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Tions Getty Publications Fall 2011 To order Getty Publications INDIVIDUALS AID P Visit your local bookstore or call: 800 223-3431 (North America) Non-Profit U.S. Postage 310 440-7333 (International) Organization Getty Los Angeles CA Los www.gettypublications.org 3889 Permit No. [email protected] BOOKSTORES Fall 800 621-2736 (U.S. and Canada) (44) 1202-665432 (U.K. and Europe) 2011 Publications Fall 2011 With Complete Backlist © 2011 J. Paul Getty Trust Getty Publications Fall 2011 J. Paul Getty Trust J. Paul Getty Museum Getty Research Institute Getty Conservation Institute J. Paul Getty Trust J. Paul Getty Museum Getty Research Institute Getty Conservation Institute GPC Fall11_Cover_FINAL.indd 1 4/12/11 12:43 PM Getty Getty Digital Publications of the Getty Publications is pleased to announce the first of many online collection catalogues and our first mobile app. In addition, more than a hundred digital titles are available open access. Backlist Best Best of the Backlist J. Paul Getty Museum Handbook to the Collection Mobile App Highlights of the collection are at your fingertips in this mobile app available for the iPad, iPhone, and Android devices. Images and descriptions of nearly 400 objects are included, with added features such as the ability to zoom in on details and rotate three-dimensional objects, plus audio commentary on selected pieces. Available October 2011 in the App Store and Android Market. Ancient Carved Ambers in the J. Paul Getty Museum ISBN 978-1-60606-051-3 See page 15 for more information. Also available online: Anglo-American Exchange in Cult Statue of a Goddess Looking at the Landscapes Postwar Sculpture, 1945 –1975 Edited by Karol Wight Courbet and Modernism Edited by Rebecca Peabody ISBN 978-0-89236-928-7 With a Preface by Mary Morton 978-1-60606-035-3, HC 978-1-60606-032-2, HC 978-1-60606-030-8, HC ISBN 978-1-60606-069-8 ISBN 978-0-89236-927-0 US $39.95 T, UK £27.95 T US $24.95 T, UK £16.99 T US $60.00 S, UK £40.00 S see page 54 see page 56 see page 21 Visit www.getty.edu/digitalpublications for these titles plus additional electronic resources. For information about future digital publications, sign up for Art Bound, our monthly electronic newsletter. You can view the current issue and subscribe at www.getty.edu/artbound Find us on Facebook! 978-0-89236-321-6, HC 978-1-60606-031-5, HC 978-1-60606-021-6, PA US $16.95 T, UK £9.95 T US $24.95 T, UK £16.99 T US $40.00 S, UK £29.99 S see page 34 see page 55 see page 38 Cover: Julius Shulman, View of Bunker Hill from the Department 978-1-60606-047-6, HC 978-1-60606-033-9, HC 978-0-89236-822-8, PA of Water and Power Building, 1971. © J. Paul Getty Trust Julius US $74.95 T, NAO US $24.95 T, UK £16.99 T US $24.95 T, NAO Shulman Archive, Research Library at the Getty Research Institute, Los Angeles. From Julius Shulman’s Los Angeles. See page 7. see page 44 see page 56 see page 24 2565 GPC Fall11_Cover_FINAL.indd 2 4/12/11 10:49 AM Getty Publications A stunningly illustrated history of the vibrant and diverse postwar art scene in Los Angeles New Titles Pacific Standard Time Los Angeles Art, 1945 –1980 Edited by Rebecca Peabody, Andrew Perchuk, Glenn Phillips, and Rani Singh, with Lucy Bradnock This comprehensive, richly illustrated book explores postwar American art from a new perspective: Southern California. The analysis of the L.A. art scene from the end of World War II until the beginning of the 1980s— the first in-depth scholarly survey of the region’s art—demonstrates the major role Southern California artists played in the twentieth century’s most influential art movements. Grounded in more than a decade of research, the five chapters augmented by lively sidebars take readers on a tour of an art world in constant formation. The story unfolds through the people, relationships, and ideas that defined the region’s artistic production. Photographs and rare materials from the Getty Research Institute and other archives bring the era to life, opening a window onto the emergence of hard- edge abstraction, ceramic sculpture, assemblage, pop art, conceptualism, performance art, and avant-garde practices that blurred boundaries and defied labels. The result is an indispensable resource that will fundamentally change the view of modern art in America. At the Getty Research Institute, Rebecca Peabody is manager of research projects; Andrew Perchuk is deputy director; Glenn Phillips is principal project specialist and consulting curator in the Department of Architecture and Contemporary Art; Rani Singh is senior research associate in the Department of Architecture and Contemporary Art; and Lucy Bradnock is a postdoctoral fellow. Getty Research Institute / J. Paul Getty Museum 352 pages, 9 x 11 ½ inches 218 color and 160 b/w illustrations ISBN 978-1-60606-072-8 US $59.95T OCTOBER NAO MODERN ART See pages 8–9 for more