Harnessing the Power of the Criminal Corpse
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palgrave historical studies in the criminal corpse and its afterlife HARNESSING THE POWER OF THE CRIMINAL CORPSE Sarah Tarlow and Emma Battell Lowman Palgrave Historical Studies in the Criminal Corpse and its Afterlife Series Editors Owen Davies School of Humanities University of Hertfordshire Hatfeld, UK Elizabeth T. Hurren School of Historical Studies University of Leicester Leicester, UK Sarah Tarlow School of Archaeology and Ancient History University of Leicester Leicester, UK This limited, fnite series is based on the substantive outputs from a major, multi-disciplinary research project funded by the Wellcome Trust, investigating the meanings, treatment, and uses of the criminal corpse in Britain. It is a vehicle for methodological and substantive advances in approaches to the wider history of the body. Focussing on the period between the late seventeenth and the mid-nineteenth centuries as a cru- cial period in the formation and transformation of beliefs about the body, the series explores how the criminal body had a prominent presence in popular culture as well as science, civic life and medico-legal activity. It is historically signifcant as the site of overlapping and sometimes contradic- tory understandings between scientifc anatomy, criminal justice, popular medicine, and social geography. More information about this series at http://www.palgrave.com/gp/series/14694 Sarah Tarlow · Emma Battell Lowman Harnessing the Power of the Criminal Corpse Sarah Tarlow Emma Battell Lowman School of Archaeology and Ancient School of Humanities History University of Hertfordshire University of Leicester Hertford, UK Leicester, UK Palgrave Historical Studies in the Criminal Corpse and its Afterlife ISBN 978-3-319-77907-2 ISBN 978-3-319-77908-9 (eBook) https://doi.org/10.1007/978-3-319-77908-9 Library of Congress Control Number: 2018934674 © The Editor(s) (if applicable) and The Author(s) 2018. This book is an open access publication. Open Access This book is licensed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made. The images or other third party material in this book are included in the book’s Creative Commons license, unless indicated otherwise in a credit line to the material. If material is not included in the book’s Creative Commons license and your intended use is not permitted by statutory regulation or exceeds the permitted use, you will need to obtain permission directly from the copyright holder. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specifc statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affliations. Cover illustration: Giovanni Aldini (1762–1834), a galvanism experiment on a corpse. Courtesy of the Wellcome Collection Printed on acid-free paper This Palgrave Macmillan imprint is published by the registered company Springer International Publishing AG part of Springer Nature The registered company address is: Gewerbestrasse 11, 6330 Cham, Switzerland ACKNOWLEDGEMENTS This book is the summation of the research programme ‘Harnessing the Power of the Criminal Corpse’, funded by the Wellcome Trust (Grant No. 095904/Z/11/Z), and we are grateful to the Trust for their intellectual, logistical and fnancial support at every stage of the pro- ject. Our thanks go to our colleagues on the project: Rachel Bennett, Owen Davies, Zoe Dyndor, Elizabeth Hurren, Peter King, Patrick Low, Francesca Matteoni, Shane McCorristine, Floris Tomasini, Richard Ward, and Clare Canning. Thanks also to our institutions, the University of Leicester and the University of Hertfordshire, for supporting the project. The gestation of this book has been longer than we had hoped because its production was severely affected by the illness and death of ST’s hus- band, Mark Pluciennik. ST would like to thank all her colleagues and friends for their patience and support over this diffcult time. EBL in particular thanks Adam Barker for his constant practical and emotional support. v CONTENTS Part I The Criminal Corpse in History 1 Introduction 3 2 The Power of the Criminal Corpse in the Medieval World 29 3 How Was the Power of the Criminal Corpse Harnessed in Early Modern England? 