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GRASSROOTS RUN DEEP Table of Contents Accessibiltiy Accessibility Statement
NASCO Cooperative Education and Training Institute 2008 cooperating in the struggle for land rights GRASSROOTS RUN DEEP table of contents Accessibiltiy Accessibility Statement..... 2 Making the Most e aim to avoid replicating the barriers in so- of Institute. 3 Wciety which exclude and marginalize people. We strive to create an event which is totally acces- Spotlight on sible for all who wish to participate. Friday........ 4 Spotlight on We have taken these steps to ensure that Institute Saturday...... 5 is accessible: Skill Share + Building and maintaining an environment with Schedule...... 6 zero-tolerance policy for racist, sexist, classist, Friday homophobic and/or other oppressive behaviors. Schedule...... 7 + Providing a gender neutral restroom (on the Saturday 3rd floor of the Union, just to the left of the eleva- Schedule...... 8 tors) Sunday Schedule...... 9 + Making affordable childcare available Caucuses + Housing participants in co-ops where they will and Working feel safe and comfortable Groups........ 10 + Assuring the building is wheelchair accessible Course Track Listing....... 11 + Providing ingredient lists for all meals Course Block + Asking that participants refrain from wearing One...........13 strong smelling perfumes or lotions Course Block + Requesting that all presenters speak loudly and Two...........16 clearly, respecting the needs of those who have Course Block hearing problems Three.........19 Course Block Much of the power to foster a safe and respectful Four..........23 atmosphere rests on you, the participants. Course Block All of our attempts to equalize access are made Five.......... 26 within the limits of current resources and there- Faculty Bios. 29 fore may not be perfect. We welcome suggestions Mentorship....35 for improvement and will do our best to imple- Thank You.....38 ment them. -
Akashic Books
AKASHIC BOOKS CONTACT: Ibrahim Ahmad, Akashic Books Trade Paperback Original, $14.95, 200 pages PO Box 1456, New York, NY 10009 ISBN-13: 978-1-61775-130-1 / e-ISBN: 978-1-61775-149-3 Tel: 718-643-9193, Fax: 718-643-9195 [email protected] Pub. date: January 1, 2013, Music/Pop Culture/Humor www.akashicbooks.com *See reverse for national book events featuring Ian F. Svenonius Supernatural Strategies for Making a Rock ’n’ Roll Group a how-to guide (with illustrations) by Ian F. Svenonius WASHINGTON, D.C.–BASED ROCK ’N’ ROLL ANTIHERO IAN F. SVENONIUS PROVIDES AN UNPARALLELED AND EXQUI- SITELY PROVOCATIVE HOW-TO GUIDE FOR ROCK BANDS. IAN F. SVENONIUS’S EXPERIENCE AS AN ICONIC underground rock musician—playing in such highly influential and revolutionary outfits as The Make-Up and The Nation of Ulysses—gives him special insight on techniques for not only starting but also surviving a rock ’n’ roll group. Therefore, he’s written an instructional guide, which doubles as a warning device, a philosophical text, an exercise in terror, an aerobics manual, and a coloring book. THIS VOLUME FEATURES ESSAYS ON EVERYTHING the would-be star should know to get start- ed, such as Sex, Drugs, Sound, Group Photo, The Van, and Manufacturing Nostalgia. The book will also have black-and-white illustrations. Supernatural Strategies will serve as an indispensable guide for a new generation just aching to boogie. IAN F. SVENONIUS is the author of the underground best seller The Psychic Soviet (Drag City Press, 2007). He was also the host of VBS.tv’s Soft Focus, a different breed of chat show, where he interviewed Mark E. -
T H E M I L F O R D from the Pastor