information about Pacific Standard Time. 1 123923_1-17.indd 1 4/11/11 11:22:51 PM Getty Publications Profiles of Renaissance personalities from iconic figures including Leonardo Fal da Vinci and Christopher Columbus l 2011 to those that are little known Renaissance People Lives that Shaped the Modern Age Robert C. Davis and Beth Lindsmith The Renaissance burst forth in all its glory around 1500 and spread throughout Europe. This period of great creativity and productivity in the arts and sciences is illuminated in this book through the lives of more than ninety of its illustrious intellectuals, artists, literary figures, scientists, and rulers. Included are such major figures as Lorenzo and Catherine de’ Medici, Leonardo da Vinci, Charles V, Martin Luther, Christopher Columbus, Nicolaus Copernicus, and St. Teresa of Ávila, as well as lesser-known characters such as Antonio Rinaldeschi, “gambler and blasphemer”; Louise Labé, “the jousting poetess”; Dick Tarlton, “the queen’s comedian”; Veronica Franco, “courtesan and wordsmith”; and Catena, “rustler, robber, and bandit chief.” Each section in this volume marks a chronological stage in Europe’s rebirth, tying the period’s intellectual currents to its political and social concerns and setting the context for the individual biographies. Robert C. Davis is professor of Italian Renaissance and Early Modern Mediterranean history at Ohio State Univer- ’ Cosimo de’ Medici ‘’ sity and author of Holy War and Human Bondage: Tales of Christian-Muslim Slavery in the Early-Modern Mediterra- ’ N money so appreciated by both. Cosimo’s unique skills not only as a financier but also nean (Praeger, 2009) and Venice, the Tourist Maze: A Cul- as a politician and patron (all much the same thing in the th century) gave him a pivotal role in bringing Florence to the forefront of the early Renaissance. Relative newcomers, Cosimo’s branch of the Medici clan began to emerge from obscurity only in , when his father, Giovanni, founded a bank in Florence, with a branch in Rome. Thanks to his shrewd tural Critique of the World’s Most Touristed City (University choice of managers and substantial capitalization, Giovanni was soon able to expand – to Venice in , then elsewhere in Italy and, by , over the Alps to Geneva, Bruges, Avignon and London. Trained from childhood in the family business of bookkeeping, managing deposits, of California Press, 2004). Beth Lindsmith is a teacher in the transferring funds and making loans, Cosimo and his younger brother Lorenzo had by the mid-s largely taken over the bank. They grew rich through issuing letters of credit – medieval travellers’ cheques – and making high-prestige loans to those European princes who borrowed insatiably to outfit their armies and adorn their courts. With wealth came Department of English at Ohio State University and a free- growing political clout in the Florentine Republic, which increasingly employed Cosimo as its representative to the papacy. He further solidified his political credentials and broadened his horizons in the s with diplomatic trips to Switzerland, France and Germany, where he taught himself the local languages; he was also conversant in Latin and Arabic. Although Cosimo kept a low profile and avoided flaunting his wealth, some thought he lance journalist. was dangerously ambitious. Seeking a scapegoat for its failed fiscal policies, the regime arrested and sent him into exile in , hoping to balance the budget by confiscating the Medici fortune. Cosimo had foreseen this, however, and, having already transferred his assets to Venice, he went there to live in comfortable banishment, carrying on business almost as usual. Recognizing they had blundered in sending o their wealthiest and most prominent citizen, the Florentines soon changed their tune and invited him back. At a time when Italian princes ruled with ostentation and often with terror, Cosimo eased his way into power, exiling his staunchest enemies but leaving Florence’s political system intact. With remarkable nonchalance he walked around the city as he always had – without guards or fear: tales abounded of his casual encounters and gossip with ordinary Cosimo de’ Medici, in a portrait by Pontormo (). The artist has represented the Medici family’s resilience by J. Paul Getty Museum citizens. In reality, Cosimo ran things in the spirit of a Mafia don – behind the scenes, from including a bush regenerating from a cut stem. The ribbon quotes Virgil: ‘As one is torn away, another appears.’ 336 pages, 7 ½ x 9 ¾ inches 180 color and 20 b/w illustrations ISBN 978-1-60606-078-0 US $39.95T Giuseppe Arcimboldo ? " OCTOBER !’! Vpainter he later became. The son of a Milanese artist of modest repute, he was not espe- NAO cially precocious and got his first commission at the age of to design the stained-glass windows of Milan Cathedral.
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