Hearing Impaired Questions

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Name That Tune 9/1/21 Back to School: Movies and shows that feature schools Round 1: Movies 1. Which song from the movie “Grease “earned an Oscar nomination? a. You're the one that I want b. Hopelessly Devoted to You c. Summer Nights d. We go together 2. “The Prime of Miss Jean Brodie” features… a. Judy Dench b. Helen Mirren c. Maggie Smith d. Vanessa Redgrave 3. In "Mona Lisa Smile," the lead was hired to teach art history at this college… a. Wellesley College b. Vassar College c. Radcliffe College d. Smith College 4. “The Chorus” takes place in… a. Spain b. Ireland c. Belgium d. France 5. Outside of poetry, the phrase “Oh Captain, my Captain” is most famous in the movie... a. Dead Poets Society b. Stand and Deliver c. The Emperor's Club d. Good Will Hunting 6. In the 1969 version, who was in “Goodbye Mr. Chips” with Peter O’Toole? a. Greer Garson b. Petula Clark c. Lynn Redgrave d. Natasha Richardson 7. Who sang the titular song from “To Sir, With Love?” a. Lulu b. Sandy Dennis c. Petula Clark d. Shirley Bassey 8. In “The Miracle Worker,” Annie, who has been sent to help Helen, is from the… a. Texas School for the Blind b. Gallaudet University c. Columbia College d. Perkins Institute 9. Which music is in “Mr. Holland’s Opus?” a. Brahms' Third Symphony b. Imagine c. Respect d. Billie Jean 10. Who did not appear in “Hoosiers”? a. Larry Bird b. Gene Hackman c. Barbara Hershey d. Dennis Hopper Round 2: Broadway 1. Which song is not in The 25th Annual Putnam County Spelling Bee? a. Magic Foot b. I’m the Best Speller there is c. My Friend, The Dictionary d. I Speak Six Languages 2. In the original Broadway cast of the Sound of Music, who plays Captain von Trapp? a. Christopher Plummer b. Walter Slezak c. Anthony Hopkins d. Theodore Bikel 3. Who played Elle Woods in the original Broadway cast of "Legally Blonde?" a. Kelli O’Hara b. Reese Witherspoon c. Laura Bell Bundy d. Jennifer Coolidge 4. Who will play Marian Paroo opposite Hugh Jackman in “The Music Man?” a. Sutton Foster b. Laura Benanti c. Bernadette Peters d. Idina Menzel 5. Who is Morales’ teacher in “A Chorus Line?” a. Karp b. Zach c. Lapine d. Kleban 6. In “Kiss me Kate,” what author do they sing about? a. T. S. Eliot b. Oscar Wilde c. James Joyce d. William Shakespeare 7. Who is George’s favorite model in “Sunday in the Park”? a. Dot b. Emma c. Betty d. Rosie 8. Elphaba attended… a. Elan University b. Reed College c. Shiz University d. Rice University 9. Alexander Hamilton attended … a. Rutgers University b. Queens College c. Kings College d. Harvard University 10. “Children will Listen” is from which show? a. Sunday in the Park with George b. Into the Woods c. The Wiz d. Wicked .

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At Home with the Movies
At Home with the Movies PAT COSTA THE BOBO (1967) Friday, May 26 (NBC) He plays a Russian-British Thursday, May 25 (CBS) double agent and Mia Farrow is The regular Friday night NBC the love interest, naturally. The As I A poorly-done comedy starring movie is. pre-empted this night best parts are taken by Tom Peter Sellers, this is about an ex- for Chronolog, the documentary Courtenay, Per Oscarsson and matador from Barcelona who de series that everyone says they Lionel Stander in supporting cides to become a singer and se watch when pollsters call to ask roles.- See It duce a high-class prostitute which programs are being played by Britt Ekland. viewed. It was rated A-3, unobjection able for adults, by the national Rossano Brazzi and Adolfo Catholic film office. Celi are lost in supproting roles. TOPAZ (1970) Those who watched the televi supporting awards for their The national Catholic film of Saturday, May 27 sion industry present itself a- work on "The Mary Tyler Moore fice rated this A-3, unobjection wards for 2'/s hours recently at A foreign-intrigue adventuite THE SINGING NUN (1966) Show", gave extended credit able "for adults. Monday, May 29 (NBC) the 24th annual Emmy show to the writers on that situation drama, this one uses the Cuban could have learned a lot about comedy, which is one of the best missile crisis as its launching A syrupy concoction starring this medium. written fun shows of ail time. Gabrielli pad, with John Forsyth the only Debbie Reynolds as a constantly jiame in the cast that hops from cheerful nun who manages a rec And probably the first lesson Lesson three could deal with Speaks in country to country in this politi ord contract in between serving was that TV knows no more another background job so cal cloak and dagger film.
