electrician Reports To: Technical Director and Lighting Designer Compensation: $500.00 per show stipend - paid at end of run Total Hours: Varies by needs of show Work Dates: Cabaret, July 5-Aug 1; Noises Off! Aug 2-29; Hair, Aug 30 – Sept 26. *Dates include the performance runs, which MEs are not required to attend but will need to be available to come in for repairs if needed during the run of the show. General Purpose Responsible for reading lighting designers plans and implementing the hanging of instruments; work with the Lighting Designer during focus and tech week. Up to 3 positions to fill (or one person for all three shows). 1 load-in/focus/strike period per production, $500 stipend per production. Minimum Job Requirements Education / Experience • Experience with theatrical stage lighting (conventional and LED), and with standard lighting conversion (i.e. desk lamps conversion to stage pin) Experience • Photography, graphic design, communications LIMITATIONS AND DISCLAIMER The above internship description is meant to describe the general nature and level of work being performed; it is not intended to be construed as an exhaustive list of all responsibilities, duties and skills required for the position. All job requirements are subject to possible modification to reasonably accommodate individuals with disabilities. Some requirements may exclude individuals who pose a direct threat or significant risk to the health and safety of themselves or other employees. This job description in no way states or implies that these are the only duties to be performed by the employee occupying this position.
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Backstage Lighting Terminology
Break-out: Adapter consisting of multiple receptacles (FM) wired to a single multipin (M) connector; may be a box or a cable assembly. Synonym: Break-out Box, Fan-out Burn Out: Failed lamp or color media that is burned through Channel: Specific control parameter encompassing single or multiple device attributes (lighting dimmers, audio signals, etc.) controlled as a unit Lighting and Electrics Terminology (A-Le) Channel Hookup: Paperwork designating the connection of Adapter: Electrical accessory that transitions between dimmer circuits to channels of control dissimilar connectors; may be a molded unit, box or cable assembly Circuit: Path for electricity to flow from the source, through a conductor, to a device(s) Amperes: Unit of measure for the quantity of electricity flowing in a conductor. Synonym: A, Amp, Current Circuit Breaker: Mechanical/Electrical device that is designed to automatically open (trip) if the current exceeds the rated Automated Luminaire: Lighting instrument with attributes level protecting the circuit; may be operated manually that are remotely controlled. Synonym: Automated Fixture, Synonym: Breaker, CB, OCPD, Overcurrent Protective Device Automated Light, Computerized Light, Intelligent Light, Motorized Light, Mover, Moving Light Color Extender: Top hat with color media holder. Synonym: Gel Extender Backlight: A lighting source that is behind the talent or subject from the viewers perspective. Synonym: Backs, Back Color Frame: Metal or heat resistant device that holds the Wash, Bx, Hair Light, Rim Light color media in front of a luminaire. Synonym: Gel Frame Balcony Rail: Lighting position mounted in front of or on the Color Media: Translucent material used to color light face of the balcony.
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Visitor's Manual (PDF)
Kirkland Fine Arts Center (KFAC) Visitor’s Manual KFAC Policies………………………..…….1 Event Information…………………..……...8 Backstage Visitors’ Information……..….11 Glossary of Terms………………….……13 KFAC Production Philosophy…….…….18 KFAC Event Request Form…………….20 KFAC Policies 1 GENERAL RULES AND REGULATIONS (alphabetically by subject) ACCESSIBILITY: User shall also comply with the Act by providing for accommodating disabled individuals in seating arrangements, ticket printing, and layout considerations. User is additionally responsible for providing interpreters for hearing and sight disabled. All costs for the above accommodations required by the ADA, or any other accommodations required by disabled or handicapped individuals, are entirely the responsibility of the User. The Kirkland Fine Arts Center and Millikin University staff will provide information regarding the ADA upon request. ALCOHOLIC BEVERAGES: No alcoholic beverages are allowed on campus property. ANIMALS PROHIBITED: No animals are permitted in Kirkland Fine Arts Center except those certified service animals required to assist a person with a disability. Use of trained animals on stage will be allowed only after written, advance permission is secured by the Director. ASSISTIVE LISTENING DEVICES (ALD): There are eight ALD receivers available from the box office. They are infrared and transmit sounds via light waves to patrons wearing the receivers. Because they are infrared, they work best when in the line of sight of the transmitter which is located in the house. There is no interference between the ALD’s and KFAC’s wireless systems. BLOCKING OF HOUSE EGRESSES: Due to fire regulations, no aisle or part of an aisle is allowed to be blocked in any manner, i.e.
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Master Electrician
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HORIZON THEATRE MASTER ELECTRICIAN Horizon Theatre
HORIZON THEATRE MASTER ELECTRICIAN Horizon Theatre Company, a 35-year old, professional contemporary theatre in Atlanta producing in a 172 seat theatre, seeks a part-time Master Electrician to ensure the timely and accurate realization of all lighting elements for Horizon’s 5-play main season, 2 Christmas plays and other productions/projects as needed. The Master Electrician will also manage and maintain performance-related electrics systems and equipment. Compensation hourly or by contract, depending on experience. Hours will average 50- 70 for each production plus approximately 10 hours per month for maintenance and additional hours for special upgrade/repair projects. Master Electrician is responsible for implementing the lighting design for each production and maintaining the integrity of the lighting design throughout the performance period. Duties include: Hanging, focusing, cabling and circuiting of the lighting plot for each production Hiring and supervision of electrics crew and/or interns for hang, focus and strike (in coordination with the technical directors). Assisting lighting designer during load-in, technical rehearsals and previews as needed Maintaining the design during the run of each show as needed Responding to emergency lighting needs, by phone or in person as needed Inventory and repair and maintenance of all lighting fixtures, cables, effects, power distribution, dimmers, networking and lighting control consoles. Organization and purchasing of all consumables including color gel, gobos, Sharpies, and gaffer tape. Planning and implementing of the circuiting of lights and electric power distribution. Documenting and tracking of all circuiting and system configuration in cooperation with the Lighting Designer. Patching assignments of the control console based on the paperwork generated by the lighting designer and the planned circuiting.
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Furman University Department of Theatre Arts Theatre Production
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Deborra Bergmark Peelor
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Production Manual to Determine and Understand the Adjacent and Overlapping Duties of Your Associates
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Standard Operating Procedures
THEATRE UCF PRODUCTION HANDBOOK UPDATED AUGUST 2019 Revisions to this Handbook All Departmental Handbooks are revised at the beginning of every academic year and occasionally during the academic year. If you would like to propose a revision to this handbook, please compose a letter to the Production Manager. In your letter, outline the change you propose and the reason for your proposal. UPDATED SECTIONS FOR 2019 While it is best to always review the entire handbook every year for small updates, returning students should pay special attention to these larger sections which have been substantially updated for 2019: No substantial changes have been made for 2019 UPDATED SECTIONS FOR 2019.................................................................................................................................. 1 INTRODUCTION ............................................................................................................................................................... 4 SPHERES OF RESPONSIBILITY FOR PRODUCTIONS ......................................................................................... 5 GENERAL PRODUCTION POSITION DESCRIPTIONS ........................................................................................... 5 Artistic Team: .................................................................................................................................................................. 7 Assistants for all areas:............................................................................................................................................
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