57 Part II The World of the Murder Act 4 Murder and the Law, 1752–1832 87 5 Anatomisation and Dissection 115 6 Hanging in Chains 151 Part III The Legacy of the Criminal Corpse 7 Seeking the Physical Remains of the Criminal Corpse 193 vii viii CONTENTS 8 Folk Beliefs and Popular Tales 213 9 Conclusions: Ethics, Bullet Points and Other Ways of Telling 239 Index 269 LIST OF FIGURES Fig. 2.1 The soul departing from the body (Wellcome Collection) 36 Fig. 2.2 ars moriendi manual (Wellcome Collection) 38 Fig. 2.3 Late medieval depictions of the crucifed Christ (Wellcome Collection) 43 Fig. 3.1 ‘nosce te ipsum’ (Thomas Fisher Rare Books Library) 64 Fig. 3.2 Memento mori object (Wellcome Collection) 68 Fig. 4.1 Hogarth print of an execution at Tyburn (Wellcome Collection) 98 Fig. 5.1 Cast of a hanged criminal’s head (Sarah Tarlow) 128 Fig. 5.2 Cast of William Corder’s head (Sarah Tarlow) 130 Fig. 5.3 Woodcut of Earl Ferrers in his coffn (Sarah Tarlow) 131 Fig. 5.4 Annual body supply to medical men under the Murder Act 136 Fig. 5.5 Number of convictions by year 138 Fig. 5.6 A galvanism experiment on a corpse (Wellcome Collection) 142 Fig. 6.1 Replica gibbet cage at Leicester Guildhall (Sarah Tarlow) 153 Fig. 6.2 Gibbet cage at Rye with skull inside (Sarah Tarlow) 154 Fig. 6.3 Examples of gibbet locations (a., b., and c.) (all Sarah Tarlow) 157 Fig. 6.4 Gibbet post at Banbury with detail of reinforcement (Sarah Tarlow) 159 Fig. 6.5 Crossbeam on a gibbet (Sarah Tarlow) 160 Fig. 6.6 Hook from Rye, showing wear (Sarah Tarlow) 161 Fig. 6.7 Keal’s gibbet at Louth, Lincolnshire (Sarah Tarlow) 162 Fig. 6.8 Gibbet cage with punched holes/iron (Sarah Tarlow) 163 Fig. 6.9 Chart/graph showing the frequency of civil gibbeting 167 Fig. 6.10 Replica of Jobling’s gibbet (Sarah Tarlow) 170 ix x LIST OF FIGURES Fig. 6.11 Noose and Gibbet Inn, Sheffeld (Tom Maskill) 177 Fig. 6.12 a. Caxton gibbet (Sarah Tarlow), b.Winter’s gibbet (Patrick Low) 183 Fig. 7.1 Drawing of an écorché (Wellcome Collection) 199 Fig. 7.2 Burke’s death mask and pocket book made of his skin (Sarah Tarlow) 202 Fig. 8.1 Hand of glory at Whitby (Sarah Tarlow) 225 Fig. 8.2 Hogarth’s ‘The Reward of Cruelty’ (1751) (Wellcome Collection) 229 Fig. 9.1 Shot at Dawn memorial (Sarah Tarlow) 243 Fig. 9.2 Dissection of a young, beautiful woman (Wellcome Collection) 250 Fig. 9.3 Gibbet Halloween ornament (Sarah Tarlow) 258 PART I The Criminal Corpse in History CHAPTER 1 Introduction This book is about the power of the dead body. This power is rooted in paradox: deprived of will and the capacity to take action, to think, speak, coerce or persuade, deprived of life itself, the human body can still be a powerful agent of change. On 3 September 2015 news media around the world carried a photo- graph distributed by a Turkish news agency of the tiny body of 3-year- old Alan Kurdi washed up on a beach. The little boy, dressed in a red T-shirt and blue shorts, drowned when the boat carrying him and his family from Turkey to the nearby Greek island of Lesbos sank. The pho- tograph was released at the height of the European migrant crisis of 2015. Hundreds of thousands of people, many from Syria but also sub- stantial numbers from Iraq, Afghanistan, and sub-Saharan Africa were travelling to Europe, many in extremely dangerous ways due to their desperation to reach safety. Five days before Alan Kurdi lost his life the number of migrants drowned in the Mediterranean during this crisis was already over 2400.1 The European reaction to these migrants—both political and popular—had not been positive. Many European leaders reacted by try- ing to strengthen their borders, police the Mediterranean, and institute rigorous and deterrent immigration policies. But the publication of the Alan Kurdi photographs proved a salutary and transformative moment. In the United Kingdom, the British Prime Minister David Cameron changed his rhetoric from how best to protect the nation from the © The Author(s) 2018 3 S. Tarlow and E. Battell Lowman, Harnessing the Power of the Criminal Corpse, Palgrave Historical Studies in the Criminal Corpse and its Afterlife, https://doi.org/10.1007/978-3-319-77908-9_1 4 S. TARLOW AND E. Battell LOWMAN ‘swarm’ of migrants to announcing new, much higher numbers of Syrian refugees that would be taken in by the United Kingdom.2 Marches in London, Vienna and elsewhere mobilised popular support and sympathy for the human plight and suffering of the migrants.