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Frommer's Irreverent Guide to Manhattan
01_770620 ffirs.qxp 2/17/06 11:01 PM Page iii guide to Manhattan 6th Edition By Ethan Wolff with Shopping by Karen Quarles 01_770620 ffirs.qxp 2/17/06 11:01 PM Page ii 01_770620 ffirs.qxp 2/17/06 11:01 PM Page i guide to Manhattan 01_770620 ffirs.qxp 2/17/06 11:01 PM Page ii 01_770620 ffirs.qxp 2/17/06 11:01 PM Page iii guide to Manhattan 6th Edition By Ethan Wolff with Shopping by Karen Quarles 01_770620 ffirs.qxp 2/17/06 11:01 PM Page iv other titles in the IRREVERENT GUIDE series Irreverent Amsterdam Irreverent Boston Irreverent Chicago Irreverent Las Vegas Irreverent London Irreverent Los Angeles Irreverent New Orleans Irreverent Paris Irreverent Rome Irreverent San Francisco Irreverent Seattle & Portland Irreverent Vancouver Irreverent Walt Disney World® Irreverent Washington, D.C. 01_770620 ffirs.qxp 2/17/06 11:01 PM Page v Published by: Wiley Publishing, Inc. 111 River St. Hoboken, NJ 07030-5774 Copyright © 2006 Wiley Publishing, Inc., Hoboken, New Jersey. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning or otherwise, except as permitted under Sections 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher, or autho- rization through payment of the appropriate per-copy fee to the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923, 978/750-8400, fax 978/646-8600. Requests to the Publisher for permission should be addressed to the Legal Department, Wiley Publishing, Inc., 10475 Crosspoint Blvd., Indianapolis, IN 46256, 317/572-3447, fax 317/572-4355, or online at http://www.wiley.com/go/permissions. -
JOSEPH KOSUTH Biography
JOSEPH KOSUTH Biography 1945 Born in Toledo, OH. Lives in Rome and New York City. EDUCATION 1963-64 Cleveland Institute of Art, Cleveland, OH. 1965-67 The ScHool of Visual Arts, New Yok, NY. 1971-72 The New ScHool for Social ResearcH, New York, NY. 1988-90 Professor at tHe HocHscHule für Bildende Künste, Hamburg, Germany. 1998 Professor at tHe StaatlicHe Akademie der Bildende Künste, Stuttgart, Germany. SELECTED AWARDS 1968 Cassandra Foundation Grant 1990 Brandeis Award 1991 The Frederick Wiseman Award 1999 Recipient of tHe Chevalier de l'Ordre des Arts et des Lettres from tHe FrencH government Awarded tHe MenZione d'Onore at tHe Venice Biennale 2001 Laurea Honoris Causa doctorate in Philosophy and Letters, University of Bologna, Italy 2003 Decoration of Honor in Gold for Services to tHe Republic of Austria 2012 La classe des Arts de l’Académie Royale, The Académie Royale Sciences des Lettres et des Beaux-Arts of Belgium 2015 Honor Causa Doctorate, Instituto Superior de Arte, University of Havana, Cuba SELECTED SOLO EXHIBITIONS 2020 ‘Existential Time’, Sean Kelly, New York 2019 Existential Time – Quoted Use, Lia Rumma, Milan, Italy 2017 A Short History of My Thought, Anna ScHwartZ Gallery, Melbourne, Australia Maxima Proposito (Ovidio), Vistamare, Pescara, Italy Notations for Thinking, DIP Contemporary Art, Lugano, Switzerland 2015 ‘Agnosia, an Illuminated Ontology’ an Installation by Joseph Kosuth, Sean Kelly Gallery, New York A Zoology of Thinking, Galleri Brandstrup, Oslo, Norway Joseph Kosuth, MAMM, Moscow, Russia Made At Conception, -
SM Bio Final 1 25 20
www.teamgal.com Suzanne McClelland 1959 Born in Jacksonville, FL Lives and works in Brooklyn, NY Education: 1989 M.F.A School of Visual Arts, New York, NY 1981 B.F.A University of Michigan, Ann Arbor, MI Solo Exhibitions: 2019 Team Gallery, New York, NY, MUTE Team Gallery, Gallery B, New York, NY, Selections from MUTE 2017 Aldrich Museum of Contemporary Art, Ridgefield, CT, Third Party (curated by Amy Smith-Stewart, with catalogue) Team (Bungalow), Venice, CA, Rank 2016 Dieu Donne, Lab Grant Exhibition, New York, NY, Articulate Muscle 2015 Team Gallery, New York, NY, Call with Information 2014 Shane Campbell Gallery, Chicago, IL, Zero Plus Zero 2013 University Art Museum, University at Albany SUNY, Albany, New York, Furtive