Milford Presbyterian Church 238 North Main Street, Milford, Michigan 48381 www.milfordpc.org THE MILFORD messenger From the Pastor SUMMER 2020 I am grateful for your patience as we well as unison speaking, which though not in the Youth Room. have worked to determine the safest together account for most of the Some other churches are already means and timing for the reopening elements of our worship apart from open. Why are we taking our time? of the church building for worship the sermon. The service will be much and other activities. After the shorter in duration—probably about The bottom line here is that if we are thorough and thoughtful work of our 25-30 minutes. We will limit the going to invite people into our COVID-19 Task Force, the session has seating capacity in the sanctuary to building for worship, we should only decided how to proceed based upon 40 and provide (socially distanced) do so if we are reasonably confident the Task Force’s recommendations. I overflow seating in the Chapel and/ that we are not putting them—or want to share the outline of our or Café. Depending on attendance, our staff and volunteers—at plans with you here. we may offer two services in order to unnecessary risk. accommodate everyone safely. When will we reopen? Even over the course of the six There will not be gathering time weeks that the Task Force conducted We will begin in-person worship inside the building before or after its work, we were learning new when Oakland County has moved to worship; attendees will enter things about the novel coronavirus, Phase 5 in the MI Safe Start starting about 15 minutes prior to and not many of them good. -
D E Tr O It Future Media
DETROIT FUTURE MEDIA GUIDE TO DIGITAL LITERACY ALLIED MEDIA PROJECTS MEDI RE A TU U F T I O R T E D DETROIT FUTURE MEDIA GUIDE DIGITAL TO LITERACY DESIGN: THE WORK DEPARTMENT / theworkdept.com guide to digital literacy Reflections and resources from three years of media-based organizing for community revitalization in Detroit illustration by triana kazaleh sirdenis DETROIT FUTURE MEDIA guide to digital literacy Reflections and resources from three years of media-based organizing for community revitalization in Detroit making our own media is a process of speaking and listening as a community, through which we transform ourselves and our world. DETROIT FUTURE MEDIA 7 contents 7 acknowledgements 9 introduction: digital literacy for community revitalization 13 background 17 foundations 25 structure 37 outcomes 45 curriculum samples 61 appendix 8 ALLIED MEDIA PROJECTS program credits Diana J. Nucera DFM Program Director DFM1 / DFM2 / DFM3 Mike Medow Director of Communications and Finance DFM1 / DFM2 / DFM3 Jeanette Lee Executive Director / Media-Based Organizing Instructor DFM1 / DFM2 / DFM3 Joe Namy Program Coordinator DFM1 / DFM2 / DFM3 Joshua Breitbart Program Advisor / Digital Stewards Instructor DFM1 / DFM2 / DFM3 Janel Yamashiro Program Coordinator / Web Instructor DFM1 / DFM2 / DFM3 Imad Hassan Program Coordinator / Video Instructor DFM1 / DFM2 / DFM3 Ora Wise Curriculum Consultant DFM1 / DFM2 / DFM3 Ron Watters Entrepreneurship and Graphics Instructor DFM2 / DFM3 Anderson Walworth IT Coordinator/ Digital Stewards Instructor DFM1 / -
Table of Contents Perspectives on Anarchist Theory
Table of Contents Introduction 2 Maia Ramnath Atmospheric Dialectics 8 Javier Sethness The Climate Crisis or the Crisis of Climate Politics? 26 perspectives Andre Pusey & Bertie Russell All Power to the People 48 on anarchist Lara Messersmith-Glavin theory Movements for Climate Action 56 Brian Tokar v.12 n.2 What We’re Reading 76 fall 2010 Cindy Crabb, John Duda, & Joshua Stevens Editorial Collective: Lara Messersmith-Glavin, Paul About the Illustrations 80 Messersmith-Glavin, and Maia Call for Submissions 81 Ramnath. Anarchist Interventions 82 Layout & Cover Design: Josh About the IAS 84 MacPhee. Perspectives on Anarchist Theoryis a publication of the Institute for Anarchist Studies (IAS). The views expressed here do not necessarily re- flect the IAS. Contact us at perspectivesmagazine@ Special Thanks: Josh MacPhee, the googlegroups.com. New articles, many artists from Justseeds, Jon Keller, not contained in our print edition, are David Combs, Cindy Crabb, John continually posted on line at our website. Duda, Joshua Stevens, AK Press, and You can see them at Anarchiststudies.org, Charles at Eberhardt Press. just look under “Perspectives.” “The non-sustainability and bankruptcy of the ruling world order is fully evident. The need for alternatives has never been stronger....As we face the double closure of spaces by corporate globalisation and militarised police states, by economic fascism aided by po- litical fascism, our challenge is to reclaim our freedoms and the freedoms of our fellow beings.... At the heart of building alternatives and localising economic and political systems is the recovery of the commons and the reclaiming of community. Rights to natural resources are natural rights. -