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31 Days of Oscar® 2010 Schedule
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James Ivory in France
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Conquering the Colon: the Adventure of Advanced Punctuation
Oregon State Bar Bulletin — APRIL 2010 April Issue The Legal Writer Conquering the Colon: The Adventures of Advanced Punctuation By Suzanne E. Rowe Perhaps the only punctuation mark more terrifying than the semicolon is the colon. Most writers avoid the colon for fear of misusing it. Most readers feel intimidated by the brave writer who dared try to master the colon’s nuances. When is a colon appropriate? How many spaces follow it? Does the word after a colon need to be capitalized? This article will bring you closer to conquering your fear of the colon. When to Use a Colon Colon usage varies from the exciting to the mundane. In the first two explanations below, think of the colon as the pause — or the drum roll — between an introduction and the exciting details. Picture someone on stage with an envelope saying, “And the winner is…!” The remaining explanations are more mundane, but perhaps easier. Lists One common use of a colon is to introduce a list. The nominees for best actress were impressive: Sandra Bullock, Helen Mirren, Carey Mulligan, Gabourey Sidibe and Meryl Streep. Be sure that the introductory sentence preceding the colon is truly a sentence. A colon would be incorrect in the following example. The nominees were Sandra Bullock, Helen Mirren, Carey Mulligan, Gabourey Sidibe and Meryl Streep. Independent clauses In the use that inspires the most fear, a colon separates two independent clauses when the second clause expands or illustrates the idea in the first clause. (Remember that an independent clause is just a complete sentence.) The drum roll — the colon — comes after the first sentence.
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Michelle, My Belle
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Template: Royal A, Font: , Date: 07/09/2013; 3B2 version: 9.1.406/W Unicode (May 24 2007) (APS_OT) Dir: //integrafs1/kcg/2-Pagination/TandF/GEN_RAPS/ApplicationFiles/9780415527699.3d 31 Smoothing the wrinkles Hollywood, “successful aging” and the new visibility of older female stars Josephine Dolan For decades, feminist scholarship has consistently critiqued the patriarchal underpinnings of Hollywood’s relationship with women, in terms of both its industrial practices and its representational systems. During its pioneering era, Hollywood was dominated by women who occupied every aspect of the filmmaking process, both off and on screen; but the consolidation of the studio system in the 1920s and 1930s served to reduce the scope of opportunities for women working in off-screen roles. Off screen, a pattern of gendered employment was effectively established, one that continues to confine women to so-called “feminine” crafts such as scriptwriting and costume. Celebrated exceptions like Ida Lupino, Dorothy Arzner, Norah Ephron, Nancy Meyers, and Katherine Bigelow have found various ways to succeed as producers and directors in Hollywood’s continuing male-dominated culture. More typically, as recently as 2011, “women comprised only 18% of directors, executive producers, cinematographers and editors working on the top 250 domestic grossing films” (Lauzen 2012: 1). At the same time, on-screen representations came to be increasingly predicated on a gendered star system that privileges hetero-masculine desires, and are dominated by historically specific discourses of idealized and fetishized feminine beauty that, in turn, severely limit the number and types of roles available to women. As far back as 1973 Molly Haskell observed that the elision of beauty and youth that underpins Hollywood casting impacted upon the professional longevity of female stars, who, at the first visible signs of aging, were deemed “too old or over-ripe for a part,” except as a marginalized mother or older sister.