Gesture_CEDEpart2 Team Gallery, New York, NY, Every Inch of My Love The Fralin Museum of Art, The University of Virginia, Charlottesville, VA, STrAY: Found Poems from a Lost Time 2011 Sue Scott Gallery, New York, NY, left 2010 Shane Campbell Gallery, Chicago, IL, Scratch 2009 Sue Scott Gallery, New York, NY, Put Me in the Zoo 2007 David Krut Projects, New York, New York, NY, STrAY (with catalog) team (gallery, inc.) 83 grand street new york, ny 10013 tel. 212.279.9219 www.teamgal.com 2005 Larissa Goldston Gallery, New York, NY, SLIP (with catalog) Shane Campbell Gallery, Chicago, IL, Team Play Her 2003 KS Art, New York, NY, Suzanne McClelland: Drawings and Prints 2001 Orlando Museum of Art, Orlando, FL, Enough Enough 2000 Paul Kasmin Gallery, New York, NY, Out of Character Galerie Lutz and Thalmann, Zurich, Switzerland, -
(Un)Disciplined Bodies: Ascetic Transformation in Performance Art
(Un)Disciplined Bodies: Ascetic Transformation in Performance Art Tatiana A. Koroleva A Thesis In the Department Of Humanities Presented in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy (Humanities) at Concordia University Montreal, Quebec, Canada April, 2014 © Tatiana A. Koroleva, 2014 ABSTRACT (Un)Disciplined Bodies: Ascetic Transformation in Performance Art Tatiana A. Koroleva, Ph.D. Concordia University, 2014 This dissertation investigates different modalities of self-transformation enacted in ritualistic performance art by the examination of the work of three contemporary performance artists – Marina Abramović, Linda Montano and Ron Athey. Drawing on theoretical models of ritual, in particular the model of ascetic ritual developed in the works of Gavin Flood and Richard Valantasis, Georges Bataille’s theory of sacrifice, concepts of wounded healing by Laurence J. Kirmayer and Jess Groesbeck, and recent studies of ascetic self-injury in psychiatry and psychoanalysis, I argue that ritualistic performance provides a useful model of the therapy of the body that undermines rigid models of the individual self. Ritualistic performance employs a variety of methods of re-patterning of the dominant standard of individuality and formation of alternative model of the body associated with the ascetic self. In view of significance of the transcendence of the body in the work of these artists I employ a theory of “transformation” to reflect upon performative methodology developed in the artworks of Abramović, Montano, and Athey. iii AKNOWLEDGEMENTS I would like to acknowledge the support and generosity I have received from my academic advisors: Mark Sussman, Tim Clark, and Shaman Hatley. Their work and contributions have been invaluable to the research and writing for this dissertation. -
216 41 Cooper Square 89 Abyssinian Baptist Church 165 Alimentation 63
216 index 41 Cooper Square 89 Angel’s Share 92 The Half King Bar & Attaboy 56 Restaurant 83 A Bar 54 127 The Vig Bar 63 Bar Veloce 93 Verlaine 57 Abyssinian Baptist Bembe 173 White Horse Tavern 74 Church 165 Bemelmans Bar 147 Baseball 206 Alimentation 63, 75, 84, Blind Tiger Ale House 73 Basketball 206 93, 102, 157 d.b.a. East Village 93 Bateau 197 American Museum of Dos Caminos 102 Battery Maritime Natural History 153 Gallow Green 83 Building 46 Apollo Theater 164 Great Hall Balcony Bar 147 Battery Park 46 Appartements 184 Henrietta Hudson 74 Hudson Common 128 Battery Park City 41 Appellate Division Hudson Malone 118 Beacon Theatre 156 Courthouse of the New Jake’s Dilemma 156 York State Supreme Bedford Avenue 171 La Birreria 102 Belvedere Castle 136 Court 95 Le Bain 83 Bethesda Fountain & Argent 199 Library Bar 128 Terrace 135 Astoria 175 McSorley’s Old Ale Astor Place 88 House 93 Bijouteries 119 Auberges de Paddy Reilly’s Music Birdland 128 jeunesse 185 Bar 102 Blue Note 74 Paris Café 40 Boerum Hill 171 Autocar 183 Pegu Club 63 Bow Bridge 136 Avery Architectural & Please Don’t Tell 93 Fine Arts Library 162 Roof Garden Café and Bowery Ballroom 57 Avion 180 Martini Bar 147 British Empire Sake Bar Decibel 93 Building 109 B Schiller’s Liquor Bar 57 Broadway 120 Shalel Lounge 156 Bronx 176 Banques 199 Sky Terrace 128 Bronx Zoo 177 Bars et boîtes S.O.B.’s 63 Brookfield Place 42 de nuit 200 The Brooklyn Barge 173 68 Jay Street Bar 173 The Dead Rabbit Grocery Brooklyn 168 Abbey Pub 156 and Grog 40 Brooklyn Botanic Aldo Sohm Wine Bar 127 The -