The Unreal Estate Guide to Detroit
The Unreal Estate Guide to Detroit Digitalculturebooks, an imprint of the University of Michigan Press, is dedicated to publishing work in new media studies and the emerging field of digital humanities. The Unreal Estate Guide to Detroit Andrew Herscher The University of Michigan Press Ann Arbor Copyright © by Andrew Herscher 2012 Some rights reserved This work is licensed under the Creative Commons Attribution-Noncommercial- No Derivative Works 3.0 United States License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/3.0/ or send a letter to Creative Commons, 171 Second Street, Suite 300, San Francisco, California, 94105, USA. Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid-free paper 2015 2014 2013 2012 4 3 2 1 A CIP catalog record for this book is available from the British Library. ISBN 978-0-472-03521-2 (pbk. : alk. paper) ISBN 978-0-472-02917-4 (e-book) “Precisely because physical devastation on such a huge scale boggles the mind, it also frees the imagination … to perceive reality anew; to see vacant lots not as eyesores but as empty spaces inviting the viewer to fill them in with other forms, other structures that presage a new kind of city which will embody and nurture new life-affirming values in sharp contrast to the values of materialism, individualism and competition that have brought us to this denouement.” —Grace Lee Boggs, The Next American Revolution “The world of capitalist culture, economy, -
Vol. XX No. 1 "You Don't Want the Roni! You Can't Handle the Roni!" September 9, .Wrwpra - -- -R-- -- -Agaa-~ P I R~C· Af~ 1~~-- ~ Rers - -A -- Ra a I IWT ~~A - Apy-L
Vol. XX No. 1 "You Don't Want The Roni! You Can't Handle The Roni!" September 9, .wrwpra - -- -R-- -- -agaa-~ P I R~C· aF~ 1~~-- ~ rers - -a -- ra a I IWT ~~a - apY-L t:'e '·'·'· ~~ R '''' """ :·~ ·:·tt.· ISSUES nni/ilS~~And rt AOi^ : : *;' *.:> v:...... ........ gunted riot p( qsque in oacKgrouna ..i.... '.. iiiiii^ I I LLtCfl oreaK jor"ca jatll v at me marcn 1Vi '4~ 4 iiiii:iiii::::iiiiiiji:i ii ... ..•" .'.:..i•.. ...... -. ' t.:. ....... ---.-, ?7 .""" i r ii~i~i :C: t3i;i! i: c &· :I ::. i 3~ k / he riot police Keaay for --- Photos and text by Daniel Yohannes S Flippin' a I , THE STONY BROOK PRESS PAGE 2 bYIP~ II C ---~---I-- - It~LP~ - -- 1L-- -- llp~lL4~b-~ , ~_ --e~c- , ~ I ~ ~ ----- --- - I Ir ISSUES By Daniel Yohannes varied from reminders of the need for better educa- Donations were solicited from the crowd. tion for youth, to the dangers of drugs, AIDS, and "We gotta put some green in this black machine," It was billed as the Million Youth March police brutality. The first major issue raised was that organizers said. Money was passed through many by its organizers, and a poorly-organized, prob- of reparations. Marchers were told that a man hands to a central collection point and thrown lem-causing, hate march by its critics. It was nei- named Silas Muhammad had appeared before a from overlooking windows. Crowds cheered as ther of these things. There were nowhere near a subcommittee of the United Nations Human Rights money seemed to fall from the sky. -
PLAYNOTES Season: 43 Issue: 05