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ROSALIND-Film-Links
THE PLAY “AS YOU LIKE IT” THE WOMAN ROSALIND SOME LINKS FOR YOUR VIEWING PLEASURE YOUTUBE…. FILM PRODUCTION TWENTIETH CENTURY FOX (1936) Directed by Paul Czinner Laurence Olivier, Elisabeth Bergner, Sophie Stewart With English Captions: https://www.youtube.com/watch?v=wFChichBoPI&t=16s Without English Captions: https://www.youtube.com/watch?v=RxBwHQSbUdY&list=RDCMUCWNH6WeWgwMaWbO_ 5VfhiTQ&start_radio=1&t=24 BBC – THE OPEN UNIVERSITY “AS YOU LIKE IT” DOCUMENTARY (2016) Award-winning British Actress Fiona Shaw Lectures, Scene Study with Exercises https://www.youtube.com/watch?v=1bTlH-EQSJE&t=2202s FULL AMATEUR PRODUCTIONS THE PUBLIC THEATER OF MINNESOTA SHAKESPEARE FESTIVAL (2013) Filmed Outdoor Stage Production https://www.youtube.com/watch?v=dDVnVpgzG5U&t=6848s SHAKESPEARE BY-THE-SEA (2015) Filmed Live Outdoor Stage Production https://www.youtube.com/watch?v=ZTSaCh02s8U&list=PLH0M7jdxVB3vfSQjS6gAMm6M3h Ox6cXP-&index=25 AUDIO RECORDING LIBRIVOX AUDIOBOOKS (2019) https://www.youtube.com/watch?v=hhcLW0FaCBk OREGON SHAKESPEARE FESTIVAL (1950) https://www.youtube.com/watch?v=8yOhKvUtF3c&t=5539s KANOPY- FREE Through many Maine Public Libraries with Library card FILM PRODUCTION THE BBC SERIES – COMPLETE PLAYS OF SHAKESPEARE (1978) Directed by Basil Coleman Helen Mirren, Brian Stirner, Richard Pasco AMAZON PRIME VIDEO…… FILM PRODUCTIONS ROYAL SHAKESPEARE COMPANY (2019) Directed by Kimberly Sykes & Robert Lough Lucy Phelps , Antony Byrne , Sophie Khan Levy ROYAL SHAKESPEARE COMPANY (2010) Directed by Michael Boyd Jonjo O'Neill , Katy Stephens
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Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx.
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The Secret Scripture
Presents THE SECRET SCRIPTURE Directed by JIM SHERIDAN/ In cinemas 7 December 2017 Starring ROONEY MARA, VANESSA REDGRAVE, JACK REYNOR, THEO JAMES and ERIC BANA PUBLICITY REQUESTS: Transmission Films / Amy Burgess / +61 2 8333 9000 / [email protected] IMAGES High res images and poster available to download via the DOWNLOAD MEDIA tab at: http://www.transmissionfilms.com.au/films/the-secret-scripture Distributed in Australia by Transmission Films Ingenious Senior Film Fund Voltage Pictures and Ferndale Films present with the participation of Bord Scannán na hÉireann/ the Irish Film Board A Noel Pearson production A Jim Sheridan film Rooney Mara Vanessa Redgrave Jack Reynor Theo James and Eric Bana THE SECRET SCRIPTURE Six-time Academy Award© nominee and acclaimed writer-director Jim Sheridan returns to Irish themes and settings with The Secret Scripture, a feature film based on Sebastian Barry’s Man Booker Prize-winning novel and featuring a stellar international cast featuring Rooney Mara, Vanessa Redgrave, Jack Reynor, Theo James and Eric Bana. Centering on the reminiscences of Rose McNulty, a woman who has spent over fifty years in state institutions, The Secret Scripture is a deeply moving story of love lost and redeemed, against the backdrop of an emerging Irish state in which female sexuality and independence unsettles the colluding patriarchies of church and nationalist politics. Demonstrating Sheridan’s trademark skill with actors, his profound sense of story, and depth of feeling for Irish social history, The Secret Scripture marks a return to personal themes for the writer-director as well as a reunion with producer Noel Pearson, almost a quarter of a century after their breakout success with My Left Foot.