LIPSTICK JUNGLE 3 the Industry a New Side to Her Talents, a New Way to Look at How Women Might Dress
Y1 SEPTEMBER IS GLORIOUS IN MANHATTAN, AND THIS year was no exception. The temperature was a perfect seventy-five degrees, the humidity low, and the sky a cloudless blue. Coming back to the city from a rest- less summer, the weather is always a reminder that spectacular things can hap- pen and that greatness is just around the corner. The air buzzes with excitement, and in one day, the city goes from sleepy to frenzied. There’s the familiar crawl of traffic on Sixth and Park Avenues, the air hums with cell phone conversations, and the restaurants are full. For the rest of the country, Labor Day marks the end of the summer and the beginning of the school year. But in New York, the real year begins a few days later, with that venerable tra- dition known as Fashion Week. On Sixth Avenue behind the Public Library, Bryant Park was transformed into a wonderland of white tents where dozens of fashion shows would take place. Black carpeted steps led up to French doors, and all week, these steps were lined with students and fans hoping to get a glimpse of their favorite designers or stars, with Japanese photographers (whom everyone agreed were more polite), with paparazzi, with security men with headsets and walkie- talkies, with the young P.R. girls (always in black, sporting concerned expres- sions), and with all manner of well-heeled attendees shouting into cell phones for their cars. The curb was lined with black town cars three vehicles deep, as if some terribly important state funeral were about to take place. -
Escale À New York 3E Édition
new york Le meilleur pour un court séjour ! Albany, Tappan Zee Burlington, Montréal 287 Bridge Accès à la ville 87 Albany, Burlington, Montréal 287 P a l is a d e s P k 9 87 Scarsdale 17 w y . y. 208 kw Hartford, P Bostoner iv R n o s n NEW JERSEY i h c t Yonkers u H 95 Scranton Mt Vernon Providence 80 19 Englewood 9 4 NEW YORK 80 21 G.Washington Bridge The Bronx r 95 . e y v 9A w i 87 k 678 295 R Throgs P Neck Br. Bronx Whitestone Br. te 95 a n y t a 21 o S w n 95 s d Union a Triborough e Bridge d d o r r City a Lincoln u B G Tunnel 9 H Queensboro LaGuardia Rochester,280 Bridge Airport Buffalo, 1 Toronto 495 495 78 Holland Manhattan 1 Jersey Tunnel City Queens Harrisburg, Williamsburg Br. Manhattan Br. Pittsburgh Brooklyn Br. Brooklyn 78 Tunnel 9 678 Newark Liberty International Airport Upper Bayonne Bay John F. Kennedy 95 278 Brooklyn International Airport Bridge Bayonne Philadelphie, Washington, D.C. 278 Verrazano- Narrows Br. Staten Island E U I Q Lower T Bay N L A AT N É A O C 0 5 10km 0 4 8mi Tous les symboles ne sont pas nécessairement utilisés dans ce guide. NEW JERSEY Wakefield 241 St. Nereid Ave. 5 The Bronx Eastchester 233 St. Dyre Ave. 2 225 St. 4 Baychester Ave. de Woodlawn 219 St. Métro 1 D Norwood Van Cortlandt Park Mosholu Pkwy. -
9789401441162.Pdf
BENY PATRICK VAN ROSENDAAL VAN TOERIST TOT NEW YORKER BE MET PATRICK VAN ROSENDAAL NY STATUE OF LIBERTY TWO WORLD FINANCIAL NEW YORK STOCK EXCHANGE BROOKLYN BRIDGE WTC 1 WOOLWORTH BUILDING ICONEN VAN NEWYORK ICONEN VAN EMPIRE STATE BUILDING CHRYSLER BUILDING VOORWOORD Wie is Patrick van Rosendaal? Patrick begon zijn carrière in sales en marketing in Parijs eind jaren 1990. Hij is een alumnus van de prestigieuze Vlerick Business School en had al heel wat van de wereld TIPS VAN gezien voor hij naar New York verhuisde. PATRICK Als voormalig inwoner van Parijs en Londen was het stadsleven in een grote metropool Tijdens je hem niet vreemd. Maar toen nam