PLAYNOTES SEASON: 43 ISSUE: 05 BACKGROUND INFORMATION PORTLANDSTAGE The Theater of Maine INTERVIEWS & COMMENTARY AUTHOR BIOGRAPHY Discussion Series The Artistic Perspective, hosted by Artistic Director Anita Stewart, is an opportunity for audience members to delve deeper into the themes of the show through conversation with special guests. A different scholar, visiting artist, playwright, or other expert will join the discussion each time. The Artistic Perspective discussions are held after the first Sunday matinee performance. Page to Stage discussions are presented in partnership with the Portland Public Library. These discussions, led by Portland Stage artistic staff, actors, directors, and designers answer questions, share stories and explore the challenges of bringing a particular play to the stage. Page to Stage occurs at noon on the Tuesday after a show opens at the Portland Public Library’s Main Branch. Feel free to bring your lunch! Curtain Call discussions offer a rare opportunity for audience members to talk about the production with the performers. Through this forum, the audience and cast explore topics that range from the process of rehearsing and producing the text to character development to issues raised by the work Curtain Call discussions are held after the second Sunday matinee performance. All discussions are free and open to the public. Show attendance is not required. To subscribe to a discussion series performance, please call the Box Office at 207.774.0465. By Johnathan Tollins Portland Stage Company Educational Programs are generously supported through the annual donations of hundreds of individuals and businesses, as well as special funding from: The Davis Family Foundation Funded in part by a grant from our Educational Partner, the Maine Arts Commission, an independent state agency supported by the National Endowment for the Arts. -
Charles Mcgee Was Named by the Kresge Foundation As Their First Eminent Artist Award Winner in 2008
2008 Kresge Eminent Artist Contents The Kresge Eminent Artist Award honors an exceptional artist in the visual, performing or literary arts for his or her professional achievements and contributions to Metropolitan Detroit’s cultural community. The award, which includes a $50,000 prize, is unrestricted and is given annually to an artist who has lived and worked in Wayne, Oakland or Macomb Counties for a significant number of years. Charles McGee was named by The Kresge Foundation as their first Eminent Artist Award winner in 2008. This monograph has been created to commemorate this honor and is being published in 2010. 3 | Foreword 6 | Composition: 18 | Evolution: 30 | Environment: 48 | 54 | On the by Rip Rapson the Nature of Signature McGee McGee in Public Metamorphosis: Kresge Eminent President and McGee the Life, the Art Artist Award CEO, The Kresge 20 | Charles 32 | Artist of and of McGee Foundation 9 | The Mystery McGee for the People 56 | A Letter from of Genius by Marsha Miro by Sue Levytsky 50 | Biography Richard L. Rogers 1 5 | Artist’s by Marion Jackson President, College 2008 Statement 22 | Charting the 36 | Education for Creative Studies Kresge Eminent 11 | A Legend in Course of Time: A Conversation Artist His Own Time The Work of with Charles Professional 57 | A Tribute from by Michael Hodges Charles McGee by Nick Sousanis Activities Michelle Perron by MaryAnn Solo Exhibitions Director, Kresge 16 | Paths of the Wilkinson 40 | What’s Next, Arts in Detroit Traveled Artist Charles? Selected Group by Bill Harris 26 | The McGee by Nick Sousanis Exhibitions 58 | Kresge Arts Dynamic in Detroit – Advisory by Dennis Alan 43 | A Letter Selected Honors Council Nawrocki in Tribute from Graham W. -
Kid Congo Powers Double Record Release Party
KID CONGO POWERS DOUBLE RECORD RELEASE PARTY KID CONGO POWERS DOUBLE RECORD RELEASE PARTY Tonic, March 3, 2006 Kid Congo Powers is celebrating the release of two albums on March 3, 2006 at Tonic. The first, Solo Cholo, is a career-spanning compilation focusing on the legendary guitarist’s work as a vocalist and songwriter from 1985 to the present. The second, Philosophy and Underwear, is the debut recording of his current New York band, Kid Congo and the Pink Monkey Birds - in which Kid not only sings, but also plays blistering dual guitars with ace Jack Martin (Knoxville Girls, Honeymoon Killers, etc.). After twenty-five years in the recording business (The Cramps’ Psychedelic Jungle was 1981), these two albums are the first full-length recordings that focus on Kid’s songs. The event also marks New York Night Train (www.newyorknighttrain.com) webzine’s debut as a record label. For this momentous occasion Kid has gathered an all-star cast of collaborators, friends, and favorites that will amount to one of the most unusual assemblages of underground figures in downtown history. The headliner is of course Kid Congo and the Pink Monkey Birds. The Birds will also back up Thalia Zedek (ex-Come, Live Skull, Uzi, etc.) on a few Gun Club numbers (Zedek is the vocalist who reminds Kid most of Jeffrey Lee Pierce). Another highlight of the evening is the reunion of the original New York version of Congo Norvell – Kid, Sally Norvell (actress, ex-Norvells, Prohibition, etc.), Jim Sclavunos (Nick Cave and the Bad Seeds and Vanity Set, ex-Sonic Youth, Cramps, etc.), Paul Wallfisch (Botanica, ex-Firewater, Love and Rockets, etc.), and Brian Emrich (film composer, ex-Foetus, Toasters, etc.). -
Cass Corridor Documentation Project Oral History Project
Schaerges Interview, 1 Cass Corridor Documentation Project Oral History Project Interviewee: Allen Schaerges Relationship to Cass Corridor: Collector, Willis Gallery Property Owner, Initiated Dally in the Alley Interviewer: Elizabeth Gruber Date of Interview: April 7, 2011 Location: Schaerges’s law office on Second Avenue, Detroit, Michigan Gruber: All right, this is Beth Gruber and I am interviewing Mr. Schaerges. Today is April 7, 2011 and we are at Mr. Schaerges’ office on Second Street in Detroit. Can you tell me about where you were born and where you grew up? Schaerges: I was born in Indiana in 1946 and grew up at Thirteen Mile and Woodward, where I rode my bike. I went to Albion College, spent three years in the army, came down to Wayne State to go to Law School in 1971 and forty years later I’m still here. Gruber: I have to say, I went to Albion as well. So that’s nice to know. What did your parents do for a living? Schaerges Interview, 2 Schaerges: My father worked for an automobile supplier and my mother was a classic housewife who never worked a day after she got married. Gruber: Did you have any siblings? Schaerges: I have a brother and sister who both live in California and I have been married thirty years, to Carol. Gruber: When was the first time you remember being interested in art. Schaerges: For the high school class gift from Birmingham Groves Class of 1964, I think I persuaded my classmates that we should give the school a piece of art. -
Police Go'~ After Drag Racers
.:. Greater Newark's Hometown Newspaper Since 1910 .:. 93rd Year, Issue 15 ©2002 May 1, 2002 Newark, Delaware • 50¢ Rules-of-the Point-toPoint Soccer ride in bike at Winterthur showdown safety book. this week. today. PACE 6 PACE ., PACE 12 Up FRONT Police go '~ What's a after drag streetcar? By JIM STREIT racers NEWARK POST STAFF WRITER SHOW MY AGE when I Otts Chapel Road part of joint I admit that several times as agency effort to arrest a kid, I rode a streetcar to the ball park. aggressive drivers, speeders Growing up in Catonvsille, Md., in the By MARY E. PETZAK western sub urbs of NEWARK POST STAFF WRITER Baltimore, all I wanted was to • ESIDENTS on the western side of be old enough Newark will be glad tb hear that the to go to Orioles police are targeting speeders around games with the area in a new program. friends and not According to Lt. Thomas LeMin of the my parents. Newark Police, local police are working with I matured in Delaware State Police to put extra patrols on time to experi- the road to combat increasing numbers of ence the trolley aggressive drivers, speeders and drag-racers in ride to a program to be called "Drivers Stop Your Memorial Bobble-head NEWARK POST PHOTO BY JOHN llERA Engines." Stadium but Ripken H · During a recent civic meeting of the West most of my ea rty Jump ers Chestnut Hill Residents Association, represen- trips were via Baltimore I ~ tatives from the state of Delaware and the city Transit Co.