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Commercial Films/Video Tapes on Teaching
Commercial Films/Video Tapes On Teaching Prepared by Gary D Fenstermacher Three categories of film or video are included here, depending on whether teaching occurs in the setting of a school (Category I), in a tutorial relationship between teacher and student (Category II), or simply as a plot device in a comedy about or parody of teaching and schooling (Category III). Films described in Category I are listed alphabetically, within decade headings; it is the year the film was made, not the time period it depicts, that determines the decade in which the film is classified. Category I: Depicting Teachers in School Settings 1930's Goodbye, Mr. Chips (1939). Robert Donat, Greer Garson. British schoolmaster devoted to "his boys." Remade as musical in 1969, starring Peter O'Toole; remake received poor reviews. If you select this film, please do not use the remade version; use the original, 1939, film. It is a first-rate film. 1940's The Corn is Green (1945). Bette Davis, Nigel Bruce. Devoted teacher copes with prize pupil in Welsh mining town in 1895. (1 hr 35 min) Highly regarded remake in 1979 stars Katherine Hepburn in her last teaming with director George Cukor. OK to use either version (1945 or 1979). 1950's Blackboard Jungle (1955). Glenn Ford, Anne Francis. Teacher's difficult adjustment to New York City schools. First commercial film to feature rock music. 1960's The Prime of Miss Jean Brodie (1969). Maggie Smith. Eccentric teacher in British girls school. Smith wins Oscar for her performance. Remade as TV miniseries. To Sir With Love (1967, British).
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The Last Station
Mongrel Media Presents The Last Station A Film by Michael Hoffman (112 min, Germany, Russia, UK, 2009) Distribution Publicity Bonne Smith 1028 Queen Street West Star PR Toronto, Ontario, Canada, M6J 1H6 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Fax: 416-488-8438 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html THE LAST STATION STARRING HELEN MIRREN CHRISTOPHER PLUMMER PAUL GIAMATTI ANNE-MARIE DUFF KERRY CONDON and JAMES MCAVOY WRITTEN & DIRECTED BY MICHAEL HOFFMAN PRODUCED BY CHRIS CURLING JENS MEURER BONNIE ARNOLD *Official Selection: 2009 Telluride Film Festival SYNOPSIS After almost fifty years of marriage, the Countess Sofya (Helen Mirren), Leo Tolstoy’s (Christopher Plummer) devoted wife, passionate lover, muse and secretary—she’s copied out War and Peace six times…by hand!—suddenly finds her entire world turned upside down. In the name of his newly created religion, the great Russian novelist has renounced his noble title, his property and even his family in favor of poverty, vegetarianism and even celibacy. After she’s born him thirteen children! When Sofya then discovers that Tolstoy’s trusted disciple, Chertkov (Paul Giamatti)—whom she despises—may have secretly convinced her husband to sign a new will, leaving the rights to his iconic novels to the Russian people rather than his very own family, she is consumed by righteous outrage. This is the last straw. Using every bit of cunning, every trick of seduction in her considerable arsenal, she fights fiercely for what she believes is rightfully hers.
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Shakespeare on Film- Looking for Richard
SHAKESPEAREONFILM LOOKING FOR RICHARD Teachers’ Notes This study guide is aimed at students of GCSE English and Media, A’ level English Media and Film and GNVQ Media: Communication and Production. Areas investigated include Filming Shakespeare, Language, Documentary Styles and Representation. This series of study guides aims to provide teachers with valuableresource materials for the teaching of Shakespeare throughout the National Curriculum. Synopsis The American actor Al Pacino is the co-producer, director and star of the film ‘Looking For Richard’. His project intertwines the telling of the story of Shakespeare’s ‘Richard III’ with an intimate look at the actors’ and filmmakers’ processes as they come to grips with their characterisations and with translating their enthusiasm for the play onto film. The film ‘Looking For Richard’ follows their debates and revelations about the play, takes to the streets of New York to measure public opinion, visits the birthplace of Shakespeare and, finally, looks at a production of Richard III’. The film includes interviews with actors such as Kenneth Branagh and Vanessa Redgrave and seeks to prove that everyone can enjoy Shakespeare, and that his tales are timeless and universal. The completion of the film marks the culmination of a journey begun decades ago. when Pacino was touring colleges in the late 70’s talking to students who were reluctant to listen to Shakespeare and couldn’t see the relevance of his works. “But we would talk informally about the play and then I would read an excerpt” explains Pacino. Pacino notes, “By juxtaposing the day-to-day life of the actors and their characters with ordinary people, we attempted to create a comic mosaic - a very different Shakespeare.
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