zijn leven verkenningstocht een onverwachte wending. Patrick volgde doorheen dit boek zijn hart naar de Verenigde Staten en verloor en de stad bezorgt het vervolgens aan New York. Hij ruilde zijn Patrick je heel wat trouwring voor de ware liefde en nestelde zich tips waarmee je in de schoot van Lady Liberty. Een vrouw met bezoek aan New York een ongebreideld potentieel en een betoverende nog aangenamer en aantrekkingskracht, maar evenzeer een harde vlotter zal verlopen. tante die zich niet zomaar zou laten veroveren. ADRESSEN 6 Zoals elke goede relatie werd het echte passie. De drang om die met een verhaal van hoogtes en laagtes. landgenoten te delen deed hem de Een verhaal van financiële malaise stap zetten naar het professionele en zakelijk succes. Van decadente leven als stadsgids. Hij slaagde voor het uitspattingen en serene introspectie. officiële examen en ging aan de slag op Van leven en overleven. Vaak vechten de bekende Gray Line-bussen van en soms overgeven. -
JANINE ANTONI Biography 1964 Born In
JANINE ANTONI Biography 1964 Born in Freeport, Bahamas Lives and works in New York, NY Education 1989 Master of Fine Arts; Sculpture, Honors, Rhode Island School of Design, Providence, RI 1986 Bachelor of Arts, Sarah Lawrence College, Bronxville, New York, NY Awards 2014 Anonymous Was A Woman, New York, NY Project Grant (in collaboration with the Fabric Workshop and Museum), The Pew Center of Arts & Heritage, Philadelphia, PA 2012 Creative Capital Grant 2011 John Simon Guggenheim Memorial Foundation Award 2004 Artes Mundi, Wales International Visual Art Prize (nominee) 1999 New Media Award, ICA Boston, MA Larry Aldrich Foundation Award 1998 MacArthur Fellowship The Joan Mitchell Foundation, Inc. Painting and Sculpture Grant 1996 IMMA Glen Dimplex Artists Award Solo Exhibitions 2019 I am fertile ground, Green-Wood Cemetery Catacombs, New York, NY 2018 Accelerator, Stockholm University, Stockholm, Sweden 2017 Janine Antoni and Stephen Petronio: Entangle, Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, NY 2016 Ally, The Fabric Workshop and Museum, Philadelphia, PA Janine Antoni and Stephen Petronio: Honey Baby, Sheppard Contemporary Art Gallery, University of Nevada, Reno, NV 2015 Incubator: Janine Antoni & Stephen Petronio, testsite, The Contemporary Austin, a project of Fluent- Collaborative, Austin, TX Janine Antoni: From the Vow Made, Luhring Augustine, New York, NY Janine Antoni: Turn, Anthony Meier Fine Arts, San Francisco, CA 2014 Touch, Magazsin 3 Handelshögskolan, Stockholm, Sweden 2013 -
One Disastrous Summer
nb36p01.qxp 8/31/2007 8:11 PM Page 1 TOP STORIES BUSINESS LIVES NYSE puts a big Book clubs, bet on its new tech New York-style guru’s software as PAGE 43 it seeks to expand PAGE 2 ® WNBC seeks to shake up local TV scene with VOL. XXIII, NO. 36 WWW.NEWYORKBUSINESS.COM SEPTEMBER 3-9, 2007 PRICE: $3.00 7 p.m. newscast PAGE 2 The Plaza Bikini babes hand out freebies for delays Riese Restaurants NEW YORK, NEW YORK, P. 6 reopening Looking for fallout from credit crisis? until ’08 Just wait until next year Construction woes; GREG DAVID, PAGE 13 questions loom Slow growth pays on rehiring workers off for real estate MEN AT WORK: Jerry BY LISA FICKENSCHER information firm Gottlieb just got back SMALL BUSINESS, P 34 into his office, which is still a construction the much-anticipated reopen- zone, near the steam ing of The Plaza hotel has been pipe blast site. pushed back until next year, dash- ing a plan to celebrate the hotel’s david neff david 100th anniversary in grand style. “Oct.1 is such a significant date BUSINESS INTERRUPTION for us,” says the hotel’s general manager, Shane Krige. “It would have been fantastic to open then.” The hotel is now accepting reservations for Jan. 1. REPORT One disastrous summer As The Plaza gears up for its re- REAL ESTATE opening, tensions are simmering of them have yet to recover from a to return—to gutted offices.Walls, between the hotel union and new G Condo developers Around the city, series of random disasters, from the flooring, furniture and equipment management over who will work struggle to finance affected businesses steam pipe explosion in July to the had been removed by cleanup there. -
MARINA ABRAMOVIĆ Bibliography
MARINA ABRAMOVIĆ Bibliography Selected Publications 2018 Goldberg, RoseLee. Performance Now: Live Art for the 21st Century. New York: Thames & Hudson, 2018. 2017 Abramovic, Marina. The Cleaner. Hatje Cantz Verlag, 2017. 2015 Clemens, Justin. Private Archaeology. Tasmania: Museum of Old and New Art, 2015. Džuverović, Lina. Monuments Should Not Be Trusted, Nottingham: Nottingham Contemporary, 2016. Marina ABramovic: In Residence Education Kit, Sydney: Kaldor Public Art Projects, 2015. The Sense of Movement: When Artists Travel. Hatje Cantz: Ostfildern, 2015. Sardo, Delfim. Afinidades Electivas | Julião Sarmento Coleccionador, Fundacão Carmona e Costa. Lisbon: Portugal, 2015. Westcott, James. Quando Marina ABramovic Morrer: uma Biografia, São Paulo: SESC Editions, 2015. 2014 Belisle, Josee. Beaute du Geste, Montreal: Musee d’Art Contemporain de Montreal, 2014. Biesenbach, Klaus and Hans Ulrich Obrist. 14 Rooms, Ostfildern, Germany: Hatje Cantz, 2014. Bojan, Maria Rus and Alessandro Cassin. Whispers, Ulay on Ulay, Amsterdam: Valiz Foundation, 2014. Day, Charlotte. Art As a Verb, Victoria, Australia: Monash University Museum of Art, 2014. Hoffman, Jens. Show Time: The 50 Most Influential ExhiBitions of Contemporary Art, New York: DAP, 2014. Marina ABramovic: Entering the Other Side, Jevnaker, Norway: Kistefos Museet, 2014. Marina ABramovic: 512 Hours, London: Serpentine Galleries, Koenig Books, 2014. 2013 Moving Pictures / Moving Sculpture: The Films of James Franco, California: Oh Wow, 2013. Munch By Others. Norway: Arnivus + Orfeus Publishing and Haugar Vestfold Museum, 2013. Walk on, From Richard Long to Janet Cardiff: 40 Years of Art Walking, Manchester: Cornerhouse Publications, 2013. Westcott, James. When Marina ABramovic Dies, China: Gold Wall Press, 2013. 2012 Anelli, Marco. Portraits in the Presence of Marina Abramovic. -
Downloaded Examples of Brutalist Architecture All Over the World
Scene & Herd: There Goes The Neighborhood By Linda Yablonsky September 10, 2014 VERY YEAR, for the two weeks following Labor Day, the art and fashion worlds own New York. Runway shows overlap with gallery openings and gallerinas keep pace with modelistas. Last Wednesday, September 3, Rachel Feinstein colluded with Marc Jacobs, Marianne Boesky, Art Production Fund, and Performa to merge the two worlds with a single, season- starting event that painlessly outclassed the art parades of yore. Dubbed “The Last Days of Folly,” Feinstein put it together for the closing of Folly, her summer- long exhibition of public sculpture in Madison Square Park. (Inspired, she said, by Ballet Russes and Fellini backdrops, her white aluminum, storybook houses and ships credibly simulate folded paper.) With the fashion crowd distracted by spring/summer ready-to-wear shows, her urban county fair attracted a heavy complement of art people, who would have felt more back-to-school if the mercury hadn’t climbed higher than it had all summer. Feinstein, for one, was sweltering in a latex print dress by Giles Deacon, attended by a young guy and gal in-waiting wearing Duro Olowu, two of several designers involved in the festivities, which included a number of musical interludes and pantomimed actions. Cynthia Rowley outdid herself by creating a human fountain the model Esmerelda Seay-Reynolds, decked out in a Rowley dress and twisting in a pool while water spouted from spigots tied to her wrists. At twilight, the mainstage backdrop (Feinstein’s full-rigger) lit up with a Tony Oursler/Constance DeJong projection and whispers of “Who is that!” ricocheted through a crowd captivated by Angela McCluskey, one of two singers (Kalup Linzy was the other) who stopped pedestrian traffic in the park.